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South Asia Program
SOUTH ASIA PROGRAM 2018 BULLETIN Ali Kazim (Pakistan), Lover’s Temple Ruins (2018). Site-specific installation in Lawrence Gardens, Lahore TABLE OF CONTENTS FEATURES 2 TRANSITIONS 28 Are You Even Indian? ANNOUNCEMENTS 29 Island Country, Global Issues The Sri Lankan Vernacular The First Lahore Biennale Tilism Rohingya Refugee camps Chai and Chat 170 Uris Hall NEWS 10 50 Years of IARD Cornell University President Pollack visits India Ithaca, New York 14853-7601 ACHIEVEMENTS 32 Embodied Belongings Phone: 607-255-8923 Faculty Publications Sri Lanka Graduate Conference Fax: 607-254-5000 TCI scholars Urban South Asia Writ Small [email protected] FLAS fellows South Asian Studies Fellowships Recently Graduated Students Iftikhar Dadi, Director EVENTS 17 Visiting Scholars Phone: 607-255-8909 Writing Myself into the Diaspora [email protected] Arts Recaps SAP Seminars & Events Daniel Bass, Manager Phone: 607-255-8923 OUTREACH 22 [email protected] Going Global Global Impacts of Climate Change sap.einaudi.cornell.edu UPCOMING EVENTS 26 Tagore Lecture South Asian Studies Fellows Ali Kazim (detail) From the Director Iftikhar Dadi uring the 2017-2018 generously supported by the United I express deep appreciation to academic year, the South States Department of Education under Professor Anne Blackburn for her strong Asia Program (SAP) the Title VI program. The Cornell and leadership, vision, and commitment mounted a full program Syracuse consortium constitutes one of to SAP during her tenure as director of talks and lectures, only eight National Resource Centers during the past five years. The Program hosted international for the study of South Asia. I am very has developed many new initiatives Dscholars and artists, and supported pleased to note that our application under her able guidance, including the faculty and student research. -
Research and Development
Annual Report 2010-11 Research and Development RESEARCH AND DEVELOPMENT FACULTY OF ARTS & HUMANITIES DEPARTMENT OF ARCHAEOLOGY Projects: (i) Completed UNESCO funded project ―Sui Vihar Excavations and Archaeological Reconnaissance of Southern Punjab” has been completed. Research Collaboration Funding grants for R&D o Pakistan National Commission for UNESCO approved project amounting to Rs. 0.26 million. DEPARTMENT OF ENGLISH LANGUAGE & LITERATURE Publications Book o Spatial Constructs in Alamgir Hashmi‘s Poetry: A Critical Study by Amra Raza Lambert Academic Publishing, Germany 2011 Conferences, Seminars and Workshops, etc. o Workshop on Creative Writing by Rizwan Akthar, Departmental Ph.D Scholar in Essex, October 11th , 2010, Department of English Language & Literature, University of the Punjab, Lahore. o Seminar on Fullbrght Scholarship Requisites by Mehreen Noon, October 21st, 2010, Department of English Language & Literature, Universsity of the Punjab, Lahore. Research Journals Department of English publishes annually two Journals: o Journal of Research (Humanities) HEC recognized ‗Z‘ Category o Journal of English Studies Research Collaboration Foreign Linkages St. Andrews University, Scotland DEPARTMENT OF FRENCH LANGUAGE AND LITERATURE R & D-An Overview A Research Wing was introduced with its various operating desks. In its first phase a Translation Desk was launched: Translation desk (French – English/Urdu and vice versa): o Professional / legal documents; Regular / personal documents; o Latest research papers, articles and reviews; 39 Annual Report 2010-11 Research and Development The translation desk aims to provide authentic translation services to the public sector and to facilitate mutual collaboration at international level especially with the French counterparts. It addresses various businesses and multi national companies, online sales and advertisements, and those who plan to pursue higher education abroad. -
Assessment of the History and Cultural Inclusion of Public Art in Pakistan
Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 18 February 2018 doi:10.20944/preprints201802.0117.v1 Article Assessment of the History and Cultural Inclusion of Public Art in Pakistan Syed Asifullah Shah1,*, Ashfaq Ahmad Shah 2 and Li Xianfeng 1, 1 Department of Ornamental Horticulture and Landscape Architecture College of Horticulture, China Agricultural University, Beijing, 100193, P.R. China [email protected] [email protected] 2 College of Humanities and Development studies, China Agricultural University, Beijing, 100193, P.R. China [email protected] * Correspondence: [email protected]; [email protected] Abstract The significance of arts incorporated with culture inclusion makes the arts a matter of pressing interest. The arts are vital elements of a healthy society that benefits the nations even in difficult social and economic times. Based on the previous studies this research was conducted for the first time in Pakistan to explore the historical background of public art correlated with cultural and religious ethics. Though, Pakistan has a rich cultural history yet the role of modern public art is new and often used unintentionally. Our findings of different surveys conducted in Pakistan including oldest cities such as Lahore, Peshawar and newly developed, the capital city, Islamabad concluded that Public art has a rich cultural and historical background and the local community are enthusiastically connected to it. Different community groups prefer different types of public art in their surroundings depends on the city’s profile, cultural background, and religious mindset of the local community. Overall, the sculptures and depiction of animated beings are not considering right and debatable among the Pakistani societies. -
Second Lahore Biennale: Between the Sun and the Moon Curated by Hoor Al Qasimi Features 20+ New Commissions and Work by More Than 70 International Artists
For Immediate Release 6 January 2020 Second Lahore Biennale: between the sun and the moon Curated by Hoor Al Qasimi Features 20+ New Commissions and Work by More Than 70 International Artists Installed Across Cultural and Heritage Sites Throughout Lahore, Pakistan, from 26 January to 29 February 2020 Lahore, Pakistan—6 January 2020—The Lahore Biennale Foundation today revealed a list of over 70 participating artists for the second edition of the Lahore Biennale (LB02), running from 26 January through 29 February 2020. Curated by Hoor Al Qasimi, Director of the Sharjah Art Foundation in Sharjah, United Arab Emirates, LB02: between the sun and the moon brings a plethora of artistic projects to cultural and heritage sites throughout the city of Lahore including more than 20 new commissions by artists from across the region and around the world, including Alia Farid, Diana Al-Hadid, Hassan Hajjaj, Haroon Mirza, Hajra Waheed and Simone Fattal, among many others. Other participating artists include Anwar Saeed, Rasheed Araeen and the late Madiha Aijaz. With a focus on the Global South, where ongoing social disaffection is being aggravated by climate change, LB02 responds to the cultural and ecological history of Lahore and aims to awaken awareness of humanity’s daunting contemporary predicament. Works presented in LB02 will explore human entanglement with the environment while revisiting traditional understandings of the self and their cosmological underpinnings. Inspiration for this thematic focus is drawn from intellectual and cultural exchange between South and West Asia. “For centuries, inhabitants of these regions oriented themselves with reference to the sun, the moon, and the constellations. -
Alhamra Arts Council Lahore, Pakistan
The Aga Khan Award for Architecture Alhamra Arts Council Lahore, Pakistan Architect: Nayyar Ali Dada Lahore, Pakistan Client: Lahore Arts Council Lahore, Pakistan Date of Completion: 1992 0405.PAK Table of Contents Technical Review Summary (37 pages) Feature from the 1998 Award Book (12 pages) 1998 Architect’s Record (5 pages) Nomination Forms (6 forms, 12 pages) Architect's Presentation Panels (16 pages) Images and Drawings (25 pages) Thumbnail Images of Scanned Slides (14 pages) List of Visual Materials (15 pages) List of Additional Materials (2 pages) Alhamra Arts Council, Lahore, Pakistan Alhamra Arts Council Lahore, Pakistan Acc No: S063738 VM Title: Date: 15.03.1983 Photographer: BETANT Jacques Copyright: Y Technical Infos: Notes: Location: C1 VM Link: 0405 Alhamra Arts Council Acc No: S063739 VM Title: Date: 15.03.1983 Photographer: BETANT Jacques Copyright: Y Technical Infos: Notes: Location: C1 VM Link: 0405 Alhamra Arts Council Acc No: S063754 VM Title: Date: 15.03.1983 Photographer: BETANT Jacques Copyright: Y Technical Infos: Notes: Location: C1 VM Link: 0405 Alhamra Arts Council Acc No: S063755 VM Title: Date: 15.03.1983 Photographer: BETANT Jacques Copyright: Y Technical Infos: Notes: Location: C1 VM Link: 0405 Alhamra Arts Council Acc No: S063760 VM Title: Date: 15.03.1983 Photographer: BETANT Jacques Copyright: Y Technical Infos: Notes: Location: C1 VM Link: 0405 Alhamra Arts Council Acc No: S063762 VM Title: Date: 15.03.1983 Photographer: BETANT Jacques Copyright: Y Technical Infos: Notes: Location: C1 VM Link: 0405 Alhamra -
