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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema. -
Co-Optation of the American Dream: a History of the Failed Independent Experiment
Cinesthesia Volume 10 Issue 1 Dynamics of Power: Corruption, Co- Article 3 optation, and the Collective December 2019 Co-optation of the American Dream: A History of the Failed Independent Experiment Kyle Macciomei Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/cine Recommended Citation Macciomei, Kyle (2019) "Co-optation of the American Dream: A History of the Failed Independent Experiment," Cinesthesia: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholarworks.gvsu.edu/cine/vol10/iss1/3 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Macciomei: Co-optation of the American Dream Independent cinema has been an aspect of the American film industry since the inception of the art form itself. The aspects and perceptions of independent film have altered drastically over the years, but in general it can be used to describe American films produced and distributed outside of the Hollywood major studio system. But as American film history has revealed time and time again, independent studios always struggle to maintain their freedom from the Hollywood industrial complex. American independent cinema has been heavily integrated with major Hollywood studios who have attempted to tap into the niche markets present in filmgoers searching for theatrical experiences outside of the mainstream. From this, we can say that the American independent film industry has a long history of co-optation, acquisition, and the stifling of competition from the major film studios present in Hollywood, all of whom pose a threat to the autonomy that is sought after in these markets by filmmakers and film audiences. -
Sara Daddy Writer, Children's, Preschool, 6+ Years, Animation, Live Action, Head Writer, Series Developer, Showrunner Agent: Jean Kitson - [email protected]
Sara Daddy Writer, Children's, Preschool, 6+ years, Animation, Live Action, Head Writer, Series Developer, Showrunner Agent: Jean Kitson - [email protected] Sara is a Head Writer/Screenwriter/Development Producer with over 16 years’ experience in children’s television, working for 8 years in the BBC’s children’s department, covering both CBeebies and CBBC, and for the past 8 years as a freelance scriptwriter and developer working for a range of companies including Nickelodeon, Disney Jnr, Sprout, Netflix, The Jim Henson Company, Sesame Workshop, Penguin, Sixteen South and Cartoon Saloon. Sara has a proven track record in the development of children’s programmes, including Broadcast Award winner and BAFTA-nominated Lily’s Driftwood Bay and RTS and Kidscreen-winner, Puffin Rock. She was nominated for a Manimation Industry Excellence Award: Writing for Animation and Best Writing in a Pre-school Programme award at Dingle Animation Festival for Puffin Rock. Sara was Head Writer on ‘Claude‘ which won the Royal Television Society NI Award for Best Children’s / Animated Series, and was nominated for three awards at the Irish Animation Awards 2019 and for Best Preschool Show at the Broadcast Awards 2019. Work Current Sol Paper Owl / S4C / BBC 22′ animated special, with funding from the first YACF fund award, launched simultaneously on CITV, CITV’s VOD ITV Hub, Channel 4’s VOD service All 4, and Channel 5’s VOD My 5 on 21st December 2020. Watch it in Irish, Welsh or Scots Gaelic with English subtitles on All 4 here. Winner: Children’s Award at the Sandford St Martin Awards for excellence in religious and ethics programmes, 2021 Untitled Maramedia Lead Writer, writing 8 episodes of exciting new live-action / animated property Puffin Rock (Feature) Dog Ears Ltd / Cartoon Saloon Animated feature film in production, based on the Emmy- nominated series. -
Independent Experimental Film (Animation and Live-Action) Remains the Great Hardly-Addressed Problem of Film Preservation
RESTORING EXPERIMENTAL FILMS by William Moritz (From Anthology Film Archives' "Film Preservation Honors" program, 1997) Independent experimental film (animation and live-action) remains the great hardly-addressed problem of film preservation. While million-dollar budgets digitally remaster commercial features, and telethon campaigns raise additional funds from public donations to restore "classic" features, and most of the film museums and archives spend their meager budgets on salvaging nitrates of early live-action and cartoon films, thousands of experimental films languish in desperate condition. To be honest, experimental film is little known to the general public, so a telethon might not engender the nostalgia gifts that pour in to the American Movie Classics channel. But at their best, experimental films constitute Art of the highest order, and, like the paintings and sculptures and prints and frescos of previous centuries, merit preservation, since they will be treasured continuingly and increasingly by scholars, connoisseurs, and thankful popular audiences of future generations - for the Botticellis and Rembrandts and Vermeers and Turners and Monets and Van Goghs of our era will be found among the experimental filmmakers. Experimental films pose many special problems that account for some of this neglect. Independent production often means that the "owner" of legal rights to the film may be in question, so the time and money spent on a restoration may be lost when a putative owner surfaces to claim the restored product. Because the style of an experimental film may be eccentric in the extreme, it can be hard to determine its original state: is this print complete? Have colors changed? was there a sound accompaniment? what was the speed or configuration of projection? etc. -
