Apr 19 – May 8 on the Andy Boss Thrust Stage
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Donald Crabs Papers LSC.1718
http://oac.cdlib.org/findaid/ark:/13030/c8hq45rv No online items Finding Aid for the Donald Crabs papers LSC.1718 Finding aid by Krystell Jimenez, 2018. UCLA Library Special Collections Online finding aid last updated 2019 February 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Donald Crabs LSC.1718 1 papers LSC.1718 Language of Material: English Contributing Institution: UCLA Library Special Collections Title: Donald Crabs papers Creator: Crabs, Donald Identifier/Call Number: LSC.1718 Physical Description: 24.4 Linear Feet(53 boxes, 5 shoe boxes, 3 flat boxes, 1 oversize flat box) Date (inclusive): 1945-2005 Abstract: Donald Crabs was a UCLA professor who specialized in theater design. He studied scenery and lighting design, as well as set design for television and film. Starting in 1965 he taught set and stage design in the UCLA Department of Theater Arts, now the UCLA School of Theater, Film, and Television, and continued to be involved as a professor emeritus until his death. This collection is comprised of his papers, including research and reference materials, correspondence, notes, teaching materials, slides and photographs, theater floor plans and architectural data, lighting placement charts, and data from Crabs' survey of Californian theater facilities. Additional materials include notebooks with plans for lighting placement and staging and fabric samples for acoustic design. The collection also includes materials related to his research trip to China and reference materials on Chinese theater and performance, and the original survey data Crabs used to compile a database of California theaters. -
Women As Hidden Authoritarian Figures in Luigi Pirandello's Literary
The Paradox of Identity: Women as Hidden Authoritarian Figures in Luigi Pirandello’s Literary Works Thesis Prospectus by MLA Program Primary Reader: Dr. Susan Willis Secondary Reader: Dr. Mike Winkelman Auburn University at Montgomery 1 December 2010 The Paradox of Identity: 1 Women as Hidden Authoritarian Figures in Luigi Pirandello’s Literary Works On June 28, 1867 in Sicily, Italian author and playwright Luigi Pirandello was born in a town called Caos, translated chaos, during a cholera epidemic. Pirandello’s life was marked by chaos, turmoil, and disease. He literally entered into a world of chaos. Dictated to by a tyrannical father and cared for by a meek mother, Pirandello developed an interesting view of marriage, women, and love. The passivity of his mother and eventual paranoia and insanity of his wife, Antoinette Potulano, created a premise for his literary women. As he formulated and evolved his impressions of the feminine identity from what he witnessed between his parents and experienced with his wife, the “Master of Futurism” examined the flaws of interpersonal communication between genders. He translated those experiences into his literature by depicting institutions such as marriage negatively in his early works and later shifting the bulk of his focus to gender oppositions. Pirandello explores the conundrum between men and women by placing his female characters into paradoxical roles. This thesis challenges previous criticism that maintains Pirandello’s women are “dismembered,” weak, and deconstructed characters and instead concludes that, although Pirandello’s literary women are mutable figures and his literature contains patriarchal elements, a matriarchal society dominates Pirandello’s literature. -
It's All About the LIGHT! - Introduction to Stage Lighting
