Mirror Neurons and Colamus Humanitatem
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MIRROR MIRROR the Mind’S Mirror FILMS Seaglass 4 Restaurant 5 Outdoor Exhibits with Zarinah Agnew 7:30 P.M
AFTER DARK AFTER DARK SCHEDULE MAP PRESENTATIONS ACTIVITIES Upper Level Bay Observatory Gallery and Terrace 6 Observing Landscapes Mirrors in Technology and Art Through the Looking Glass Mirrors in Technology and Art With Sebastian Martin With the Explainers 6 With Sebastian Martin 6:30–8:30 p.m. | Bay Observatory Gallery 6:30–9:30 p.m. | Central Gallery 6:30–8:30 p.m. THURSDAY, OCTOBER 1, 2015 A Reflection on Mirrors Light Boxes and Anamorphic Mirrors The History of Mirrors 6:00—10:00 P.M. With Ron Hipschman With Explorables With Massimo Mazzotti 7:00 and 9:00 p.m. 7:00–10:00 p.m. | Central Gallery Main Level 8:30 p.m. Phyllis C. Wattis Webcast Studio BAR North Gallery MIRROR MIRROR The Mind’s Mirror FILMS SeaGlass 4 Restaurant 5 Outdoor Exhibits With Zarinah Agnew 7:30 p.m. | Kanbar Forum On Reflection East Gallery 9:00 p.m. | Kanbar Forum 4 Living Systems The History of Mirrors East With Massimo Mazzotti Corridor Contemplando la Ciudad (2005, 4 min.) Central Gallery 8:30 p.m. | Bay Observatory Gallery by Angela Reginato 5 3 Seeing & Listening Visions of a City (1978, 8 min.) by Lawrence Jordan A Reflection on Mirrors INSTALLATIONS BAR 3 With Ron Hipschman Suspended 2 (2005, 5 min.) by Amy Hicks Wattis 7:00 and 9:00 p.m. The Infinity Boxes Webcast Phyllis C. Wattis Webcast Studio Studio By Matt Elson Pier 15 (2013, 4 min.) by Michael Rudnick 6:00–10:00 p.m. | Central Gallery The Infinity Boxes By Matt Elson Visible Spectres 6:00–10:00 p.m. -
2000 Stainless Steels: an Introduction to Their Metallurgy and Corrosion
Dairy, Food and Environmental Sanitation, Vol. 20, No. 7, Pages 506-517 Copyright© International Association for Food Protection, 6200 Aurora Ave., Suite 200W, Des Moines, IA 50322 Stainless Steels: An Introduction to Their Metallurgy and Corrosion Resistance Roger A. Covert and Arthur H. Tuthill* and why they sometimes do not. In most cases, selection of the proper stainless steel leads to satisfactory performance. COMPOSITION, NOMEN- CLATURE AND GENERAL PROPERTIES Most metals are mixtures of a primary metallic element and one or more intentionally added other ele- This article has been peer-reviewed by two professionals. ments. These mixtures of elements are called alloys. Stainless steels are alloys, as are brasses (copper + zinc), bronzes (copper + tin), the many alu- INTRODUCTION better understanding of stainless minum alloys, and many other me- Worldwide, in industry, in busi- steels, especially to the non-metal- tallic materials. In general, solid ness and in the home, metals called lurgist. metals and alloys consist of randomly stainless steels are used daily. It is Industries are concerned with oriented grains that have a well-de- important to understand what these integrity of equipment and product fined crystalline structure, or lattice, materials are and why they behave purity. To achieve these, stainless within the grains. In stainless steels, the way they do. This is especially steels are often the economical and the crystalline structures within the true because the word “stainless” is practical materials of choice for pro- grains have been given names such as itself somewhat of a misnomer; these cess equipment. However, before ferrite, austenite, martensite, or a materials can stain and can corrode intelligent decisions can be made mixture of two or more of these. -
The Smart Mirror Technology
