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“Sonny” Martin, Jr. Career Army Officer, World War II 1995 OH
Wisconsin Veterans Museum Research Center Transcript of an Oral History Interview with Orville W. “Sonny” Martin, Jr. Career Army Officer, World War II 1995 OH 624 1 OH 624 Martin, Orville W., (1923-1999). Oral History Interview, 1995. User Copy: 9 sound cassettes (ca. 489 min.); analog, 1 7/8 ips, mono. Master Copy: 4 sound cassettes (ca. 489 min.); analog, 1 7/8 ips, mono. Transcript: 0.1 linear ft. (1 folder). Abstract: Orville W. “Sonny” Martin Jr., an Oshkosh, Wisconsin native, describes his experiences growing up in a military family; serving in the 3 rd Platoon, A Company, 59 th Armored Infantry Battalion, 13 th Armored Division during World War II; training the 4th Field Artillery Battalion and the 35 th Quartermaster Pack Company during the Korean War; serving in Taiwan in 1959; and working at the Pentagon during the Vietnam War. Martin describes the service of his father, a Neenah (Wisconsin) native, during World War I and his parents’ wedding at Camp Stotsenburg (Clark Air Force Base) in the Philippines. Martin touches upon his military ancestry including a great-great-uncle, “General” Warren Healy, who was a drummer boy during the Civil War and became Paymaster General of New York during the Spanish-American War. Martin grew up an “Army brat” on various bases, including: West Point (New York), Fort Ethan Allen (Vermont), Fort Sill (Oklahoma), Schofield Barracks (Hawaii), Fort Hoyle (Maryland), Baton Rouge (Louisiana), and Fort Leavenworth (Kansas). He discusses at length his schooling and social interactions among children of officers and enlisted men. Martin details family life on the base which he calls a “very moral society.” Martin tells stories of corporal punishment and officers disciplining others’ children, a practice that faded in the 1960s. -
The Late Registrations and Corrections to Greene County Birth Records
Index for Late Registrations and Corrections to Birth Records held at the Greene County Records Center and Archives The late registrations and corrections to Greene County birth records currently held at the Greene County Records Center and Archives were recorded between 1940 and 1991, and include births as early as 1862 and as late as 1989. These records represent the effort of county government to correct the problem of births that had either not been recorded or were not recorded correctly. Often times the applicant needed proof of birth to obtain employment, join the military, or draw on social security benefits. An index of the currently available microfilmed records was prepared in 1989, and some years later, a supplemental index of additional records held by Greene County was prepared. In 2011, several boxes of Probate Court documents containing original applications and backup evidence in support of the late registrations and corrections to the birth records were sorted and processed for archival storage. This new index includes and integrates all the bound and unbound volumes of late registrations and corrections of birth records, and the boxes of additional documents held in the Greene County Archives. The index allows researchers to view a list arranged in alphabetical order by the applicant’s last name. It shows where the official record is (volume and page number) and if there is backup evidence on file (box and file number). A separate listing is arranged alphabetically by mother’s maiden name so that researchers can locate relatives of female relations. Following are listed some of the reasons why researchers should look at the Late Registrations and Corrections to Birth Records: 1. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D. -
Functional Class Urban Plat
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The General Stud Book : Containing Pedigrees of Race Horses, &C