4/16/13 It's all about the LIGHT! - Introduction to Stage Lighting It's all about the LIGHT! Introduction to Stage Lighting Instruments, Electricity & Welcome to the Introduction to Stage Lighting online website. This site is to Cables/Connectors be used as an additional source of information for the Introduction to Stage Entertainment Industry Lighting course held at Valencia Community College, East Campus taught by Creative Design for Theatre Sonia Pasqual. Lighting History & Intensity Control The course syllabus and calendar for the current semester is available via Lighting Design the course homepage or you can download the file from below. Basic Stagecraft If you choose to download it from your atlas account go to the course Additional Information homepage for the Introduction to Stage Lighting section which you are in now, TPA 2220. You can download it at anytime to view, there will be a hard copy of the lighting syllabus outside my office door for anyone needing to view it if they are on campus and can not access atlas. The information gathered on this site is produced by Sonia Pasqual. All other information has been credited to its source and is only used as a visual aid for my students. Sonia has been involved in the art of theatre and entertainment since 1992. Her knowledge and information comes from her experience and growing up in the theatre world. She has worked in theatres across the Greater Central Florida, North Florida, and New York City. Her work and experience also extends into the theme parks such as Universal Studios 97-99, and Walt Disney World 04-Present, while at Disney she has played several roles. -
A Lively Theatre There's a Revolution Afoot in Theatre Design, Believes
A LIVELY THEatRE There’s a revolution afoot in theatre design, believes architectural consultant RICHARD PILBROW, that takes its cue from the three-dimensional spaces of centuries past The 20th century has not been a good time for theatre architecture. In the years from the 1920s to the 1970s, the world became littered with overlarge, often fan-shaped auditoriums that are barren in feeling and lacking in intimacy--places that are seldom conducive to that interplay between actor and audience that lies at the heart of the theatre experience. Why do theatres of the 19th century feel so much more “theatrical”? And why do so many actors and audiences prefer the old to the new? More generally, does theatre architecture really matter? There are some that believe that as soon as the house lights dim, the audience only needs to see and hear what happens on the stage. Perhaps audiences don’t hiss, boo and shout during a performance any more, but most actors and directors know that an audience’s reaction critically affects the performance. The nature of the theatre space, the configuration of the audience and the intimacy engendered by the form of the auditorium can powerfully assist in the formation of that reaction. A theatre auditorium may be a dead space or a lively one. Theatres designed like cinemas or lecture halls can lay a dead hand on the theatre experience. Happily, the past 20 years have seen a revolution in attitude to theatre design. No longer is a theatre only a place for listening or viewing. -
Alpha ELT Listing
Lienholder Name Lienholder Address City State Zip ELT ID 1ST ADVANTAGE FCU PO BX 2116 NEWPORT NEWS VA 23609 CFW 1ST COMMAND BK PO BX 901041 FORT WORTH TX 76101 FXQ 1ST FNCL BK USA 47 SHERMAN HILL RD WOODBURY CT 06798 GVY 1ST LIBERTY FCU PO BX 5002 GREAT FALLS MT 59403 ESY 1ST NORTHERN CA CU 1111 PINE ST MARTINEZ CA 94553 EUZ 1ST NORTHERN CR U 230 W MONROE ST STE 2850 CHICAGO IL 60606 GVK 1ST RESOURCE CU 47 W OXMOOR RD BIRMINGHAM AL 35209 DYW 1ST SECURITY BK WA PO BX 97000 LYNNWOOD WA 98046 FTK 1ST UNITED SVCS CU 5901 GIBRALTAR DR PLEASANTON CA 94588 W95 1ST VALLEY CU 401 W SECOND ST SN BERNRDNO CA 92401 K31 360 EQUIP FIN LLC 300 BEARDSLEY LN STE D201 AUSTIN TX 78746 DJH 360 FCU PO BX 273 WINDSOR LOCKS CT 06096 DBG 4FRONT CU PO BX 795 TRAVERSE CITY MI 49685 FBU 777 EQUIPMENT FIN LLC 600 BRICKELL AVE FL 19 MIAMI FL 33131 FYD A C AUTOPAY PO BX 40409 DENVER CO 80204 CWX A L FNCL CORP PO BX 11907 SANTA ANA CA 92711 J68 A L FNCL CORP PO BX 51466 ONTARIO CA 91761 J90 A L FNCL CORP PO BX 255128 SACRAMENTO CA 95865 J93 A L FNCL CORP PO BX 28248 FRESNO CA 93729 J95 A PLUS FCU PO BX 14867 AUSTIN TX 78761 AYV A PLUS LOANS 500 3RD ST W SACRAMENTO CA 95605 GCC A/M FNCL PO BX 1474 CLOVIS CA 93613 A94 AAA FCU PO BX 3788 SOUTH BEND IN 46619 CSM AAC CU 177 WILSON AVE NW GRAND RAPIDS MI 49534 GET AAFCU PO BX 619001 MD2100 DFW AIRPORT TX 75261 A90 ABLE INC 503 COLORADO ST AUSTIN TX 78701 CVD ABNB FCU 830 GREENBRIER CIR CHESAPEAKE VA 23320 CXE ABOUND FCU PO BX 900 RADCLIFF KY 40159 GKB ACADEMY BANK NA PO BX 26458 KANSAS CITY MO 64196 ATF ACCENTRA CU 400 4TH -
