Final Version Our Sculptures
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Free Guide to Art Stamps: Fun Ideas and Easy Stamping Techniques Presented by Cloth Paper Scissors®
free guide to art stamps: fun ideas and easy stamping techniques presented by cloth paper scissors® 1 2 4 3 a look at . print fusion: combining 1 stamp-carving supplies 4 calligraphy, foam-plate printing, and hand-carved make your own stamps stamps for one-of-a-kind 2 with dies and foam collages DANEE KAPLAN CECILIA SWATTON the workshop: 3 roll out the backgrounds LINDA CALVERLEY for adding details and stamping with precision. “Mounting the die-cut shapes on acrylic blocks or clear plastic makes it How to Make a Stamp easy to line up the stamp right where you want,” she advises. 4 Free Articles on Carving Art Stamps and In “The Workshop: Roll Out the Backgrounds,” Linda Calverley shows Stamping Techniques how to make your own rolling stamps for presented by ® paper and fabric. Using mostly recycled Cloth Paper Scissors cylindrical objects, glue, and cutting tools, ONLINE EDITOR Cherie Haas she explains how to carve rolling stamps CREATIVE SERVICES t’s nice to be able to go to an art from corks and foam insulation. Linda DIVISION ART DIRECTOR Larissa Davis supply store and buy rubber stamps also gives stamping ideas for rollers and for your mixed-media art projects, but PHOTOGRAPHERS Larry Stein patterns and offers tips on how to stamp Korday Studio iyou also like to make things yourself, right? with these objects. Projects and information are for inspiration and Try making your own art stamps! In this free “Having a fling with several art-making personal use only. F+W Media is not responsible for eBook from Cloth Paper Scissors, a Guide to any liability arising from errors, omissions, or mistakes processes, I’ve created an array of Art Stamps: Fun Ideas and Easy Stamping contained in this eBook, and readers should proceed elements for Garden Collage (featured Techniques, talented artists show readers cautiously, especially with respect to technical informa- here) and other art pieces,” says Cecilia tion. -
Biography & Links
CLAES OLDENBURG 1929 Born in Stockholm, Sweden Education 1946 – 1950 Yale University, New Haven, Connecticut 1950-1954 Art Institute of Chicago, Chicago, Illinois Selected Exhibitions 2013 Claes Oldenburg: The Street and The Store, MoMA, New York, NY Claes Oldenburg: The Sixties, Walker Art Center, Minneapolis, MN Wood, Metal, Paint: Sculpture from the Fisher Collection, Cantor Arts Center at Stanford University, Stanford, CA NeuenGalerie-neu gesehen: Sammlung + documenta-Erwerbungen, Neue Galerie, Kassel, Germany Pop Goes The Easel: Pop Art And Its Progeny, Lyman Allyn Art Museum, New London, CT The Pop Object: The Still Life Tradition in Pop Art, Acquavella Galleries, Inc., New York, NY 2012 Claes Oldenburg. The Sixties, UMOK ,Vienna, Guggenheim Museum Bilbao, the Museum of Modern Art New York, Walker Art Center, and the Ludwig Museum im Deutschherrenhaus. Claes Oldenburg, Pace Prints, New York, New York. Claes Oldenburg: Arbeiten auf Papier, Neue Nationalgalerie, Berlin, Germany Claes Oldenburg: Strange Eggs, The Menil Collection, Houston, TX Claes Oldenburg, Museum Ludwig, Cologne, Germany Claes Oldenburg-From Street to Mouse: 1959-1970, Museum Moderner Kunst Stiftung Ludwig-MUMOK, Vienna, Austria 2011 THE PRIVATE COLLECTION OF ROBERT RAUSCHENBERG, Gagosian Gallery, New York, NY Burning, Bright: A Short History of the Light Bulb, The Pace Gallery, New York, NY Contemporary Drawings from the Irving Stenn Jr. Collection, The Art Institute of Chicago, Chicago, IL Proof: The Rise of Printmaking in Southern California, Norton Simon Museum -
Mar.-Apr.2020 Highlites
