Larry Zolf Fonds Inventory #110
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Pierre Trudeau
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 2005 Scoring the charter: A twenty-year analysis of supreme court voting trends (Pierre Trudeau). Jason A. Daigle University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Daigle, Jason A., "Scoring the charter: A twenty-year analysis of supreme court voting trends (Pierre Trudeau)." (2005). Electronic Theses and Dissertations. 3384. https://scholar.uwindsor.ca/etd/3384 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. Scoring the Charter: A Twenty-Year Analysis of Supreme Court Voting Trends by Jason A. Daigle A Thesis Submitted to the Faculty of Graduate Studies and Research through Political Science in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada 2005 © 2005 Jason A. Daigle Reproduced with permission of the copyright owner. -
War on the Air: CBC-TV and Canada's Military, 1952-1992 by Mallory
War on the Air: CBC-TV and Canada’s Military, 19521992 by Mallory Schwartz Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in History Department of History Faculty of Arts University of Ottawa © Mallory Schwartz, Ottawa, Canada, 2014 ii Abstract War on the Air: CBC-TV and Canada‘s Military, 19521992 Author: Mallory Schwartz Supervisor: Jeffrey A. Keshen From the earliest days of English-language Canadian Broadcasting Corporation television (CBC-TV), the military has been regularly featured on the news, public affairs, documentary, and drama programs. Little has been done to study these programs, despite calls for more research and many decades of work on the methods for the historical analysis of television. In addressing this gap, this thesis explores: how media representations of the military on CBC-TV (commemorative, history, public affairs and news programs) changed over time; what accounted for those changes; what they revealed about CBC-TV; and what they suggested about the way the military and its relationship with CBC-TV evolved. Through a material culture analysis of 245 programs/series about the Canadian military, veterans and defence issues that aired on CBC-TV over a 40-year period, beginning with its establishment in 1952, this thesis argues that the conditions surrounding each production were affected by a variety of factors, namely: (1) technology; (2) foreign broadcasters; (3) foreign sources of news; (4) the influence -
Asper Nation Other Books by Marc Edge
Asper Nation other books by marc edge Pacific Press: The Unauthorized Story of Vancouver’s Newspaper Monopoly Red Line, Blue Line, Bottom Line: How Push Came to Shove Between the National Hockey League and Its Players ASPER NATION Canada’s Most Dangerous Media Company Marc Edge NEW STAR BOOKS VANCOUVER 2007 new star books ltd. 107 — 3477 Commercial Street | Vancouver, bc v5n 4e8 | canada 1574 Gulf Rd., #1517 | Point Roberts, wa 98281 | usa www.NewStarBooks.com | [email protected] Copyright Marc Edge 2007. All rights reserved. No part of this work may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written consent of the publisher or a licence from the Canadian Copyright Licensing Agency (access Copyright). Publication of this work is made possible by the support of the Canada Council, the Government of Canada through the Department of Cana- dian Heritage Book Publishing Industry Development Program, the British Columbia Arts Council, and the Province of British Columbia through the Book Publishing Tax Credit. Printed and bound in Canada by Marquis Printing, Cap-St-Ignace, QC First printing, October 2007 library and archives canada cataloguing in publication Edge, Marc, 1954– Asper nation : Canada’s most dangerous media company / Marc Edge. Includes bibliographical references and index. isbn 978-1-55420-032-0 1. CanWest Global Communications Corp. — History. 2. Asper, I.H., 1932–2003. I. Title. hd2810.12.c378d34 2007 384.5506'571 c2007–903983–9 For the Clarks – Lynda, Al, Laura, Spencer, and Chloe – and especially their hot tub, without which this book could never have been written. -
B1426352x.Pdf
THE POLITICS OF MULTICULTURALISM IN CANADA, 1963-1971. Shinder Purewal B.A., Simon Fraser University, 1988 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In the Department of Political Science a Shinder Purewal, 1992 SIMON FRASER UNIVERSITY August 1992 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME : Shinder Purewal DEGREE : Master of Arts TITLE OF THESIS: Politics of Multiculturalism, 1963-1971 EXAMINING COMMITTEE: Chairperson: Dr. Michael Howlett - Dr. Martin Robin Senior Supervisor w/'~aurent Dobuzinskis Second Supervisor Dr. Karl Peter External Examiner Professor Emeritus Sociology and Anthropology Simon Fraser University Date Approved: Auaust 27, 1992 PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. Title of Thesis/Project/Extended Essay The Politics of Multiculturalism in Canada, 1963-1971 Author: (siynature) Shinder Purewal (name 1 iii Abstract The policy of multiculturalism was implemented by the Liberal government under Prime Minister Pierre Trudeau to win ethnic votes for the Liberal party, and to - nationalists' demand for special status. -
