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THE COLLECTION OF DAME JUDITH TE TOMAIRANGI O TE AROHA BINNEY AND AND SEBASTIAN BLACK The Collection of Dame Judith te Tomairangi o Te Aroha Binney and Art+Object 4 June 2015 A+O 93 Sebastian Black The Collection of Dame Judith Te Tomairangi o Te Aroha Binney and Sebastian Black Thursday 4 June 6.30pm Art+Object 3 Abbey Street Newton, Auckland PO Box 68 345 Newton, Auckland 1145 Telephone: +64 9 354 4646 Freephone: 0 800 80 60 01 Facsimile: +64 9 354 4645 [email protected] www.artandobject.co.nz EXHIBITING FJ6A>INA6C9H86E:H WILTON LODGE, FJ::CHIDLC Privately positioned on 3,450 square metres, this substantial 6gXa^cZV`^iX]Zcl^i]i]gZZaVg\Zldg`heVXZh!ZmiZch^kZhidgV\Z north-facing waterfront property overlooks Lake Hayes with GZ[jgW^h]ZYl^i]XdcXgZiZ!hX]^hihidcZ!XZYVgVcYXdeeZg magnificent views to the mountains beyond. Award winning BVhiZgHj^iZl^i]ildheVX^djhlVa`"^cYgZhh^c\gddbh architect John Blair designed this home to achieve maximum :miZgcVa]ZViZYhl^bb^c\edda^hXdbeaZbZciZYWnVÒgZeaVXZ sunshine and lake views from almost every room. Italian marble BZY^Vgddb!\nbcVh^jb!i]gZZhijY^ZhVcY[djgXVg\VgV\^c\ features throughout the spacious and elegant four bedroom home. :miZch^kZbVijgZaVcYhXVe^c\VcYigZZ"a^cZYVXXZhhidaV`Z[gdci luxuryrealestate.co.nz/QT94 434 LOWER SHOTOVER ROAD, FJ::CHIDLC Situated on one of the most sought after land positions in ;djgWZYgddbhZcXdbeVhh^c\hZa["XdciV^cZYbVhiZghj^iZ Queenstown, this 547 square metre Kerry Mason designed 9Zh^\cZg`^iX]Zc!hijYn!ilda^k^c\VgZVh!Y^c^c\gddb!XZaaVg home was built in 2012. -
Art History Theses (Updated November 2015)
Art History Theses (updated November 2015) These theses are held in the Department Library. MA and PhD theses are also held in the main University Library, and many are available in PDF format online from (http://otago.ourarchive.ac.nz/). Many BA(Hons) and PGDip disserations are also held in the Hocken Collections. For more information, please contact [email protected]. Art History Theses Allen, Elise. "The Paradox of the Picture Plane." BA(Hons), 2008. Armistead, Michelle. "Nothing to Latch Onto: The Black Paintings of Ralph Hotere, 1968-69." BA(Hons), 2005. Atkinson, Claire. "The Fashionable Artist and the Artist as Fashion: The Structuring of Fashion and the Feminine in the Female Sculptural Groups of Marisol Escobar." PGDip Arts, 2004. Bagnall, Lorna Alice. "Contemporary Flesh: Transgressing Boundaries in the Bodies of Jenny Saville." BA(Hons), 2013. Ballard, Susan. "Reading the leaves: an approach to some artists' books." PGDip, 1996. Ballard, Susan. "Feminist and postmodernist intersections with New Zealand photography: a study of four artists." PGDip, 1996. Barr, Adrian. "Kazimir Malevich: A Creative Relationship of Word and Image." MA, 2001. Barry, Briar. "Journeys in Imagery: The Art and Illustration of Gavin Bishop." BA(Hons), 2009. Bath, David. "Conflicting Tensions: Eight Works of Elizabeth rees." BA(Hons), 1998. Baxendall, Lydia. "Nigel Brown and NZ National Identity." MA, 2011. Bell, David. "Art in Education: A survey exhibition to celebrate one hundred and twent-five years of art at the Duendin College of Education." PGDip, 1999. Bell, David. "Explaining Ukiyo-E." PhD, 2002. Bell, David. "Kanadehon Chushingura: Representations of Kanadehon Chushingura In Ukiyo-e." PGDip, 1998. -
University of Otago Magazine 44April 2017
UNIVERSITY OF OTAGO MAGAZINE 44APRIL 2017 INSIDE Alumnus Professor Robert Webster Avian flu, ethics and the future Planning for the ‘Age of Ageing’ Politics and dignity Arts fellowship celebrates 50 years University of Otago Magazine A magazine for alumni and friends of the University of Otago Issue 44 APRIL 2017 ISSN - 1175-8147 Editor Karen Hogg Designer Peter Scott Writers Kevin Clements Kim Connelly Ian Dougherty Laura Hewson Karen Hogg The Amie Richardson Stephen Sowerby Sam Stevens University of Otago Fleur Templeton Kim Thomas Mark Wright Magazine Nigel Zega Photographers Sharron Bennett has its Alan Dove Sheena Haywood Michael Roberts own website Graham Warman Cover Professor Robert Webster Photo: Alan Dove Printing PMP Print Circulation Development and Alumni Relations Office otago.ac.nz/otagomagazine Email [email protected] • To update or change delivery address • To read the Magazine and other alumni communications electronically • To receive just one “household” postal copy of the Magazine Tel 64 3 479 4516 Editorial contact details University of Otago Magazine Marketing and Communications PO Box 56 Dunedin 9054 New Zealand Tel 64 3 479 8679 If you would prefer to read Email [email protected] the magazine online Web otago.ac.nz/otagomagazine and no longer receive a hard copy, Copyright please email You are welcome to reproduce material from the magazine after gaining permission from the editor. All reproduced material must be appropriately acknowledged. [email protected] The University of Otago Magazine is published by the Marketing and Communications Division of the University. The opinions expressed are not necessarily those of the University. -
