Best Historic Locations in Cologne"
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Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Heelan, Carla Melanie. 2016. Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493307 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914 A dissertation presented by Carla Melanie Heelan to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts April 28, 2016 © 2016 Carla Heelan Dissertation Advisor: David Blackbourn Carla Melanie Heelan Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914 Abstract This dissertation examines how the nineteenth-century engagement with medieval Europe changed modern Germany. Drawing from archival and printed primary material, I reconstruct how the Middle Ages gained new explanatory relevance as the origins of nineteenth- century German institutions and phenomena. I consider the historical interpretation of the medieval world at its broadest, not limited to scholarly debate, but also as it encompassed fiction, art, architecture, music, social science, law, and politics. Each chapter examines a figure drawn from these fields and each also moves chronologically through the century. -
Creativity & Beyond
Page iii Creativity & beyond Cultures, Values, and Change Robert Paul Weiner Page iv San Francisco Museum of Modern Art, Albert M. Bender Collection, San Francisco California, for reproduction of Jackson Pollack's Guardians of the Secret, 1943. Stanley Bailis, editor, Issues in Integrative Studies, for use of the author's article, "Western and Contemporary Global Conceptions of Creativity in Relief against Approaches from Socalled 'Traditional' Cultures," in Issues, no. 15, (1995): 1–48. Bayerische Staatsgemaldesammlung, Munchen, Alte Pinakothek, for reproduction of Albrecht Dürer's Selbstbildnis im Pelzrock, 1500. Barry Martin, for use of his photograph of the Eiffel Tower, 1998. Liz Leger, for reproduction of her drawing, Despina, from Fragments series, 1997. Collection of the Palace of Legion of Honor, Fine Arts Museums of San Francisco. David and Barbara Moser, for use of David's photograph of Barbara at the Great Wall of China, 1998. Ken Light, for use of his photograph, Convict With Homemade Last Supper Clock, Administrative Segregation Cell Block, 1994, printed in Ken Light and Suzanne Donovan, Texas Death Row, Singapore: University of Mississipi Press, 1997. Susan Light, for use of her photographs, Women's Gamelan Orchestra, 1990, The Temple of Athena Nike, 1981, and Roman Coliseum, Verona, 1987. Galleria de l'Accademia, for use of the author's photograph of Michelangelo's Prisoner or Waking Slave, 1995. Published by State University of New York Press, Albany © 2000 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. -
Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914
Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Heelan, Carla Melanie. 2016. Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493307 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914 A dissertation presented by Carla Melanie Heelan to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts April 28, 2016 © 2016 Carla Heelan Dissertation Advisor: David Blackbourn Carla Melanie Heelan Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914 Abstract This dissertation examines how the nineteenth-century engagement with medieval Europe changed modern Germany. Drawing from archival and printed primary material, I reconstruct how the Middle Ages gained new explanatory relevance as the origins of nineteenth- century German institutions and phenomena. I consider the historical interpretation of the medieval world at its broadest, not limited to scholarly debate, but also as it encompassed fiction, art, architecture, music, social science, law, and politics. Each chapter examines a figure drawn from these fields and each also moves chronologically through the century. -
Farina's 300Th Anniversary