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Job Name:2176678 Date:15-03-06 PDF Page:2176678pbc.p1.pdf Color: Cyan Magenta Yellow Black CANADA AT THE POLLS CANADA AT THE POLLS The General Election of 1974 Edited by Howard R. Penniman American Enterprise Institute for Public Policy Research Washington, D. C. Distributed to the Trade by National Book Network, 152.00 NBN Way, Blue Ridge Summit, PA 172.14. To order call toll free 1-800-462.-642.0 or 1-717-794-3800. For all other inquiries please contact the AEI Press, 1150 Seventeenth Street, N.W., Washington, D.C. 2.0036 or call 1-800-862.-5801. ISBN 0-8447-3178-1 Foreign Affairs Study 24, October 1975 Second printing, January 1978 Library of Congress Catalog Card No. 75-24771 © 1975 by American Enterprise Institute for Public Policy Research, Washington, D. C. Permission to quote from or reproduce materials in this publication is granted when due acknowledgment is made. Printed in the United States of America CONTENTS PREFACE 1 THE PARTY SYSTEM AND THE 1974 ELECTION John Meisel 1 Fixed Constraints on the Party System 1 Political Constraints on the Party System 4 The Nature of the Party System 11 Evaluation of the Party System 20 Consequences of the 1974 Election 25 2 AN OVERVIEW OF THE 197·4 FEDERAL ELECTION IN CANADA William P. Irvine 29 Minority Government in Canada: The 1972 Parliament 32 The 1974 Election 39 3 PIERRE TRUDEAU AND THE LIBERAL PARTY: THE JOCKEY AND THE HORSE Stephen Clarkson 57 Prime Ministerial Imprints 58 Electoral Foundation for Liberal Dominance 61 Social and Organizational Foundations of the Liberal Party 67 -
Sean O'sullivan Fonds 1923-1942, 1965-1998
Sean O’Sullivan fonds 1923-1942, 1965-1998 RG 431 Brock University Archives Creator: Sean O’Sullivan Extent: 10.5 metres of textual records (37 boxes) ca. 102 photographs 32 negatives 14 audio cassette tapes 4 VHS tapes 1 hat Abstract: Fonds primarily contains material relating to Sean O’Sullivan’s career as a Member of Parliament for the riding of Hamilton-Wentworth from 1972- 1977. The fonds consists mostly of correspondence to and from constituents and colleagues during this period, but also contains other materials such as speeches, photographs, news clippings, and correspondence between Sean O’Sullivan and John Diefenbaker from 1965-1972. Materials: Correspondence, speeches, news clippings, promotional material, photographs, reports, and programs. Repository: Brock University Archives Processed by: Chantal Cameron Last Updated: April 2013 Terms of Use: The Sean O’Sullivan fonds are open for research. Use Restrictions: Current copyright applies. In some instances, researchers must obtain the written permission of the holder(s) of copyright and RG 431 page 2 the Brock University Archives before publishing quotations from materials in the collection. Most papers may be copied in accordance with the Library’s usual procedures unless otherwise specified. Some of the items have restricted usage. Preferred Citation: RG 431, Sean O’Sullivan fonds, 1965-1998. Brock University Archives, Brock University. Administrative History: Sean O’Sullivan was born in Hamilton, Ontario, in 1952. At an early age, he demonstrated an interest in politics. A chance meeting with John Diefenbaker in 1963, when Sean was just 11 years old, marked the beginning of his involvement with the Progressive Conservative Party. -
The Diefenbaker Moment by Cara Spittal a Thesis Submitted In
The Diefenbaker Moment By Cara Spittal A thesis submitted in conformity with the requirements for the Degree of Doctor of Philosophy Graduate Department of History University of Toronto © Copyright by Cara Spittal (2011) Abstract Cara Spittal The Diefenbaker Moment University of Toronto Graduate Department of History For the degree of Doctor of Philosophy, 2011 This thesis locates John G. Diefenbaker’s electoral triumphs in the general elections of 1957 and 1958 and his subsequent world tour within the context of the revival of Conservative nationalism in the postwar period. To make his case against a Liberal government that had been in power for twenty-two years, Diefenbaker had to engage the public in a response to political events based on an appreciation of an abstract and not quite palpable threat to democracy and a national way of life. He did so by harnessing the persuasive techniques of public relations and the new medium of television—a powerful combination that Diefenbaker knew could most effectively tell and sell a national narrative. The signature he settled on was the “New National Policy.” The choice harkened back to a discourse of Conservative nationalism that spoke of the antiquity of his party ideology and rediscovered the heroes who founded the nation. The “New National Policy” was a therapeutic ethos designed to assuage voters’ fears about mass consumption, continentalism, communism, and the end of empire: it ensured that the greatness of events and men of the past could guarantee the ideas and values of the present; it was gendered in its construction of patriotic manhood, exalted motherhood, and icons of nationalist ideology; it was transnational in scope; it told of a relation of cause-and-effect that resembled a theory of history more than a blueprint for public policy; it was fashioned to disarm critical analysis because it conformed to the structures and traditions of storytelling and the clichés of historical memory.