Newsletter Winter 2015 Download
Grahame Sydney Newsletter Winter 2015 Several significant events have occurred since the last newsletter about this time last year. On the professional front, the book on which Fi and I had been working for the previous 18 months, in tandem with Robbie Burton of Potton and Burton Publishers, finally made it onto the shelves of bookshops around New Zealand in October 2014. Robbie was determined that this comprehensive survey of more than forty years of my painting life would be a beautiful and substantial volume, and so it is: slip-cased in the standard edition form, elegantly designed and superbly printed, containing over 200 images and two substantial essays, “Grahame Sydney, Paintings 1974-2014” “Evening at Kane’s Pond.” Oil on Linen. 845mm x 1220mm. 2014. was received with enthusiasm and praise by the reviewers and market alike, and its first print run Book-related also, I was invited to appear at three Readers and sold out within five weeks. It was immediately reprinted in time Writers’ Festivals – Auckland, Dunedin and Nelson - and in each for Christmas, and that print run is now almost sold out too – a case the ‘in conversation’ events with either Robbie Burton very pleasing result for us all. The slightly posher packaged or Zara Stanhope were enjoyable occasions with excellent version, linen-boxed and limited to 300 copies, sold out within 10 audiences. I do find the hour allotted to be frustratingly brief days of release. We are also thrilled to just learn it has been though, and suspect the punters often feel the same. -
Faculty Research, Scholarship, and Creative Activity 2017
STATE UNIVERSITY OF NEW YORK AT FREDONIA FACULTY RESEARCH, SCHOLARSHIP, AND CREATIVE ACTIVITY 2017 fredonia.edu/academicaffairs STATE UNIVERSITY OF NEW YORK AT FREDONIA FACULTY RESEARCH, SCHOLARSHIP, AND CREATIVE ACTIVITY 2017 TABLE OF CONTENTS A MESSAGE FROM THE PRESIDENT .........................4 A MESSAGE FROM THE PROVOST ...........................5 COLLEGE OF EDUCATION ....................................6 CURRICULUM AND INSTRUCTION ................................... 7 LANGUAGE, LEARNING, AND LEADERSHIP ........................... 8 COLLEGE OF LIBERAL ARTS AND SCIENCES ................ 10 BIOLOGY .............................................................. 11 CHEMISTRY AND BIOCHEMISTRY ................................... 13 COMMUNICATION DISORDERS AND SCIENCES ..................... 14 COMMUNICATION .................................................... 14 COMPUTER AND INFORMATION SCIENCES ......................... 16 ENGLISH .............................................................. 17 HISTORY .............................................................. 18 MATHEMATICAL SCIENCES ........................................... 19 PHILOSOPHY ........................................................ 20 PHYSICS ............................................................... 21 POLITICS AND INTERNATIONAL AFFAIRS ........................... 22 PSYCHOLOGY ....................................................... 23 SOCIOCULTURAL AND JUSTICE SCIENCES ......................... 25 COLLEGE OF VISUAL AND PERFORMING ARTS .............26 MUSIC -
13 1 a R T + O B Je C T 20 18
NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley. -
Volume 5, Chapter 6: Technological and Commercial
Glime, J. M. 2017. Technological and Commercial. Chapt. 6-1. In: Glime, J. M. Bryophyte Ecology. Volume 5. Uses. Ebook 6-1-1 sponsored by Michigan Technological University and the International Association of Bryologists. Last updated 23 April 2018 and available at <http://digitalcommons.mtu.edu/bryophyte-ecology/>. CHAPTER 6 TECHNOLOGICAL AND COMMERCIAL TABLE OF CONTENTS Sphagnum Peatlands............................................................................................................................................6-1-2 Heavy Metal Detection and Cleanup...........................................................................................................6-1-2 Filtration.......................................................................................................................................................6-1-3 