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2021 PBS TV Schedule Anchorage, AK Juneau, AK Huntington Beach
2021 PBS TV Schedule Anchorage, AK Friday, January 29, 2021 - 9:00 PM AKS An Evening with Denyce Graves - KAKMDT3.3 (Alaska Public Television 360 North) Saturday, January 30, 2021 - 5:00 PM AKS An Evening with Denyce Graves - KAKMDT3.3 (Alaska Public Television 360 North) Juneau, AK Friday, January 29, 2021 - 9:00 PM AKS An Evening with Denyce Graves - KTOODT3.3 (360 North) Saturday, January 30, 2021 - 5:00 PM AKS An Evening with Denyce Graves - KTOODT3.3 (360 North) Huntington Beach, CA Thursday, January 28, 2021 - 11:00 PM PT An Evening With Valerie Simpson in Memory of Nick Ashford - KOCEDT.1 (PBS SoCal 1) San Bernardino, CA Friday, January 29, 2021 - 10:00 PM PT An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Saturday, January 30, 2021 - 3:00 AM PT An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Wednesday, February 3, 2021 - 9:00 PM PT An Evening With Eartha Kitt - KVCRDT.1 (KVCR HDTV) An Evening With Quincy Jones - KVCRDT.1 (KVCR HDTV) Thursday, February 4, 2021 - 9:00 PM PT An Evening With Eartha Kitt - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Quincy Jones - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Smokey Robinson - KVCRDT3.3 (KVCRDT3 Desert Cities) Friday, February 5, 2021 - 2:00 AM PT An Evening With Eartha Kitt - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening with Ossie Davis and Ruby Dee - KVCRDT3.3 (KVCRDT3 Desert Cities) An Evening With Quincy Jones - KVCRDT3.3 (KVCRDT3 Desert Cities) 2021 PBS TV Schedule Saturday, February 6, 2021 - 3:00 AM PT An Evening with Ossie Davis and Ruby Dee - KVCRDT3.3 (KVCRDT3 Desert Cities) San Francisco, CA Monday, January 25, 2021 - 5:00 AM PT A Conversation With Henry Louis Gates Jr. -
George Grizzard: a Conversation with Abe J
Wright State University CORE Scholar Theatre, Dance, and Motion Pictures Faculty Publications Theatre, Dance, and Motion Pictures 2-5-1984 George Grizzard: A Conversation with Abe J. Bassett Abe J. Bassett Wright State University - Main Campus, [email protected] Follow this and additional works at: https://corescholar.libraries.wright.edu/theater Part of the Acting Commons, Dance Commons, Performance Studies Commons, and the Theatre History Commons Repository Citation Bassett, A. J. (1984). George Grizzard: A Conversation with Abe J. Bassett. https://corescholar.libraries.wright.edu/theater/8 This Interview is brought to you for free and open access by the Theatre, Dance, and Motion Pictures at CORE Scholar. It has been accepted for inclusion in Theatre, Dance, and Motion Pictures Faculty Publications by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. GEORGE GRIZZARD A Conversation With Abe J Bassett at Wright State University February 5, 1984 Introduction merican actor George Gizzard’s first connection with Wright State was in October, 1974 A when he directed William Saroyan’s The Time of Your Life, the dedicatory production of the Creative Arts Center’s Festival Playhouse. In January 1984, he returned to Wright State to create the role of Dr. Martin Dysart in the very successful Department of Theatre Arts production of Equus. The following summary of his film and theatre career is from Wikipedia: Grizzard memorably appeared as an unscrupulous United States senator in the film Advise and Consent in 1962. His other theatrical films included the drama From the Terrace with Paul Newman (1960), the Western story Comes a Horseman with Jane Fonda (1978) and a Neil Simon comedy, Seems Like Old Times (1980). -
CCR AR 2014.Pdf