THE SMART MIRROR TECHNOLOGY A STYLISH MIRROR - WITH UNIQUE EXTRA FEATURES • A COMPLETE DIGITAL SIGNAGE SOLUTION • HIGH BRIGHTNESS SCREEN COMBINED WITH MEDIA PLAYER & FULL FUNCTIONAL CONTENT MANAGEMENT SYSTEM • DECORATIVE AND INFORMATIVE • PROVIDING INFORMATION THROUGH A NON-DISTURBING WAY ADMIRING OURSELVES IN MIRRORS COMES AS NATURALLY TO US AS BREATHING. WHETHER WE BASK IN OUR MAGNIFICENCE, LOOK FOR FLAWS OR SIMPLY TRY TO MAKE OURSELVES AS PERFECT AS POSSIBLE WE SPEND A MUCH TIME LOOKING AT OUR REFLECTIONS. SO WHY NOT COMBINE THIS MOST MUNDANE HUMAN INSTINCT WITH THE REALM OF INFINITE POSSIBILITIES? IN THE WORLD OF COMMERCIALS, ALMOST EVERYONE HAS A SELECTIVE BLINDNESS FOR ORDINARY MARKETING TOOLS. PROVIDE YOUR CUSTOMERS WITH DESIRED INFORMATION AND TARGETABLE MESSAGES ON A SURFACE THEY WOULD NEVER EXPECT TO GET IT. LEAVE A LASTING IMPRESSION WITH THE DENSION SMART MIRROR TECHNOLOGY. CONTENT & DEVICE MANAGEMENT THE MIRROR IS AVAILABLE IN FIVE DIFFERENT SIZES: MINI, SMALL, MEDIUM, LARGE, X-LARGE. CUSTOMERS MAY CHOOSE THE EXACT SIZE OF THE GLASS WITH A GIVEN SURFACE MAXIMUM. CUSTOMIZED MIRROR AND SCREEN COMBINATIONS ARE ALSO AVAILABLE IN HIGHER VOLUMES, PLEASE GET IN TOUCH TO DISCUSS. [email protected] FRONT VIEW MINI SMALL MEDIUM LARGE X-LARGE Display size (inch) 10 32 42 46 55 Display resolution HD Full HD Full HD Full HD Full HD Max Mirror Surface 0,9 0,9 2 2 (sqm) UPPER SIDE VIEW Minimum Width 250 870 1 100 1 180 1 380 (mm) Minimum Height 150 570 690 740 850 (mm) Depth (mm) 30 45 45 45 45 45 ° ANGLE REAR VIEW Weight (kg) 2 18 25-30 35-38 -
Art in the Mirror: Reflection in the Work of Rauschenberg, Richter, Graham and Smithson
ART IN THE MIRROR: REFLECTION IN THE WORK OF RAUSCHENBERG, RICHTER, GRAHAM AND SMITHSON DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Eileen R. Doyle, M.A. ***** The Ohio State University 2004 Dissertation Committee: Approved by Professor Stephen Melville, Advisor Professor Lisa Florman ______________________________ Professor Myroslava Mudrak Advisor History of Art Graduate Program Copyright by Eileen Reilly Doyle 2004 ii ABSTRACT This dissertation considers the proliferation of mirrors and reflective materials in art since the sixties through four case studies. By analyzing the mirrored and reflective work of Robert Rauschenberg, Gerhard Richter, Dan Graham and Robert Smithson within the context of the artists' larger oeuvre and also the theoretical and self-reflective writing that surrounds each artist’s work, the relationship between the wide use of industrially-produced materials and the French theory that dominated artistic discourse for the past thirty years becomes clear. Chapter 2 examines the work of Robert Rauschenberg, noting his early interest in engaging the viewer’s body in his work—a practice that became standard with the rise of Minimalism and after. Additionally, the theoretical writing the French phenomenologist Maurice Merleau-Ponty provides insight into the link between art as a mirroring practice and a physically engaged viewer. Chapter 3 considers the questions of medium and genre as they arose in the wake of Minimalism, using the mirrors and photo-based paintings of Gerhard Richter as its focus. It also addresses the particular way that Richter weaves the motifs and concerns of traditional painting into a rhetoric of the death of painting which strongly implicates the mirror, ultimately opening up Richter’s career to a psychoanalytic reading drawing its force from Jacques Lacan’s writing on the formation of the subject. -
Mirror Neurons and Colamus Humanitatem Avances En Psicología Latinoamericana, Vol
Avances en Psicología Latinoamericana ISSN: 1794-4724 [email protected] Universidad del Rosario Colombia Skoyles, John R. Why our brains cherish humanity: Mirror neurons and colamus humanitatem Avances en Psicología Latinoamericana, vol. 26, núm. 1, junio, 2008, pp. 99-111 Universidad del Rosario Bogotá, Colombia Available in: http://www.redalyc.org/articulo.oa?id=79926108 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Why our brains cherish humanity: Mirror neurons and colamus humanitatem JOHN R. SKOYLES* Centre for Mathematics and Physics in the Life Sciences and Experimental Biology (CoMPLEX) University College London, London, UK Centre for Philosophy of Natural and Social Science (CNPSS) London School of Economics, London, UK Abstract Resumen Commonsense says we are isolated. After all, our El sentido común dice que estamos aislados. Des- bodies are physically separate. But Seneca’s cola- pués de todo, nuestros cuerpos están separados mus humanitatem, and John Donne’s observation físicamente. Pero la obra Colamus humanitatem that “no man is an island” suggests we are neither de Séneca y la observación de que “ningún hombre entirely isolated nor separate. A recent discovery in es una isla”, que hizo John Donne, sugieren que no neuroscience—that of mirror neurons—argues that estamos ni completamente aislados ni separados. the brain and the mind is neither built nor functions Un descubrimiento reciente de la neurociencia, el remote from what happens in other individuals. -
