IVAN LIMA COMPOSITOR

Reel Breakdown

FEATURED WORKS: Black Pather / Fate of the Furious / Assassin’s Creed / : Civil War / Avengers: Age of Ultron / Total Recall / Rush / Only Lovers Left Alive / Byzantium Intro Work: The ‘Showreel title’ is done in After Effects Throne Room Notes: Trailer shot, shared through a series of different elements and procedural Work: Chroma key, foreground grade, matte painting animation soundbased. Show: Black Panther adjusting, lights and cloud animation Company: Rise FX

Standoff Notes: Full compositing Aftermath Notes: Trailer shot, shared shot Work: Matte painting set extension, cg extra characters Work: CG ground, trees, extra characters and mist. Show: Fate of the Furious Show: Fate of the Furious Company: Double Negative Company: Double Negative Crash

Show: Fate of the Furious Company: Double Negative

Notes: Collaboration shot Work: This was a heavy shot. My tasks involved the integration f the CG Engine, debris, smoke, dust and water. Train Talk Notes: Full compositing Flash Bang Notes: Full compositing Work: CG Matte Painting, Chroma Key, Mist, Smoke Work: CG Hand, CG flashbang, sparks and smoke. Show: The Lion Woman and Rain FX and Elements from library Show: Captain America: Civil War Company: Automatik Company: Trixter

Police Throw Notes: Full compositing Bucky Jump Notes: Trailer shot, shared shot Work: CG Hand and Shield, wire removal and Captain Work: Background created, animated and projected in Show: Captain America: Civil War America arm reposition to reach strap. Show: Captain America: Civil War comp, CG metal hand, foreground projection, building Company: Trixter Company: Trixter projection, animated lights to match plate. Main comper to bring shot to final. Scratches Notes: Shared shot Into Tunnel Notes: Full compositing Work: CG Panther, FX sparks and scretches done with Work: Matte painting set extension, wire, roof covers Show: Captain America: Civil War projections in Nuke. Show: Captain America: Civil War and SFX cleanup, smoke & debris FX, CG hand Company: Trixter Company: Trixter

Tunnel Run Notes: Trailer shot, full compositing Panther Chase Notes: Trailer shot, shared shot Work: CG Panther, magic carpet and stunt double Work: Marker removal, magic carpet removal, resizing Show: Captain America: Civil War removal Show: Captain America: Civil War head, closing mask gaps, creating CG eyes, switching Company: Trixter Company: Trixter Captain America’s arms for continuity. War Machine

Show: Captain America: Civil War Company: Trixter

Notes: Full compositing Work: CG War Machine and CG Shield, light blue light from police created on shield and War Machine based on distance via expresions. Core from thruster and eye based on practical model on set. Loki’s Scepter

Show: Avengers: Age of Ultron Company: Trixter

Notes: Look Development, full compositing Work: Entirely created and developed in Nuke’s 3D space with projections, atmos- pherics created based on distortions and movements. Some basic rotos and geo were needed for the reflections and glow. Small clean up needed to remove light reflections on top of glass. Window Wipe

Show: Avengers: Age of Ultron Company: Trixter

Notes: Look Development, full compositing Work: Wipe created in comp with projections. Reflection after wipe re-projected on glass. Greenscreen key and Scepter hologram cage comp. Hologram Room

Show: Avengers: Age of Ultron Company: Trixter

Notes: Collaboration shot Work: My main task were the holograms, key and cleanup of this shot, which was quite long and convoluted. Several artists were needed to approach all the different briefs for this long shot. Throw Shield Notes: Full compositing Legionnaire Crash Notes: Full compositing Work: CG Shield. Green screen comp ad New York Work: CG Iron Legionaire, Smoke, Blasters, Glass. Show: Avengers: Age of Ultron Skyline reprojected on background with added Show: Avengers: Age of Ultron Table glass was removed and mixed with CG Glass. Company: Trixter flickering lights Company: Trixter Wire removal. Actor Removal (fell on end frames) and background re-projected to cover this.