The Center for Constitutional Rights is dedicated to advancing and protecting the rights guaranteed by the United States Constitution and the Universal Declaration of Human Rights. Founded in 1966 by attorneys who represented civil rights move- ments in the South, CCR is a non-profit legal and educational organization commit- ted to the creative use of law as a positive force for social change. Design: Nicholas Coster, [email protected]. Photo credits: p 2: Yanick Salazar • p 4: Pam Bradshaw • p 6: Pam Bradshaw • p 7: Juan Manuel, Herrera/OAS • p 11: Qa’id Jacobs • p 12: Qa’id Jacobs • p 14: Alexis Agathocleous • p.15: Snowden: Laura Poitras/Praxis Films. Assange: Cancillería del Ecuador. Manning: courtesy of www.bradleymanning.org • p16: © RON- ALD KABUUBI/epa/Corbis • p.19: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance • p.20-21: Picture 2: Laura Raymond. Picture 5: Organization of Women’s Freedom in Iraq. Pictures 6, 11, 15: Pam Bradshaw. Picture 10: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance. Picture 12: Aliya Hana Hussain • p 22-23: Pictures 2, 6: Pam Brad- shaw. Pictures 4, 5: Sameer A. Khan • p 23: Pictures 4, 5 by Sameer Khan • p 27: Pam Bradshaw • p 29: David Hicks: Adam Thomas (devdsp@flickr) • p 30: Top left: Shayana Kadidal • p.32: Chelsea Manning by Alicia Neal, in cooperation with Chelsea herself, commissioned by the Chelsea Manning Support Network • p 33: Top: Pam Bradshaw. Bottom: Kevin Gay • p 34: Bot- tom left: Alexis Agathocleous • p 36: Bram Cymet (bcymet@flickr) • p 41: Bottom: Courtesy of Iraq Veterans Against the War/Civil Soldier Alliance • p 46: Douglas Gorenstein • p 62: Ruby Dee: Courtesy of MDCarchives The Center for Constitutional Rights is a 501(c)3 nonprofit organization. -
The Benevolence Post
PENUMBRA THEATRE COMPANY PRODUCTION Est. 1976 February 12 to March 10 Price 15¢ THE BENEVOLENCE POST Skeptics By IFA BEYZA I was a child of the civil rights movement…integrated when I was nine years old, but I didn't encounter Emmett Till's story until I was a teenager. The Till Trilogy [The Ballad of Emmett Till, benevolence, That Summer in Sumner] is inspired by the story of a 14-year-old youth from Chicago who journeys to Mississippi in August of 1955. This trip to visit family in Mississippi certainly changes his fate. He's murdered in that week, and his life-death-journey changes the course of the nation ... I wanted to look at this story from an advantage point of view. The Till saga was a highly documented case. It was like a national soap opera on race. It was played out in the newspapers in the North, in the South, the black press and the white press. There was a tremendous amount of information available to the public. You would think that, because there was so much information, the truth or facts of the actual story would be readily available. What I found was, even as I researched the archive of primary documentation, was a host of confusing and inaccurate information. There were a lot of holes in the accounting of details, that didn't quite seem to make sense to me. So, that was the first lesson which I will share with you: “even if it's in print, even if it's documented, even if it's supposed to be from an expert, you must approach that information with skepticism.” Because the only truth that you have is that it's printed and that it's representing the tone as truth, but that's not necessarily the case. -
Harry Belafonte G a Committed Life
Harry Belafonte g A Committed Life Charles Cobb Jr. For many in the African American community, support for African libera- or Harry Belafonte, artistic achievement does not and should not tion has been closely linked to the civil mean political disengagement. “My social and cultural interests are rights struggle in the United States. part of my career. I can’t separate them,” says Belafonte. Paul Robeson One of the clearest examples of this was a major influence on Belafonte and other African American connection is the life of singer-activist Fartists in the late 1940s and 1950s. Many of these artists, like Ossie Davis, Harry Belafonte, whose advocacy Ruby Dee, and Sidney Poitier, were involved with the American Negro for Africa spans