Oil Cleanup..................................................................................................................................................6-1-4 Fuel..............................................................................................................................................................6-1-5 Peat in Construction.....................................................................................................................................6-1-7 Harvesting Peat and Peatland Destruction...................................................................................................6-1-8 Climate Reconstruction..............................................................................................................................6-1-10 -
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THE 21ST CENTURY AUCTION HOUSE NEW COLLECTORS ART THE JIM DRUMMOND COLLECTION THE NEW ZEALAND SALE DECORATIVE ARTS THE 21ST CENTURY AUCTION HOUSE NEW COLLectors art wednesday 22 april 6.30pm THE JIM DRUMMOND COLLECTION saturday 2 may and sunday 3 may 10am please turn to subtitle page for detailed session times THE NEW ZEALAND SALE + DECORATIVE ARTS thursday 14 may 6.30pm RARE BOOKS IN CONJUNCTION WITH paM PLUMBLY a separate catalogue will be available thursday 14 may conditions of sale page 78 absentee bid form page 79 contacts page 80 buyer’s premium on all auctions in this catalogue 15% 3 Abbey Street, Telephone +64 9 354 4646 Newton Freephone 0800 80 60 01 PO Box 68 345, Facsimile +64 9 354 4645 Newton [email protected] Auckland 1145, www.artandobject.co.nz New Zealand entries invited TWENTIETH CENTURY DESIGN TH garth Chester Bob Roukema JUNE 11 2009 Curvesse Chair wing back Chair $3500 - $4000 $2000 - $3000 CONTEMPORARY Len Castle ART + Slab Sided Pot $1000 - $2000 OBJECTS TH Angela Singer MAY 28 2009 Untitled $1000 - $1500 each Peter Peryer IMPORTANT Trout vintage gelatin silver print, 1987 PHOTOGRAPHS $9000 - $14 000 MAY 28TH 2009 One giant leap. The all-new, technologically advanced Lexus RX350 has arrived. Why is the all-new RX350 such an excellent personification of forward thinking? Perhaps it’s the way it innovatively blends the styling of an SUV with the luxury you’ve come to expect from Lexus. With a newly enhanced 3.5 litre engine and Active Torque Control All-Wheel Drive, you’ll have outstanding power coupled with superb response and handling. -
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ART + OBJECT 2017 has undoubtedly been a dynamic year at Art+Object, as well as for the wider New Zealand art world. We are fortunate to be part of a healthy, thriving arts community that really does offer something for everyone, across a variety of art forms. This year, along with our usual catalogues of Important Paintings and Contemporary Art, New Collectors, Decorative Arts and Rare Books, we have been favoured with the sale of some fabulous private collections. Visionary collectors like Anne Coney and Glenn Schaeffer, in taking the brave decision to sell their collections at auction, provide viewers with a wonderful opportunity to admire and acquire. Thank you to everyone who has taken part in our auction program this year, we put real effort into making our auction videos, organising talks and events and we love it when you watch on-line, or come along to viewings and auctions. Our talk with collector Glenn Schaeffer in October was given to a packed house, with a large number of interested collectors attending to hear from Mr Schaeffer, a significant international art collector. The year cannot pass without making mention of the wonderful success of the Estate of Michael Illingworth auction. The enthusiasm shown by the market for work by this legendary artist was unprecedented, resulting in one of the most successful auctions in our ten year history. We have enjoyed working with a number of brand partners this year. We’ve been serving freshly brewed Allpress coffee at our weekend viewings, which was particularly well-received on cold wintry viewing days, and it certainly feels like we’ve had plenty of those this year. -
Exhibtion History 1999 – 2009
