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News from the Library of Congress: MOUG/MLA 2007
NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2007 Special Materials Cataloging Division Music Division Cataloging Policy and Support Office American Folklife Center General Library News Copyright Office Office of Strategic Initiatives Compiled by Joe Bartl, MSR1, SMCD Feb. 26, 2007 SPECIAL MATERIALS CATALOGING DIVISION (SMCD) Top of the Document (Joe Bartl. MSR1, SMCD) CATALOGING ACCOMPLISHMENTS Bibliographic Production Arrearage Accomplishments Bibliographic Maintenance WORKFLOW SIMPLIFICATION Introduction CD Brief Workflow Leased Metadata (AMG) CD Sorter & CD Add OTHER INITIATIVES New Sound Recording Formats Guidelines Series and collected works (new treatment) CD Multivolume Project Choral Music Octavos Elimination of Book Backlog Card Catalogs Inventory Project Music Division Special Collections records added to Voyager OvOp Sound Recordings Popular Sheet Music Project NEW PROJECTS Ethnic Sound Recordings M1508 Sheet Music Secure Storage Facilities Telework ONGOING PROJECTS All Media Guide (AMG) Workflow Nijinska Collection SR Foreign Language Project COOPERATION/OUTREACH Advisory Groups International Groups LC Divisions LC Junior Fellows Music Division Reference Services Music Division Strategic Planning NACO/SACO Network Development and MARC Standards Office CATALOGING ACCOMPLISHMENTS Bibliographic production: New bibliographic records added to the database consisted of 3,517 scores, 16,561 sound recordings, and 2,730 books/ERs/Microforms. This totals 22,847 new bibliographic records added to the database. Arrearage accomplishments: A total of 35,395 items were removed from the arrearage as follows: CDs (33,984); LPs (348); 78s (38); 45s (125); 10” reels (224); and cassettes (676). Bibliographic maintenance and auxiliary statistics: 9,078 bibliographic records were modified. 7,577 authority records were added to the database and 3,607 authority records were modified. -
FREDERICK FENNELL and the EASTMAN WIND ENSEMBLE: the Transformation of American Wind Music Through Instrumentation and Repertoire
FREDERICK FENNELL AND THE EASTMAN WIND ENSEMBLE: The Transformation of American Wind Music Through Instrumentation and Repertoire Jacob Edward Caines Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the Master of Arts degree in Musicology School Of Music Faculty of Arts University of Ottawa © Jacob Edward Caines, Ottawa, Canada, 2012 i Abstract The Eastman Wind Ensemble is known as the pioneer ensemble of modern wind music in North America and abroad. Its founder and conductor, Frederick Fennell, was instrumental in facilitating the creation and performance of a large number of new works written for the specific instrumentation of the wind ensemble. Created in 1952, the EWE developed a new one-to-a-part instrumentation that could be varied based on the wishes of the composer. This change in instrumentation allowed for many more compositional choices when composing. The instrumentation was a dramatic shift from the densely populated ensembles that were standard in North America by 1952. The information on the EWE and Fennell is available at the Eastman School of Music’s Ruth Watanabe Archive. By comparing the repertory and instrumentation of the Eastman ensembles with other contemporary ensembles, Fennell’s revolutionary ideas are shown to be unique in the wind music community. Key Words - EWE (Eastman Wind Ensemble) - ESB (Eastman Symphony Band) - Vernacular - Cultivated - Wind Band - Wind Ensemble - Frederick Fennell - Repertoire i Acknowledgements This thesis could not have been completed without the support of many people. Firstly, my advisor, Prof. Christopher Moore. Without his constant guidance, and patience, this document would have been impossible to complete. -
Backto the Future – the Legacy of Frank L. Battisti – Aconversation
