FOR IMMEDIATE RELEASE DAVID RATCLIFF Painting with Stars

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WWW.GALERIERODOLPHEJANSSEN.COM — [email protected] FOR IMMEDIATE RELEASE DAVID RATCLIFF Painting With Stars 05.06.2014 > 18.07.2014 Galerie Rodolphe Janssen is pleased to announce Painting With Stars, David Ratcliff’s third solo exhibition at the gallery. Ratcliff’s newest body of work involves the application of mercurial spray from an airbrush: the effect disen- gages the figure / ground relationship of previous work—the stenciled and sprayed imagery exists within a confounded space that is simultaneously atmospheric and lithic. Vignettes from a kind of deep-space antholo- gy of visual signals, mediated collaboratively by the artist and the unreliable archivists of the collected cultural psyche—an exhibition emerges, as does a dispatch upon an Ouija board, each painting representing a low frequency transmission—a flashback suffered by an author separate from and unknown to the artist. The paint- ings isolate decisive moments from the relentless stream of ephemera passing through the artist’s studio, and as each work for an exhibition is meticulously crafted, Ratcliff’s reliquary of ever-renewing culture grows. About the artist : David Ratcliff (b. 1970 in Los Angeles, California) lives and works in Los Angeles. He has had solo exhibitions at Team Gallery, New York, NY; Honor Fraser, Los Angeles, CA USA ; Maureen Paley Gallery, London, UK; and Tomio Koyama Gallery, Tokyo, Japan. Group exhibitions include Torrance Museum of Art, Torrance, CA ; Brand New Gallery, Milan, Italy; PPOW, New York, NY; and the Museum of Modern Art PS1, New York, NY. Ratcliff’s work is included in the public collections of the Frank Cohen Museum of Contemporary Art, Manches- ter, UK; the Los Angeles County Museum of Art, Los Angeles, CA; the Jumex Collection, Mexico City, Mexico ; and the Saatchi Collection, London, UK..

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Press Release
David Ratcliff Basement Psychedelia 09 September — 21 October 2018 306 Windward Ave Team (bungalow) is pleased to present an exhibition of and photographs both employ stark shadow and contrast. new work by Los Angeles-based painter David Ratcliff. Compromised form and dimensionality corrupt the Entitled Basement Psychedelia, the exhibition will legibility of the sourced photographs, blending run from 09 September through 21 October 2018. representation and abstraction and obscuring boundaries Team (bungalow) is located at 306 Windward Avenue in between bodies, shadows, and shapes. The illustrations Venice, CA. more precisely transcribe image and process, with a quality of line that discloses the crisp surgery of the History is destined to repeat itself, though our ability stencil and dusty overspray of their painting. Mediated to record and process events is struggling to keep traces of origin such as the source material’s panel and pace with the increasingly rapid rate at which that page borders orchestrate an interplay of planar flatness repetition occurs. Drawing on an archive of pulp and and spatiality and breadth. subculture scraps, Basement Psychedelia captures a contemporary sense of dread; the anticipation, fear, Culled from a vast array of sources, Ratcliff’s found and anxiety of the present moment as defined by an material gathers an associative collection of evidence endless cycle of an American imperative defined by male and information, the disjointed clues from a crime-scene entitlement, insatiable indulgence, and immediate read more immediately by your gut than your head. The gratification. subjects of history painting are traditionally Cory Arcangelcommunicated through narrative depiction, whereas SamBasement Psychedelia McKinniss presents a new body of contemporary Ratcliff’s works suture together fragmentary and history paintings animated by a frenzied energy and a open-ended aesthetic impressions untethered from a time newly colorful palette.
