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Ron Shuebrook
RON SHUEBROOK Home Address: 95 Nottingham Street Guelph, ON N1H 3M9 Home Telephone: Telephone: (519) 766-4744 E-mail Address: [email protected] Canadian Citizen since 1987 I. GENERAL INFORMATION A. Education Dates Attended Degree Certificate Date Granted Institution Kent State University, Ohio 1970-72 MFA with major in painting, and June, 1972 additional studies in printmaking, sculpture, philosophy, and art history Blossom-Kent Summer Program, 1971 (Summer) Graduate coursework in painting Kent State University with visiting artists R. B. Kitaj, Leon Golub, and others Fine Arts Work Center, 1969-70 Fellowship in painting Provincetown, Massachusetts with Myron Stout, Fritz Bultman, Phillip Malicoat, Robert Motherwell, and others Kutztown University, Pennsylvania 1968-69 MEd in Art Education 1969 Haystack Mountain School of 1965 & 1967 Graduate coursework in Crafts, Deer Isle, Maine (Summers) printmaking and painting Kutztown University, Pennsylvania 1961-65 BSc in Art Education 1965 Pennsylvania Art Teaching Certification, K - 12 B. Recent Academic Appointments July 2008 to Present Professor Emeritus, OCAD University, Toronto, Ontario. May- June 2011 Visiting Instructor, Drawing and Painting Workshop, Haystack Mountain, School of Crafts, Deer Isle, Maine January 19- 29, 2010 Visiting Instructor, Drawing Marathon, New York Studio School of Drawing, Painting & Sculpture, New York City, New York Ron Shuebrook Curriculum Vitae Page 2 of 41 July 1, 2005 – June 30, 2008 Professor, Faculty of Art, Ontario College of Art & Design (now OCAD University), Toronto, Ontario Coordinator and Professor, OCAD Florence Program, Italy, January through May 2007. 2000 to June 30, 2005 President and Chief Executive Officer, Ontario College of Art & Design, Toronto, Ontario. Represented OCAD with the Ministry of Training, Colleges, and Universities, Council of Ontario Universities, Association of Independent Colleges of Art and Design, Canadian Association of Institutes of Art and Design, and other external organizations. -
SOLO EXHIBITIONS (Selected)
ANDREW Represented by: Ottawa, ON, Canada WRIGHT PATRICK MIKHAIL GALLERY,OTTAWA www.andrewwright.ca e-mail | [email protected] SOLO EXHIBITIONS (selected) 2015 Andrew Wright: Ontario Scene | Ottawa Art Gallery, Canada 2014 Andrew Wright: Selected Diptychs & Multiples | Thames Art Gallery, Canada Andrew Wright: PMG Montréal 2013 Andrew Wright: Penumbra | University of Toronto Art Centre, a Scotiabank CONTACT Photography Festival Primary Exhibition. Curated by Bonnie Rubenstein, text by Mark A. Cheetham Andrew Wright: Cloud Images | Winchester Galleries, Victoria B.C., Canada 2011 Coronae | Patrick Mikhail Gallery, Ottawa Coronae | Peak Gallery, Toronto (CONTACT feature exhibition. Winner BMW Prize) Still Water | Patrick Mikhail Gallery 2009 Still Water | Peak Gallery, Toronto (CONTACT feature exhibition) 2008 Survey | Prefix Institute for Contemporary Art. Curated and text by Chantal Rousseau. 2007 Falling Water | Prefix Photo 16 (Commissioned series for Prefix Photo Magazine) Water’s Edge | Peak Gallery, Toronto (CONTACT feature exhibition) Passages | Cambridge Galleries, Andrew Wright & Lisa Klapstock (two person exhibition), Cambridge, Canada. Curated by Ivan Jurakic.x x` Blind Man's Bluff | Robert McLaughlin Gallery, Oshawa, Canada 2005 Photographs | Peak Gallery, Toronto 2004 Blind Man's Bluff | Art Gallery of Calgary, Canada University of California, Berkeley | Worth Ryder Gallery, San Francisco, CA Skies | Presentation House, Vancouver, Canada. Curated by Helga Pakesaar. Blind Man's Bluff | Art Gallery of Southwestern Manitoba, Canada Branching Out: Sylvia Safdie and Andrew Wright (two person show) | Roam Contemporary, New York Blind Man's Bluff | Kitchener-Waterloo Art Gallery, Canada. Organized by and circulated by KW|AG. Curated by Allan Mackay. Catalogue essay by Robert Enright. 2003 Blind Man's Bluff and Other Fictions | Peak Gallery, 23 Morrow Ave. -
Proquest Dissertations
