Poetry: Grade 6
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Josephine Miles, Poetry and Change
REVIEW Josephine Miles, Poetry and Change Robert F. Gleckner Blake/An Illustrated Quarterly, Volume 9, Issue 4, Spring 1976, pp. 133-136 133 The elements of this final design, however, are often subtle, difficult to talk about, though modern linguistic study (to which Professor Miles acknowledges a major debt) helps us to discriminate Josephine Miles. Poetry and Change. Berkeley, "not merely obvious visual surfaces but auditory Los Angeles, London: University of California echoes, semantic associations, structural Press, 1974. 243 pp. $10.75. similarities which may work below the surface but are also implied in the surface richness" (9). With a sense of these, "the articulatable parts Reviewed by Robert F. Gleckner of language," we can "see and hear more, . feel more, of the poem's entity" (11). Style, then (in which Professor Miles includes not only From 1964, when she published Eras and Modes in use of language but also "style of moral judgments" English Poetry3 to her 1973 essay on "Blake's Frame and "style of attitude toward the reader"), is a of Language" Josephine Miles has been grappling product of a "number of small recurring selections with the problems facing all who wish intelligently and arrangements working together," a process of to study the language of poetry and prose. Her "creating and reshaping expectations which design work has ranged from the early Renaissance to contrives" (16). British and American writing of the twentieth- century, including a number of young poets writing The change in poetry observable through -
Spiritual Ecology: on the Way to Ecological Existentialism
religions Article Spiritual Ecology: On the Way to Ecological Existentialism Sam Mickey Theology and Religious Studies, University of San Francisco, San Francisco, CA 94117, USA; [email protected] Received: 17 September 2020; Accepted: 29 October 2020; Published: 4 November 2020 Abstract: Spiritual ecology is closely related to inquiries into religion and ecology, religion and nature, and religious environmentalism. This article presents considerations of the unique possibilities afforded by the idea of spiritual ecology. On one hand, these possibilities include problematic tendencies in some strands of contemporary spirituality, including anti-intellectualism, a lack of sociopolitical engagement, and complicity in a sense of happiness that is captured by capitalist enclosures and consumerist desires. On the other hand, spiritual ecology promises to involve an existential commitment to solidarity with nonhumans, and it gestures toward ways of knowing and interacting that are more inclusive than what is typically conveyed by the term “religion.” Much work on spiritual ecology is broadly pluralistic, leaving open the question of how to discern the difference between better and worse forms of spiritual ecology. This article affirms that pluralism while also distinguishing between the anti-intellectual, individualistic, and capitalistic possibilities of spiritual ecology from varieties of spiritual ecology that are on the way to what can be described as ecological existentialism or coexistentialism. Keywords: spirituality; existentialism; ecology; animism; pluralism; knowledge 1. Introduction Spiritual ecology, broadly conceived, refers to ways that individuals and communities orient their thinking, feeling, and acting in response to the intersection of religions and spiritualities with ecology, nature, and environmentalism. There are other ways of referring to this topic. -
John W. Ehrstine, William Blake's Poetical Sketches
REVIEW John W. Ehrstine, William Blake’s Poetical Sketches Michael J. Tolley Blake/An Illustrated Quarterly, Volume 2, Issue 3, December 15, 1968, pp. 55-57 -55- ; ' •.' • -.' ; : >• '■ * ■ REVIEW ' --; ■- - '■ :<x .■■•■■ ■ \,' oz Bweoq n#t Wi 11iam Blake's Poetical Sketches, by John W. Ehrstine. Washington State University Press (1967), pp. DO + 108 pp. '■■■><' It is a pity that the first fulllength study of the Poetical Sketched to be published since Margaret Ruth Lowery's pioneering work of 1940 should be so little worthy the serious attention of a Blake student. Ehrstine is one of the familiar new breed of academic bookproducers, whose business is not scholarship but novel thesisweaving* Having assimilated certain ideas and critical tech niques, they apply them ruthlessly to any work that has hithertobeen fortunate enough to escape such attentions. The process is simple and: the result—that of bookproduction—is infallible. If the poor little poems protest while struggling in their Procrustean bed, one covers their noise with bland asser' 1" tions and continues to mutilate them. Eventually they satisfy one's preconcep" tions. Unfortunately, they may also impose on other people. In revewing such books one must blame mainly the publishers and their advisors; secondly the universities for their incredibly lax assessment and training of postgraduate students; thirdly the authors, who are usually dupes of their own'1 processes, for rushing into print without consult!ng the best scholars In their field. Ehrstine shows his lack of scholarship on the first two pages of his book; thereafter he has an uphill tattle!1n convincing the reader that he has some special insights Which compensate foKtfris, once fashionable, disability. -
Catechist's Notes