Murder-Suicide Ruled in Shooting a Homicide-Suicide Label Has Been Pinned on the Deaths Monday Morning of an Estranged St
-* •* J 112th Year, No: 17 ST. JOHNS, MICHIGAN - THURSDAY, AUGUST 17, 1967 2 SECTIONS - 32 PAGES 15 Cents Murder-suicide ruled in shooting A homicide-suicide label has been pinned on the deaths Monday morning of an estranged St. Johns couple whose divorce Victims had become, final less than an hour before the fatal shooting. The victims of the marital tragedy were: *Mrs Alice Shivley, 25, who was shot through the heart with a 45-caliber pistol bullet. •Russell L. Shivley, 32, who shot himself with the same gun minutes after shooting his wife. He died at Clinton Memorial Hospital about 1 1/2 hqurs after the shooting incident. The scene of the tragedy was Mrsy Shivley's home at 211 E. en name, Alice Hackett. Lincoln Street, at the corner Police reconstructed the of Oakland Street and across events this way. Lincoln from the Federal-Mo gul plant. It happened about AFTER LEAVING court in the 11:05 a.m. Monday. divorce hearing Monday morn ing, Mrs Shivley —now Alice POLICE OFFICER Lyle Hackett again—was driven home French said Mr Shivley appar by her mother, Mrs Ruth Pat ently shot himself just as he terson of 1013 1/2 S. Church (French) arrived at the home Street, Police said Mrs Shlv1 in answer to a call about a ley wanted to pick up some shooting phoned in fromtheFed- papers at her Lincoln Street eral-Mogul plant. He found Mr home. Shivley seriously wounded and She got out of the car and lying on the floor of a garage went in the front door* Mrs MRS ALICE SHIVLEY adjacent to -• the i house on the Patterson got out of-'the car east side. -
Cheers! À Votre Santé!
July/Juillet 2007 volume 4 N° 07 Stageworks The monthly electronic newsletter for members of the Canadian Institute for Theatre Technology / Institut canadien des technologies scénographiques. In this month’s issue: INDEX ce mois-ci: p.1-4 News from the National Office / Nouvelles du bureau national p.5 ETCP News / Nouvelles de ETCP p.6-7 Membres CITT / ICTS 2006-2007 Membership p.8-11 RENDEZ-VOUS 2007 conference CHEERS! À VOTRE SANTÉ! programme details The art of communicating with your soundman, Atlantic style! L’art de communiquer avec son sonorisateur, à la mode atlantique ! p.12 New Members and Participants raise a pint of Get Well wishes to Brad Fox who was ill and Les participants lèvent leur verre à la santé de Brad Fox qui, pour des Upcoming Events / couldn’t come out to host his session on digital sound consoles during raisons de santé justement, n’a pas pu se rendre à la conférence APA à Nouveaux membres et Événements à the APA mini conference retreat in Wolfville, NS. From left to right: Nigel Wolfville, N.É. pour offrir son atelier sur les consoles de son numériques. venir Kearns (Membertou Trade and Convention Centre, NS), Jeffery Fevens De gauche à droite : Nigel Kearns (Membertou Trade and Convention (Fredericton Playhouse, NB), Mike Gohier (JD International, QC) and Centre, N.-É.), Jeffery Fevens (Fredericton Playhouse, N.-B.), Mike Gohier Karl Simmons (Arts and Culture Centre, NL). (JD International, QC) et Karl Simmons (Arts and Culture Centre, T.-N.). PS: Brad was finally able to make it the next day to give his session. -
Community Arts Theatre at Stelly's
RFP TITLE Community Arts Theatre at Stelly’s Feasibility Study, Phase 1 November 2016 HCMA Architecture + Design Terence Williams, Architect Hamilton McClymont, Arts and Entertainment Management Consulting Ron Broda President – The Society for the Community Arts Theatre at Stelly’s 1348 Mills Road, North Saanich, B.C. V8L 5T2 November 2, 2016 RE: Community Arts Theatre at Stelly’s – Feasibility Study Phase 1 In collaboration with Terence Williams, Architect and Hamilton McClymont, Arts and Entertainment Management Consultant, HCMA Architecture + Design is pleased to present this report to summarize the first phase of the feasibility