PRINT CULTURE and LEFT-WING RADICALISM in LAHORE, PAKISTAN, C.1947-1971
PRINT CULTURE AND LEFT-WING RADICALISM IN LAHORE, PAKISTAN, c.1947-1971 Irfan Waheed Usmani (M.Phil, History, University of Punjab, Lahore) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SOUTH ASIAN STUDIES PROGRAMME NATIONAL UNIVERSITY OF SINGAPORE 2016 DECLARATION I hereby declare that this thesis is my original work and it has been written by me in its entirety. I have duly acknowledged all the sources of information which have been used in the thesis. This thesis has also not been submitted for any degree in any university previously. _________________________________ Irfan Waheed Usmani 21 August 2015 ii ACKNOWLEDGEMENT First I would like to thank God Almighty for enabling me to pursue my higher education and enabling me to finish this project. At the very outset I would like to express deepest gratitude and thanks to my supervisor, Dr. Gyanesh Kudaisya, who provided constant support and guidance to this doctoral project. His depth of knowledge on history and related concepts guided me in appropriate direction. His interventions were both timely and meaningful, contributing towards my own understanding of interrelated issues and the subject on one hand, and on the other hand, injecting my doctoral journey with immense vigour and spirit. Without his valuable guidance, support, understanding approach, wisdom and encouragement this thesis would not have been possible. His role as a guide has brought real improvements in my approach as researcher and I cannot measure his contributions in words. I must acknowledge that I owe all the responsibility of gaps and mistakes in my work. I am thankful to his wife Prof. -
Faizghar Newsletter
Issue: January Year: 2016 NEWSLETTER Content Faiz Ghar trip to Rana Luxury Resort .............................................. 3 Faiz International Festival ................................................................... 4 Children at FIF ............................................................................................. 11 Comments .................................................................................................... 13 Workshop on Thinking Skills ................................................................. 14 Capacity Building Training workshops at Faiz Ghar .................... 15 [Faiz Ghar Music Class tribute to Rasheed Attre .......................... 16 Faiz Ghar trip to [Rana Luxury Resort The Faiz Ghar yoga class visited the Rana Luxury Resort and Safari Park at Head Balloki on Sunday, 13th December, 2015. The trip started with live music on the tour bus by the Faiz Ghar music class. On reaching the venue, the group found a quiet spot and spread their yoga mats to attend a vigorous yoga session conducted by Yogi Sham- shad Haider. By the time the session ended, the cold had disappeared, and many had taken o their woollies. The time was ripe for a fruit eating session. The more sporty among the group started playing football and frisbee. By this time the musicians had got their act together. The live music and dance session that followed became livelier when a large group of school girls and their teachers joined in. After a lot of food for the soul, the group was ready to attack Gogay kay Chaney, home made koftas, organic salads, and the most delicious rabri kheer. The group then took a tour of the jungle and the safari park. They enjoyed the wonderful ambience of the bamboo jungle, and the ostriches, deers, parakeet, swans, and many other wild animals and birds. Some members also took rides on the train and colour- ful donkey carts. -
SADEQUAIN Born 1930, Amroha, India Died 1987, Karachi
