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Margaret Mitchell's Gone with the Wind and the Irish Big House Genre
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2010 Kinship: Margaret Mitchell's Gone With The Wind and the Irish Big House Genre Patricia Homer Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Homer, Patricia, "Kinship: Margaret Mitchell's Gone With The Wind and the Irish Big House Genre" (2010). Electronic Theses and Dissertations. 179. https://digitalcommons.georgiasouthern.edu/etd/179 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. KINSHIP: MARGARET MITCHELL’S GONE WITH THE WIND AND THE IRISH BIG HOUSE GENRE by PATRICIA HOMER (Under the Direction of Howard Keeley) ABSTRACT Critics have largely dismissed Margaret Mitchell’s best-selling novel Gone with the Wind as a serious work of literature. Although various references to Irish culture permeate Gone with the Wind, the novel has not been compared to any Irish literature or mythology. This thesis compares Gone with the Wind with Irish Big House literature and mythology through the lens of biography and history. The works of William Butler Yeats, Maria Edgeworth, and Edith Somerville and Martin Ross are also employed to show evidence of the connection of Gone with the Wind to Irish Big House literature. This comparison results in a new approach to Margaret Mitchell’s Gone with the Wind that affords a new reading of the novel. -
The Archival Life of Home Movies
!"# $%!& !%'%%#( ) * # *+),' - . / '- * 0 ** * * ' * . ' 1231 * '4 * '- 0 * . '- * . . ' ! .. . * . '- . . . '56 * $ . !78% !79%'- 0 * . * * .: ' 8 1 !7,% . : : ; ' 9 * * 0 '# * , . 31 ' . '< * . . '4 * '- *. =. * . * * ' $%!& >??' '? @A> >>> !,%BB8 4+7"&7!""7"!%!B 4+7"&7!""7"!%$8 *!!,78 THE ARCHIVAL LIFE OF HOME MOVIES Ashley Smith The Archival Life of Home Movies Regional Reflections and Negotiated Visions of a Shared Past Ashley Smith ©Ashley Smith, Stockholm University 2018 ISBN print 978-91-7797-101-6 ISBN PDF 978-91-7797-102-3 Cover image from the Thomas Collection (Special Collections, University of Mississippi Libraries) Printed in Sweden by Universitetsservice US-AB, Stockholm 2018 Distributor: Department of Media Studies, Stockholm University Contents Preface ............................................................................................................ 5 Introduction ..................................................................................................... 9 The Archival -
The Uncertain Implications of Scarlett's Life Decisions in Margaret Mitchell's Gone with the Wind
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English Summer 8-3-2013 Is Tomorrow Another Day? The Uncertain Implications of Scarlett's Life Decisions in Margaret Mitchell's Gone with the Wind Elizabeth A. Young Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Young, Elizabeth A., "Is Tomorrow Another Day? The Uncertain Implications of Scarlett's Life Decisions in Margaret Mitchell's Gone with the Wind." Thesis, Georgia State University, 2013. https://scholarworks.gsu.edu/english_theses/154 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. IS TOMORROW ANOTHER DAY? THE UNCERTAIN IMPLICATIONS OF SCARLETT’S LIFE DECISIONS IN MARGARET MITCHELL’S GONE WITH THE WIND by ELIZABETH YOUNG Under the Direction of Dr. Pearl McHaney ABSTRACT Anyone who is familiar with Margaret Mitchell’s life and her novel, Gone with the Wind, should notice that Mitchell’s work in some fashion parallels events from her life. Exactly how and why these parallels function, however, has been the subject for much scholarly debate. In my thesis, I examine Mitchell’s biography to get closer to the truth of the events in her life up to the publication of her novel. I then synthesize this information with a side-by-side analysis of some important figures in Mitchell’s life and characters from her novel; from there, I provide a feminist critique of selected characters, relationships between those characters, and scenes from the novel.