study for a new Community Arts Theatre at Stelly’s Secondary School. The Society for the Community Arts Theatre at Stelly’s engaged the above consultant team to review the feasibility of developing a new performing arts theatre attached to Stelly’s Secondary School. In addition to serving as a pedagogical venue for students, the proposed theatre is intended to be a community performance venue. The first phase of this process included a preliminary needs assessment based on an engagement process undertaken with various stakeholders, test for fit analysis on the existing school site and the production of preliminary architectural visualizations of the proposed theatre for marketing and fundraising. The primary objective of this process was to determine what is realistic and possible, both from the standpoint of the physical constraints of the existing school site and an analysis of the market environment within which the proposed theatre would have to operate. This report includes details regarding the process undertaken, test for fit analysis on the existing school property, stakeholder engagement process undertaken, benchmarking of various relevant facilities in British Columbia and our analysis of the type and size of facility that would serve the intended users into the future. -
Writing for the Theatre by Jane House Pirandello Was Over
Pirandello’s Youthful Passion: Writing for the Theatre by Jane House Pirandello was over 40 and had already achieved fame as a novelist with The Outcast (L’Esclusa, 1901) and The Late Mattia Pascal (Il fu Mattia Pascal, 1904) when his first plays were produced in 1910,1 and he did not commit himself to playwriting until he was almost 50. However, the letters he wrote as a young man and two extant plays present incontrovertible evidence that he had the ambition to make his name as a playwright when he was a university student and a recent graduate, and that the young man had no compunction about submitting his plays to major figures in Italian theatre---Cesare Rossi, Ermete Zacconi, and Flavio Andò---in the expectation that they would be produced at important theatres in Rome. The two extant plays from this period, Why? (Perchè?) and The Epilogue (L’epilogo), published in 1892 and 1898 respectively, represent only a fragment of the plays that Pirandello wrote before he turned 30. The Epilogue would become The Vise (La morsa) which was published in Maschere nude. Why?, on the other hand, lay forgotten for almost a century. The one act was never produced during Pirandello’s lifetime; it was not part of his collected works; and William Murray did not include it in his comprehensive collection of Pirandello’s one-act plays. It was brought to the attention of Pirandello scholars in 1976 by Edoardo Villa (173–80) and was first published in English in 1995 (House and Attisani 417–423). -
Pirandello Proto-Modern: a New Reading of <I>L'esclusa</I>
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2017 Pirandello Proto-Modern: A New Reading of L’Esclusa Bradford Masoni The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2330 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] PIRANDELLO PROTO-MODERN: A NEW READING OF L’ESCLUSA by Bradford A. Masoni A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirement for the degree of Doctor of Philosophy, The City University of New York. 2017 © 2017 BRADFORD A. MASONI All Rights Reserved ii Pirandello Proto-Modern: A New Reading of L’Esclusa by Bradford A. Masoni This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ____________________ ________________________________ Date Paolo Fasoli Chair of Examining Committee ____________________ _____________________________ Date Giancarlo Lombardi Executive Officer Supervisory Committee: Paolo Fasoli Giancarlo Lombardi William Coleman THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Pirandello Proto-Modern: A New Reading of L’Esclusa by Bradford A. Masoni Advisor: Paolo Fasoli Luigi Pirandello’s first novel, L’Esclusa, written in 1893, but not published in its definitive edition until 1927, straddles two literary worlds: that of the realistic style of the Italian veristi, and something new, a style and approach to narrative that anticipates the theory of writing Pirandello lays out in his long essay L’Umorismo, as well as the kinds of experimental writing that one associates with early-20th-century modernism in general, and with Pirandello’s later work in particular. -
