It's All in the Family for Arlo Guthrie
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Archived News
Archived News 2007-2008 News articles from 2007-2008 Table of Contents Alumnae Cited for Accomplishments and Sage Salzer ’96................................................. 17 Service................................................................. 5 Porochista Khakpour ’00.................................. 18 Laura Hercher, Human Genetics Faculty............ 7 Marylou Berg ’92 ............................................. 18 Lorayne Carbon, Director of the Early Childhood Meema Spadola ’92.......................................... 18 Center.................................................................. 7 Warren Green ................................................... 18 Hunter Kaczorowski ’07..................................... 7 Debra Winger ................................................... 19 Sara Rudner, Director of the Graduate Program in Dance .............................................................. 7 Melvin Bukiet, Writing Faculty ....................... 19 Rahm Emanuel ’81 ............................................. 8 Anita Brown, Music Faculty ............................ 19 Mikal Shapiro...................................................... 8 Sara Rudner, Dance Faculty ............................. 19 Joan Gill Blank ’49 ............................................. 8 Victoria Hofmo ’81 .......................................... 20 Wayne Sanders, Voice Faculty........................... 8 Students Arrive on Campus.............................. 21 Desi Shelton-Seck MFA ’04............................... 9 Norman -
Vietnam War Protest Song Analysis Suggested Grades 6-12 Overview Creativity Was an Important Asset to Protesting the Vietnam War
Vietnam War Protest Song Analysis Suggested Grades 6-12 Overview Creativity was an important asset to protesting the Vietnam War. Many popular musicians of the 1960s and 1970s wrote and performed songs in order to express opposition to the violence in Vietnam. These songs are still played today, which serves as a reminder of the power of music. Objective Learn about the antiwar movement, discuss the reasons for opposing the war in Vietnam and reflect. Time needed About thirty minutes: fifteen to discuss the antiwar movement, five minutes to listen to the song, and ten minutes for reflection and discussion. Materials needed: A computer with speakers Handouts of song lyrics A piece of paper Instructions 1. Give a summary of the antiwar movement to the students and be sure to include examples of why the individuals chose to protest. 2. Hand out a copy of the lyrics of the chosen Vietnam protest song. 3. Aloud, play the song for the students and give some time after the song is finished for the students to write a reflection of the song. 4. Together, have the class discuss the reason why the musician might have written the song as well as different examples and issues brought up in the antiwar movement that they heard in the song. Examples: What’s Going On – Marvin Gaye Give Peace a Chance – John Lennon Fortunate Son – Creedence Clearwater Revival Alice’s Restaurant - Arlo Guthrie (son of Woody Guthrie) More examples: https://www.thoughtco.com/anti-war-protest-songs-of-the-60s- and-70s-748278 Questions 1. -
December 2019
VOL. XXVIII, NO. 3 LENOX, MASSACHUSETTS DECEMBER, 2019 newsletters, photographs, and corporate documents; inci- Letter from the Editor dental papers and documents (some significant, some trivial, and some private); and……. the money. Dear Fellow Alumni and Friends of Lenox School, A group of folks, including Randy Harris, Bob Sansone, Ed Another October, another enjoyable and successful LSAA Miller, Paul Denzel, John Schneiter, Keith Simpson , and even reunion. Great weather, terrific fall colors in the Berk- my wife Carole (a trained and experienced archivist) have shires, many friends, a superb dinner at the Lenox Club. been gnawing on this issue. We don’t have all the answers, but we do have many suggestions and ideas. We’re working And a very significant business meeting. on it. More in future P&S issues as answers and plans are resolved. Clarity is on the horizon. The main topics of the meeting were the results of a second challenge grant and a firm decision concerning the We do have an answer for the money, however, and that LSAA’s future… or part of that future. was the central theme of our business meeting. Jeff Smith, Fritz Eckel, Ira Colby , and Paul Denzel, through hard work First, the money. For yet another year, we were challenged and appropriate due diligence, recommended that the LSAA to meet an ambitious donation hurdle. Last year, we met a engage a local trust management firm that specializes in challenge grant posed by two generous alumni. And again non-profit charitable fund management. You will read much for this year, another alumnus posed an even more ag- about the Berkshire Taconic Community Foundation (BTCF) gressive challenge, which we met and exceeded. -
