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42 www.unita.it VENERDÌ 13 APRILE 2012 Cinema Bel Ami e monetizzare la fama planetaria? Un ruolo possibilmente erotico, magari in costu- Da vampiro a Casanova me, tanto per dare dignità culturale all’operazione? Bel Ami – Storia di un seduttore Ed ecco l’idea di Bel Ami, storia di un nulla- Regia di Declan Donnellan e Nick Ormerod facente povero che nella Parigi di fine Ot- Con Robert Pattinson, Christina Ricci, Uma Thurman, tocentosi fastrada nel mondodel giornali- Kristin Scott-Thomas smo seducendo signore ricche. Gran Bretagna/Francia/Italia, 2012 Il problema è che il testo di Maupassant Distribuzione: 01 sembra cinematografico ma non lo è, co- ** struito com’è sul potere della parola; e che i due registi, Donnellan e Ormerod, sono GLI ALTRI C’è odore di marketing, dietro questa artisti di teatro che trascrivono scrupolo- versione del celebre romanzo di Maupas- samente il romanzo senza la minima in- FILM sant. Ci sembra di vederli, Uberto Pasolini ventiva cinematografica. Detto questo, il e gli altri produttori, che durante una riu- film si vede, Pattinson se la cava e le signo- nione si chiedono: cosa possiamo far fare re sono belle. Christina Ricci, poi, è il solito a Robert Pattinson,il vampiro sexy diTwili- fenomeno, ed è un piacere rivederla. ght, per regalargli il primo ruolo «adulto» AL. C. L’orrore di Bolzaneto Una scena dal film «Diaz» di Daniele Vicari Diaz ne»), un libro di storia e gli atti di un Regia di Daniele Vicari processo. Oggi, in Italia, esce Diaz. Ve- Con Claudio Santamaria, Jennifer Ulrich, nerdì scorso il produttore Domenico Elio Germano, Renato Scarpa, Mattia Sbragia Procacci ha spiegato in modo esau- Italia, 2012 riente il motivo per cui, a suo tempo, Distribuzione: Fandango sottopose la sceneggiatura all’atten- SANGUE **** zione del Ministero degli Interni e del capo della polizia (un atto dovuto) e ALBERTO CRESPI non ai dirigenti del Genoa Social Fo- SUI MURI rum. Ed ecco Vittorio Agnoletto, allo- trano paese, l’Italia. A vol- ra portavoce del Forum, definire Diaz te si ha la sensazione che «commerciale ed astuto, rispettoso DELLA la gente non ascolti. E che delle compatibilità politiche e degli at- da questa sordità intellet- tuali rapporti di forza negli apparati». tuale nascano polemiche A parte l’italiano mostruoso – il politi- S inutili. Marco Tullio Gior- chese non muore mai – sorprende DIAZ dana dichiara di essersi «liberamen- l’astio nei confronti di un film che non te» ispirato ad un libro per Romanzo è affatto «rispettoso», se non delle ra- Diventa film la pagina nera di una strage, e poi qualcuno gli fa le gioni di coloro che alla Diaz furono delle violenze perpetrate dalla polizia pulci per essersi distaccato dal libro picchiati dalla polizia. durante il G8 di Genova nel 2001 in questione o, al contrario, per aver- È una polemica, ce ne saranno allo seguito pedissequamente. Dimenti- tre. Procacci e il regista, Daniele Vica- cando la fondamentale differenza tra ri, saranno preparati. Diaz è un film un film (opera comunque di «finzio- politicamente tostissimo, e non è cer-.

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About Endgame
IN ASSOCIATION WITH BLINDER FILMS presents in coproduction with UMEDIA in association with FÍS ÉIREANN / SCREEN IRELAND, INEVITABLE PICTURES and EPIC PICTURES GROUP THE HAUNTINGS BEGIN IN THEATERS MARCH, 2020 Written and Directed by MIKE AHERN & ENDA LOUGHMAN Starring Maeve Higgins, Barry Ward, Risteárd Cooper, Jamie Beamish, Terri Chandler With Will Forte And Claudia O’Doherty 93 min. – Ireland / Belgium – MPAA Rating: R WEBSITE: www.CrankedUpFilms.com/ExtraOrdinary / http://rosesdrivingschool.com/ SOCIAL MEDIA: Facebook - Twitter - Instagram HASHTAG: #ExtraOrdinary #ChristianWinterComeback #CosmicWoman #EverydayHauntings STILLS/NOTES: Link TRAILER: https://www.youtube.com/watch?v=x1TvL5ZL6Sc For additional information please contact: New York: Leigh Wolfson: [email protected]: 212.373.6149 Nina Baron: [email protected] – 212.272.6150 Los Angeles: Margaret Gordon: [email protected] – 310.854.4726 Emily Maroon – [email protected] – 310.854.3289 Field: Sara Blue - [email protected] - 303-955-8854 1 LOGLINE Rose, a mostly sweet & mostly lonely Irish small-town driving instructor, must use her supernatural talents to save the daughter of Martin (also mostly sweet & lonely) from a washed-up rock star who is using her in a Satanic pact to reignite his fame. SHORT SYNOPSIS Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate.
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Brochure Spring 2015 V3
CINEMA FOR ALL South West Still Life Cert 12A UK 2013 87 mins Crew Director/ Uberto Pasolini Screenplay Cinematography Stephano Falivene Film Editing Tracy Granger Original music Rachel Portman Cast Eddie Marsan John May Joanne Froggatt Kelly Stoke Karen Drury Mary Andrew Buchan Mr. Pratchett Reviews Neil D'Souza Shakthi Paul Anderson Homeless Man (1) Still Life is one of those films in which how it's done is more Tim Potter Homeless Man (2) important than what is done, more about character than story, Synopsis although story there is, too. Eddie Marsan is perfectly cast as John May, a name subtle in its London, the recentSynopsis past. John May is a connotations of a nonentity with a reserved withdrawn personality. council worker whose job it is to find the But the beauty of Uberto Pasolini's screenplay and direction is that next of kin of those who have died alone. this apparent nonentity assumes heroic proportions not for the Meticulous and organized to the point of obvious outward heroics, but for the inner and quiet humanity that obsession, and with no friends or family, John's job is his whole life. drives him. Just as he is starting to investigate a new ...Pasolini builds his character and his context with elaborate detail case - that of Billy Stoke, an elderly alcoholic and deliberate restraint, which has its payoff in the complexity and - John is told that he is being made richness of the character and the circumstances. It's not a film for redundant. He begs extra time to complete the instant, just add water, take-away set.
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Download the 35Th Fajr International Film Festival Catalogue
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Mckinney Macartney NICK SHUTTLEWORTH – 1 Assistant Director
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Bel Ami Ausser Konkurrenz
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