Thor Jump Notes: Full compositing Blaster Bar Jump Notes: Full compositing Work: Wire removal, re-projection of background and Work: Combined plates: Actors plate. Background Show: Avengers: Age of Ultron added smoke for continuity. Show: Avengers: Age of Ultron plate per shelf. Had to recreate explosion reflections. Company: Trixter Company: Trixter Added CG smoke, trails and blasts. Blast Removal Notes: Full compositing Pietro Catch Notes: Full compositing Work: CG arrow made in comp. Explosion removal. Work: CG arrow, Pietro FX with displacement based on Show: Avengers: Age of Ultron Adding a stronger snow look into the shot. This was Show: Avengers: Age of Ultron fx trails. Retiming plate to match character. Deforming Company: Trixter achieved by different keying methods Company: Trixter FX to match explosions. Adding a stronger snow look into the shot. This was achieved by different keying methods

Pietro Trails Show: Avengers: Age of Ultron Company: Trixter Notes: Full compositing Work: Pietro FX with displacement based on fx trails. Adding a stronger snow look into the shot. This was achieved by different keying methods Car Reflections Show: Only Lovers Left Alive Company: Pixomondo Notes: Full compositing Work: Reflection Clean up, while preserving the shadow movement on the car.

Mobile Screen Insert Show: Only Lovers Left Alive TV Screen Insert Company: Pixomondo

Notes: Full compositing Work: Screen Insert Show: Only Lovers Left Alive Adam Reflex Company: Pixomondo Gun Grab Notes: Full compositing Work: Retimed plates. Patched clothes and hair to stop the extreme flickering of high speeds.

Vintage Race Notes: Full compositing Japan Race Notes: Full compositing Work: Footage was re-sped. Artefacts clean-up, Work: Footage was re-sped. Artefacts clean-up, Show: Rush match-moved, stabilized, added camera sway, Show: Rush match-moved, stabilized, added camera sway, Company: Pixomondo separated elements and gave different motion blur Company: Pixomondo separated elements and gave different motion blur according to distance from camera to enhance idea of according to distance from camera to enhance idea of high speed. high speed. Additional separation and re-projection was needed between actors and vehicle. Salutes Show: After Earth Company: Pixomondo Notes: Full compositing Work: BG characters were green screened and the shadows were recreated in 3D space. The characters depths matched the Z-Depth passes in 3D space. Bokeh was matched to the green screen tracking markers for accurate depth of field. Light direction changed.

Martian Battles Show: John Carter Company: Notes: Stereo compositing Work: Stereo conversion of shots. Had to reproject plates into geo and with new clean plates creating a stereo Right camera work. Often had to animate different focus pulls, re-key the shots for the new cleanplates, among many other things that did not work straight from 2D. Prongs Notes: CG compositing Tattoos Notes: Full compositing Work: CG Composite of ‘prongs’, the shrapcam Work: Converted white tattoos into black. Rotoscoped it Show: Total Recall projectiles of the guns. Show: Total Recall as a key was not retrievable due to very poor lighting. Company: Lipsync Company: Lipsync

Megaphone Show: Great Expectations Moonlight Company: Lipsync Notes: Full compositing Work: Replaced the BG, as all was shot in location had also to remove the characters via Luma Keys and Roto. Color corrections were done on characters to match to the new background. Punch Notes: Cleanup Crash Notes: Split screen Work: Microphone removal from actress’ T-shirt. Work: Top footage shot separately. Blended together Show: Broken Show: Broken with some roto work. Company: Lipsync Company: Lipsync

Boat Talk Notes: Full compositing Vampire Film Notes: Full compositing Work: Camera Lens was creating odd distortions in Work: Broken frame. Created the frame new through Show: Byzantium which the characters and the boat were transparent. Show: Byzantium different distortions and paint cleanup. Company: Lipsync Created a patch and reproject it. Company: Lipsync Billboard Notes: Full compositing Black Cat Notes: Full compositing and animation Work: Cleaned up of original footage, 3D tracking and Work: Composited and animated all the imagery Show: Falcón comp of the advert for the exhibition. Show: In The Name Of Art produced in Photoshop. The comps were made sure to Company: Lipsync Company: Independent Masters work work also in 3D space

Hammer Time Notes: Full compositing, not in reel as clip was too short. Top View Notes: Full compositing, not in reel as clip was too short. Work: CG Hammer with adequate contact shadows, Work: Through a variety of keys turned the plate more Show: Avengers: Age of Ultron Matte painting behind , retimed plate with Show: Avengers: Age of Ultron ‘winterized’, also Pietro Trails recreated using roto Company: Trixter corrected motion blur. Company: Trixter shapes and a series of methods to reproduce the look from Houdini. ivan-lima.com

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