EXHIBTION HISTORY 1999 – 2009 Manufacturing Meaning: The University of Wellington Art Collection in Context 22 September 1999 31 January 2000 The inaugural exhibition of the Adam Art Gallery showcased ten key works from the university collection, spanning a period from the 1930s to the present. The works of Frances Hodgkins, John Weeks, Gordon Walters, Colin McCahon, Ralph Hotere, Michael Smither, Jacqueline Fahey, Richard Killeen, John Pule and Peter Peryer were each presented in relation to the artist's practice or ideas and issues raised by the work, and each was accompanied by a catalogue. Manufacturing Meaning offered important new insights into the history of New Zealand art, through the research and presentation of selected critical thinkers curators, art historians, writers and artists Elizabeth Eastmond, Linda Tyler, Damian Skinner/ Ngarino Ellis, Ewen McDonald, Jack Body and David Crossan, Stuart McKenzie, Anna Miles, Greg Burke, Lisa Taouma, and David Maskill. Concept Curator Christina Barton Language Matters MaryLouise Browne, Terrence Handscomb, L.Budd et al, Colin McCahon, Joanne Moar & Lucy Harvey, and Michael Parekowhai 11 February 26 March 2000 Language Matters brought together six New Zealand artists who use language in their practice in varied forms and with diverse intentions. The exhibition acknowledged the pervasive presence of spoken and written language in contemporary New Zealand art. Curated by Christina Barton Guests and Foreigners, Rules and Meanings (Te Kore) Joseph Kosuth 2 March 30 April 2000 Joseph Kosuth's installation Guests and Foreigners, Rules and Meanings (Te Kore) was the fifth in a series, situated in disparate locations: Oslo, Dublin, Frankfurt, Istanbul and Chiba City, Japan. -
Download PDF Catalogue
THE 21st CENTURY AUCTION HOUSE A+O 7 A+O THE 21st CENTURY AUCTION HOUSE 3 Abbey Street, Newton PO Box 68 345, Newton Auckland 1145, New Zealand Phone +64 9 354 4646 Freephone 0800 80 60 01 Facsimile +64 9 354 4645 [email protected] www.artandobject.co.nz Auction from 1pm Saturday 15 September 3 Abbey Street, Newton, Auckland. Note: Intending bidders are asked to turn to page 14 for viewing times and auction timing. Cover: lot 256, Dennis Knight Turner, Exhibition Thoughts on the Bev & Murray Gow Collection from John Gow and Ben Plumbly I remember vividly when I was twelve years old, hopping in the car with Dad, heading down the dusty rural Te Miro Road to Cambridge to meet the train from Auckland. There was a special package on this train, a painting that my parents had bought and I recall the ceremony of unwrapping and Mum and Dad’s obvious delight, but being completely perplexed by this ‘artwork’. Now I look at the Woollaston watercolour and think how farsighted they were. Dad’s love of art was fostered at Auckland University through meeting Diane McKegg (nee Henderson), the daughter of Louise Henderson. As a student he subsequently bought his first painting from Louise, an oil on paper, Rooftops Newmarket. After marrying Beverley South, their mutual interest in the arts ensured the collection’s growth. They visited exhibitions in the Waikato and Auckland and because Mother was a soprano soloist, and a member of the Hamilton Civic Bev and Murray Gow Choir, concert trips to Auckland, Tauranga, New Plymouth, Gisborne and other centres were in their Orakei home involved. -
Otago University Press 2017–18 Catalogue
otago university press 2017–18 catalogue NEW BOOKS I 1 OTAGO UNIVERSITY PRESS CONTENTS PO Box 56, Dunedin, New Zealand New books 2017 3–26 Level 1 / 398 Cumberland Street, 2018 highlights 27–30 Dunedin, New Zealand Books in print: by title 33–39 Phone: 64 3 479 8807 Books in print: by author 40–41 Fax: 64 3 479 8385 How to buy OUP books 43 Email: [email protected] Web: www.otago.ac.nz/press facebook: www.facebook.com/OtagoUniversityPress Publisher: Rachel Scott Production Manager: Fiona Moffat Editor: Imogen Coxhead Publicity and Marketing Co-ordinator: Victor Billot Accounts Administrator: Glenis Thomas Prices are recommended retail prices and may be subject to change Cover: The lighthouse at Taiaroa Head, home of the cliff-top albatross colony on Otago Peninsula. See The Face of Nature: An environmental history of the Otago Peninsula by Jonathan West. Photograph by Ian Thomson 2 I NEW BOOKS A STRANGE BEAUTIFUL EXCITEMENT REDMER YSKA Katherine Mansfield’s Wellington 1888–1903 How does a city make a writer? Described by Fiona Kidman as a ‘ravishing, immersing read’, A Strange Beautiful Excitement is a ‘wild ride’ through the Wellington of Katherine Mansfield’s childhood. From the grubby, wind-blasted streets of Thorndon to the hushed green valley of Karori, author Redmer Yska, himself raised in Karori, retraces Mansfield’s old ground: the sights, sounds and smells of the rickety colonial capital, as experienced by the budding writer. Along the way his encounters and dogged research – into her Beauchamp ancestry, the social landscape, the festering, deadly surroundings – lead him (and us) to reevaluate long- held conclusions about the writer’s shaping years.