Frank L. Battisti Frank Battisti began his teaching career as an instrumental teacher in the Ithaca (New York) Public Schools in 1953. He became Director of Bands at Ithaca High School in 1955 and remained there until 1967. He also served as chairperson of the Instrumental Music Department from 1961 - 67. The Ithaca High School Band, under Battisti’s direction, achieved national recognition as one of the finest and most unique high school bands in the nation. The concert band performed at the Ithaca College School of Music, Eastman School of Music, Music Educators National Conference (MENC), Mid-West National Band and Orchestra Clinic (Chicago 1965), Rockefeller Center, the New York World’s Fair (1964) and at other regional and national music events. In 1997 the John Philip Sousa Foundation selected Battisti’s Ithaca High School Concert Band for their Historic Roll of Honor of High School Concert Bands, 1920-1980. Eugene Migliaro Corporon, Director of Wind Studies at North Texas State University, hails the Ithaca High School Band under the leadership of Frank Battisti “as one of the truly great achievements of instrumental music education in the twentieth century.” From 1958 - 67, the Ithaca High School Band commissioned 24 works for band. The commissioned composers included Warren Benson, David Borden, Carlos Chavez, Barney Childs, Walter Hartley, Vincent Persichetti, Armand Russell, Alec Wilder and Pulitzer Prize in Music winners Leslie Bassett, Karel Husa, Robert Ward, Gunther Schuller. Guest soloists and conductors appearing with the Ithaca High School Band from 1955-67 included Benny Goodman, Carl “Doc” Severinson, Donald Sinta, Harvey Phiillips, The New York Brass Quintet, Jimmy Burke, Vincent Persichetti, Norman Dello Joio, Thomas Beversdorf, Clyde Roller, Frederick Fennell, William D. -
Lincolnshire Posy Abbig
A Historical and Analytical Research on the Development of Percy Grainger’s Wind Ensemble Masterpiece: Lincolnshire Posy Abbigail Ramsey Stephen F. Austin State University, Department of Music Graduate Research Conference 2021 Dr. David Campo, Advisor April 13, 2021 Ramsey 1 Introduction Percy Grainger’s Lincolnshire Posy has become a staple of wind ensemble repertoire and is a work most professional wind ensembles have performed. Lincolnshire Posy was composed in 1937, during a time when the wind band repertoire was not as developed as other performance media. During his travels to Lincolnshire, England during the early 20th century, Grainger became intrigued by the musical culture and was inspired to musically portray the unique qualities of the locals that shared their narrative ballads through song. While Grainger’s collection efforts occurred in the early 1900s, Lincolnshire Posy did not come to fruition until it was commissioned by the American Bandmasters Association for their 1937 convention. Grainger’s later relationship with Frederick Fennell and Fennell’s subsequent creation of the Eastman Wind Ensemble in 1952 led to the increased popularity of Lincolnshire Posy. The unique instrumentation and unprecedented performance ability of the group allowed a larger audience access to this masterwork. Fennell and his ensemble’s new approach to wind band performance allowed complex literature like Lincolnshire Posy to be properly performed and contributed to establishing wind band as a respected performance medium within the greater musical community. Percy Grainger: Biography Percy Aldridge Grainger was an Australian-born composer, pianist, ethnomusicologist, and concert band saxophone virtuoso born on July 8, 1882 in Brighton, Victoria, Australia and died February 20, 1961 in White Plains, New York.1 Grainger was the only child of John Harry Grainger, a successful traveling architect, and Rose Annie Grainger, a self-taught pianist. -
The Contributions of Leonard Bernstein and Frederick Fennell to the World of Music