CATECHIST’S NOTES Section Two CATECHIST’S NOTES for Grade 7 Table of Contents CLASS 1: Self-respect: Acknowledging why you are so important CLASS 2: Understanding the changes we experience CLASS 3: Friendship, love, and life CLASS 4: Christ in my home and in my life CLASS 5: Personal Safety Curriculum CATECHIST’S VOCATION — God’s Call NOTES Grade 7 Class 1 Studying what the Lord teaches us about sexuality Introduction General aim of the lesson This class is planned to help the students realize the goodness of our vocation: our call to be Christians, and our call by God Himself to an important life. It could be a call to become a priest or religious, or it could be a divine vocation to enter marriage with a very special person, and have children, and find our way to heaven by doing great things on this earth in ordinary circumstances. The whole idea of vocation is explored here: God’s deep concern for everything in our life, and how we plan our lives — the ways we learn to put all that we are as boys and girls into becoming men and women. Specific objectives 1. To recall the first vocation we have: to be personal friends and followers of Christ, and to shape everything in our lives in ways that are faithful to the Lord. 2. To think about our special vocations: how God cares very much about the life each one of us will live — the kind of life He invites us to and that we decide to live, and all the special circumstances of the life He invites each one of us to have. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
2019 Breeze Show Choir Catalog
Previously Arranged Titles (updated 3/6/19) Specific details about each arrangement (including audio samples) are available at https://breezetunes.com . The cost for each is $300 ($200 if using rhythm section only). The use of any of these arrangements requires a valid custom arrangement license purchased from https://tresonamusic.com . Their licensing fees typically range from $180 to $280 per song and must be paid before you can receive your music. Copyright approval frequently takes 4-6 weeks, sometimes longer, so plan accordingly. If changes to the arrangement are desired, there is an additional fee of $100. Examples of this include re-voicing (such as from SATB to another voice part), rewriting band parts, making cuts, adding an additional verse, etc. **Arrangements may be transposed into a different key free of charge, provided that the change does not make re-voicing necessary** To place an order, please e-mail [email protected] . Tips for success using Previously Arranged Titles: • Most arrangements can be made to work in any voicing, so don’t be afraid to look at titles written for other combinations of voices than what you have. Voice parts can also be reduced or simplified for smaller ensembles. • Adjustments often need to be made if you want to use a previously arranged title in a different show function than it was originally intended. This is especially true of arrangements written as a costume change or a transition number. I am more than happy to consult and make sure a previously arranged title fits with your show design. • Please communicate with me if your band instrumentation changes dramatically during the season, especially when it comes to horn players. -
Blake's Critique of Enlightenment Reason in the Four Zoas
Colby Quarterly Volume 19 Issue 4 December Article 3 December 1983 Blake's Critique of Enlightenment Reason in The Four Zoas Michael Ackland Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 19, no.4, December 1983, p.173-189 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Ackland: Blake's Critique of Enlightenment Reason in The Four Zoas Blake's Critique of Enlightenment Reason in The Four Zoas by MICHAEL ACKLAND RIZEN is at once one of Blake's most easily recognizable characters U and one of his most elusive. Pictured often as a grey, stern, hover ing eminence, his wide-outspread arms suggest oppression, stultifica tion, and limitation. He is the cruel, jealous patriarch of this world, the Nobodaddy-boogey man-god evoked to quieten the child, to still the rabble, to repress the questing intellect. At other times in Blake's evolv ing mythology he is an inferior demiurge, responsible for this botched and fallen creation. In political terms, he can project the repressive, warmongering spirit of Pitt's England, or the collective forces of social tyranny. More fundamentally, he is a personal attribute: nobody's daddy because everyone creates him. As one possible derivation of his name suggests, he is "your horizon," or those impulses in each of us which, through their falsely assumed authority, limit all man's other capabilities. Yet Urizen can, at times, earn our grudging admiration. -
Neville 12/16/1968 a PROPHECY in His Poem Called "Europe," Which Is
Neville 12/16/1968 A PROPHECY In his poem called "Europe," which is a prophecy about you, William Blake said: "Then Enitharmon woke, nor knew that she had slept, and eighteen hundred years were fled as if they had not been." Told in the form of a story, Blake used the name "Enitharmon" to express any emanating desire or image. Enitharmon is the emanation of Los, who - in the story - had the similitude of the Lord and all imagination. Entering into his image (his Enitharmon), Los dreams it into reality; and when he awoke he knew not that he had slept, yet eighteen hundred years had fled. In my case, 1,959 years had fled as though they had not been. And I had no idea I had entered into an image called Neville and made it real. But I, all imagination, so loved the shadow I had cast, I entered into it and made it alive. To those in immortality I seemed to be as one sleeping on a couch of gold, but to myself I was a wanderer. Although lost in dreary night, I kept the divine vision in time of trouble. I kept on dreaming I was Neville until I awoke, not knowing I had slept; yet 1,959 years had fled as though they had not been. Blake tells us that in the beginning we were all united with God in a death like his. Then we heard the story and entered into our shadows. Now, a shadow is a representation, either in painting or drama, in distinction from the reality portrayed. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Brochure for 2010 Lexus RX & Rxh Hybrid