decades. This profile Theater in New York. So was Belafonte. “When I first met [Robeson], I was draws on published and broadcast quite young. And he embraced those of us in our little group of cultural interviews with Belafonte in 2002 and 2004 and on speeches he delivered in activists in New York. And he came to see a play that we were in, and at the 2000 and 2004. end of the play, he stayed behind to talk to these young people, of which I was one. And he said to us, ‘You know, the purpose of art is not just to show life as it is, but to show life as it should be’” (2004a). Belafonte’s political commitment started even earlier, during his years growing up in Harlem and Jamaica. His Jamaican-born mother, says Bela- fonte, “embraced Marcus Garvey and the struggles against oppression of Africans” (2002). -
Les Pel·Lícules Del Mes D'octubre Cinema Italià
CINEMA A SA NOSTRA Les pel·lícules del mes d'octubre Cinema Italià. A les 18.00 hores FITXES TÈCNIQUES Cinema italià Identificación de una mujer Nacionalitat i any de producció: Italia, 1982 Títol original: Identifícaziones di una donna 7 D'OCTUBRE Director: Michelangelo Antonioni La armada Brancaleone Guió: Michelangelo Antonioni, Gérard Brach, Tonino (1966-VOSE) Guerra Fotografia: Cario Di Palma Mario Monicelli Música: John Foxx Muntatge: Michelangelo Antonioni 21 D'OCTUBRE Intèrprets: Tomas Milian, Daniela Silverio, Christine Entre el amor y la muerte Boisson, Lara Wendel (1980-VOSE) La armada Brancaleone Ettore Scola Nacionalitat i any de producció: Italia, 1966 Títol original: L'armata Brancaleone 28 D'OCTUBRE Director: Mario Monicelli Guió: Mario Monicelli, Agenore Incrocci, Furio Identificación de una mujer Scarpelli (1982-VOSE) Fotografía: Cario Di Palma Michelangelo Antonioni Música: Cario Rustichelli Muntatge: Ruggero Mastroianni Intèrprets: Vittorio Gassman, Catherine Spaak, Folco Lulli, Gian Maria Volonté Entre el amor y la muerte Nacionalitat i any de producció: Italia, 1981 Títol original: Passione d'amore Director: Ettore Scola Guió: Ettore Scola, Ruggero Maccari Fotografía: Claudio Ragona Música: Armando Trovajoli Muntatge: Raimondo Crociani Intèrprets: Bernard Giraudeau, Valeria D'Obici, Laura Antonelli, Jean-Louis Tríntignant Octubre 20Ú9 papers de cinema 47 CINEMA A SA NOSTRA Les pel·lícules del mes Cinema & Jazz Voyeur. Any Internacional de l'Astronomia A les 19.00 hores FITXES TÈCNIQUES Cinema & Jazz Voyeur (Spike Malcolm X Lee & Bill Lee &Terence Director: Spike Lee Guió: James Baldwin, Arnold Perl I Spike Lee Blanchard) Fotografia: Ernest Dickerson Música: Terence Blanchard Intèrprets: Denzel Washington, Angela Basset, Albert 3 D'OCTUBRE Hall i Al Freeman Jr. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Films with 2 Or More Persons Nominated in the Same Acting Category
FILMS WITH 2 OR MORE PERSONS NOMINATED IN THE SAME ACTING CATEGORY * Denotes winner [Updated thru 88th Awards (2/16)] 3 NOMINATIONS in same acting category 1935 (8th) ACTOR -- Clark Gable, Charles Laughton, Franchot Tone; Mutiny on the Bounty 1954 (27th) SUP. ACTOR -- Lee J. Cobb, Karl Malden, Rod Steiger; On the Waterfront 1963 (36th) SUP. ACTRESS -- Diane Cilento, Dame Edith Evans, Joyce Redman; Tom Jones 1972 (45th) SUP. ACTOR -- James Caan, Robert Duvall, Al Pacino; The Godfather 1974 (47th) SUP. ACTOR -- *Robert De Niro, Michael V. Gazzo, Lee Strasberg; The Godfather Part II 2 NOMINATIONS in same acting category 1939 (12th) SUP. ACTOR -- Harry Carey, Claude Rains; Mr. Smith Goes to Washington SUP. ACTRESS -- Olivia de Havilland, *Hattie McDaniel; Gone with the Wind 1941 (14th) SUP. ACTRESS -- Patricia Collinge, Teresa Wright; The Little Foxes 1942 (15th) SUP. ACTRESS -- Dame May Whitty, *Teresa Wright; Mrs. Miniver 1943 (16th) SUP. ACTRESS -- Gladys Cooper, Anne Revere; The Song of Bernadette 1944 (17th) ACTOR -- *Bing Crosby, Barry Fitzgerald; Going My Way 1945 (18th) SUP. ACTRESS -- Eve Arden, Ann Blyth; Mildred Pierce 1947 (20th) SUP. ACTRESS -- *Celeste Holm, Anne Revere; Gentleman's Agreement 1948 (21st) SUP. ACTRESS -- Barbara Bel Geddes, Ellen Corby; I Remember Mama 1949 (22nd) SUP. ACTRESS -- Ethel Barrymore, Ethel Waters; Pinky SUP. ACTRESS -- Celeste Holm, Elsa Lanchester; Come to the Stable 1950 (23rd) ACTRESS -- Anne Baxter, Bette Davis; All about Eve SUP. ACTRESS -- Celeste Holm, Thelma Ritter; All about Eve 1951 (24th) SUP. ACTOR -- Leo Genn, Peter Ustinov; Quo Vadis 1953 (26th) ACTOR -- Montgomery Clift, Burt Lancaster; From Here to Eternity SUP. -