Sixties Week Release
News Release CONTACT: FOR IMMEDIATE RELEASE Lisa Martinez, VP, Marketing & Development Tuesday, Sept. 13, 2005 (330) 677-4549 / [email protected] HIGH RESOLUTION IMAGES AVAILABLE www.pbs4549.org/press PBS 45 & 49 takes trip back to turbulent sixties in prime time broadcast event Sept. 26-29 PBS (Kent, OH) — Although the rumblings could already be heard beneath the veneer of prosperity and conformity of the 1950s, America erupted in the 1960s with 45 & 49 electrifying change in nearly every aspect of life. It was a decade rocked by social, sexual and political changes, and the influence of a new kind of music that emerged as 1750 Campus Center Drive the soundtrack of the era remains as a lasting legacy of this explosive time. During Talking ’bout My Generation week, Sept. 26-29, PBS 45 & 49 will P. O. Box 5191 showcase several documentaries and biographies on this turning point in America’s cultural history, including the premiere of If You’re Not Dead, Play!!, the station’s Kent, Ohio new local documentary on the second wave of the 1970s Akron garage band scene. 44240-5191 No Direction Home: Bob Dylan, A Martin Scorsese Picture Monday, Sept. 26 & Tuesday, Sept. 27, 9 p.m. to 11 p.m. each night Phone This exclusive biography of the man who helped define a generation is directed by (330) 677-4549 the great American storyteller, Martin Scorsese. The film focuses on the singer- Fax songwriter’s life and music from 1961-66 and features previously unreleased footage (330) 678-0688 from Dylan’s groundbreaking live concerts, studio recording sessions, outtakes and interviews with Allen Ginsberg, Pete Seeger, Joan Baez, Maria Muldaur, Dave Van Web Site Ronk and many others. -
(IP REPORT) - November 1, 2020 Through November 30, 2020 Subject Key No
NPR ISSUES/PROGRAMS (IP REPORT) - November 1, 2020 through November 30, 2020 Subject Key No. of Stories per Subject AGING AND RETIREMENT 5 AGRICULTURE AND ENVIRONMENT 56 ARTS AND ENTERTAINMENT 113 includes Sports BUSINESS, ECONOMICS AND FINANCE 73 CRIME AND LAW ENFORCEMENT 60 EDUCATION 22 includes College IMMIGRATION AND REFUGEES 17 MEDICINE AND HEALTH 177 includes Health Care & Health Insurance MILITARY, WAR AND VETERANS 22 POLITICS AND GOVERNMENT 563 RACE, IDENTITY AND CULTURE 76 RELIGION 16 SCIENCE AND TECHNOLOGY 49 Total Story Count 1249 Total duration (hhh:mm:ss) 115:46:09 Program Codes (Pro) Code No. of Stories per Show All Things Considered AT 580 Fresh Air FA 38 Morning Edition ME 434 TED Radio Hour TED 6 Weekend Edition WE 191 Total Story Count 1249 Total duration (hhh:mm:ss) 115:46:09 AT, ME, WE: newsmagazine featuring news headlines, interviews, produced pieces, and analysis FA: interviews with newsmakers, authors, journalists, and people in the arts and entertainment industry TED: excerpts and interviews with TED Talk speakers centered around a common theme Key Pro Date Duration Segment Title Aging and Retirement ALL THINGS CONSIDERED 11/27/2020 0:04:14 More Than 100,000 People Died Of COVID-19 In Nursing Homes, Findings Show Aging and Retirement ALL THINGS CONSIDERED 11/24/2020 0:04:38 'Atlanta Journal-Constitution' Political Columnist On Retiring After 41 Years Aging and Retirement MORNING EDITION 11/19/2020 0:03:35 Florida Looks At A Winter Without Canadians Aging and Retirement MORNING EDITION 11/16/2020 0:07:34 Iowa Is -
Socialnet Materialien: Zur Aktualität Abweichenden Verhaltens