Short Film Marketing Guide
SHORT FILM FESTIVAL MARKETING GUIDE 2021 Kia ora, welcome to Te Tumu Whakaata Taonga New Zealand Film Commission (NZFC) Short Film Festival Marketing Guide, designed to help with your most frequently asked festival related questions and to support you in planning a targeted release strategy for your short film. Wishing you the best of luck on your festival journey. Film Still: Ani (2019) – Written and directed by Josephine Stewart-Te Whiu (Ngāpuhi, Te Rarawa), produced by Sarah Cook Official Selection: Berlin International Film Festival ‘In Competition Generation Kplus’, Toronto International Film Festival, imagineNATIVE Film + Media Arts Festival, New Zealand International Film Festival, Rotorua Indigenous Film Festival, Vladivostok Pacific Meridian International Film Festival, Hamptons International Film Festival, Show Me Shorts Film Festival - Winner Best New Zealand Film Award, Best Cinematographer Award DISCLAIMER: This document is written as a guide only, intended for use by short film directors, writers and producers when referring to ‘you’, ‘your’ and ‘filmmakers’. Festival dates included in this guide are correct at publishing and subject to change. 1 © New Zealand Film Commission 2021 INDEX The First Steps – Preparing for Festival Success……………………………………………………………… 3 In Pre-Production………………………………………………………………………………………………. 3 In Production…………………………………………………………………………………………………….. 3 In Post-Production…………………………………………………………………………………………….. 4 At the Finish Line……………………………………………………………………………………………….. 4 Press Kit…………………………………………………………………………………………………. -
The Secret of Kells in 2010 and for Song of the Sea in 2015
The EDUCATIONAL KIT Secret of Kells Tomm Moore, Nora Twomey CONTENT p.3 GENERAL INFORMATION p.4 Synopsis p.5 FILM ANALYSIS p.5 p.6 Film context Expressive means p.6 p.8 Historical context Recognition Image 1 p.10 CLASSROOM ACTIVITIES p.10 p.13 p.15 Starter activity Animated colours The “real” face of and shapes the Vikings p.11 The hero’s journey p.14 Filmic means and director’s choices 2 GENERAL INFORMATION TOMM MOORE (1977, IRELAND) NORA TWOMEY (1971, IRELAND). The film, which is set in the early ninth-century monastic settlement of Kells, is based on a concept which Moore had been exploring a decade earlier while a student of animation at Ballyfermot Senior College in Dublin in 1999. With his co-director Nora Twomey, Moore and the Cartoon Saloon studio have achieved international acclaim for their work, including nominations in the Best Animated Feature Film category at the Oscars for The Secret of Kells in 2010 and for Song of the Sea in 2015. More recently, Twomey’s The Breadwinner (2017), which is set in Afghanistan and stylistically encompasses a more naturalistic and real- world look, also received an Academy nomination for Best Animated Feature in 2018. Moore is currently co-directing a third animated feature, Wolfwalkers, a mythic tale set in Kilkenny that is inspired by local history and legends and is due for release in late 2020. Image 2 Image 3 Twomey is currently directing the 2D American-Irish animation film My Father’s dragon, due for release in 2021. -
European Animation Emile Awards 2017 Call For
EUROPEAN ANIMATION EMILE AWARDS 2017 CALL FOR ENTRIES - GENERAL RULES INTRODUCTION The Emile Awards, first ceremony of the European Animation Awards (EAA), will be held Friday 8th December 2017, at le Nouveau Siècle in Lille, France to reward the skills of European professionals. The awards will be voted by the EAA members, representing a large vision of European professionals. CATEGORIES 1. Best Student Film 2. Best Commissioned Film 3. Best Animated Short Film 4. Best Background and Character Design in a Short Film Production 5. Best TV/Broadcast Production (Best Director) 6. Best Background and Character Design in a TV/Broadcast Production 7. Best Character Animation in a TV/Broadcast Production 8. Best Writing in a TV/Broadcast Production 9. Best Storyboard in a TV/Broadcast Production 10. Best Soundtrack in a TV/Broadcast Production 11. Best Feature Film (Best Director) 12. Best Background and Character Design in a Feature Film 13. Best Character Animation in a Feature Film 14. Best Writing in a Feature Film 15. Best Storyboard in a Feature Film 16. Best Soundtrack in a Feature Film 17. Lotte Reiniger Life Achievement Award 1 SELECTION PROCESS Submission To qualify for entry, productions must have had their first release between January 1, 2016 and July 31, 2017. Production Content Requirements Entries submitted will be nominated based on the completed production in its entirety. For some of these categories some additional work will be required too, as designs, scripts, etc.. Submissions must consist only of material used in the final production. Cut sequences, unused music, deleted performances, omitted characters and similar surplus material will not be considered for nomination. -
