John Lurie Get Shorty (Original MGM Motion Picture Soundtrack) Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

John Lurie Get Shorty (Original MGM Motion Picture Soundtrack) Mp3, Flac, Wma John Lurie Get Shorty (Original MGM Motion Picture Soundtrack) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Get Shorty (Original MGM Motion Picture Soundtrack) Country: US Released: 1995 Style: Jazz-Funk MP3 version RAR size: 1768 mb FLAC version RAR size: 1735 mb WMA version RAR size: 1931 mb Rating: 4.1 Votes: 571 Other Formats: WMA WAV AC3 MOD FLAC ADX MP3 Tracklist Hide Credits Chilli Hot Co-producer, Mixed By – Jim HawkinsEngineer – Alan BranchGuitar – Jim MullenPerformer ["Funky Broadway"] – Jimmy SmithProducer, 1 –Us3 5:38 Mixed By – Geoff WilkinsonProgrammed By [Uncredited] – Mike CollinsSampler ["Funky Broadway"], Written-By – Arlester ChristianTrumpet, Flugelhorn – Gerard Presencer Green Onions –Booker T & The Written By – Booker T. Jones, Steve Cropper, Al Jackson, Lewis 2 2:56 MG's SteinbergWritten-By – Al Jackson*, Booker T. Jones, Lewis Steinberg, Steve Cropper Nose Punch 3 –John Lurie 1:08 Guitar – John Lurie Stink (Short Version) 4 –John Lurie 2:26 Keyboards [Casio] – John Medeski I Had My Chance 5 –Morphine Acoustic Guitar, Written-By – Mark SandmanBaritone Saxophone, 3:05 Tenor Saxophone – Dana ColleyDrums – Billy Conway To Be Alive And In A Convertible 6 –John Lurie 2:09 Guitar – John Lurie Panacea 7 –Greyboy Written By – Marc Antoine, Andreas StevensWritten-By – Andreas 6:22 Stevens, Marc Antoine 8 –John Lurie Chili At Airport (Part 1) 0:55 9 –John Lurie Vesuvio's 2:09 Bo's Veranda Acoustic Guitar, Producer, Recorded By, Written-By – Mark 10 –Morphine 3:15 SandmanBaritone Saxophone, Tenor Saxophone – Dana ColleyBass – Mike RivardDrums – Billy ConwayTenor Saxophone – Russ Gershon Can't Be Still –Booker T & The Written By – Booker T. Jones, Steve Cropper, Al Jackson, Lewis 11 2:01 MG's SteinbergWritten-By – Al Jackson*, Booker T. Jones, Lewis Steinberg, Steve Cropper 12 –John Lurie Bo At Airport 1:15 13 –John Lurie Romantic Walk 1:06 Chubb Sub –Medeski Martin & 14 Written By – Medeski, Martin, WoodWritten-By – Martin*, Wood*, 5:06 Wood Medeski* 15 –John Lurie Chili At Airport (Part 2) 1:32 16 –John Lurie Chili And Karen At Sunset 1:21 Stink 17 –John Lurie 4:55 Keyboards [Casio] – John Medeski Companies, etc. Marketed By – Verve Records Manufactured By – Verve Records Phonographic Copyright (p) – PolyGram Records, Inc. Copyright (c) – PolyGram Records, Inc. Copyright (c) – Metro-Goldwyn-Mayer, Inc. Made By – PMDC, USA Published By – Us3 Music Published By – EMI Blackwood Music Published By – United Lion Music, Inc. Published By – Drive-In Music Co. Published By – Routeen Music Published By – Irving Music, Inc. Published By – Head With Wings Music Published By – Pubco, Inc Published By – Frazzy Frog Music Published By – Samplekings Music Published By – Gramavision Music Published By – Beatworld Music Credits Alto Saxophone – John Lurie (tracks: 3, 6, 12, 13, 16, 17) Art Direction [Art Director] – Nancy Zannini Art Direction [Assistant Art Director] – Theodora Kuslan Baritone Saxophone – Steve Elson (tracks: 3, 6, 12, 16, 17) Bass – Erik Sanko (tracks: 6, 12, 15, 17) Design – Giulio Turturro Drums – Calvin Weston (tracks: 6, 12, 15, 17), Dougie Bowne (tracks: 3, 6, 8, 9, 13) Edited By – Bobby Mackston Electric Bass, Acoustic Bass – Tony Garnier (tracks: 3, 6, 8, 9, 13, 16) Executive-Producer – Karyn Rachtman Guitar – Danny Blume (tracks: 3, 4, 6, 8, 9, 12, 15, 17) Mastered By – Scott Hull Mixed By [Assistant] – Michael Viola* Orchestrated By, Conductor – Steven Bernstein Organ – John Medeski (tracks: 3, 4, 6, 8, 9, 12, 13, 15, 17) Percussion – Billy Martin (tracks: 6, 8, 12, 15, 17) Photography By [Cover] – Firooz Zahedi Photography By [Other Photos] – Linda R. Chen Piano – John Medeski (tracks: 3, 4, 8, 12, 13, 16, 17) Producer – Eric Calvi Programmed By [Additional Programming] – Mike Collins (tracks: 1) Recorded By, Mixed By – Pat Dillett* Tenor Saxophone – Michael Blake (tracks: 3, 6, 12, 16, 17) Trombone – Art Baron (tracks: 3, 8, 12, 16), Curtis Fowlkes (tracks: 3, 8, 12, 16) Trumpet – Steven Bernstein (tracks: 3, 6, 12, 15 to 17) Vocals – John Lurie (tracks: 3, 6, 8, 15, 17) Written-By [Original Score] – John Lurie Notes © 1995 Metro-Goldwyn-Mayer Inc. ℗ 1995 PolyGram Records Inc. © 1995 PolyGram Records Inc. Track 1 Us3 appears courtesy of Blue Note Records ℗ 1995 Metro-Goldwyn-Mayer Inc. Published by Us3 Music / EMI Blackwood Music / United Lion Music, Inc. (BMI) Sample included is "Funky Broadway" Original recording appears on Verve Records Published by Drive-In Music Co. / Routeen Music (BMI) Track 2 Courtesy of Atlantic Recording Corporation / By Arrangement with Warner Special Products ℗ 1962 Atlantic Recording Corporation Published by Irving Music Inc. (BMI) Track 4 ℗ 1995 Metro-Goldwyn-Mayer Inc. Track 5 Courtesy of Rykodisc / By Arrangement with Ocean Park Music Group ℗ 1995 Rykodisc / Published by Head With Wings Music / Pubco (BMI) Track 6 ℗ 1995 Metro-Goldwyn-Mayer Inc. Track 7 Courtesy of Ubiquity Recordings, Inc. ℗ 1993 Ubiquity Recordings, Inc. Published by Frazzy Frog Music (ASCAP) / Samplekings Music (ASCAP) Track 9 ℗ 1995 Metro-Goldwyn-Mayer Inc. Track 10 Morphine appears courtesy of Rykodisc ℗ 1995 Metro-Goldwyn-Mayer Inc. Published by Head With Wings Music / Pubco / Lion Music, Inc. (BMI) Track 11 Courtesy of Atlantic Recording Corporation / By Arrangement with Warner Special Products ℗ 1962 Atlantic Recording Corporation Published by Irving Music Inc. (BMI) Track 13 ℗ 1995 Metro-Goldwyn-Mayer Inc. Track 14 Courtesy of Gramavision, a Rykodisc Label / By Arrangement with Ocean Park Music Group ℗ 1995 Rykodisc / Published by Gramavision Music / Beatworld Music (BMI) Track 17 ℗ 1995 Metro-Goldwyn-Mayer Inc. Released in jewel case included tri fold-out insert with credits. Barcode and Other Identifiers Barcode (Text): 7 31452 93102 3 Barcode (String): 731452931023 Mastering SID Code (Variant 1 & 2): IFPI L007 Matrix / Runout (Variant 1): 314 529 310-2 01% F Matrix / Runout (Variant 2): 314 529 310-2 01% L Matrix / Runout (Mould Press Code Variant 1): F Matrix / Runout (Mould Press Code Variant 2): L Mould SID Code (Variant 1): IFPI 0322 Mould SID Code (Variant 2): IFPI 0340 Pressing