Mapping the Post-Colonial Landscape Project: A Critical Analysis Michael Frederick Rattray A Thesis In The Department Of Art History Presented in Partial Fulfillment of the Requirements For the Degree of Master of Arts at Concordia University Montreal, Quebec, Canada September 2008 © Michael Frederick Rattray, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-45711-5 Our file Notre reference ISBN: 978-0-494-45711-5 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
JEFF THOMAS 5 Elm Street Ottawa, Ontario K1R 6M9 TEL 613.236
Jeff Thomas CV 2020 JEFF THOMAS 5 Elm Street Ottawa, Ontario K1R 6M9 TEL 613.236.5673 [email protected] Websites jeff-thomas.ca, anecessaryfiction.com Represented by Stephen Bulger Gallery I am an urban Iroquois, born in the city of Buffalo, New York in 1956. My parents and grandparents were born at the Six Nations reserve, near Brantford, Ontario and left the reserve to find work in the city. You won’t find a definition for the ‘urban Iroquois’ in any dictionary or anthropological publication -- it is this absence that informs my work as a photo-based artist, researcher, independent curator, cultural analyst and public speaker. My study of Indian-ness seeks to create an image bank of my urban Iroquois experience, as well as re-contextualize historical images of First Nations people for a contemporary audience. Ultimately, I want to dismantle long entrenched stereotypes and inappropriate caricatures of Indigenous people. SOLO EXHIBITIONS 2018 ● Bird Man Rising, Edwardsville Art Centre, Edwardsville, Illinois ● Indians on Tour: Exploring Indigenous Experiences Through Jeff Thomas’ Lens, Sheridan Campus Galleries, Mississauga, Ontario 2017 ● A Necessary Fiction: My Conversation with Edward S. Curtis & George Hunter, Art Gallery of Mississauga, Mississauga, Ontario 2016 ● The Dancing Grounds, Wanuskewin Heritage Park, Saskatoon, Saskatchewan ● Metamorphosis, Paved Arts Billboard Space, Saskatoon, Saskatchewan 2015 ● A Necessary Fiction: My Conversation with Nicholas de Grandmaison, University of Lethbridge Art Gallery, Lethbridge, Alberta 2012 ● Mapping Iroquoia: Cold City Frieze, McMaster Museum of Art, Hamilton, Ontario ● Resistance Is NOT Futile, Stephen Bulger Gallery, Toronto, Ontario ● Father’s Day, Urban Shaman, Winnipeg, Manitoba ● The First Spike, The Aboriginal Centre of Winnipeg, Winnipeg, Manitoba ● The Bear Portraits, Studio 393, Portage Place Mall, Winnipeg, Manitoba 2011 ● Resistance Is [Not] Futile, Paved Arts, Saskatoon, Saskatchewan 2010 ● My Conversation with Edward S. -
1 JEFF THOMAS 5 Elm Street Ottawa, Ontario K1R 6M9 TEL 613.236
Jeff Thomas CV 2019 JEFF THOMAS 5 Elm Street Ottawa, Ontario K1R 6M9 TEL 613.236.5673 [email protected] Websites jeff-thomas.ca, anecessaryfiction.com Represented by Stephen Bulger Gallery I am an urban Iroquois, born in the city of Buffalo, New York in 1956. My parents and grandparents were born at the Six Nations reserve, near Brantford, Ontario and left the reserve to find work in the city. You won’t find a definition for the ‘urban Iroquois’ in any dictionary or anthropological publication -- it is this absence that informs my work as a photo-based artist, researcher, independent curator, cultural analyst and public speaker. My study of Indian-ness seeks to create an image bank of my urban Iroquois experience, as well as re-contextualize historical images of First Nations people for a contemporary audience. Ultimately, I want to dismantle long entrenched stereotypes and inappropriate caricatures of Indigenous people. SOLO EXHIBITIONS 2018 • Bird Man Rising, Edwardsville Art Centre, Edwardsville, Illinois • Indians on Tour: Exploring Indigenous Experiences Through Jeff Thomas’ Lens, Sheridan Campus Galleries, Mississauga, Ontario 2017 • A Necessary Fiction: My Conversation with Edward S. Curtis & George Hunter, Art Gallery of Mississauga, Mississauga, Ontario 2016 • The Dancing Grounds, Wanuskewin Heritage Park, Saskatoon, Saskatchewan • Metamorphosis, Paved Arts Billboard Space, Saskatoon, Saskatchewan 2015 • A Necessary Fiction: My Conversation with Nicholas de Grandmaison, University of Lethbridge Art Gallery, Lethbridge, Alberta 2012 • Mapping Iroquoia: Cold City Frieze, McMaster Museum of Art, Hamilton, Ontario • Resistance Is NOT Futile, Stephen Bulger Gallery, Toronto, Ontario • Father’s Day, Urban Shaman, Winnipeg, Manitoba • The First Spike, The Aboriginal Centre of Winnipeg, Winnipeg, Manitoba • The Bear Portraits, Studio 393, Portage Place Mall, Winnipeg, Manitoba 2011 • Resistance Is [Not] Futile, Paved Arts, Saskatoon, Saskatchewan 2010 • My Conversation with Edward S. -