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2014-01-01 The onC tributions of Leonard Bernstein and Frederick Fennell to the World of Music Ryan James Dore University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Music Commons Recommended Citation Dore, Ryan James, "The onC tributions of Leonard Bernstein and Frederick Fennell to the World of Music" (2014). Open Access Theses & Dissertations. 1611. https://digitalcommons.utep.edu/open_etd/1611 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. THE CONTRIBUTIONS OF LEONARD BERNSTEIN AND FREDERICK FENNELL TO THE WORLD OF MUSIC RYAN JAMES DORE Department of Music APPROVED: Ron Hufstader, Ph.D., Chair Lorenzo Candelaria, Ph.D. Kim Bauer, MFA. Bess Sirmon-Taylor, Ph.D. Interim Dean of the Graduate School Copyright © by Ryan Dore 2014 Dedication To my parents without whom my schooling and higher education would not be possible. To my fiancé Anna, for surviving 2 years of long distance. To all of my previous band directors, your influence inspired me to become a music educator. To God, you have guided my steps and continue to direct my life. THE CONTRIBUTIONS OF LEONARD BERNSTEIN AND FREDERICK FENNELL TO THE WORLD OF MUSIC by RYAN JAMES DORE, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Department of Music THE UNIVERSITY OF TEXAS AT EL PASO May 2014 Acknowledgements I would like to acknowledge my advisor Dr. -
Dartmouth College Wind Ensemble Anniversaries
presents Dartmouth College Wind Ensemble Anniversaries Brian Messier, conductor Funded in part by the Deborah E. & Arthur E. Allen Jr. 1932 Fund, the Richard F. Mattern 1970 Fund and gifts from Friends of the Dartmouth College Wind Ensemble Symphony for Winds “Dartmouth” commissioned by the Hopkins Center for the Arts in memory of Scott Smedinghoff GR ’17 for the Dartmouth College Wind Ensemble in commemoration of the two hundred and fiftieth anniversary of Dartmouth College, 2019 Sat, Nov 2, 7:30 pm 2019 • Spaulding Auditorium • Dartmouth College Program Light Cavalry Overture .............................................................................................................Franz von Suppé (1819–1895) arr. Filmore, ed. Foster O Magnum Mysterium ..................................................................................................................Morten Lauridsen (b. 1943) trans. Reynolds Rocky Point Holiday ................................................................................................................................ Ron Nelson (b. 1929) Children’s March: “Over the hills and far away” ....................................................................Percy Grainger (1882–1961) ed. Rogers Intermission Symphony for Winds “Dartmouth” ........................................................................................... Oliver Caplan ’04 (b. 1982) I. Misty Morning on the River II. Summiting Moosilauke III. Frost and the Lone Pine IV. Finale: The Green at 6 PM Grande Symphonie Funebre et Triomphale -
Symphonic Winds Joseph Manfredo, Conductor
Illinois State University ISU ReD: Research and eData School of Music Programs Music 4-21-2013 Student Ensemble: Symphonic Winds Joseph Manfredo, Conductor Mark Babbitt, Conductor Roy Magnuson, Conductor Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Manfredo,, Joseph Conductor; Babbitt,, Mark Conductor; and Magnuson,, Roy Conductor, "Student Ensemble: Symphonic Winds" (2013). School of Music Programs. 428. https://ir.library.illinoisstate.edu/somp/428 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University College of Fine Arts School of Music __________________________________________________ Symphonic Winds Joseph Manfredo, Conductor with Guest Artists Mark Babbitt, Conductor Roy Magnuson, Composer __________________________________________________ Center for the Performing Arts April 21, 2013 Sunday Afternoon 3:00 p.m. This is the one hundred and seventy-sixth program of the 2012-2013 season. Program Please turn off cell phones and pagers for the duration of the concert. Thank you. Whirr, Whirr, Whirr!!! Ralph Hultgren (born 1953) Candide Suite Leonard Bernstein 1. The Best of All Possible Worlds (1918-1990) 2. Westphalia Chorale and Battle Scene arranged by Clare Grundman 3. Auto-da-fé 4. Glitter and Be Gay 5. Make Our Garden Grow That Dear Land of Rest Roy Magnuson (born 1983) ~ Intermission ~ Endowed Scholarship Presentation Stephen Parsons Charles W. Bolen Music Faculty Scholarship Kimberly Risinger Mary Jo Brown Scholarship Amy Gilreath, Judith Dicker Grand-Puba-Tuba Scholarships Andy Rummel Symphonic Metamorphosis Paul Hindemith 4. -
The World March E 4Th, 8:00 P.M