Public Art Program OVERVIEW
Public Art Program OVERVIEW Artwork has been a critical component of the Phoenix Convention Center since it originally opened in 1972. Building upon this civic commitment to the arts, the City, through the Phoenix Office of Arts and Culture Public Art Program, commissioned new artworks by local, regional and national artists to be incorporated into the expanded Phoenix Convention Center. These works offer a variety of perspectives on life in Phoenix, the United States, and the world in the 21 st century, and join several other pieces in the Convention Center’s extensive collection. Public Art Program Budget and Funding: The art projects are funded through the City's Public Art Program. The program, established in 1986, has involved artists in the design of every kind of city building and space, ranging from streetscapes, freeway overpasses and pedestrian bridges, to canal trails, parks and libraries. The Phoenix Public Art Program is managed by the Phoenix Office of Arts and Culture and has commissioned more than 120 public art projects in the past 20 years. The Phoenix Convention Center’s $3.2 million public art budget comes from three capital improvement program bonds: • Phoenix Convention Center (Civic Plaza) Capital Improvement Percent for Art Funds • Street Transportation Capital Improvement Percent for Art Funds • Water Department Capital Improvement Percent for Art Funds Artist Selection Process: A “call to artists ” process was issued by the Phoenix Office of Arts and Culture. A 10-member public art panel for the Phoenix Convention Center expansion project was assembled, including local artists and representatives from the Phoenix Arts and Culture Commission, the Phoenix Convention Center, and local cultural organizations. -
Memory and Privacy in the Entire History of You
Memory and Privacy in The Entire History of You Bianca Rodrigues Teixeira and Flavia Maria Santoro 1 Federal University of the State of Rio de Janeiro, Rio de Janeiro, RJ, Brazil {bianca.teixeira, flavia.santoro}@uniriotec.br Abstract. Privacy is a concerning issue today, with millions of people sharing their everyday lives on various social media platforms. Everything people share can be considered as part of their digital memory, which can be consisted of thoughts and feelings posted online. Memory is the focus of “The entire history of you”, third episode of British television series “Black Mirror”. The characters use a device that records and saves what their eyes see, and it's also possible to browse through all previous memories. The device contains most, if not all, of the user's life, which is undoubtedly useful in many daily events, like court cases, debates, reliving previous experiences, security checking, etc. However, it can be a huge problem if somebody tries to see memories that are supposed to be private. To try to combat that possibility, we defined an ontology for Digital Memory and specified our proposal of new features for the device regarding privacy using artificial intelligence. We believe that there is still room for improvement and for more discussion about video-memory and privacy, which is a topic that is not frequently debated. Keywords: memory, privacy, black mirror, ontology 1 Introduction In the past few years, technology has experienced some major advancements. British television series “Black Mirror” highlights several scenarios in which those said advancements could potentially lead to a dystopian society. -
Debut of the Brand's Fairytale First Collection 'Mirror Mirror' in London