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David Ratcliff
www.TeamGallery.com David Ratcliff 1970 born in Los Angeles, CA Lives and works in Los Angeles, CA Education: 1992 Bachelor of Fine Arts, Pratt Institute, Brooklyn, NY Solo Exhibitions: 2011 Team Gallery, New York, NY, Portraits (forthcoming, May) 2010 Galerie Rodolphe Janssen, Brussels, Belgium, Ghost Paintings Honor Fraser Gallery, Los Angeles, CA, bsckground 2009 Maureen Paley, London, England 2008 Team Gallery, New York, NY, Defect’s Mirror 2007 Tomio Koyama Gallery, Tokyo, Japan Team Gallery, New York, NY, Cosmetic Surgery Galerie Rodolphe Janssen, Brussels, Belgium, Bob Loblaw 2005 LISTE, Basel, Switzerland, tasseled loafers, jerk-off (under the auspices of Team Gallery) Team Gallery, New York, NY, I find a Burberry scarf and matching coat with a whale embroidered on it (something a little kid might wear) and it’s covered with what looks like dried chocolate syrup crisscrossed over the front Group Exhibitions: 2011 Brand New Gallery, Milan, Italy, The Shortest Distance Between 2 Points is Often Intolerable (curated by Andrew Berardini) 2010 Tomio Koyama Gallery, Tokyo, Japan, Group Show Tomio Koyama Gallery, Kyoto, Japan (two-person exhibition with Noriko Furunishi) Gallery Koko, Tokyo, Japan, NEW YORK The Loudest Team gallery, inc. 83 Grand st New york, ny 10013 tel. 212.279.9219 fax. 212.279.9220 www.TeamGallery.com 2009 Art Center College of Design, Pasadena, California, The Night Goat Demands Reparations (curated by Adam Miller) Gresham’s Ghost, New York, NY, Cave #1 (curated by Bob Nickas) Galerie Suzanne Tarasiéve, Paris,
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Press Release the HIDDEN First Floor Gallery 19 January
Press Release THE HIDDEN first floor gallery 19 January – 24 February 2008 private view: Saturday 19 January 6.00 - 8.00 pm Maureen Paley is pleased to present The Hidden, a group exhibition including work by Sean Dack, Graham Durward, Dick Evans, Lars Laumann, David Ratcliff and Dash Snow. We are drawn to the shadow. That which is hidden can be more compelling than that which is known. SABI includes the notions: ancient, respectable, antique, mature, melancholic, lonely subdued, seasoned etc. But Sabi also implies a feeling for the transitory nature of things which are beautiful precisely because they are fleeting. WABI includes the notions: simple, lonely, melancholy, quiet, desolate, impoverished and unpretentious. It is the subjective impression evoked by a picture representing a lonely fisherman’s shack buffeted by a storm on a grey winter day. It presents an undefined mournful impression that is filled with the enjoyment of the magic contained in the most simple things. Wabi is a feeling of the simplicity and naturalness of things. Together sabi and wabi convey an impression of quiet serenity. YUGEN includes the notions: dark, obscure, mysterious, uncertain, profound, subtle. It is a subjective picture, for example, the moon shining behind a veil of clouds or a mountain hidden by the morning mist. W.B. aesthetic concepts, Suiseki, 1969/ 2000 Sean Dack is represented by Daniel Reich Gallery in New York and David Kordansky Gallery in Los Angeles. His work was included in Uncertain States of America which toured widely internationally including the Serpentine Gallery in London. Graham Durward is originally from Scotland and now living and working in New York where he had a solo exhibition in a White Room at White Columns in 2007.
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London: Frieze Art Fair Preview and News Summary, October 13-16, 2011 by A
Art Observed October 11, 2011 AO on Site – London: Frieze Art Fair Preview and News Summary, October 13-16, 2011 By A. Bregman The ninth annual Frieze Art Fair will be held this week with 173 exhibiting galleries from 31 countries. The event has been held in London every October since 2003, and is known for its highly innovative contemporary gallery and artist showcase. The Frieze Frame and Frieze Projects have evolved to help divide the myriad of international artists into mainstays and up-and-comers. Interactive components, including Frieze Talks, Frieze Film, and Frieze Education, further diversify the aesthetic and conceptual basis of the event. Founding Directors Amanda Sharp and Matthew Slotover created Frieze magazine in the early 1990s and continue to develop beyond the fall showcase, with plans for an Old Masters’ exhibition at next fall’s fair. A spring plan to host a Randall’s Island venue in 2012 is also in the works. Overarching themes include internationalism and consequent interconnectivity. Frieze Talks, a series of lectures, touches on the relevance of the English language, the importance of television, and a discussion of photojournalism in art by photographer Taryn Simon. Simon’s work is currently on view at the Tate Modern, alongside a retrospective of Gerhard Richter that opened this week. Among the fresh events is a free Sculpture Park in London’s Regent’s Park, adjacent to Frieze Art Fair’s entrance, which features artists such as Neha Choksi of Mumbai and Tina Kim of Seoul alongside Western-based artists Gavin Turk and Kiki Smith. New and notable works include Hermaphrodite by Thomas Houseago, and Johan Creten’s bronze bench, Le Banc des Amoureux, and Turk’s oversized door-frame, which opens into the garden.