2010 LEXUS RX Brochure Page: FC Job Number: LEX-RX-P0-1021 Document Page: MY10 RX Brochure the pursuit of perfection. It’s a phrase we use a lot. But what exactly constitutes the perfect vehicle? It’s never a question we take lightly. Particularly when we set out to create the next generation of the RX—reinventing the vehicle that invented it all. We began with a philosophy that the driver should come before all else. That technology should learn people rather than the other way around. That only an innovative approach to performance can lead to revolutionary results. And that power, itself, can also be empowering. It was this philosophy that led us here—to the next benchmark of the category. This is the completely reinvented 2010 RX. And these are the pursuits that built it. 1. DEsIgN 2. INNOVATION 3. PERFORMANCE 4. HYBRID the pursuit of the pursuit of the pursuit of the pursuit of all for you the driver, connected fast-forward the power of h Vehicle shown with available equipment. Brochure Page: IFC Job Number: LEX-RX-P0-1021 Brochure Page: 1 Job Number: LEX-RX-P0-1021 Document Page: MY10 RX Brochure Document Page: MY10 RX Brochure 2 Vehicle shown with available equipment. Brochure Page: 2 Job Number: LEX-RX-P0-1021 Brochure Page: 3 Job Number: LEX-RX-P0-1021 Document Page: MY10 RX Brochure Document Page: MY10 RX Brochure the pursuit of DRIVERS OF THE1. 2010 LEXUS RX all for you were more than just the ultimate destination of our design. They were the inspiration behind it. -
Hard to Be a God / Arkady and Boris Strugatsky ; Translated by Olena Bormashenko
Copyright © 1964 by Arkady and Boris Strugatsky Foreword copyright © 2014 by Hari Kunzru Aerword copyright © 2014 by Boris Strugatsky English language translation copyright © 2014 by Chicago Review Press Incorporated All rights reserved Published by Chicago Review Press Incorporated 814 North Franklin Street Chicago, IL 60610 ISBN 978-1-61374-828-2 e publication was effected under the auspices of the Mikhail Prokhorov Foundation TRANSCRIPT Programme to Support Translations of Russian Literature. Published with the support of the Institute for Literary Translation (Russia). Library of Congress Cataloging-in-Publication Data Strugatskii, Arkadii, 1925–1991, author. [Trudno byt’ bogom. English. 2014] Hard to be a god / Arkady and Boris Strugatsky ; translated by Olena Bormashenko. pages ; cm ISBN 978-1-61374-828-2 I. Strugatskii, Boris, 1933–2012, author. II. Bormashenko, Olena, translator. III. Title. PG3476.S78835T7813 2014 891.73’44—dc23 2014007355 Interior design: PerfecType, Nashville, TN Printed in the United States of America 5 4 3 2 1 Foreword by Hari Kunzru here are always schisms, even in medieval fantasy. Weird tales are Tweird in more than one way. One the one hand we have a rural tradition, sentimental, conservative, and wedded to absolute notions of good and evil. is is the English school of Tolkien and Lewis, in which Christ-lions and schoolchildren ght cosmopolitan witches and wizards with suspiciously foreign names. e nasty working classes of industrial Mordor threaten the exurban tranquility of the Shire, a place full of morally centered artisans and small tradesmen, destined, once the dwarves build the railway and the elves nally get out of their hot tubs and invent the Internet, to end up as commuters. -
Louder Than War Favourites
Albums of the Year 2018 : The Top 25 Ged Babey 9 December, 2018 As voted for by 30 of our writers, here are the Top 25 Albums of 2018. The Number One received more than twice the votes as the second place. The next ten were hotly contested with the narrowest of margins, and the rest got the same number of votes -so are in random order to be frank. But… Every one is a winner! 2018 was a great year for music and the Number 1 is no surprise… ONE IDLES Joy As An Act of Resistance (Partisan) Punk Rock reinvented and not wearing a mask of masculinity or yoke of tradition, but a wicked smile and its broken heart exposed but still beating in its chest. Punk rock which instead of calling for Anarchy and saying I Don’t Care is shouting UNITY! and LOVE IS ALL. Reviewed here by Ged Babey IDLES - DANNY NEDELKO TWO The Blinders Columbia (Modern Sky) This power trio, this band of very modern troubadours, this enlightened youth, deliver an album so explosive, so perfect, it defies any attempt at categorisation. There are odd time signatures, indefinite song structures but the tracks ebb and flow beautifully. Columbia as an album is a single piece of art as a concept. Listen, track by track, join up the dots, get the message loud and clear – England is indeed dreaming. Reviewed here by Nigel Carr The Blinders - L’etat C’est Moi [Music Video] THREE ILL : We Are ILL (Box Records) All-woman five-piece… currently based in Manchester, who highlight that quality music does not have to mean an emulation of that which has gone before.