SHORT FILM: NONVERBAL COMMUNICATION Margaret Mcginity, Music/Journalism Mentor: Jeff Ames, Greenlee School of Journalism and Communication PROJECT INSPIRATION
SHORT FILM: NONVERBAL COMMUNICATION Margaret McGinity, Music/Journalism Mentor: Jeff Ames, Greenlee School of Journalism and Communication PROJECT INSPIRATION Interest in filmmaking Search for project that could incorporate music, journalism and mass communication, and performing arts Desire to create a project that could entertain as well as inform Fictional film based on nonfiction research, not documentary, called “Meet Me At Seven” RESEARCH QUESTIONS What are the goals of modern communication? How much can be said without saying a word? What forms of nonverbal communication exist, and can they be equally effective as verbal communication in expressing a message/story? SILENT FILM GENRE Overdramatic gestures and acting to tell story without the subtleties spoken word allows Heavily reliant on actors, inter titles (words on screen to replace audible dialogue) and soundtrack to share story of film Intertitle from “Metropolis” “METROPOLIS” AS TEMPLATE 1927 science fiction silent film by Fritz Lang Futuristic urban dystopian story Use of “Dies Irae” theme to underscore apocalyptic moments in film Early editing techniques make sometimes choppy film MY FILM A LA “METROPOLIS” I settled on a romanic comedy as being the simplest modern film form to convert into silent film Light subject matter in dark “Metropolis” template Dramatic music paired with picking outfit montage Stylistic choices reinforce silent film genre, add to comedy METHODS OF NONVERBAL COMMUNICATION SHOWN Acting and facial expression Written language Body language and gestures -
View Julia's Resume
Julia Kim Smith juliakimsmith.com [email protected] Education University of Michigan, M.F.A. Visual Communication, Rackham Fellowship Recipient Screenings The Real Wi-Fi Of Baltimore 2017 Official Selection of Slamdance Film Festival, Park City, UT 2017 Official Selection of Cinequest Film Festival, San Jose, CA 2017 Official Selection of Calgary Underground Film Festival, Calgary, Canada 2017 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2015 Vimeo Curated Collection: Comedy Cylburn Park 2018 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2015 Official Selection of Brooklyn Film Festival, Brooklyn, NY Why 2018 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2017 Feminist Art Conference, OCAD University, Toronto, Canada 2016 Gold + Beton, Cologne, Germany Exquisit Corpse, Curator: Sarah Faraday, Fuse Art Space, UK 2015 Fuse Art Space, Bradford, UK Exquisite Corpse, Curator: Sarah Faraday, Fuse Art Space, UK 2014-2015 Institute for Women and Art, Rutgers University, MTV: Momentum Technology Video and Momentum: Women/Art/Technology 2014 Official Selection of Center For Asian American Media CAAMFest, San Francisco, Berkeley, Oakland, San Jose, CA 2013 DUMBO Arts Festival, Brooklyn, NY 2013 Washington Project for the Arts, Experimental Media: Cyber In Securities, Washington, DC Curator: Lisa Moren, Professor of Visual Art, University of Maryland, Baltimore County 2013 Baltimore Artscape, Slippage, Center for the Arts Gallery, Towson University, Towson, MD Curator: Daniel Belasco, Curator, Samuel Dorsky Museum of Art, State University of New York 2013 The White Building, Public Assembly: An Alternative Summer Show, London, UK Organized by Free Cooper Union (UK) and Lawrence Lek. -
Recommend Me a Movie on Netflix
Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve. -
European Animation Awards to Launch in 2017 | Variety
European Animation Awards To Launch In 2017 | Variety http://variety.com/2016/film/global/european-animation-awards-peter-... JUNE 27, 2016 | 03:54AM PT PHOTOS: AMBER EMILY / KEN MCKAY/ITV/REX/SHUTTERSTOCK Brexit notwithstanding, Europe looks set to have a new prize event, the European Animation Awards (EAA), which are inspired by America’s Annie Awards and backed by many of the preeminent figures in Europe’s animation industry. The new plaudits come after a period of “massive growth” of Europe’s animation industry, which merits broader kudos recognition, said Jean-Paul Commin, EAA secretary general, who added that the United Kingdom “is and will remain, despite Brexit, an active player in our project.” “There has been a huge improvement not only in the quantity but quality of animation in Europe. We have some of the best animation schools and European animated features are travelling better,” he said. The first European Animation Awards gala ceremony will take place in 2017. Peter Lord, creative director of Aardman Animations and producer of many of Europe’s 1 sur 3 21/11/2016 18:09 European Animation Awards To Launch In 2017 | Variety http://variety.com/2016/film/global/european-animation-awards-peter-... most-watched animated movies – such as the stop-motion “Chicken Run” and “Wallace and Gromit: The Curse of the Were-Rabbit” – has been named president of the EAAs. Vice-presidents are Dane Marie Bro, based out of Copenhagen’s Danske TegneFilm (“The Boy Who Wanted To Be a Bear”); France’s Didier Brunner, the dean of Europe’s 2D animation (“The Triplets of Belleville,” the “Kirikou” franchise) who originated the idea of the EAA; and Ireland’s Paul Young, at Cartoon Saloon, producer of “The Secret of Kells,” “Song of the Sea” and now “The Breadwinner,” whose co-producers include New York’s Gkids and Angeline Jolie-Pitt.