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Gert & Uwe Tobias 22.04 > 28.05.2014
WWW.GALERIERODOLPHEJANSSEN.COM — [email protected] Gert & Uwe Tobias 22.04 > 28.05.2014 WWW.GALERIERODOLPHEJANSSEN.COM — [email protected] Gert & Uwe Tobias 22.04 > 28.05.2014 Drawing sits at the heart of Gert & Uwe Tobias’ development of their formal language, and of their subsequent explorations in painting and large-scale woodcuts. Their process alchemically combines a highly personalised mythology with a continuous appetite for popular culture and an expansive knowledge of art and folk history. The Tobias’ works emerge as animistic depictions of unclear yet disarming narratives - ones that we as an audience recognize, but cannot immediately place. For their fourth solo exhibition at Galerie Rodolphe Janssen, Gert & Uwe Tobias present a drawing series of portraits depicting ghoulish female figures. Here, ele- gant yet decidedly grotesque feminine forms are delineated through continuous graphite lines, and bordered by washes of delicate colours deriving from the same printing ink used for the brothers’ woodcuts. While drawn from the Tobias’ uncanny imagination, the gestural, dancer-like poses of their subjects hint at the brothers’ deep appreciation for art history. Even as the female figures seem to decay and drip, their gracefully outstretched arms and serene facial expressions recall renaissance portraiture. And yet, as smoke-like lines billow in, out, and around the female figures, an air of macabre is unmistakable. The subjects’ ethereal gestures are curiously condensed in their hands and eyes, which succumb to penetrating detail and betray their inevitable deterioration. The Tobias’ subjects emerge from vase-like forms as part of a continuous metamorphic process, one that tellingly never discloses whether the female form is emerg- ing from the feminine object - or the feminine object is emerging from the female form.
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Gert & Uwe Tobias
GERT & UWE TOBIAS Born in 1973, in Brasov, Romania Live and work in Cologne, Germany SOLO EXHIBITIONS 2012 Kunstverein Hamburg, Germany. Dresdener Paraphrasen, Kupferstich-Kabinett Dresden, Germany. 2011 Contemporary Fine Arts, Berlin. GEM Museum of Contemporary Art, The Hague, The Netherlands. Grimm, Amsterdam, The Netherlands. Maureen Paley, London. 2010 Gert und Uwe Tobias, Wilhelm Hack Museum, Ludwigshafen am Rhein 2009 Gert und Uwe Tobias, La Conservera, Murcia, Spain Gert und Uwe Tobias, The Breeder, Athens Gert und Uwe Tobias, Collezione Maramotti, Reggio Emilia, Italy Gert und Uwe Tobias, Kestnergesellschaft, Hannover Gert und Uwe Tobias, Farblitographien Griffelkunstvereinigung Hamburg St Pauli, Hamburg Die Mappe, Galerie Rodolphe Janssen, Brussels Zurück nach Vorwärts Zu, Kunsthalle Wien project space, Vienna Gert & Uwe Tobias, museum franz gertsch, Burgdorf, Switzerland 2008 Gert und Uwe Tobias, Tomio Koyama Gallery, Tokyo Gert und Uwe Tobias, Kunstmuseum Bonn, Bonn Der Osten im Norden des Westens, Team Gallery, New York 2007 projects 86, Museum of Modern Art, New York Utstillingsplakater, Bergen Kunsthall, gallery No. 5, Bergen, NO if you build it they will come, Brukenthal Museum, Sibiu (Hermannstadt), RO Wohin der Hase läuft, Galerie Michael Janssen, Berlin Nichts brennt an, nichts kocht über, Kunstverein Heilbronn, Heilbronn Die Hora nimmt kein Ende, Sprüth Magers Projekte, Munich WWW.SAATCHIGALLERY.COM GERT & UWE TOBIAS 2006 N.S.,K.A.,C.G.,O.R.,F.Y., Galerie Michael Janssen, Cologne Gert & Uwe Tobias, The Happy Lion Gallery,
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David Ratcliff with Bob Nickas
David Ratcliff with Bob Nickas BN: I’ve always been under the impression that you didn’t set off right away as an artist, that you traveled, explored parts of the world — and not so beaten paths — eventually finding your way to painting. DR: I spent what feels to me like most of the ’90s outside of the US, living in Japan and traveling around India, China, Southeast Asia, and Alaska for long stretches. But yes, the “outside world” is of great interest to me and is something I’m drawn to. It took a long time to come out from under the dominant influence of that experience, to find a balance, and a reconnection with American culture didn’t happen in full until I moved out to Los Angeles. Return was a reeducation of sorts. In my first show at Team I went straight for brutality and violence as the quickest, flattest way back to America, and I have for the most part stayed somewhere within close reach. Michael Amy called me a “chronicler of glut,” which I still think is the best description of the work in that first show. It was all a direct result of spending so much time away immersed in other cultures and languages. BN: Those paintings did address the brutality inherent to American culture, and of course ours is a country born of violence. The barbed, razor-like forms perfectly embodied this sense of foreboding and dread. They weren’t so much painted as rendered with an X-Acto blade. And reducing the paintings to two colors — red and black, or black and blue — gave them a graphic bluntness.