Arthur Livingston
Arthur Livingston: An Inventory of His Papers at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Livingston, Arthur, 1883-1944 Title: Arthur Livingston Papers Inclusive Dates: 1494-1986 Extent: 22 document boxes, 3 galley folders, 1 oversize folder (9.16 linear feet) Access: Open for research Administrative Information Acquisition: Gift, 1950 Processed by: Robert Kendrick, Chip Cheek, Elizabeth Murray, Nov. 1996-June 1997 Repository: Harry Ransom Humanities Research Center The University of Texas at Austin Livingston, Arthur, 1883-1944 Biographical Sketch Arthur Livingston, professor of Romance languages and literatures, publisher, and translator, was born on September 30, 1883, in Northbridge, Massachusetts. Livingston earned the A. B. degree at Amherst College in 1904, continuing his work in Romance languages at Columbia University, where he received the Ph. D. in 1911. His teaching positions included an instructorship in Italian at Smith College (1908-1909), an associate professorship in Italian at Cornell University, where Livingston also supervised the Petrarch Catalogue (1910-1911), and an associate professorship in Romance Languages at Columbia University (1911-1917). Among the various honors bestowed upon Livingston were membership in Phi Beta Kappa and the Venetian academic society, the Reale deputazione veneta di storia patria; he was also decorated as a Cavalier of the Crown of Italy. Livingston's desire to disseminate the work of leading European writers and thinkers in the United States led him to an editorship with the Foreign Press Bureau of the Committee on Public Information during World War I. When the war ended, Livingston, in partnership with Paul Kennaday and Ernest Poole, continued his efforts on behalf of foreign literature by founding the Foreign Press Service, an agency that represented foreign authors in English-language markets. -
Service Center Hours
PIV SITES & POINTS OF CONTACT - ALL TIMES LOCAL Note: If you do not work at a listed site, you must confirm availability with that site's facility management prior to arrival HEADQUARTERS Facility Location POC Phone # Mon Tue Wed Thu Fri Sat Sun AWA Headquarters (AHQ) Joy Crim (202) 267-7423 07:00 - 12:00 07:00 - 12:00 07:00 - 12:00 07:00 - 12:00 Closed Closed Closed 800 Independence Ave, SW Justin George (202) 267-7423 13:00 - 15:00 13:00 - 15:00 13:00 - 15:00 13:00 - 15:00 Room 315, Attn AXP-200 Kenesha Williams (202) 267-7423 Washington, D.C. 20591 Ashburn FFSP Leidos (JYO) David Zimmerman (703) 726-3947 07:00 - 14:30 Closed Closed Closed Closed Closed Closed 43881 Devin Shafron Dr. Appt. Only Bldg B Ashburn, VA 20147 Prmiary Alternate Facility (LBK RTR) Joe Mondo (301) 432-3039 Closed Closed Closed Closed Closed Closed Closed 4848 Lambs Knoll Rd. Lee Berger (301) 432-3036 Boonsboro, MD 21713 LEIDOS Lacey Staudenmier (301) 640-3588 Closed 10:00 - 14:00 Closed Closed Closed Closed Closed 9737 Washingtonian Blvd Carey Seery (202) 646-5440 Appt. Only Gaithersburg, MD 20878 SSMC4 Zena Claiborne (202) 267-3317 Closed Closed Closed Closed Closed Closed Closed 1305 East West Highway Tonya Sizemore (202) 267-5157 Bldg SSMC4 Sta. 4225 Silver Spring, MD 20910 Security Operations Center (SOC) William Schamberger (571) 209-3006 Closed Closed Closed Closed Closed Closed Closed 991 Sycolin Rd SE Bryan Wolf (571) 209-3113 Leesburg, VA 20175 Washington ATCSCC (DCC) Pat Gude (540) 422-4543 03:00 - 11:30 03:00 - 11:30 03:00 - 11:30 03:00 - 11:30 03:00 - 11:30 Closed Closed 3701 Macintosh Dr Kimberly Sheperd (540) 422-4520 Warrenton, VA 20187 Aeronautical Center Facility Location POC Phone # Mon Tue Wed Thu Fri Sat Sun Aeronautical Center (AMC) Shayla Mangus (405) 954-9138 07:00 - 15:30 07:00 - 15:30 07:00 - 15:30 07:00 - 15:30 07:00 - 12:00 Closed Closed 6500 S.