James Baldwin
University of North Florida UNF Digital Commons Rodney Lawrence Hurst, Sr. Stamp Collection Rodney Lawrence Hurst, Sr. Papers 7-23-2004 American Commemorative Panels: James Baldwin United States Postal Service. Stamp Division Follow this and additional works at: https://digitalcommons.unf.edu/hurst_stamps Part of the African American Studies Commons, and the United States History Commons Recommended Citation American Commemorative Panels: James Baldwin. 2004. Rodney Lawrence Hurst, Sr. Papers. University of North Florida. Thomas G. Carpenter Library. Special Collections and Archives. UNF Digital Commons. https://digitalcommons.unf.edu/hurst_stamps/71/ This Article is brought to you for free and open access by the Rodney Lawrence Hurst, Sr. Papers at UNF Digital Commons. It has been accepted for inclusion in Rodney Lawrence Hurst, Sr. Stamp Collection by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 7-23-2004 All Rights Reserved AMERICAN COMMEMORATIVE PANELS James Baldwin Baldwin's first novel, Go Tell It on the Mountain, was published in 1953. Partly autobiographical, this account of a young boy's struggle with personal and spiritual issues elicited praise for Baldwin's exceptional talent. His first essay collection, Notes of a Native Son, was published in 1955, enhanci ng his repu tation as a master of Ameri ca n prose. Baldwin's work eloquently articulated the complexities of race relations during the years when the civil rights movement was at its height. The Fire Next Time, published in 1963, solidified Baldwin's status; that same year, his success landed him on the cover of Time. Baldwin's second and third novels, Giovanni's Room and Another Country, surprised readers JAMES BALDWIN wasbornonAugust2,1924, with their matter-of-fact portrayals of in New York City. -
A Supercut of Supercuts: Aesthetics, Histories, Databases
A Supercut of Supercuts: Aesthetics, Histories, Databases PRACTICE RESEARCH MAX TOHLINE ABSTRACT CORRESPONDING AUTHOR: Max Tohline The genealogies of the supercut, which extend well past YouTube compilations, back Independent scholar, US to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde [email protected] experimentation into mass entertainment, but rather the material expression of a newly-ascendant mode of knowledge and power: the database episteme. KEYWORDS: editing; supercut; compilation; montage; archive; database TO CITE THIS ARTICLE: Tohline, M. 2021. A Supercut of Supercuts: Aesthetics, Histories, Databases. Open Screens, 4(1): 8, pp. 1–16. DOI: https://doi.org/10.16995/os.45 Tohline Open Screens DOI: 10.16995/os.45 2 Full Transcript: https://www.academia.edu/45172369/Tohline_A_Supercut_of_Supercuts_full_transcript. Tohline Open Screens DOI: 10.16995/os.45 3 RESEARCH STATEMENT strong patterning in supercuts focuses viewer attention toward that which repeats, stoking uncritical desire for This first inklings of this video essay came in the form that repetition, regardless of the content of the images. of a one-off blog post I wrote seven years ago (Tohline While critical analysis is certainly possible within the 2013) in response to Miklos Kiss’s work on the “narrative” form, the supercut, broadly speaking, naturally gravitates supercut (Kiss 2013). My thoughts then comprised little toward desire instead of analysis. more than a list; an attempt to add a few works to Armed with this conclusion, part two sets out to the prehistory of the supercut that I felt Kiss and other discover the various roots of the supercut with this supercut researchers or popularizers, like Tom McCormack desire-centered-ness, and other pragmatics, as a guide. -