The Sunderman Conservatory of Music Events Calendar e 2005-2006 Concerts and Events e THE SUNDERMAN CONSERVATORY OF MUSIC GETTYSBURG COLLEGE DECEMBER e presents 3rd, 8:00 p.m. Majestic Theatre Choral Christmas Concert 15th, 8:00 p.m. Majestic Theatre Sunderman Chamber Music Concert e Washington Symphonic Brass JANUARY e Winter Band Concert 24th, 8:00 p.m. Paul Recital Hall Faculty Recital Jeffrey Fahnestock, tenor & Jocelyn Swigger, piano e Symphony Band and Wind Ensemble 31st, 8:00 p.m. Majestic Theater Sunderman Chamber Music Concert Mark Hansen and Jocelyn Swigger, pianos e Lewes Peddell, conductor FEBRUARY 17th, Noon Paul Recital Hall Brown Bag Jazz e Alon Yavani, piano 17th, 8:00 p.m. Majestic Theater 17th Annual Winter Jazz Concert e College Jazz Ensemble • Paquito d’Rivera, guest soloist from around e Music 18th, 8:00 p.m. Majestic Theater Sunderman Chamber Music Concert The Imani Winds with Paquito d’Rivera 26th, 2:30 p.m. Paul Recital Hall Faculty Recital e James Ryon, trombone The World MARCH e 4th, 8:00 p.m. Majestic Theater Sunderman Chamber Music Concert Eighth Blackbird with Lucy Sheldon, soprano e — Folktales and Legends 25th, 8:00 p.m. Christ Chapel Spring Choir Concert nd e College Choir and Camerata Friday, December 2 , 20 05 APRIL 8:00 P.M. e 7th, 9:00 p.m. Majestic Theater Up Jumped Spring Majestic Theater Jazz Ensemble and Camerata e 8th, 8:00 p.m. Majestic Theater Spring Band Concert Symphony Band & Wind Ensemble e 9th, 2:30 p.m. Christ Chapel Choral Showcase featuring choral program ensembles e 21st, 8:00 p.m. -
HOWARD HANSON COLLECTION Accession No
HOWARD HANSON COLLECTION Accession no. 997.12 RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER The initial intellectual arrangement and physical arrangement of these papers imposed by personnel employed by the Howard Hanson Institute for American Music at the Eastman School of Music, ?1993-1997; revisions to same under the supervision of David Peter Coppen, 2017; description revised by David Peter Coppen, 2018-19. Howard Hanson, accession no. 997.12 Director Howard Hanson at his desk, ca. 1920s. Photograph from ESPA 2-14 (8x10). Howard Hanson at the piano, ca. 1960s. Photograph from Howard Hanson Collection (Accession no. 2005/3/25), Box 61, Folder 53. 2 Howard Hanson, accession no. 997.12 TABLE OF CONTENTS Description of the Collection . 5 Description of Series . 8 INVENTORY Series 1: Addresses, essays, articles, and publicity . 14 Series 2: Correspondence . 64 Sub-series A: Inside Eastman . 64 Sub-sub-series i: Offices, departments, and budget . 64 Sub-sub-series ii: Projects, endeavors, and initiatives , , 66 Sub-sub-series iii: Programmed events . 70 Sub-series B: Outside Eastman: endeavors and initiatives . 73 Sub-series C: University of Rochester River Campus . 83 Sub-sub-series i: Reports and correspondence . 83 Sub-sub-series ii: Endeavors and initiatives . 84 Sub-series D: Hanson’s original works . 85 Series 3: Manuscripts . 86 Sub-series A: Original compositions . 86 Sub-series B: Arrangements of music by other composers . 147 Sub-series C: Other writings . 150 Sub-sub-series i: Harmonic Materials of Modern Music . 150 Sub-sub-series ii: Sketches . 151 Sub-series D: Oversized manuscripts . -
ROGER RICKSON COLLECTION Special Collections 2004/7/30
ROGER RICKSON COLLECTION Special Collections 2004/7/30 RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Katherine L. Axtell Spring 2005 TABLE OF CONTENTS Description of Collection 3 Description of Series 6 INVENTORY 10 Series 1: Fennell Recordings 10 sub-series A: LP Records 10 sub-series B: Reel-to-Reel Tapes 31 sub-series C: Cassettes 33 sub-series D: Compact Discs 37 sub-series E: Sound Recordings in Other Formats 47 sub-series F: Videocassettes 50 Series 2: Fennell Publications 52 sub-series A: Music 52 sub-series B: Writings 55 Series 3: Research Materials 55 sub-series A: Loose Materials 55 sub-series B: Bound Materials 56 sub-series C: Computer Diskettes 57 Series 4: Oversized items 58 2 DESCRIPTION OF THE COLLECTION Shelf location: M3B 7, 6 – 8, 6 Physical extent: 21 linear feet Biographical Sketch Portrait from book jacket of Ffortissimo (Cleveland: Ludwig Music Publishing,1993). From Roger Rickson Collection, Box 32. Roger Rickson, born on November 20, 1937, was a native of Redlands, California. He received the Bachelor of Arts degree from San Diego State University, and the Master of Arts degree from the University of Redlands. He was a Clinician and Adjudicator throughout the West. Mr. Rickson directed numerous honor groups, including the first All Southern California Jazz All-Stars; State, County, and local Honor Jazz and Wind Ensembles; SCSBOA Junior High Honor Band; and twice directed the CMEA All-State Honor Jazz Ensemble. He also directed the Fresno Wind Orchestra and the California State University, Northridge Wind Symphony. -