Janice Gurney: Cv
Janice Gurney BIOGRAPHY Born Winnipeg, Manitoba 1949 Studied Master of Visual Studies with a collaborative degree in Book History and Print Culture, University of Toronto, 2007 B.F.A. Honours, University of Manitoba, 1973 SELECTED SOLO EXHIBITIONS 2010 “Outside Our Doors”, AGYU Gallery, York University, Toronto, Ont. 2008 “Silent Reading and Thick Description”, Wynick/Tuck Gallery, Toronto, Ont. 2006 “Punctuation in Translation”, Wynick/Tuck Gallery, Toronto, Ont. “Meditation in Your Office”, various offices at U. of Toronto, Ont. 2002 “Portraits from Memory”, Wynick/Tuck Gallery, Toronto, Ontario 1999 "Dark", McIntosh Gallery, London, Ontario 1998/99 "Not", A.L.L.M., 19 Charlotte Street, Toronto, Ontario 1998 "Cancelled", Wynick/Tuck Gallery, Toronto, Ontario 1996 "Not in Exhibition", Wynick/Tuck Gallery, Toronto, Ontario 1995 “States of Mind”, Wynick/Tuck Gallery, Toronto, Ontario 1992-94 "Sum over Histories", Winnipeg Art Gallery, Winnipeg, Manitoba; Power Plant, Toronto, Ontario, Mackenzie Art Gallery, Regina, Sask; London Regional Art and Historical Museums, London, Ont.; Glenbow Museum, Calgary, Alberta. 1992 “Artists with Their Work”, Dundas Valley School of Art, Dundas, Ontario. "Plots and Themes", Wynick/Tuck Gallery, Toronto, Ontario 1991 "Plots and Themes", Laurentian Art Gallery, Sudbury, Ontario 1990 "The Last Tasmanians", Wynick/Tuck Gallery, Toronto, Ontario 1989 "Name", 49th Parallel, New York, NY "Interview", Embassy Cultural House, London, Ontario. 1988 "The Surface of Behaviour", Gairloch Gallery, Oakville, Ontario Janice Gurney, Powerhouse Gallery, Montreal, Quebec "Ashes and Diamonds", Wynick/Tuck Gallery, Toronto, Ontario 1987 "Open Studio Prints", Open Studio, Toronto, Ontario 1986 "For the Audience", Mount St. Vincent University Art Gallery, Halifax, N.S. "The Damage is Done", Struts Gallery, Sackville, New Brunswick "The Damage is Done”, Wynick/Tuck Gallery, Toronto, Ontario 1984 "The Damage is Done", Simon Fraser University Downtown Gallery, Vancouver, B.C. -
Vision Exchange: Perspectives from India to Canada, National
DIVYA MEHRA 1981 Born in Winnipeg, MB, Canada Currently lives and works in Winnipeg, Canada Education 2008 MFA in Visual Arts, Columbia University, School of the Arts, New York, USA 2005 BFA (Honours) in Visual Arts, University of Manitoba, School of Art, Winnipeg, MB, Canada On View/Forthcoming 2024 Divya Mehra, Contemporary Art Gallery, Vancouver, BC, Canada Divya Mehra, Confederation Centre Art Gallery, Charlottetown, PEI, Canada 2023 Vision Exchange: Perspectives from India to Canada, National Gallery of Canada, Ottawa, ON, Canada Divya Mehra: Afterlife of Colonialism…, National Gallery of Canada, Ottawa, ON; in conjunction with the exhibition, Vision Exchange: Perspectives from India to Canada Divya Mehra, Mercer Union, Toronto, ON, Canada 2022 Divya Mehra, Esker Foundation, Calgary, AB, Canada 2021 CFAT 40th Anniversary Project, Dalhousie Art Gallery, Dalhousie University, Halifax, NS, Canada Divya Mehra, The funny things You do, Night Gallery, Los Angeles, CA, USA (essay by Kim Nguyen) Selected Solo Exhibitions 2020 Divya Mehra: From India to Canada and back to India (There is nothing I can possess which you cannot take away), Mackenzie Art Gallery, Regina, SK, Canada 2019 Divya Mehra: Afterlife of Colonialism…, Winnipeg Art Gallery, Winnipeg, MB; in conjunction with the exhibition: Vision Exchange: Perspectives from India to Canada Divya Mehra: Afterlife of Colonialism…, Royal Ontario Museum, Toronto, ON; in conjunction with ROM Friday Night Live, one night installation (March 22, 2019, 7pm-11pm) Divya Mehra: Afterlife of Colonialism…, Hart House, Art Museum, University of Toronto, Toronto, ON; in conjunction with Night of Ideas, overnight installation; in conjunction with the exhibition: Vision Exchange: Perspectives from India to Canada 2018 Divya Mehra, Afterlife of Colonialism…, Special project in conjunction with the exhibition: Vision Exchange: Perspectives from India to Canada, Art Gallery of GEORGIA SCHERMAN PROJECTS, INC. -