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Gert & Uwe Tobias
WWW.GALERIERODOLPHEJANSSEN.COm — [email protected] GERT & UWE TOBIAS MARCH 30TH - MAY 19TH 2012 OPENING THURSDay MARCH 29TH FROM 6 P.M. WWW.GALERIERODOLPHEJANSSEN.COm — [email protected] Galerie Rodolphe Janssen is pleased to announce a new exhibition by Gert & Uwe Tobias in Brus- sels from March 30th till May 19th. For their third solo show at the gallery, Gert & Uwe Tobias will present for the first time large wood- cuts on canvas together with collages and ceramic sculptures. Their work contains a strong sense of biography, focusing on their origins in Transylvania, none- theless, their range of influence also goes from Ensor to Max Ernst, from Dracula to rock music and from Malevitch to Magritte. « Gert and Uwe Tobias are brothers, twins born in a part of Romania that most people have heard about but have never seen. A place associated, thanks to Bram Stoker and countless vampire mo- vies, with the legend of Dracula. Their family relocated in Germany when they were twelve. But their return to Romania, when they were in their twenties, would have a decisive effect on the direction of their work. To see where their family was from, to be in the landscape, to discover a whole folkloric tradition that encompasses célébrations and bizarre costumes, handcrafts and vernacular motifs, all this engaged their imaginations and was brought to bear on their work. » Conversation with Bob Nickas, Cologne, July 9th 2006. The woodcuts, watercolors and drawings create a sense of time that fluctuates between archaic cultural mythology and contemporary visual culture. Pictures of figures, monstrous and foreign, othe- rwordly and poetic, beautiful yet haunting, suggest a dark narrative.
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David Ratcliff
[email protected] — WWW.RODOLPHEJANSSEN.COM 1/3 David Ratcliff Biography Born 1970 in Los Angeles, CA USA Lives and works in Los Angeles, CA USA Education 1992 Bachelor of Fine Arts, Pratt Institute, Brooklyn, NY USA Solo exhibitions 2014 - Painting With Stars, Galerie Rodolphe Janssen, Brussels, Belgium - Klan Paintings, Team Gallery, New York, NY USA 2012 - The Spirits that Lend Strength Are Invisible, Honor Fraser Gallery, Los Angeles, CA USA 2011 - Portraits and Ghosts, Team Gallery , New York, NY USA 2010 - Ghost Paintings, Galerie Rodolphe Janssen, Brussels, Belgium - bsckground, Honor Fraser Gallery, Los Angeles, CA USA - Tomio Koyama Gallery, Kyoto, Japan 2009 - Maureen Paley Gallery, London, England 2008 - Defect’s Mirror, Team Gallery, New York, NY USA 2007 - Tomio Koyama Gallery, Tokyo, Japan - Cosmetic Surgery, Team Gallery, New York, NY USA - Bob Loblaw, Galerie Rodolphe Janssen, Brussels, Belgium 2005 - tasseled loafers, jerk-off (under the auspices of Team Gallery), LISTE, Basel, Switzerland - I find a Burberry scarf and matching coat with a whale embroidered on it (something a little kid might wear) and it’s covered with what looks like [email protected] — WWW.RODOLPHEJANSSEN.COM 2/3 dried chocolate syrup crisscrossed over the front, Team Gallery, New York, NY USA Group exhibitions 2015 - Andrew Gbur, Jaya Howey, David Ratcliff, Team Gallery, New York, NY USA 2013 - Rien Faire et Laisser Rire, curated by Bob Nickas, Galerie Rodolphe Janssen, Brussels, Belgium 2012 - A Child’s Guide to Good & Evil, Ramiken
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