Zur Aktualität abweichenden Verhaltens „Harold and Maude“ (1971) von Hal Ashby und „Alice‘s Restaurant“ (1969) von Arlo Guthrie in psychoanalytischer Sicht Hans-Adolf Hildebrandt veröffentlicht unter den socialnet Materialien Publikationsdatum: 17.08.2021 URL: https://www.socialnet.de/materialien/29331.php Zur Aktualität abweichenden Verhaltens – „Harold and Maude“ (1971) von Hal Ashby und „Alice’s Restaurant“ (1969) von Arlo Guthrie in psychoanalytischer Sicht Hans-Adolf Hildebrandt Denn nichts ist schwerer und nichts erfordert mehr Charakter, als sich im offenen Gegensatz zu seiner Zeit zu befinden und laut zu sagen: Nein! (Kurt Tucholsky) Harold and Maude. USA 1971. Regie: Hal Ashby. Produktion: Colin Higgins, Charles Mulvehill. Buch: Colin Higgins. Kamera: John A. Alonzo. Musik: Cat Stevens. Darsteller: Ruth Gordon (Maude Chardin), Bud Cort (Harold Chasen), Vivian Pickles (Mrs. Chasen), Charles Tyner (General Victor Ball), Cyril Cusack (Bildhauer Glaucus), u.a. 91 Min., Farbe Alice’s Restaurant. USA 1969. Regie: Arthur Penn. Produktion: Hillard Elkins, Joseph Manduke. Buch: Venable Herndon, Arthur Penn. Kamera: Michael Nebbia. Musik: Arlo Guthrie. Darsteller: Arlo Guthrie (Arlo Guthrie), Patricia Quinn (Alice Brock), James Broderick (Ray Brock), Pete Seeger (Pete Seeger), 111 Min., Farbe Gegenwärtig werden wir mit mehreren gesellschaftlichen Krisen konfrontiert, die insbesondere durch die Covid-19-Pandemie und ihrer psychosozialen Folgen („Querdenker“), die Zerstörungen der menschlichen Lebensräume durch den von Menschen verursachten -
Interview with ARLO GUTHRIE Was Conducted by the Library of Congress on March 25, 2021
The following interview with ARLO GUTHRIE was conducted by the Library of Congress on March 25, 2021 Library of Congress: Without having to go line by line through the lyrics, how much of the Song, “Alice’s Restaurant,” is true-to-life and how much did you take creative license with? Arlo Guthrie: The 8x10 photos weren’t in color. They were black and white. The rest is accurately true. LOC: How long did the song, originally, take to write--was there a stream of consciousness method to it? AG: It was essentially not written, but memorized from ongoing performances. I’d keep the lines and nuances that worked well, and discarded the lines that fell flat. With that in mind, it took about a year to complete. LOC: I read that the album version of “Alice” was recorded in the studio but with a live audience—is this true? If so, why did you choose to record it in that manner? And who were the audience members? AG: The studio recording had a live audience. They were invited by my manager, Harold Leventhal and my producer, Fred Hellerman. It really wasn’t a good idea, as all of the audience Participants were already well aware of the song, and unlike an audience of new victims, the ones familiar with the song did not respond as well. Laughter was added to the live audience later. LOC: At just over 18 minutes in length, did you ever think that “Alice” might have a commercial viability or was that just not part of your thinking at the time? AG: I never expected or even thought about commercial viability, as commercial in those days conveyed a “selling out” of purpose. -
Taken by an Unknown 17-Year-Old Photography Student – Published Posthumously for the First Time in a New Limited Edition Publication, Woodstock Experience
UNSEEN ARCHIVE OF WOODSTOCK IMAGES UNEARTHED Taken by an unknown 17-year-old photography student – published posthumously for the first time in a new limited edition publication, Woodstock Experience. London August 2009: A forgotten archive of photographs, taken at the Woodstock Music & Art Fair 40 years ago has been unearthed by UK-based limited edition publishers Genesis Publications. Taken by 17-year-old high school student Dan Garson, the archive has spent the last four decades in a basement, stored in a cardboard box. As well as images of the mud, rain, trampled fences, drugs, skinny dippers and eccentric festival goers that have made Woodstock so iconic, the archive features previously unseen shots of Jimi Hendrix, Joan Baez, Ravi Shankar, Arlo Guthrie and The Band in performance. Rona Elliot, the former entertainment correspondent for NBC!s Today Show, worked at Woodstock as a community relations officer and helped track down Dan Garson!s archive and researched his story. RONA ELLIOT: Dan!s remarkable photographs reveal an exceptional talent, fully formed at 17 years of age. His pictures provide a cohesive narrative of his own Woodstock experience. They demonstrate that he understood, perfectly, both where he was at that moment in time, and the culturally shifting spectacle he was recording. While Dan worked in the photo pit, shooting the musicians onstage, he separated himself from the other photographers. Rather than huddle together with the group, Dan stationed himself adjacent to the film crew. As a result, his images are both unfamiliar and fresh to the eye nearly 40 years after they were taken. -