Lisa Myers, MFA Education 2011 MFA, Criticism and Curatorial Practice
Lisa Myers, MFA Education 2011 MFA, Criticism and Curatorial Practice, OCAD University 2008 BFA, OCAD University, Integrated Media 1999 Teach and Training Adults Certificate, Georgian College 1992 AOCA, New Media, Ontario College of Art Culinary Art Education and Apprenticeship 2004 Red Seal Certification for Cook trade, Inter-provincial Standards 2004 Diploma, Culinary Arts with Honours, Stratford Chefs School Media Art Workshops 2019 Bolex 16 mm camera course with Marco Arriaga at Liaison for Independent Filmmakers of Toronto. 2019 Sound Editing with Audition, at Liaison for Independent Filmmakers of Toronto. 2017 Stop-Motion Animation Master Class with Terril Calder, Toronto Animated Image Society. 2016 After Effects, Trinity Square Video, Toronto. 1996 Imaging/Filmmaking (Film Farm), Sheridan College Academic Employment 2016 - present Assistant Professor (tenure-track), Faculty of Environmental Studies, York University. Teaching graduate course “Food, Land and Culture” and “Cultural Production Workshop: Socially Engaged Art”; Undergrad courses “Community Art for Social Change” and “Art in Action: Pedagogy, Ethics and Praxis”. 2014-2016 Instructor of third year studio course, Introduction to Contemporary Indigenous Sculpture, OCAD University. 2013-2016 Instructor of studio course, Indigenous Sculptural Strategies (formerly: Narrative Strategies: Contemporary Indigenous Sculpture and Installation), OCAD University. 2014-2016 Facilitator of community-building program Bead & Read, OCAD University. 2013-2016 Writing and Learning Consultant (Aboriginal Student Support), Indigenous Visual Culture program and the Writing and Learning Centre, OCAD University. 2013-2014 Instructor of art theory course, Critical Issues for Fine Artists, Georgian College. 2013 Instructor of museum studies course, Understanding Museums and Galleries, Georgian College. 2009-2011 Teaching Assistant: Intro to Visual Studies II: Critical Frameworks and Intro to Visual Studies I: History and Ideas, OCAD University. -
View Jamelie Hassan's CV
JAMELIE HASSAN SELECTED SOLO EXHIBITIONS 2016 Transformations: Enlightenment in the Digital Age, Ismail Centre, Toronto, Ontario curated by Zulfikar Hirji 2013 Jamelie Hassan, Wilfrid Laurier University, Waterloo, Ontario, curated by Suzanne Luke 2012 Re-enacting Resistance, Art Gallery of Windsor, Windsor, Ontario, curated by Srimoyee Mitra 2009-2013 Jamelie Hassan: At the Far Edge of Words, survey exhibition, curated by Melanie Townsend, Museum London, London, Ontario, and Scott Watson, Morris & Helen Belkin Art Gallery, University of British Columbia, Vancouver, British Columbia; travelled to the University of Lethbridge Art Gallery, Lethbridge, Alberta; Dalhousie University Art Gallery, Halifax, Nova Scotia; Carleton University Art Gallery, Ottawa, Ontario; MOCCA, Toronto, Ontario; publication Museum London and Belkin Art Gallery, 2010 2009 The Films of Jamelie Hassan, a film program curated by Miriam Jordan and Julian Jason Haladyn, Museum London and the Film Department of the University of Western Ontario London, Ontario. Publication edited by Miriam Jordan and Julian Jason Haladyn including texts by Laura U. Marks and the editors 2007 King’s Kian: In & Out of Place, King’s University College, The University of Western Ontario, London, Ontario 2004 Smurfistan, La Chambre Blanche, Québec City, Quebec 2003 Sister Speak to Me, A Tribute to Zahra Kazemi, organized event including premiere screening of film (collaborative documentary film produced with Tyson Haller) and forum, London Public Library, London, Ontario 2002 Caribbean Books, -
