Janea LIFE and LEGENDS
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AMERICAN EXPERIENCE Presents Custer's Last Stand
AMERICAN EXPERIENCE Presents Custer’s Last Stand New Two-Hour Documentary Explores the Life of One of the Most Controversial and Mythic Figures in American History Premieres Tuesday, January 17, 2012 8:00 p.m. - 10:00 p.m. ET on PBS America had just finished celebrating its 100th birthday, when, on July 6, 1876, the telegraph brought word that General George Armstrong Custer and 261 members of his Seventh Cavalry column had been massacred by Cheyenne and Lakota warriors along the Little Bighorn River in Montana Territory. The news was greeted with stunned disbelief. How could Custer, the “boy general” of the Civil War, America’s most celebrated Indian fighter, the avatar of western expansion, have been struck down by a group of warriors armed with little more than bows and arrows? Like everything else about Custer, his martyrdom was shrouded in controversy and contradictions, and the final act of his larger-than-life career was played out on a grand stage with a spellbound public engrossed in the drama. In the end, his death would launch one of the greatest myths in American history. Custer’s Last Stand, a new two-hour biography of one of the most celebrated and controversial icons of nineteenth-century America, paints a penetrating psychological portrait of Custer’s charismatic, narcissistic personality, and for the first time on television, explores the fateful relationships within the officers of the Seventh Cavalry that would lead him to his doom. This new biography allows viewers to take a fresh look at Custer’s passionate love affair with his wife Libbie, and their mutually ambitious partnership that made them the power couple of the 1870s. -
Young Man Afraid of His Horses: the Reservation Years
Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: Young Man Afraid of His Horses: The Reservation Years Full Citation: Joseph Agonito, “Young Man Afraid of His Horses: The Reservation Years,” Nebraska History 79 (1998): 116-132. URL of Article: http://www.nebraskahistory.org/publish/publicat/history/full-text/1998-Young_Man.pdf Date: 1/20/2010 Article Summary: Young Man Afraid of His Horses played an important role in the Lakota peoples’ struggle to maintain their traditional way of life. After the death of Crazy Horse, the Oglalas were trapped on the reservation , surrounded by a growing, dominant, white man’s world. Young Man Afraid sought ways for his people to adapt peacefully to the changing world of the reservation rather than trying to restore the grandeur of the old life through obstructionist politics. Cataloging Information: Names: Man Afraid of His Horses; Red Cloud; J J Saville; Man Who Owns a Sword; Emmett Crawford; -
Teacher’S Guide Teacher’S Guide Little Bighorn National Monument
LITTLE BIGHORN NATIONAL MONUMENT TEACHER’S GUIDE TEACHER’S GUIDE LITTLE BIGHORN NATIONAL MONUMENT INTRODUCTION The purpose of this Teacher’s Guide is to provide teachers grades K-12 information and activities concerning Plains Indian Life-ways, the events surrounding the Battle of the Little Bighorn, the Personalities involved and the Impact of the Battle. The information provided can be modified to fit most ages. Unit One: PERSONALITIES Unit Two: PLAINS INDIAN LIFE-WAYS Unit Three: CLASH OF CULTURES Unit Four: THE CAMPAIGN OF 1876 Unit Five: BATTLE OF THE LITTLE BIGHORN Unit Six: IMPACT OF THE BATTLE In 1879 the land where The Battle of the Little Bighorn occurred was designated Custer Battlefield National Cemetery in order to protect the bodies of the men buried on the field of battle. With this designation, the land fell under the control of the United States War Department. It would remain under their control until 1940, when the land was turned over to the National Park Service. Custer Battlefield National Monument was established by Congress in 1946. The name was changed to Little Bighorn National Monument in 1991. This area was once the homeland of the Crow Indians who by the 1870s had been displaced by the Lakota and Cheyenne. The park consists of 765 acres on the east boundary of the Little Bighorn River: the larger north- ern section is known as Custer Battlefield, the smaller Reno-Benteen Battlefield is located on the bluffs over-looking the river five miles to the south. The park lies within the Crow Indian Reservation in southeastern Montana, one mile east of I-90. -