MARKUS ECKSTEIN EAU DE COLOGNE – FARINA S 300TH ANNIVERSARY Cologne Markus Eckstein Markus Eau de 300TH ANNIVERSARY FARINA’S FARINA’S InnenCologne4_rws_E_g.qmx:Weinwege_Innen_Ahr_rws 02.06.2009 11:51 Uhr Seite 2 Photo credits All photos from Farina Archive, except Back cover: Jens Hilberger – Fotolia.com; S. 13: Rheinisches Bildarchiv; S. 33: Florian Monheim, Krefeld; S. 44: Boris Loehrer. Source of reference All quotations from the Rheinisch-Westfälischen Wirtschaftsarchiv (RWWA), dept. 33. Cover photo: Bibliographical information published by The Farina House in the jubilee Die Deutsche Bibliothek year 2009. Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is Inside front cover: available on the internet at http://dnb.ddb.de. The city hall – Cologne's political heart – is located in the immedi- 1st English language edition 2009 ate vicinity of the Farina © J.P. Bachem Verlag, Köln 2009 headquarters (idealised view, Editing: Robert Taylor, Cologne anonymous, around 1760). Translation: John Sykes, Cologne Cover design and layout: Heike Unger, Berlin Inside back cover: Reproduction: Reprowerkstatt Wargalla, Cologne Alter Markt with city hall, Georg Printed by: Grafisches Centrum Cuno, Calbe Balthasar Probst, 1740 Printed in Germany (Kölnisches Stadtmuseum). ISBN 978-3-7616-2313-8 Right: 1952: Dior’s “new look” To learn more about our programme with a petticoat and flouncy of books, order our newsletter free skirts added enchantment to of charge at Farina perfume. www.bachem.de/verlag -
The Protection of Olfactory Creations
THE PROTECTION OF OLFACTORY CREATIONS Viorel ROȘ Andreea LIVĂDARIU Abstract The olfactory works/creations, the perfumes that everyone likes are some of the oldest intellectual goods. Their creation involves science, imagination, talent. But in spite of the spectacular evolution of this category of creations, the huge number of consumers and their importance in everyday life, and despite the openness that intellectual property law has generally manifested towards intellectual creations, including the new ones (cinematography, computer programs and pharmaceutical and biotechnological inventions being the fastest received and more fully integrated into a protection system), olfactory creations have remained the Cinderella in this field. Perhaps also from the perfume manufacturers lack of interest. Creators, that is. Or maybe because the protection by secrecy is enough. We're trying to find out. Keywords: olfactory works, perfumes, patents, copyright, intellectual rights, work secret, counterfeiting a competitor's perfume risks losing not only the respect of competitors but also the clientele 1. Introduction and exclude itself or be excluded from this industry. An Is it necessary and possible to protect unwritten code of honour that would make the perfumesc by intellectual rights? Doctrine and protection of perfumes unnecessary by rules of law and jurisprudence are not unitary in relation to the vocation recourse to justice. An idyllic vision and invalidated by of perfumes to be protected by intellectual rights what is happening around us. (copyright, invention patents, design and / or model The most expensive perfume, Clive Christian's certificates or trademarks or work secrets). They were Imperial Majesty, can be purchased for 251,000 dollars, not even consistent. -
Berkeley Study Abroad Arrival Guide
STUDY ABROAD ARRIVAL GUIDE Welcome to Hochschule Fresenius! As a new study abroad student, you probably have many questions about your new home. This guide will help you settle in quickly, so you can start making the most of your time in Cologne and at Hochschule Fresenius! It includes all important information concerning the Fresenius campus, Cologne and its sights, interesting districts, shopping opportunities, living expenses, travel options, exciting events in the Cologne area and much more. CONTACT PERSONS AT HOCHSCHULE FRESENIUS Competence Center International Services Building 4c | EG2 | Office 05 Christina Solbach: [email protected] | Tel: +49 (0)221973199-769 Kerstin Rixen: [email protected] | Tel: +49 (0)221973199-560 We are always happy to help – no matter what the question or issue is! Just come by at our office! Questions about the buddy programme and international events Building 4b | OG 01 | Office 05 Matthias Nelke: [email protected] | Tel: +49 (0)221973199-565 Academic questions Building 4b | OG 01 | Office 07 Leona Straube: [email protected] | Tel: +49 (0)221973199-580 1 FRESENIUS CAMPUS MAP YOUR ACCOMMODATION Address: Gaußstr. 34, 51063 Köln To go to the city, other neighbourhoods, restaurants etc. it is most convenient to use public transport. Two stations are very close to your appartments. Closest public transport: Bus station: “Auenweg” (Bus 260 to “Breslauer Platz/ HBF” takes you to the main train station; from there you can reach several other metro lines and trains to other districts, the airport and to HSF) Metro/ Tram: “Stegerwaldsiedlung” (Metro 4 to “Bocklemünd” or 3 to “Görlinger Zentrum” bring you to the city center, campus or Ehrenfeld) There are several options to get to Hochschule Fresenius (HSF) Mediapark campus: 1.