J EWELLER Y DIAR Y / J EWELLER Y C OLLEC T IONS Aisha Baker: Debut of the brand’s fairytale first collection ‘Mirror Mirror’ in London May 9, 2018 A pair of earrings, one bracelet and six cocktail rings: these are the novelties that form the debut collection ‘Mirror Mirror,’ created by the new Dubai-based jewellery brand Aisha Baker. isha Baker and Hoonik Chang began working together in 2016 - she is a collector and expert in high jewellery art, he is a qualified jewellery designer and graduate of the prestigious Central Saint A Martins art school. Aisha Baker 'Majesty' earrings in citrine, diamonds, enamel and yellow gold “ “Although we both spend a lot of time in London, Aisha and I are from different countries: I am from South Korea and she is from Dubai,” explains Hoonik during a presentation of the collection at a gallery on Maddox Street. Aisha adds: “I knew Hoonik’s sister for 8 years before I finally met him, and he had just graduated from Saint Martins. We instantly connected!" ” The young graduate’s imagination has sparked some incredible design ideas that he shared with Aisha which she - in turn, thanks to her exquisite taste and understanding of jewellery - has used to achieve the perfect balance between flights of fancy and practicality. Working closely together, the young pair strive to create works of art, personal treasures that can be worn as a reminder of the fact that life is full of magic. Their first jewellery collection, ‘Mirror Mirror’, is a modern interpretation of fairy tales and the world of fantasy. -
Fast Steering Mirror Technology Active Beam Stabilization
APPLICATION NOTE OPTO-MECHANICS 22 Fast Steering Mirror Technology: Active Beam Stabilization Fast Steering Mirror Technology: Active Beam Stabilization By Phillip V. Mitchell, Manager, Technology Development, Newport Corporation The laser is now a firmly established tool in a wide range This paper explores dynamic beam stabilization using a of applications, including semiconductor manufacturing, fast steering mirror (FSM), a technology originally devel- QA/QC, industrial marking, materials processing, bio- oped for demanding aerospace pointing and tracking medical systems, reprographics, information display and requirements. After reviewing the underlying concept of telecommunications. In virtually every one of these dis- beam stabilization and comparing different beam steer- parate applications, it is critically important to avoid fluc- ing technologies, the performance of a closed-loop beam tuations and drifts in laser beam alignment, in order to stabilization system based on FSMs is described. Optical achieve optimum system performance. Furthermore, engineers will find that incorporation of active beam sta- there is continual pressure on optical engineers for high- bilization using FSM technology (Fig. 1) offers a unique er resolution, finer features and greater stability in their and highly advantageous combination of performance designs. This is especially true in the rapidly expanding and cost characteristics. and technology-driven semiconductor and optical telecommunication equipment markets. It is routine in Sources of Beam Misalignment these markets to cut critical dimensions and alignment Laser beam alignment can be characterized by essentially tolerances in half every few years. Failure to meet this two parameters—lateral displacement and angular mis- road map can spell disaster for companies whose chip alignment. Defining the beam direction as the z-axis, lat- life cycles are measured in months. -
1 Sonya Wohletz Spring 2013 Through a Glass, Darkly: a Study Of
Sonya Wohletz Spring 2013 Through a Glass, Darkly: A Study of Mirrors in Aztec Art Introduction As Hernán Cortez and his men made their way to the shores of Mexico, they may have dreamed of the vast treasures in the unknown lands to the West and the shimmering caches of gold that would soon fill their coffers, launching them to the greatest heights of Spanish society. Meanwhile, Motecuzoma II paced his palace chambers, contemplating the dark omens that announced the approach of a sinister band of invaders who would bring an end to his empire. We can imagine his worry and confusion as these strange signs visited upon him a growing kind of terror for which he could not find the language to describe. There is no way Motecuzoma could have envisioned