Review Essay: Custer, Crazy Horse, Sitting Bull, and the Little Bighorn
REVIEW ESSAY Bloodshed at Little Bighorn: Sitting Bull, Custer, and the Destinies of Nations. By Tim Lehman. Baltimore, MD: Johns Hopkins University Press, 2010. 219 pp. Maps, illustrations, notes, bibliogra- phy, index. $19.95 paper. The Last Stand: Custer, Sitting Bull, and the Battle of the Little Bighorn. By Nathaniel Philbrick. New York: Viking, 2010. xxii + 466 pp. Maps, photographs, appendices, notes, bibliography, index. $30.00 cloth, $18.00 paper. Custer: Lessons in Leadership. By Duane Schultz. Foreword by General Wesley K. Clark. New York: Palgrave Macmillan, 2010. x + 206 pp. Photographs, notes, bibliography, index. $14.00 paper. The Killing of Crazy Horse. By Thomas Powers. New York: Knopf, 2010. xx + 568 pp. Maps, illustra- tions, photographs, notes, bibliography, index. $30.00 cloth, $17.00 paper. CUSTER, CRAZY HORSE, SITTING BULL, AND THE LITTLE BIGHORN In the summer of 1876, the United States some Cheyennes, and a handful of Arapahos. government launched the Great Sioux War, The resulting Battle of the Little Bighorn left a sharp instrument intended to force the last Custer and 267 soldiers, Crow scouts, and civil- nonagency Lakotas onto reservations. In doing ians dead, scattered in small groups and lonely so, it precipitated a series of events that proved singletons across the countryside—all but disastrous for its forces in the short run and fifty-eight of them in his immediate command, calamitous for the Lakotas in the much longer which was annihilated. With half the regiment scheme of things. killed or wounded, the Battle of the Little On June 17, Lakotas and Cheyennes crippled Bighorn ranked as the worst defeat inflicted General George Crook’s 1,300-man force at the on the army during the Plains Indian Wars. -
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
Cecil B. Demille's Greatest Authenticity Lapse?
Cecil B. DeMille’s Greatest Authenticity Lapse? By Anton Karl Kozlovic Spring 2003 Issue of KINEMA THE PLAINSMAN (1937): CECIL B. DeMILLE’S GREATEST AUTHENTICITY LAPSE? Cecil B. Demille was a seminal founder of Hollywood whose films were frequently denigrated by critics for lacking historical verisimilitude. For example, Pauline Kael claimed that DeMille had ”falsified history more than anybody else” (Reed 1971: 367). Others argued that he never let ”historical fact stand in the way of a good yarn” (Hogg 1998: 39) and that ”historical authenticity usually took second place to delirious spectacle” (Andrew 1989: 74). Indeed, most ”film historians regard De Mille with disdain” (Bowers 1982: 689)and tended to turn away in embarrassment because ”De Mille had pretensions of being a historian” (Thomas 1975: 266). Even Cecil’s niece Agnes de Mille (1990: 185) diplomatically referred to his approach as ”liberal.” Dates, sequences, geography, and character bent to his needs.” Likewise, James Card (1994: 215) claimed that: ”DeMille was famous for using historical fact only when it suited his purposes. When history didn’t make a good scene, he threw it out.” This DeMillean fact-of-life was also verified by gossip columnist Louella Parsons (1961: 58) who observed that DeMille ”spent thousands of dollars to research his films to give them authenticity. Then he would disregard all the research for the sake of a scene or a shot that appealed to him as better movie-making.” As Charles Hopkins (1980: 357, 360) succinctly put it: ”De Mille did not hesitate -
The Sidney-Black Hills Trail
Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: The Sidney-Black Hills Trail Full Citation: Norbert R Mahnken, “The Sidney-Black Hills Trail,” Nebraska History 30 (1949): 203-225 URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1949SidneyTrail.pdf Date: 12/02/2016 Article Summary: The discovery of gold in the Dakota Territory produced the last gold rush in the continental United States. That transformed the trail leading from Sidney, Nebraska, to the Black Hills into a major thoroughfare. By the 1880s new railroad lines were drawing most traffic away from that frontier highway. Scroll down for complete article. Cataloging Information: Names: George A Custer, Red Cloud, Henry T Clark, Luke Voorhees Freighting Companies: Pratt and Ferris; A S Van Tassell; D T McCann and Company; Kennard and Simpson; Daugherty, Kelley and Company; Jewett and Dickenson; Merchants Freighters Mail Carriers: Seymour -
Charles Collins: the SIOUX City Promotion of the Black Hills
Copyright © 1971 by the South Dakota State Historical Society. All Rights Reserved. Charles Collins: The SIOUX City Promotion of the Black Hills JANE CONARD The Black Hills mining frontier. located in southwestern South Dakota, was one of the last regions to experience the turbulence of a gold rush. Rapid development and exploitation of mineral wealth was typical of the gold discoveries in the mountainous West during the Civil War years and the following decade. Although rumors of gold in the Black Hills had persisted throughout these years, the area lay within the Great Sioux Reservation and few white men had had the opportunity of exploring the region to verity the rumors. By the early 1870s public opinion in the Northwest-as Iowa. Nebraska. Minnesota. and Dakota Territory was called-ran strongly in favor of some action by the federal government to open the Black Hills to settlement. The spirit of 'forty-nine lingered on and old miners, ever dreaming of bonanza strikes, sought new gold fields. One step removed from the real and the imaginery gold fields were the merchants and the newspapermen who hoped to outfit the miners, develop new town sites, supply the needs of new communities, and influence the course of men and events. Charles Collins, a newspaperman and promoter from Sioux City, Iowa, spearheaded a campaign to open the Black Hills gold fields to whites. A dynamic Irishman, he sought to put Sioux City on the map as the gateway to the mines, to bring prosperity to the Northwest, and to acquire fame and wealth for himself. -
Calamity Jane: What to Expect • Calamity Jane Is a Stage Musical
Calamity Jane: What to Expect Calamity Jane is a stage musical adapted by Ronald Hanmer and Phil Park from the stage play by Charles K. Freeman after the Warner Bros. film written by James O’Hanlon. The lyrics are by Paul Francis Webster and the music by Sammy Fain. This production of Calamity Jane is presented in association with One Eyed Man Productions and opened at Belvoir on Saturday 25 August, 2018. The production is directed by Richard Carroll with musical direction by Nigel Ubrihien. The production runs for approximately 2 hours and 30 minutes including a 20 minute interval. The musical tells the story of Calamity Jane, a sharp shooter from the American Midwest. The character is based on the real life figure Martha Jane Cannary who lived in the second half of the 19th century. The action of the musical takes place in the Golden Garter Saloon in Deadwood, South Dakota; Chicago and Calamity Jane’s log cabin in the woods outside Deadwood. Calamity Jane, along with Wild Bill Hickock, comes to the rescue of the proprietor of the local saloon, Henry Miller, when the actress Frances Fryer (who Miller has been promoting as a headline act at the saloon) turns out to be Francis Fryer. To quell the patrons’ anger, Calamity Jane undertakes to travel to Chicago and bring back the actress Adelaide Adams to perform at the saloon. There are seven actors in Calamity Jane who play numerous characters. Some of the actors play multiple roles. Virginia Gay plays the role of Calamity Jane throughout the production. -
Marc Simmons; Historian of the Southwest