Plant ID (Mould (Inner circle near the clear area) Variant 1 & 2): MADE IN USA BY PMDC Rights Society: BMI Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year Get Shorty (Original MGM 529 310-2 Various Motion Picture Soundtrack) (CD, Antilles 529 310-2 Europe 1995 Comp) Get Shorty (Original MGM 529 310-2 Various Motion Picture Soundtrack) (CD, Antilles 529 310-2 Australia 1995 Comp) Get Shorty (Original MGM 314 529 Antilles, The 314 529 Various Motion Picture Soundtrack) (CD, US 1995 310-2 Verve Group 310-2 Comp, Club) Get Shorty (Original MGM P2 29310 Various Motion Picture Soundtrack) (CD, Antilles P2 29310 Canada 1995 Comp, Club) Get Shorty (Original MGM Antilles, The 529 310-4 Various Motion Picture Soundtrack) 529 310-4 Europe 1995 Verve Group (Cass, Comp) Related Music albums to Get Shorty (Original MGM Motion Picture Soundtrack) by John Lurie Various - Mystery Train Various - Film Noir Six Classic Sound Track Albums Billy Tipton Memorial Saxophone Quartet - Box Evan Lurie - Selling Water By The Side Of The River John Lurie - Original Soundtracks By John Lurie From Down By Law And Variety Booker T & The MG's - The Best Of Booker T & The MG's Booker T. & The MGs - The Very Best Of Booker T. & The MGs Booker T. & The M.G.s - Green Onions Various - Dear John (Original Motion Picture Soundtrack) Booker T. & The MG's - R & B With Booker T. Vol.2.
Recommended publications
  • The Shackleton Project) February 7-12, 2012
    FOR IMMEDIATE RELEASE Contact: Joyce Linehan for ArtsEmerson, 617-282-2510, [email protected] ArtsEmerson: The World On Stage PRESENTS THE BOSTON PREMIERE OF PHANTOM LIMB’S 69˚S. (THE SHACKLETON PROJECT) FEBRUARY 7-12, 2012 High resolution photos available for download at http://www.ashmontmedia.com/AE_photos_season_69S.html Press performance is Feb. 7 at 7 p.m. Please email [email protected] with requests. (BOSTON – Jan. 23, 2012) The second season of international theatre programming by ArtsEmerson: The World On Stage continues with the Boston premiere of the world premiere production of 69˚S. (The Shackleton Project), an impressionistic recreation of one of the greatest survival stories of all time. Performances take place Feb. 7 – 12, 2012 at the Paramount Center Mainstage (559 Washington Street, in Boston’s Theatre District). Tickets, from $25 – $79, are on sale now at www.artsemerson.org or by phone at (617) 824-8400. Phantom Limb’s 69˚S. , co-conceived with The Kronos Quartet, imagines the unimaginable. Sir Ernest Shackleton’s 1914 trans-Antarctic expedition—the real life story of a team of explorers frozen (literally) in crisis—is reignited by a contemporary dilemma: the realities of a changing environment and the planet’s uncertain future. Theatre, dance, puppetry, photography, film and original music— an installation-in-motion — create an impressionistic, stunning and evocative series of tableaux vivants, taking the audience on an artistic and emotional journey that explores the symbiotic relationship between humans and the environment. This extraordinary voyage, and its remarkable ending reinvigorate the spirit of foregoing individual glory for the sake of collective survival.