Prospect Senior Center 6 Center Street Prospect, CT 06712 (203)758-5300 (203)758-3837 Fax Lucy Smegielski Mar.-Apr.2020 Director - Editor Municipal Agent Highlites Town of Prospect STAFF Lorraine Lori Susan Lirene Melody Matt Maglaris Anderson DaSilva Lorensen Heitz Kalitta From the Director… Dear Members… I believe in being upfront and addressing things head-on. Therefore, I am using this plat- form to address some issues that have come to my attention. Since the cost for out-of-town memberships to our Senior Center went up in January 2020, there have been a few miscon- ceptions that have come to my attention. First and foremost, the one rumor that I would definitely like to address is the story going around that the Prospect Town Council raised the dues of our out-of-town members because they are trying to “get rid” of the non-residents that come here. The story goes that the Town Council is trying to keep our Senior Center strictly for Prospect residents only. Nothing could be further from the truth. I value the out-of-town members who come here. I feel they have contributed significantly to the growth of our Senior Center. Many of these members run programs here and volun- teer in a number of different capacities. They are my lifeline and help me in ways that I could never repay them for. I and the Town Council members would never want to “get rid” of them. I will tell you point blank why the Town Council decided to raise membership dues for out- of-town members. -
Sketches to Sculptures, Rendered Reality: Rendered Sculptures, to Sketches Sixty Years Sixty Marshall with M
Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks M. with Marshall Sixty Years This catalogue is published in conjunction with the exhibition Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks organized by the Marshall M. Fredericks Sculpture Museum. Saginaw Valley State University 7400 Bay Road, University Center, Michigan 48710 www.marshallfredericks.org Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks Marilyn L. Wheaton, Editor with contributions by Joseph Antenucci Becherer, Vince Carducci, Dennis Alan Nawrocki, Michael W. Panhorst, and MaryAnn Wilkinson The Marshall M. Fredericks Sculpture Museum Saginaw Valley State University University Center, Michigan 2011 i This volume is published to accompany the exhibition Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks, held at the Marshall M. Fredericks Sculpture Museum, University Center, Michigan, February 12 - June 12, 2010. ©2011 Marshall M. Fredericks Sculpture Museum, Saginaw Valley State University, University Center, Michigan All rights reserved under international copyright conventions. No part of this book may be reproduced in any form, or by any electronic, mechanical, or other means, without written permission from the publisher. Book designer: John Bowman Manuscript editor: Cynthia Newman Edwards Printer: F. P. Horak Company, Bay City, Michigan Cover: Color photo of Leaping Gazelle, Saginaw Valley State University campus, 2008; photo by Adam Baudoux; see also Cat. no.16 and 17. Please note: All drawings and sketches displayed are reproductions of the archival originals, which are housed in the Marshall M. Fredericks Sculpture Museum Archives. Where dimensions are given, height precedes width precedes depth unless otherwise indicated. -
Draft Agenda
A SPECIAL THANK YOU FROM EQUAL HONOR FOR ALL P.O. Box 32070 Cleveland, Ohio 44132-0070 Tel. (216) 456-2220 E-mail: [email protected] www.equalhonor.org We thank and recognize those who participated in the program as well as the following individuals and organizations for their contributions to the success of this event through their dedicated work and generous support. * * * * * * Brian Albrecht, Reporter and Editors at the THE PLAIN DEALER – www.cleveland.com Ron Seman, Columnist and Editors of the RECORD PUBLISHING CO. Ellen Psenicka, Editor/Owner of NEIGHBORHOOD NEWS For coverage of programs supporting Veterans, sharing with the public the special stories of those who served and Veterans lifetime commitment to our country, each other, men and women in uniform, our fellow citizens and communities. TH * * * * * * MARCH 29 OUR HOSTS CITY OF GARFIELD HEIGHTS AND MAYOR VIC COLLOVA * * * * * * DONORS VIETNAM VETERANS DAY PEPSI BEVERAGE COMPANY Twinsburg, Ohio * * * * * * ORGANIZING TEAM Rimantas Ray Saikus, President and James Quisenberry, Vice-President 2014 Equal Honor For All - www.equalhonor.org Patrick McLaughlin, President Greater Cleveland Veterans Memorial Inc. NORTHEAST OHIO www.clevelandvetsmemorial.org Sam Bella, Commander Veterans of Foreign Wars Post 3445 – Garfield Heights TH 40 ANNIVERSARY OF FIRST OBSERVANCE Ottis Cesco, Commander American Legion Post 304 – Garfield Heights BY PRESIDENTIAL PROCLAMATION Ron Schwachenwald, President Joint Veterans Council of Cuyahoga County www.jvcocc.org Newton D. Baker Chapter - Association -