Wind Symphony Spring 2020 Tour
Spring 2020 Tour Program Wind Symphony of Concordia University Chicago Dr. Richard R. Fischer, Conductor The Fred and Jane Wittlinger Chair in Music Performance Expression. A pressing out. A breathing out. Pressing keys You, the audience, have expressed your support in with fingers, beating drums with mallets. Exhaling this endeavor by being here. We are grateful for through lips and reeds pressed together so tightly that. And you will, we hope, express appreciation that the air that escapes vibrates in such a way of the efforts of our students through your that it makes our ears—and our hearts—tingle. applause. We are grateful for that, too. And, if you are related to any of the performers, you Expression. Taking a thought, feeling or emotion have expressed your love and care for them by and making it audible—hesitant, confident, bringing them to this point in their lives and by soothing, startling—through words with our instilling in them a love for music. We are eternally friends and family, or through pitches with fellow grateful for that. musicians and audience members. These gifted students before you today, our We encourage our students to play and sing dedicated faculty, and all who so willingly serve expressively, with “expression”—to “say our University wish to express our thanks to our something” through the notes and phrases of Creator and Redeemer for the gift of music and music. We give of ourselves—conductors and for all of you. We hope you enjoy the concert. players alike—when we make music. Whether or not the music is a direct expression of our faith, we are expressing our love of God, whose expression of love for us was in sending Jesus, Jonathan Kohrs, Chair whose expression of love for us was in giving Music Department his life for our redemption. -
Dr. Lewes Peddell, Conductor
THE SUNDERMAN CONSERVATORY OF MUSIC presents THE GEttYSBURG COLLEGE SYMPHONY BAND AND WIND ENSEMBLE Dr. Lewes Peddell, conductor Winterwith Dr. Erica Band Neidlinger Concert & Alex Langley ’08, guest conductors Friday, December 1st, 2006 8:00 P.M. Majestic Theater Sunderman Conservatory of Music Events 2006-2007 December 2nd • 8:00 p.m. • Christ Chapel • Choral Christmas Concert MISSION StATEMENT December 5th • 12:00 noon • Paul Recital Hall • Brown Bag Jazz • Eric Mintel Quartet Sunderman Conservatory of Music February 16th • 8:00 p.m. • Majestic Theater • 18th Annual Winter Jazz Concert College Jazz Ensemble • George Rabbai, Guest Soloist Core Purpose th To create an intellectual and artistic community for musical discovery March 24 • 8:00 p.m. • Christ Chapel • College Choir & Camerata within a rigorous liberal arts curriculum. April 13th • 8:00 p.m. • Majestic Theater • Jazz Ensemble & Camerata Core Values April 14th • 8:00 p.m. • Majestic Theater • Symphony Band & Wind Ensemble Respect th To engage in intellectual and artistic pursuits with openness and April 15 • 8:00 p.m. • Christ Chapel • Choral Showcase sensitivity to different and changing values. April 28th • 8:00 p.m. • Majestic Theater • College-Community Orchestra & College Choir Creativity and Intellectual Curiosity Libby Larsen World Premiere Composition To integrate musical tools and concepts to produce unique vehicles th th of personal expression. April 29 • 2:30 p.m. • Majestic Theater • 175 Anniversary Celebration Concert College-Community Orchestra & College Choir • Libby Larsen World Premiere Composition Innovation To experience musical, personal, and professional growth through new repertoire, concepts, and opportunities. Breadth of Experience To explore the diversity of universal musical expression.