    [Show full text]
  • Berliner Jazztage the Philharmonie, Berlin, Germany November 7, 1981
    Berliner Jazztage The Philharmonie, Berlin, Germany November 7, 1981 The Lounge Lizards was an eclectic musical group founded by saxophonist John Lurie and his brother, pianist Evan Lurie, in 1978. Initially known for their ironic, tongue-in- cheek take on jazz, The Lounge Lizards eventually became a showcase for John Lurie’s sophisticated compositions straddling jazz and many other genres. They were active until about 1998 with the Lurie brothers as the only constant members, though many leading New York City based musicians were members of the group. The group’s name was borrowed from American slang. A lounge lizard is typically depicted as a well-dressed man who frequents the establishments in which the rich gather with the intention of seducing a wealthy woman with his flattery and deceptive charm. - wikipedia + + + + + Thanks to unclewolfi for sharing the show at Dime. Lineage: dvb-s > techno trend tt-premium s2-6400 twin hd > hdd > nero wave editor > flac (mpeg1 layer 2/320 kbps) [radio station - rbb kulturradio] MP3 Version 01. Announcement Gudrun Endress 0:25 02. Incident On South Street 2:17 03. Stompimg At Corona 2:16 04. Announcement John Lurie 0:12 Lounge Lizards Berlin 1981 The 05. The Dancing Gangster 2:58 06. Announcement John Lurie 0:09 07. Sumerian High Life 2:41 08. Announcement John Lurie 0:09 09. Epistrophy 4:40 10. Announcement John Lurie 0:15 11. Ballad 3:12 12. Announcement John Lurie 0:11 13. Conquest Of Rar 2:42 14. Announcement John Lurie 0:21 15. Wangling 2:39 The Lounge Lizards Berlin 1981 The 16.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • Program Features Don Byron's Spin for Violin and Piano Commissioned by the Mckim Fund in the Library of Congress
    Concert on LOCation The Elizabeth Sprague Coolidge Foundation The McKim Fund in the Library of Congress "" .f~~°<\f /f"^ TI—IT A TT^v rir^'irnr "ir i I O M QUARTET URI CAINE TRIO Saturday, April 24, 2010 Saturday, May 8, 2010 Saturday, May 22, 2010 8 o'clock in the evening Atlas Performing Arts Center 1333 H Street, NE In 1925 ELIZABETH SPRAGUE COOLIDGE established the foundation bearing her name in the Library of Congress for the promotion and advancement of chamber music through commissions, public concerts, and festivals; to purchase music manuscripts; and to support musical scholarship. With an additional gift, Mrs. Coolidge financed the construction of the Coolidge Auditorium which has become world famous for its magnificent acoustics and for the caliber of artists and ensembles who have played there. The McKiM FUND in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson, to support the commissioning and performance of chamber music for violin and piano. The audiovisual recording equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore Gershwin Fund in the Library of Congress. Request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 [email protected]. Due to the Library's security procedures, patrons are strongly urged to arrive thirty min- utes before the start of the concert. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the chamber music con- certs.
    [Show full text]
  • Memory Rings
    2016 BAM Next Wave Festival #MemoryRings Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Memory Rings BAM Harvey Theater Nov 17—19 at 7:30pm; Nov 20 at 3pm Running time: approx. one hour & 20 minutes, no intermission Phantom Limb Company Conceived by Jessica Grindstaff and Erik Sanko Choreography by Ryan Heffington Direction and design by Jessica Grindstaff Original music and puppet design by Erik Sanko Costume design by Henrik Vibskov Lighting design by Brian H Scott Sound design by Darron L West Projection design by Keith Skretch Dramaturgy by Janice Paran Creative producer Mara Isaacs/Octopus Theatricals Season Sponsor: Major support for theater at BAM provided by: The Francena T. Harrison Foundation Trust Donald R. Mullen Jr. The SHS Foundation The Shubert Foundation, Inc. Additional support provided by The Jim Henson Foundation. Memory Rings CAST Toby Billowitz Rowan Magee Marissa Brown Aaron Mattocks Emeri Fetzer Daniel Selon Takemi Kitamura Carlton Cyrus Ward ADDITIONAL CREDITS Stage manager Randi Rivera Production manager Corps Liminis Design architect Gia Wolff Fragrance design Douglas Little Rehearsal director Aaron Mattocks Cello recording Jeffrey Ziegler Producing associate/Company manager Bryan Hunt Bramble costumes designed by Jessica Grindstaff Costumes fabricated by Henrik Vibskov Studio Bramble costumes fabricated by Daniel Selon and Kaitlyn Horpedahl, Sarah
    [Show full text]
  • Aaron Stroessner 1420 E St
    1 Aaron Stroessner 1420 E St. #5 Lincoln, NE 68508 [email protected] (402) 499-6519 Teaching Experience Wayne State College, Adjunct Professor – Wayne, NE 2018 -current Teach online lessons in Guitar for music majors and minors Report attendance, assessments, and grades via wsc.edu Nebraska Wesleyan University, Adjunct Professor – Lincoln, NE 2017-current Instruct NWU Jazz Ensemble Teach private lessons in Guitar for music majors and non-majors Report attendance, assessments, and grades via nebrwesleyan.edu Southeast Community College, Adjunct Professor - Lincoln/Beatrice, NE 2016-current Teach History of Rock Music (classroom and online sections) Teach private lessons in Guitar and Music Theory Grade and tutor online Music Theory classes Received extensive training in Moodle and Canvas platforms and conversions Report attendance, assessments, and grades via thehub.southeast.edu Iowa Western Community College, Adjunct Professor - Council Bluffs, IA 2016-current Teach 17-week semester classes in Music Appreciation Teach private guitar lessons Report attendance, assessments, and grades via roclms.iwcc.edu Harris Academy of the Arts, Faculty Instructor - Lincoln, NE 2016-2017 Taught over 20 weekly guitar and bass lessons to students of all ages Led and directed several rock band ensembles Helped prepare and produce biannual recitals featuring over 250 performances University of Nebraska, Graduate Teaching Assistant - Lincoln, NE 2012-15 Taught applied Guitar Lessons to undergraduate music majors Taught, arranged for, and performed
    [Show full text]
  • Complete Band and Panel Listings Inside!
    THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • John Lurie/Samuel Delany/Vladimir Mayakovsky/James Romberger Fred Frith/Marty Thau/ Larissa Shmailo/Darius James/Doug Rice/ and Much, Much More
    The World’s Greatest Comic Magazine of Art, Literature and Music! Number 9 $5.95 John Lurie/Samuel Delany/Vladimir Mayakovsky/James Romberger Fred Frith/Marty Thau/ Larissa Shmailo/Darius James/Doug Rice/ and much, much more . SENSITIVE SKIN MAGAZINE is also available online at www.sensitiveskinmagazine.com. Publisher/Managing Editor: Bernard Meisler Associate Editors: Rob Hardin, Mike DeCapite & B. Kold Music Editor: Steve Horowitz Contributing Editors: Ron Kolm & Tim Beckett This issue is dedicated to Chris Bava. Front cover: Prime Directive, by J.D. King Back cover: James Romberger You can find us at: Facebook—www.facebook.com/sensitiveskin Twitter—www.twitter.com/sensitivemag YouTube—www.youtube.com/sensitiveskintv We also publish in various electronic formats (Kindle, iOS, etc.), and have our own line of books. For more info about SENSITIVE SKIN in other formats, SENSITIVE SKIN BOOKS, and books, films and music by our contributors, please go to www.sensitiveskinmagazine.com/store. To purchase back issues in print format, go to www.sensitiveskinmagazine.com/back-issues. You can contact us at [email protected]. Submissions: www.sensitiveskinmagazine.com/submissions. All work copyright the authors 2012. No part of this book may be used or reproduced in any manner whatsoever without the prior written permission of both the publisher and the copyright owner. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. ISBN-10: 0-9839271-6-2 Contents The Forgetting
    [Show full text]
  • WISCONSIN's ART HISTORY the Art Museum Celebrates 100 Years of Wisconsin Art
    Editor-in-Chief Debra Brehmer Associate Editor Calendar Editor Business Manager Therese Gantz Associate Editor-Music From the Editor BobbyDuPah Associate Editor Nathan Guequierre With this issue, Art Muscle celebrates its 2nd 2nd anniversary and we've only begun tapping Photo Editor anniversary. And no, I won't say anything about into its intriguing, yet still mysterious design ca­ Francis Ford growing pains and two year olds and all that. I'll pabilities. just say that I hope the magazine will continue to grow so we can expand the depth and detail of We invite you to help celebrate the anniversary Art Direction our coverage. by attending the A rf Muscle exhibition and party Barb Paulini from 7 p.m. to ? on Friday, October 7. The celebra­ We hope that in the past two years, Art Muscle tion will take place in the Art Muscle Ballroom at has helped define Milwaukee's art community 909 W. National Avenue, with live music and Sales Representatives and put us all closer in touch with one another. It short performances by Foothold Dance Collec­ is important for artists to feel a sense of commu­ tive, Wild Space Dance Company and Rip Tenor. Lisa Mohan, Sam Woodburn &Kathy Corbin nity and it's important for the public to feel tuned in to the thoughts and motivations of artists. Thanks to all our advertisers for two great years. Printing by Citizen Publishing Also thanks to our freelancers, families, friends So what's ahead? In the upcoming year, we plan and our subscribers. If you enjoy Art Muscle, FRIENDS OF ART MUSCLE to rearrange our format somewhat and add some there's one little thing that you could do that has new features, expand the "opportunities" sec­ a far greater impact than you could ever imagine: Perry & Bobbie Dinkin Ellen Checota tion, which provides artists with exhibition and Subscribe.