New Mexico Historical Review Volume 80 Number 3 Article 11 7-1-2005 Review Essay: Marc Simmons; Historian of the Southwest Richard W. Etulain Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Etulain, Richard W.. "Review Essay: Marc Simmons; Historian of the Southwest." New Mexico Historical Review 80, 3 (2005). https://digitalrepository.unm.edu/nmhr/vol80/iss3/11 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. Review Essay MARC SIMMONS: MAVERICK HISTORIAN OF THE SOUTHWEST Richard W. Etulain arc Simmons, New Mexico's leading historian, has always ridden a Mhorse ofanother kind. Freed from aCCiclemic turfsquabbles, working primarily outside the classroom, and writing most often for newspaper and other lay historians, Simmons remains his own historian. Launched as a doctoral graduate in the mid-196os from the University of New Mexico (UNM), Simmons's subsequent historiographical journey, although indi vidualistic, followed more closely the paths ofFrance V. Scholes and Herbert Eugene Bolton than the newer revisionist writings of scholars like Ramon Gutierrez. But to be more precise, Simmons is sui generis, a historian ofhis " own stripe, different from most other historians of New Mexico and the Southwest. The volume under review, librarian Phyllis Morgan's exceptionally use ful bio-bibliography, thoroughly displays the extraordinary dimensions of Marc Simmons ofNew Mexico: Maverick Historian. By Phyllis Morgan. -
Tell Him Something Pretty Robert Herritt
REVIEWS & RECONSIDERATIONS Tell Him Something Pretty Robert Herritt he story goes that after he himself cover for what he wanted to submitted an early draft of do anyway. TDeadwood to HBO, David His maneuver was only fitting for Milch, the show’s creator, had some a show that so aptly dramatized the explaining to do. The script’s use of very human tendency to back-fill and obscenity was so brazen and volu- rationalize, to shoot first and give minous that it made even that net- answers later. In the world Milch work’s higher-ups, themselves no creates, reasoning, thought, speech, strangers to salty language, a little and even laws and institutions are uneasy. Surely a show set in a mining largely after-the-fact enterprises, camp during the 1870s Black Hills things people come up with to make Gold Rush had no need for dialogue sense of others’ actions, to make their so drenched in profanity. And wasn’t own actions intelligible, and, as in Milch’s choice of words — top-dol- Milch’s case, to ratify situations that lar expletives hardly unfamiliar to already obtain. Deadwood is a place today’s ears — anachronistic anyway? where the subterranean forces that If he wanted to work this blue, he’d shape human affairs are close to the have to provide a reason. surface, revealing the plans, theories, In reply to the executives, the customs, and laws that people impose former Yale literature instructor on their predicaments as mostly inci- penned a short essay, substantiated dental, their meaning a consequence with four pages of references, defend- of time and repetition. -
The Civil War & the Northern Plains: a Sesquicentennial Observance
Papers of the Forty-Third Annual DAKOTA CONFERENCE A National Conference on the Northern Plains “The Civil War & The Northern Plains: A Sesquicentennial Observance” Augustana College Sioux Falls, South Dakota April 29-30, 2011 Complied by Kristi Thomas and Harry F. Thompson Major funding for the Forty-Third Annual Dakota Conference was provided by Loren and Mavis Amundson CWS Endowment/SFACF, Deadwood Historic Preservation Commission, Tony and Anne Haga, Carol Rae Hansen, Andrew Gilmour and Grace Hansen-Gilmour, Carol M. Mashek, Elaine Nelson McIntosh, Mellon Fund Committee of Augustana College, Rex Myers and Susan Richards, Rollyn H. Samp in Honor of Ardyce Samp, Roger and Shirley Schuller in Honor of Matthew Schuller, Jerry and Gail Simmons, Robert and Sharon Steensma, Blair and Linda Tremere, Richard and Michelle Van Demark, Jamie and Penny Volin, and the Center for Western Studies. The Center for Western Studies Augustana College 2011 TABLE OF CONTENTS Preface ........................................................................................................................................................... v Anderberg, Kat Sailing Across a Sea of Grass: Ecological Restoration and Conservation on the Great Plains ................................................................................................................................................ 1 Anderson, Grant Sons of Dixie Defend Dakota .......................................................................................................... 13 Benson, Bob The