Documenting the Director: Delbert Mann, His Life, His Work, and His Papers
http://spider.georgetowncollege.edu/htallant/border/bs10/fr-harw.htm Border States: Journal of the Kentucky-Tennessee American Studies Association, No. 10 (1995) DOCUMENTING THE DIRECTOR: DELBERT MANN, HIS LIFE, HIS WORK, AND HIS PAPERS Sarah Harwell Vanderbilt University Library The Papers of Delbert Mann at the Special Collections Library of Vanderbilt University provide not only a rich chronicle of the award-winning television and motion picture director's life and work, but also document the history of aspects of American popular culture and motion picture art in the latter half of the twentieth century. Delbert Mann was born in Lawrence, Kansas, in 1920. He moved to Nashville, which he considers his home town, as a young boy when his father came to teach at Scarritt College. He graduated from Hume-Fogg High School and Vanderbilt University, where Dinah Shore and Mann's future wife, Ann Caroline Gillespie, were among his classmates. Also in Nashville he developed a lifelong friendship with Fred Coe through their mutual involvement in the Nashville Community Playhouse. Coe would play a very important role in Mann's life. A few months after his graduation from Vanderbilt in 1941, Mann joined the Eighth Air Force, for which he completed thirty-five missions as a pilot of a B-24 bomber. After the end of the Second World War he attended the Yale Drama School, followed by two years as director of the Town Theatre of Columbia, South Carolina. In 1949, Fred Coe, already a producer at NBC television network, invited Delbert Mann to come to New York to direct live television drama on the "Philco Television Playhouse." Then in its infancy, television offered many fine original plays to its relatively small viewing audience. -
There Goes 'The Neighborhood'
NEED A TRIM? AJW Landscaping 910-271-3777 September 29 - October 5, 2018 Mowing – Edging – Pruning – Mulching Licensed – Insured – FREE Estimates 00941084 The cast of “The Neighborhood” Carry Out WEEKDAYMANAGEr’s SPESPECIALCIAL $ 2 MEDIUM 2-TOPPING Pizzas5 8” Individual $1-Topping99 Pizza 5and 16EACH oz. Beverage (AdditionalMonday toppings $1.40Thru each) Friday There goes ‘The from 11am - 4pm Neighborhood’ 1352 E Broad Ave. 1227 S Main St. Rockingham, NC 28379 Laurinburg, NC 28352 (910) 997-5696 (910) 276-6565 *Not valid with any other offers Joy Jacobs, Store Manager 234 E. Church Street Laurinburg, NC 910-277-8588 www.kimbrells.com Page 2 — Saturday, September 29, 2018 — Laurinburg Exchange Comedy with a purpose: It’s a beautiful day in ‘The Neighborhood’ By Kyla Brewer munity. Calvin’s young son, Marty The cast shuffling meant the pi- TV Media (Marcel Spears, “The Mayor”), is lot had to be reshot, and luckily the happy to see Dave, his wife, Gem- cast and crew had an industry vet- t the end of the day, it’s nice to ma (Beth Behrs, “2 Broke Girls”), eran at the helm. Legendary televi- Akick back and enjoy a few and their young son, Grover (Hank sion director James Burrows, best laughs. Watching a TV comedy is a Greenspan, “13 Reasons Why”). known for co-creating the TV classic great way to unwind, but some sit- Meanwhile, Calvin’s older unem- “Cheers,” directed both pilots for coms are more than just a string of ployed son, Malcolm (Sheaun McK- “The Neighborhood.” A Hollywood snappy one-liners. A new series inney, “Great News”), finds it enter- icon, he’s directed more than 50 takes a humorous look at a serious taining to watch his frustrated fa- television pilots, and he reached a issue as it tackles racism in America.