1 JEFF THOMAS 5 Elm Street Ottawa, Ontario K1R 6M9 TEL 613.236
Jeff Thomas CV 2016 JEFF THOMAS 5 Elm Street Ottawa, Ontario K1R 6M9 TEL 613.236.5673 [email protected] Websites jeff-thomas.ca, anecessaryfiction.com Represented by Stephen Bulger Gallery I am an urban Iroquois, born in the city of Buffalo, New York in 1956. My parents and grandparents were born at the Six Nations reserve, near Brantford, Ontario and left the reserve to find work in the city. You won’t find a definition for the ‘urban Iroquois’ in any dictionary or anthropological publication -- it is this absence that informs my work as a photo-based artist, researcher, independent curator, cultural analyst and public speaker. My study of Indian-ness seeks to create an image bank of my urban Iroquois experience, as well as re-contextualize historical images of First Nations people for a contemporary audience. Ultimately, I want to dismantle long entrenched stereotypes and inappropriate caricatures of Indigenous people. SOLO EXHIBITIONS 2018 • Bird Man Rising, Edwardsville Art Centre, Edwardsville, Illinois • Indians on Tour: Exploring Indigenous Experiences Through Jeff Thomas’ Lens, Sheridan Campus Galleries, Mississauga, Ontario 2017 • A Necessary Fiction: My Conversation with Edward S. Curtis & George Hunter, Art Gallery of Mississauga, Mississauga, Ontario 2016 • The Dancing Grounds, Wanuskewin Heritage Park, Saskatoon, Saskatchewan • Metamorphosis, Paved Arts Billboard Space, Saskatoon, Saskatchewan 2015 • A Necessary Fiction: My Conversation with Nicholas de Grandmaison, University of Lethbridge Art Gallery, Lethbridge, Alberta 2012 • Mapping Iroquoia: Cold City Frieze, McMaster Museum of Art, Hamilton, • Ontario • Resistance Is NOT Futile. Stephen Bulger Gallery, Toronto, Ontario • Father’s Day, Urban Shaman, Winnipeg, Manitoba • The First Spike, The Aboriginal Centre of Winnipeg, Winnipeg, Manitoba • The Bear Portraits, Studio 393, Portage Place Mall, Winnipeg, Manitoba 2011 • Resistance Is [Not] Futile, Paved Arts, Saskatoon, Saskatchewan 2010 • My Conversation with Edward S. -
Geopoetics the Lay of the Land
GEOPOETICS The Lay of the Land JUNE 11 TO OCTOBER 15, 2017 Stewart Park Curator: Kasia Basta STEWART HALL CULTURAL CENTRE 176 Du-Bord-du-Lac – Lakeshore Road, Pointe-Claire, Quebec H9S 4J7 514-630-1254 www.geopoetique.ca | www.pointe-claire.ca Geopoetics – The Lay of the Land The outdoor component of Geopoetics explores the idea of immensity in relation to Canadian territory, not only in terms of landscape and geographic expanse but also with respect to our country’s mosaic of cultural diversity. Each artist proposes a conceptual and contemporary reflection by referencing various theoretical aspects of the land – social, cultural, linguistic, climatic or identity-related. The works displayed in Copyright: Stewart Hall Art Gallery, 2017 Stewart Park create an artistic path that reveals interesting and unusual ISBN: 978-0-9880149-8-5 perspectives on our country. Legal Deposit: Bibliothèque et Archives nationales du Québec, 2017 The entire park is perceived as an outdoor art gallery. The diversity of National Library of Canada, 2017 practices and media associated with the various techniques and the Texts: Kasia Basta Translation: City of Pointe-Claire preferred approach of each artist testify metaphorically to the vastness Revision: Manel Benchabane, Céline Le Merlus, Alexandre Payer, of the territory that constitutes Canada. Each artist has taken a stand Madeleine Philibert Graphic Design: Karilee Fuglem with respect to her or his understanding of the territory, presenting Photography: Artists, unless otherwise specified; cover – Maria Korab-Laskowska Map Design: geckographik works that are both intimate and engaged. Visual Signature: Pénéga Printing: Imprimerie Jeff Jones Inc. The semi-permanent installations form a path through geographic This brochure was made possible thanks to expanses presented on different scales.