Alice's Restaurant D'arthur Penn / Alice's Restaurant, États-Unis, 1969
Document generated on 09/29/2021 12:41 p.m. Séquences La revue de cinéma Alice's Restaurant d’Arthur Penn Alice's Restaurant, États-Unis, 1969, 111 minutes Maurice Elia Robert Morin Number 175, November–December 1994 URI: https://id.erudit.org/iderudit/49803ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Elia, M. (1994). Review of [Alice's Restaurant d’Arthur Penn / Alice's Restaurant, États-Unis, 1969, 111 minutes]. Séquences, (175), 28–28. Tous droits réservés © La revue Séquences Inc., 1994 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ il y ans sortait LALICE'S INSTAURANT d'Arthur Penn e temps départagera-t-il les admirateurs et les qu'il a l'intention d'acheter un grand terrain de ferme avec l'auteur dramatique Venable Herndon. Ils inter détracteurs d'Alice's Restaurant? Pour cela, il dans le Vermont. Mais les membres de la communauté, viewent tout le monde: Arlo, Ray, Alice, la mère d'Arlo, Ls'agira de réhabiliter le film, de lui donner une comme refroidis par la mort de Shelly, ne montrent la mère d'Alice, les jeunes de l'église, ceux qui avaient nouvelle visibilité, par exemple de le propulser sans aucun enthousiasme. -
Concert & Dance Listings • Cd Reviews • Free Events
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 6 Nov-Dec 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers Music and Poetry Quench the Thirst of Our Soul FESTIVAL IN THE DESERT BY ENRICO DEL ZOTTO usic and poetry rarely cross paths with war. For desert dwellers, poetry has long been another way of making war, just as their sword dances are a choreographic represen- M tation of real conflict. Just as the mastery of insideinside thisthis issue:issue: space and territory has always depended on the control of wells and water resources, words have been constantly fed and nourished with metaphors SomeThe Thoughts Cradle onof and elegies. It’s as if life in this desolate immensity forces you to quench two thirsts rather than one; that of the body and that KoreanCante Folk Flamenco Music of the soul. The Annual Festival in the Desert quenches our thirst of the spirit…Francis Dordor The Los Angeles The annual Festival in the Desert has been held on the edge Put On Your of the Sahara in Mali since January 2001. Based on the tradi- tional gatherings of the Touareg (or Tuareg) people of Mali, KlezmerDancing SceneShoes this 3-day event brings together participants from not only the Tuareg tradition, but from throughout Africa and the world. Past performers have included Habib Koité, Manu Chao, Robert Plant, Ali Farka Toure, and Blackfire, a Navajo band PLUS:PLUS: from Arizona. -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
Arlo Guthrie – Alice's Restaurant Song Lyrics
Arlo Guthrie – Alice's Restaurant Song Lyrics [CHORUS:] You can get anything you want at Alice's restaurant You can get anything you want at Alice's restaurant Walk right in, it's around the back Just a half a mile from the railroad track You can get anything you want at Alice's restaurant [RECITATION:] This song is called "Alice's Restaurant." It's about Alice, and the Restaurant, but "Alice's Restaurant" is not the name of the restaurant, That's just the name of the song. That's why I call the song "Alice's Restaurant." Now it all started two Thanksgivings ago... two years ago, on Thanksgiving, When my friend and I went up to visit Alice at the restaurant. But Alice doesn't live in the restaurant, she lives in the church nearby the Restaurant, in the bell tower with her husband Ray and Facha, the dog. And livin' in the bell tower like that, they got a lot of room downstairs Where the pews used to be, and havin' all that room (seein' as how they took Out all the pews), they decided that they didn't have to take out their Garbage for a long time. We got up here and found all the garbage in there and we decided that it'd Be a friendly gesture for us to take the garbage down to the city dump. So we took the half-a-ton of garbage, put it in the back of a red VW Microbus, took shovels and rakes and implements of destruction, and headed On toward the city dump.