Paulacoopergallery
P A U L A C O O P E R G A L L E R Y FOR IMMEDIATE RELEASE CLAES OLDENBURG & COOSJE VAN BRUGGEN THINGS AROUND THE HOUSE 534 W 21st Street November 7 – December 19, 2015 Opening reception: November 12, 6 – 8 pm NEW YORK—Things Around the House, an exhibition of works by Claes Oldenburg and Coosje van Bruggen, will be on view at Paula Cooper Gallery from November 7 through December 12. The exhibition includes nearly 100 works from the house and studio where Oldenburg has lived since 1971 and which he shared with his wife and partner Coosje van Bruggen from 1976 until her passing in 2009. By offering an intimate look at works that stayed on with the artists, the exhibition presents a unique view into a creative practice whose end Oldenburg has described as “developing a language of both exterior and interior life, in one expression.” Embracing what he calls “the poetry of everywhere,” Claes Oldenburg reimagines commonplace objects in distorted scale, materiality and hue. His exaggerated forms breathe vitality and tactile lyricism into ubiquitous or overlooked articles. The works on view in Things Around the House render fantastic or unfamiliar subjects that are usually prosaic and mundane. The exhibition also illuminates the artist’s cumulative approach to art making. His engagement with objects through sketches, writings, models and drawings is a constant process over decade- long periods of coexistence. The artist asserts: “Process is what keeps a thing alive, one thing leads to another. One has to do more to it – intensify color, play with material and scale, subject the form to gravity, make it collide with another object, turn it upside down or bury it halfway into the ground - so that it opens up multiple associations.” Claes Oldenburg was born in Stockholm, Sweden, in 1929. -
Marshall M.Fredericks Sculpture M U S E U M T O U
Tour Guidelines and Fees Schedule public and school tours at least 4 weeks in advance. Up to 60 persons can be accepted for a tour. All tour requests will be confirmed in writing with a pre-tour packet. Public tours are $3.00 per person, $2.00 per senior. The Museum is located in the Arbury Fine Arts Center on the campus of Saginaw Valley State University. The University is easily School group tours, including chaperones and accessible from I-75 or Tittabawassee Road. teachers, are free. There is a $2.00 fee per student for each art activity. Grades K-6 must • Coming from S I-75, take exit 160. Drive south on M-84 (Saginaw have one adult for every 5 students; grades 7-12 Rd. or Bay Rd.) for 3.4 miles to the main entrance of Saginaw must have one chaperone for every 10 students. Valley State University. Turn left into the main entrance of the university campus onto College Drive West. Continue on College Schedule a tour by calling the Drive West to the second stop sign at Fine Arts Drive and turn Curator of Education right onto Fine Arts Drive. Park in designated Museum spaces. at 989.964.7096 or emailing a request to • Coming from N I-75, take exit 160. Drive south on M-84 [email protected] (Saginaw Rd. or Bay Rd.) for 3.4 miles to the main entrance of Saginaw Valley State University. Turn left into the main entrance of the university campus onto College Drive West. Continue on College Drive West to the second stop sign at Fine Arts Drive and turn right onto Fine Arts Drive. -
NCPC Testimony 20060803