^--v ''*4# ^^^j^ r- "^. Digitized by tine Internet Arciiive in 2009 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/generalstudbookc02fair THE GENERAL STUD BOOK VOL. II. : THE deiterol STUD BOOK, CONTAINING PEDIGREES OF RACE HORSES, &C. &-C. From the earliest Accounts to the Year 1831. inclusice. ITS FOUR VOLUMES. VOL. II. Brussels PRINTED FOR MELINE, CANS A.ND C"., EOILEVARD DE WATERLOO, Zi. M DCCC XXXIX. MR V. un:ve PREFACE TO THE FIRST EDITION. To assist in the detection of spurious and the correction of inaccu- rate pedigrees, is one of the purposes of the present publication, in which respect the first Volume has been of acknowledged utility. The two together, it is hoped, will form a comprehensive and tole- rably correct Register of Pedigrees. It will be observed that some of the Mares which appeared in the last Supplement (whereof this is a republication and continua- tion) stand as they did there, i. e. without any additions to their produce since 1813 or 1814. — It has been ascertained that several of them were about that time sold by public auction, and as all attempts to trace them have failed, the probability is that they have either been converted to some other use, or been sent abroad. If any proof were wanting of the superiority of the English breed of horses over that of every other country, it might be found in the avidity with which they are sought by Foreigners. The exportation of them to Russia, France, Germany, etc. for the last five years has been so considerable, as to render it an object of some importance in a commercial point of view. -
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A History of Appalachia
University of Kentucky UKnowledge Appalachian Studies Arts and Humanities 2-28-2001 A History of Appalachia Richard B. Drake Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Drake, Richard B., "A History of Appalachia" (2001). Appalachian Studies. 23. https://uknowledge.uky.edu/upk_appalachian_studies/23 R IC H ARD B . D RA K E A History of Appalachia A of History Appalachia RICHARD B. DRAKE THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by grants from the E.O. Robinson Mountain Fund and the National Endowment for the Humanities. Copyright © 2001 by The University Press of Kentucky Paperback edition 2003 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kenhlcky Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 12 11 10 09 08 8 7 6 5 4 Library of Congress Cataloging-in-Publication Data Drake, Richard B., 1925- A history of Appalachia / Richard B. -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Lent 2021 Daily Devotionals for the 33 Weekdays of Lent
LENT 2021 DAILY DEVOTIONALS FOR THE 33 WEEKDAYS OF LENT Acknowledgments The Journey with Jesus Lenten project is the work of literally dozens of people – pastors, writers, editors, readers, audio engineers, graphic designers, administrators, and others – all drawn from among Vineyard Columbus members, including staff, contractors, and volunteers. It is a truly collaborative effort, the Body of Christ working in unison to present this project as a fragrant offering to the One who makes us one. May these Journey with Jesus daily Lenten devotionals, along with the accompanying resources, be to the glory of God and the encouragement of his people in the season of Lent and beyond. The Vineyard Columbus Community, Lent 2021 Unless otherwise noted, Scriptures are taken from the Holy Bible, New International Version®, NIV®. © 2021 Vineyard Columbus. All rights reserved. Table of contents Introduction 1 Day 20 • March 11 56 Day 1 • February 17 2 Day 21 • March 12 60 Day 2 • February 18 5 Day 23 • March 15 63 Day 3 • February 19 9 Day 24 • March 16 66 Day 5 • February 22 13 Day 25 • March 17 70 Day 6 • February 23 16 Day 26 • March 18 74 Day 7 • February 24 19 Day 27 • March 19 77 Day 8 • February 25 22 Day 29 • March 22 80 Day 9 • February 26 26 Day 30 • March 23 83 Day 11 • March 1 30 Day 31 • March 24 87 Day 12 • March 2 34 Day 32 • March 25 90 Day 13 • March 3 37 Day 33 • March 26 93 Day 14 • March 4 40 Day 35 • March 29 96 Day 15 • March 5 43 Day 36 • March 30 99 Day 17 • March 8 46 Day 37 • March 31 102 Day 18 • March 9 49 Day 38 • April 1 106 Day 19 • March 10 53 Day 39 • April 2 110 Introduction Journey with Jesus is a gift from us to you intended to encourage the entire Vineyard Columbus community during the 2021 Lenten season. -
The Dove in the Eagle's Nest
THE DOVE IN THE EAGLE’S NEST by Charlotte M. Yonge An Electronic Classics Series Pulication The Dove In The Eagle’s Nest by Charlotte M. Yonge is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. The Dove In The Eagle’s Nest by Charlotte M. Yonge, The Electronic Classics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Department of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages is not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis Copyright © 2004 - 2014 The Pennsylvania State University is an equal opportunity university. Yonge death of the two knights was vividly depicted in sleep; and, THE DOVE IN though without local habitation or name, the scene was most likely to have been a reflection from the wild scenes so lately read of. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.