SADEQUAIN Born 1930, Amroha, India Died 1987, Karachi, Pakistan B.A. in Art History and Geography, Agra University (1948) Syed Sadequain Ahmed Naqvi was one of the first Pakistani artists to gain international recognition, embarking on his notable career with an award from the Biennale de Paris in 1961. The artist was born in Amroha, India, descending from a family of Qur’an scribes and is recognized as the foremost calligrapher and painter of Pakistan, responsible for the renaissance of Islamic calligraphy in the country since the late 1960s and bringing the art form into the mainstream. In the late 1940s, Sadequain joined the Progressive Writers and Artists Movement and through his career, produced works of thematic content reflected by his commitment to social justice, and the progressive ideals of his peers of writers and poets. On the eve of Partition, Sadequain painted anti-British, nationalistic slogans in Dehli and such politically charged works gained the artist a wider, responsive audience both abroad and in Pakistan among the 1960s intelligentsia. Sadequain's unique visual vocabulary stemmed from the complex merging of Eastern (calligraphy) and Western (figurative) traditions in art, alongside Hindu and Muslim ideology. Sweeps of a calligraphic brush are echoed in the artist's flamboyant approach to painting figures but his forms and themes are mostly biographical. Contortions to figurative style arose from his observation of wild, defiant cacti growing against the odds in the deserts of Gadani (Karachi) which left an indelible impression on the artist and his work. Colors used are simplistic, yet provide strong structural elements through Sadequain's contrast of etched strokes. -
Pakistan) 4–9 October 2000
Report on Mission to Evaluate the State of Conservation of the World Heritage Site of the SHALAMAR GARDENS Lahore (Pakistan) 4–9 October 2000 ROBERT DE JONG (President, ICOMOS International Committee on Historic Gardens and Landscapes) 49-51 rue de la Fédération - F-75015 Paris - France - Tel + 33 1 45 67 67 70 - Fax + 33 1 45 66 06 22 Report on Mission to Evaluate the State of Conservation of the World Heritage Site of the SHALAMAR GARDENS, Lahore (Pakistan) 1 BACKGROUND TO THE MISSION The mission concerned World Heritage Site (No. 171-172) – the Fort and Shalamar Gardens of Lahore (Pakistan) The reason for the mission was the information received by the UNESCO World Heritage Centre from the national authorities of Pakistan that the Department of Archaeology was proposing to "restore the demolished hydraulic works of Shalamar Gardens," and that the authorities "had expressed their intention to nominate two sites (ie the Fort and Shalamar Gardens of Lahore and Taxila) to the List of World Heritage in Danger" (Letter from the Director, UNESCO World Heritage Centre, to H.E. Mr Shararyar M. Khan, Extraordinary and Plenipotentiary Ambassador of Pakistan to France Permanent Delegation of Pakistan to UNESCO, 2 August 2000, WHC/74/400/ PKS/00/JT/425). The Centre and ICOMOS had also already considered sending a mission "to elaborate a comprehensive management plan for both the Fort and Shalamar Gardens of Lahore site and the Taxila site". During its 24th Session in Paris on 26 June–1 July 2000, the Bureau of the World Heritage Committee decided to request the World Heritage Centre and ICOMOS "to organise a reactive monitoring mission to the Fort and Shalamar Gardens." The Bureau, while "expressing its appreciation for the information received from the Pakistan authorities concerning its intentions to undertake corrective measures .. -
Samina Iqbal Art History Department Virginia Commonwealth University Richmond, Virginia
Samina Iqbal Art History Department Virginia Commonwealth University Richmond, Virginia AIPS Short Term Fellowship Report Grant Period: August 3rd – October 3rd, 2014 Location: Lahore and Islamabad The AIPS short-term fellowship grant enabled me to travel to Pakistan for two months this summer and conduct my dissertation research, which focuses on the Modern Art of Pakistan. More specifically, my research examines the modern trends in Pakistani art beginning in 1947 and the pivotal role of the five founding artists of Lahore Art Circle (LAC) in constructing modernist sensibilities and secular trends in Pakistani art from 1950-1957. LAC, founded in 1952 included artists: Ahmed Pervaiz (1926-1979), Ali Imam (1924-2002), Anwar Jalal Shemza (1928 -1985), Moyene Najmi (1926-1997), and Sheikh Safdar (1924-1983). Since my focus is on the first decade of Pakistani modern art after its independence, it is incredibly difficult to locate any archival material on this era especially in the field of Fine Arts. Locating the actual works of LAC artists, which are mostly in private collections, is the challenging task that I set for myself for the two-month research in Pakistan. I arrived in Lahore, intending to look at a few libraries for archival material and a few museums for actual works of arts. However, this research trip turned out to be extremely productive in finding and locating much more than I anticipated. I divided my research into three parts: a. I conducted a number of semiformal and informal interviews with art critics, friends and immediate family members of LAC artists. This included renowned writers such as Intizar Husain, Kishwar Naheed, Salima Hashmi, Nazish Attaullah, Quddus Mirza, Attiya Najmi, Shahnaz Imam, Anwar Saeed, Dr. -
Volume 3, 2021 University of Toronto, Graduate Union of Students of Art History
INTAGLIO Volume 3, 2021 University of Toronto, Graduate Union of Students of Art History Beloved Mosque: The Wazir Khan Masjid of Lahore Sanniah Jabeen The Wazir Khan mosque is located in the Walled City of Lahore, along the southern side of Lahore's Shahi Guzargah, or “Royal Road.” This was the traditional route traversed by Mughal nobles and their guests on their way to royal residences at the Lahore Fort. The mosque is situated approximately 260 meters west of the Delhi Gate, where the mosque's Shahi Hammam (Royal Bath) is also located. The mosque faces both a town square, known as Wazir Khan Chowk, and the Chitta (White) Gate. A trip through the Delhi Gate to the Wazir Khan Chowk is an explosion of the senses. If one searches for images of the Delhi Gate Lahore, most incorrectly show the Gate as a wide-open entrance through which vehicles and people can easily pass. If one actually walks through the Delhi Gate, it is absolute chaos. Cars have to be parked many blocks away and visitors have to push through busy cart vendors, donkeys, hens, the occasional cow, as well as young men carrying twice their body weight in fruit, shoes, eatables, and clothing items. The Walled City of Lahore is the only place in the city where human driven carts still exist, as many streets are almost too narrow to allow motor vehicles or even donkey carts. The call for the prayer bellows periodically from the minarets of the Wazir Khan mosque and an increasing cacophony of human chatter, rickshaws, and motorbikes fills the air. -
Prof. Dr. Shahida Manzoor
PROF. DR. SHAHIDA MANZOOR Principal, University College of Art & Design, University of the Punjab, Allama Iqbal Campus, Lahore, Pakistan Phone: Office: 042-99212729-30, Cell: 0333-6507103 E-mail: [email protected] [email protected] EDUCATION Ph. D. in Fine Arts (2003) Ohio University, USA. Topic of Ph.D. Thesis: Chaos Theory and Robert Wilson: A Critical Analysis of Wilson's Visual Arts and Theatrical Performances.. M.F.A. in Painting (Gold Medalist) 1987, University of the Punjab, Lahore, Pakistan. TEACHING/ADMINISTRATIVE EXPERIENCE Four years teaching experience at Ohio University, U.S.A 1997-2001. Taught Humanity courses to undergraduate students i.e. Painting, Sculpture, Architecture, Theater and Music. Twenty-nine years teaching experience teaching graduate and post- graduate classes at the University of the Punjab from 28.11.1989 - to date. teaching mainly painting, Western art, Modern art, Post- modern/contemporary and History of Islamic Architecture, Fourteen Years post Ph. D Experience. Teaching, Theories, History of Art, Aesthetics, Research Methodologies to Art History and Studio Practice doctoral Students. Coordinator, Research Centre of UCAD w.e.f. 1.6.2006 to 30.8.2010. Principal, University College of Art & Design, Punjab University, Lahore w.e.f. 8.8.2014 Warden/ Superintendent, Fatima Jinnah Hall, Girls Hostel #1, Punjab University, Lahore w.e.f. 2006- to date. HONORS First Pakistani woman to earn Ph.D. degree in Fine Arts from USA (see video attached). Appointed as a Student Judge, in the Athens County Court, Athens, Ohio-USA Selection as a Faculty Member of College of Fine Arts, Ohio University (2001).