the scale of destruction that awaited him and his people nor the profundity of the changes that the unknown invaders would bring; however, with the help of sages and diviners, Motecuzoma was already encountering clues as to the identity and nature of these unknown beings. Franciscan friar Bernardino de Sahagún, who recorded the stories and cultural customs of native informants in his cultural encyclopedia, The Florentine Codex, describes eight such clues or omens. Of these eight, perhaps the most curious is the seventh omen, in which the royal hunters discovered a bird with a mirror on its forehead: A seventh omen: at one time the fisher folk who hunted or snared with nets took captive an ashen hued bird like a crane. Then they went to show it to Moctezuma, [who was] in the Tlillan calmecatl.1 It was past noon, still daytime. -
Human Ethology Bulletin
Human Ethology Bulletin http://evolution.anthro.univie.ac.at/ishe.html VOLUME 17, ISSUE 3 ISSN 0739-2036 SEPTEMBER 2002 © 2001 The lntenzational Society for Human Ethology ]oie de Vivre in Montreal! The ISHE conference programincluded plenary speakers Filippo Aurelli, Barry Bogin, Sarah Hrdy, and Carol van Schaik, as well as symposia, papers, and posters addressing numerous topics within the general domain of Human Ethology. Despite sessions that extended into the evening hours, the talks were all well attended by about 80-100 members. See pages inside for more details and conference photos. BALLOT FOR OFFICER ELECTIONS VICE-PRESIDENT/ PRESIDENT ELECT Glenn Weisfeld Write In: _ MEMBERSHIP CHAIR ___ Astrid Juette Write In: _ Old Montreal was the site of the 16th Biennial Conference of the International Society for Human Ethology from August 7 through Send ballot by mail or e-mail to: Saturday, August 10. The city lived up to its reputation as one of North Americas most beautiful and entertaining cities, renowned for its Frank Salter, ISHE Secretary gourmet dining and bustling nightlife. Max Planck Society Members were treated to four excellent plenary Von-der-Tann-Str.3 addresses that provided much food for thought, 82346 Andechs as well as foUl surnptuous luncheons served at the Germany Hotel de Gouverneur, topped off with a Saturday E-mail: salter@bumanethologiede evening banquet at the historic Pierre du Calvet in the heart of the old port, pictured above. HumanEthology Bulletin, 17 (3), 2002 2 Society News Editorial Staff I. Minutes of the ISHE Board Meeting Editor Peter LaFreniere Submitted by ISHE Secretary Frank Salter 362 Little Hall 1h Department of Psychology Gouveneur Hotel, Montreal, 6 August 2002 University of Maine Orono, ME 04469 USA tel. -
Molecular Lamarckism: on the Evolution of Human Intelligence
World Futures The Journal of New Paradigm Research ISSN: 0260-4027 (Print) 1556-1844 (Online) Journal homepage: https://www.tandfonline.com/loi/gwof20 Molecular Lamarckism: On the Evolution of Human Intelligence Fredric M. Menger To cite this article: Fredric M. Menger (2017) Molecular Lamarckism: On the Evolution of Human Intelligence, World Futures, 73:2, 89-103, DOI: 10.1080/02604027.2017.1319669 To link to this article: https://doi.org/10.1080/02604027.2017.1319669 © 2017 The Author(s). Published with license by Taylor & Francis Group, LLC© Fredric M. Menger Published online: 26 May 2017. Submit your article to this journal Article views: 3145 View related articles View Crossmark data Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=gwof20 World Futures, 73: 89–103, 2017 Copyright © Fredric M. Menger ISSN: 0260-4027 print / 1556-1844 online DOI: 10.1080/02604027.2017.1319669 MOLECULAR LAMARCKISM: ON THE EVOLUTION OF HUMAN INTELLIGENCE Fredric M. Menger Emory University, Atlanta, Georgia, USA In modern times, Lamarck’s view of evolution, based on inheritance of acquired traits has been superseded by neo-Darwinism, based on random DNA mutations. This article begins with a series of observations suggesting that Lamarckian inheritance is in fact operative throughout Nature. I then launch into a discussion of human intelligence that is the most important feature of human evolution that cannot be easily explained by mutational