R. Ray Saikus at NCPC August 3, 2006 - Vietnam Veterans Memorial Visitor Center Page 1 of 3 COMMENTS/TESTIMONY AND REQUEST OF: Rimantas (Ray) Saikus P.O. Box 32700 Cleveland, Ohio 44132-0700 Tel. (216) 514-7001 E-mail: [email protected] NCPC August 3 Meeting - Vietnam Veterans Memorial Visitor Center - File No. 6597 SENT TO: John V. Cogbill, III, Chairman (Virginia) Patricia E. Gallagher, Executive Director 401 9th Street, NW • North Lobby, Suite 500 Washington, D.C. 20004 Phone: (202) 482-7200 Fax: (202) 482-7272 Email: [email protected] REQUEST TO PARTICIPATE AS A CONSULTING PARTY UNDER SECTION 106 I, Rimantas (Ray) Saikus, a Vietnam Veteran, request to participate as a Consulting Party under Section 106 of the National Historic Preservation Act. PERSONAL BACKGROUND I am a Vietnam Veteran (1968-69 with the 173rd Airborne Brigade) who has been active in Veteran related activities since 1987. I am the Vice-President of the Memorial Day Association of Greater Cleveland (www.mdaogc.org) with the mission of documenting and decorating the gravesites of over 120,000 deceased veterans buried in over 150 cemeteries throughout Cuyahoga County and organizing the county wide Memorial Day ceremony. I am also the Secretary-Treasurer of the Joint Veterans Commission of Cuyahoga County (www.jvcocc.org) charged with the mission of conducting the Flag Day and U.S. Army Birthday commemoration event and the Veterans Day Ceremony as well as coordinating various veterans activities. I am a Lifetime Member of the Vietnam Veterans of America (Executive Board Member of Greater Cleveland Chapter 15). I am a Lifetime Member of the 82nd Airborne Division Association, John Towle Cleveland Chapter. -
Using Mixed Media with Polymer Clay Design by Lynn Krucke Many Crafters Have Discovered the Fun and Excitement of Combining Stamps, Papers and Inks with Polymer Clay
FREE Using Mixed Media with Polymer Clay Design by Lynn Krucke Many crafters have discovered the fun and excitement of combining stamps, papers and inks with polymer clay. Now let’s take the partnership to the next level! The products and supplies used here are available at your local stamp, craft or art store. Polymer clay is so versatile —- the possibilities truly are endless! The Basics: Your work area - Tools (cookie cutters, pasta machines, baking sheets…) should be dedicated to crafting and not used again for food. Polymer clay contains pigments that may stain surfaces or damage finished wood surfaces. Do not place unbaked clay on furniture, flooring, carpeting, upholstery or fabric. A sheet of glass, freezer paper, a large ceramic tile, or a dedicated marble cutting board are all good work surfaces. Condition the clay - For best results condition clay before use. “Conditioning” means that the clay has been kneaded and warmed so ingredients are evenly mixed and the clay is flexible. If you have a pasta machine dedicated to crafting, great! Cut the bar of clay into thin strips and run it through on the thickest setting several times. Conditioned clay is warm, pliable, and has a soft sheen. It doesn’t crack along the edges when rolled in sheets. To condition by hand, cut clay into small pieces: knead and roll one of the pieces in your hands until it is soft and pliable; set aside, and condition another chunk —- then add to the first. Continue this way and you will soon have an ample supply. Don’t try to condition the whole bar at once. -
Claes Oldenburg & Coosje Van Bruggen
Document generated on 09/28/2021 9:46 a.m. Espace Sculpture Claes Oldenburg & Coosje Van Bruggen La sculpture publique, l’architecture et l’urbanisme Claes Oldenburg & Coosje Van Bruggen Public Sculpture, Architecture and Urbanism Éric Valentin Espace architecturé Architectured Space Number 106, Winter 2013–2014 URI: https://id.erudit.org/iderudit/70720ac See table of contents Publisher(s) Le Centre de diffusion 3D ISSN 0821-9222 (print) 1923-2551 (digital) Explore this journal Cite this article Valentin, É. (2013). Claes Oldenburg & Coosje Van Bruggen : la sculpture publique, l’architecture et l’urbanisme / Claes Oldenburg & Coosje Van Bruggen: Public Sculpture, Architecture and Urbanism. Espace Sculpture, (106), 12–18. Tous droits réservés © Le Centre de