    [Show full text]
  • Lounge Lizards Voice of Chunk Mp3, Flac, Wma
    Lounge Lizards Voice Of Chunk mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Voice Of Chunk Country: France Released: 1989 Style: Contemporary Jazz MP3 version RAR size: 1867 mb FLAC version RAR size: 1107 mb WMA version RAR size: 1563 mb Rating: 4.9 Votes: 744 Other Formats: MP2 ADX DTS DMF AIFF VOX MP4 Tracklist A1 Bob The Bob 2:07 A2 Voice Of Chunk 5:25 A3 One Big Yes 6:23 A4 The Hanging 4:43 B1 Uncle Jerry 4:19 B2 A Paper Bag And The Sun 7:42 B3 Tarantella 4:06 B4 Bob The Bob (Home) 3:29 Companies, etc. Duplicated By – Disco / France Credits Bass – Erik Sanko Drums – Douglas Browne* Guitar, Trumpet – Marc Ribot Percussion – E.J. Rodriguez Piano – Evan Lurie Producer – John Lurie Saxophone [Alto, Soprano] – John Lurie Saxophone [Tenor, Alto, Soprano] – Roy Nathanson Trombone – Curtis Fowlkes Notes French cassette version (Milan). Same tracklisting than the LP "The Lounge Lizards - Voice of Chunk" Barcode and Other Identifiers Barcode: 3299031 050246 Rights Society: SACEM SACD SDRM SGDL Other versions Category Artist Title (Format) Label Category Country Year The Lounge Voice Of Chunk Lagarto LAGCD003 LAGCD003 US 1989 Lizards* (CD, Album) Productions The Lounge Voice Of Chunk vBr 25 veraBra Records vBr 25 Germany 1989 Lizards* (LP, Album) Lounge Voice of Chunk (LP, GLLP 91029 Gala Records GLLP 91029 Italy 1989 Lizards Album) The Lounge Voice Of Chunk vBr CD No. 25 veraBra Records vBr CD No. 25 Germany 1989 Lizards* (CD, Album) The Lounge Voice Of Chunk PCCY-00013 Agharta PCCY-00013 Japan 1989 Lizards* (CD, Album) Related Music albums to Voice Of Chunk by Lounge Lizards Guigou Chenevier / Denis Bernet-Rollande - Le Diapason Du Père Ubu Evan Lurie - Il Piccolo Diavolo - Ein Himmlischer Teufel (Original Soundtrack) Ed 'Chunk' Rodriguez - More Love (Remixes) Suzi Chunk And Groovy Uncle - Barefoot In The Car Park Chunk!, Chunk - Something For Nothing Lounge Lizards - Big Heart Lounge Lizards - No Pain For Cakes The Lounge Lizards - Live In Tokyo - Big Heart.
    [Show full text]
  • Katherine Brinson. "Trouble Is My Business."
    Katherine Brinson TROUBLE IS MY BUSINESS ONE OF THE FIRST public descriptions of Christopher Wool’s art which they seem to deny.”2 As Wool’s oeuvre has evolved, could just as easily provide the last word. Written as the press it has become clear that this evasive quality stems from a fun- release for his 1986 show at Cable Gallery in New York, damental rejection of certainty or resolution that serves as the when Wool was on the brink of creating the body of work conceptual core of the work as well as its formal underpinnings. that marked the breakthrough to his mature career, it augurs A restless search for meaning is already visualized within the his development with strange prescience: paintings, photographs, and works on paper that constitute the artist’s nuanced engagement with the question of how to Wool’s work contains continual internal/external make a picture. debate within itself. At one moment his work will display self-denial, at the next moment solipsism. ALTHOUGH IN RECENT YEARS Wool has spent much of his time Shifting psychological states, false fronts, shadows amid the open landscape of West Texas, from the outset his of themselves, justify their own existence. Wool’s work has been associated with an abrasive urban sensibility. work locks itself in only to deftly escape through His identity was forged in two locales teeming with avant- sleight of hand. The necessity to survive the moment garde currents: the South Side of Chicago in the 1960s and at all costs, using its repertoire of false fronts and downtown New York in the 1970s.
    [Show full text]