diffusion 3D, 2013 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ESPACE ARCHITECTURÉ ARCHITECTURED SPACE Claes OLDENBURG & Coosje VAN BRUGGEN La sculpture publique, l’architecture et l’urbanisme Public Sculpture, Architecture and Urbanism Éric VALENTIN Toutes les sculptures publiques d’Oldenburg et de van Bruggen sont liées All of Claes Oldenburg and Coosje van Bruggen’s public sculptures are à des messages de différentes natures ; mais dans ce texte, c’est leur linked to messages of various sorts; however, in this text, it is their dialogue avec l’urbanisme et l’architecture que l’on souhaite résumer dialogue with urbanism and architecture that we seek to summarize, dans ses grandes lignes à partir de notre livre sur leurs créations1. -
Claes Oldenburg and Coosje Van Bruggen
CLAES OLDENBURG AND COOSJE VAN BRUGGEN SELECTED BIBLIOGRAPHY BOOKS AND EXHIBITION CATALOGUES 2017 The Art Museum. London: Phaidon, 2017: 386, illustrated. Claes Oldenburg: Shelf Life (exhibition catalogue). Text by the artist. New York: Pace Gallery, 2017. Baum, Kelly, Lucy Bradnock, and Tina Rivers Ryan. Delirious: Art at the Limits of Reason, 1950–1980 (exhibition catalogue). Metropolitan Museum of Art, 2017. Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.79, illustrated. Haywood, Robert E. Allan Kaprow and Claes Oldenburg: art, happenings, and culture politics, 1958-1967. New Haven: Yale University Press, 2017. Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965 (exhibition catalogue). New York and Munich: Grey Art Gallery, New York University; Delmonico Books Prestel, 2017: 128–31, 208–13, illustrated. Martin Z. Margulies Collection, Vol.1. Bologna BO, Italy: Damiani, 2018: 122–124, illustrated. Rosa, Joseph, ed. Victors For Art: Michigan’s Alumni Collectors (exhibition catalogue). Text by Kathryn A. Huss. Michigan: The Regents of the University of Michigan, 2017: 57, illustrated. Claes Oldenburg and Coosje van Bruggen: Selected Bibliography—Books 2 UBS Art Collection: To Art Its Freedom. Text by Mary Rozell. Berlin: Hatje Cantz Verlag CmbH, 2016: 106, illustrated. 2016 “Claes Oldenburg.” In Donald Judd Writings. New York: Judd Foundations, 2016: 180–4. Cohen, John. Cheap Rents…and de Kooning. Text by John Elderfield. Göttingen: Steidl, 2015: 131, illustrated. The Fisher Collection at the San Francisco Museum of Modern Art. San Francisco: San Francisco Museum of Modern Art, 2016: 25–31, illustrated. -
Walker Guided Tour Topics and Themes
Walker Guided Tour Topics and Themes GUIDED TOUR TOPICS For guided tours, please select your topic preference. (Note maximum number of participants.) Gallery Tour (max. 60) Familiarize yourself with contemporary art by exploring works of art in the Walker’s collection. Sculpture Garden Tour (max. 60) Explore concepts such as shape, scale, space, and texture in one of the country’s largest urban sculpture parks. The Minneapolis Sculpture Garden features more than 40 artworks, including the whimsical Pop Art icon Spoonbridge and Cherry by Claes Oldenburg and Coosje van Bruggen. Architecture of Expansion (max. 60) These tours introduce visitors to the expanded Walker Art Center through an in-depth exploration of its state-of-the-art spaces and the processes used by the architects Herzog & de Meuron for designing the 2005 building. Special Exhibition (max. may vary) Our special exhibition tours focus on a variety of topics and artists. For more information about exhibitions currently on view, click here: http://schools.walkerart.org/exhibitions.wac. Custom Tour (max. may vary) The tour program will work with you to develop a custom tour based on a theme or topic of particular interest to your group. We will contact you to make arrangements after we receive your request. In addition to a specially tailored topic, your tour can be enriched by an Art Lab or food and drink from D’Amico Modern Events (see additional tour components below). Pre-K Gallery Tour (max. 60) Children explore works of art in the galleries by focusing on basic elements such as color, line, shape, and pattern.