DOCSLIB.ORG

Kino Otok : [Festivalski Katalog] = Isola Cinema : [Festival Catalogue] / 15

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kino Otok : [Festivalski Katalog] = Isola Cinema : [Festival Catalogue] / 15 FESTIVALSKI KATALOG / FESTIVAL CATALOGUE CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 791.65.079(497.4Izola)“2017“ 791(100) MEDNARODNI filmski festival (15 ; 2019 ; Izola) Kino Otok : [festivalski katalog] = Isola Cinema : [festival catalogue] / 15. mednarodni filmski festival, International Film Festival, Izola, 5-9 Jun 2019 ; [besedila Oskar Ban Brejc... [et al.] ; urejanje Robert Kuret ; prevodi Maja Lovrenov, Alenka Ropret ; fotografija Branka Keser]. - Ljubljana : Zavod Otok, 2019 ISBN 978-961-94236-2-2 1. Gl. stv. nasl. 2. Vzp. stv. nasl. 3. Ban Brejc, Oskar 4. Kuret, Robert, 1987- COBISS.SI-ID 300201216 KOLOFON / CREDITS besedila/texts Oskar Ban Brejc, Anja Banko, Izidor Barši, Barbara Borčić, Vanna Carlucci, Nicola Falcinella, Donatello Fumarola, Sabine Gebetsroither, Helmut Groschup, Tomaž Grušovnik, Matevž Jerman, Peter Karba, Maja Krajnc, Robert Kuret, Petra Meterc, Varja Močnik, Jan Mozetič, Anže Okorn, Michael Pattison, Bor Pleteršek, Tina Poglajen, Anja Radaljac, Muanis Sinanović, Jernej Trebežnik, Luka Zagoričnik, Neil Young 15. Mednarodni filmski festival Kino Otok – Isola Cinema/15th International Film Festival Kino Otok – Isola Cinema urejanje in pregled/edited by Robert Kuret uredniški odbor/editorial board Varja Močnik, Robert Kuret prevodi/translations Maja Lovrenov, Alenka Ropret oblikovanje/design Špela Drašlar naslovnica/cover design Multipraktik fotografija/photo Branka Keser tisk/print Collegium Graphicum naklada/print run 300 izdajatelj/published by Zavod Otok. Ljubljana, 2019 VSEBINA CONTENTS Nazaj, v prihodnost 6 Back, to the Future PRIJATELJI 70 FRIENDS Čas se ni ustavil 8 Time Hasn’t Stood Still Anouk De Clercq: Onkraj, vmes, spodaj: program kratkih filmov 72 Anouk De Clercq: Beyond, Between, Beneath: Programme of Shorts Nabiranje 74 The Harvest LETNI KINO MANZIOLI 10 MANZIOLI OPEN-AIR CINEMA Ona 76 She Jedro sveta 12 Core of the World Režeči maček 78 The Cat’s Smile Selfi 14 Selfie Transnistra 80 Transnistra Ti imaš noč 16 You Have the Night SILVANOV ZALIV 82 SILVAN'S BAY SIGNALI 18 SIGNALS Čas se je ustavil 84 Time Stood Still Balangiga: Tuleča divjina 20 Balangiga: Howling Wilderness Bog obstaja, ime ji je Petrunija 22 God Exists, Her Name Is Petrunya PODMORNICA 86 SUBMARINE Črna mati 24 Black Mother Los Bando 88 Los Bando Dom borcev 26 Home of the Resistance Maček Muri 89 Muri the Cat Najlepša dežela na svetu 28 The Most Beautiful Country in the World Vitello 90 Vitello Preporod 30 First Reformed Zverjasec 91 The Gruffalo Taurunum Boy 32 Taurunum Boy Frišni filmski ulov 92 Fresh Film Catch Zama 34 Zama Zgodovina prašiča (v nas) 36 The History of the Pig (Within Us) VIDEO NA PLAŽI 94 VIDEO ON THE BEACH DOBRI SOSEDJE 38 GOOD NEIGHBOURS LARGO PRI ŠPINI 108 LARGO PRI ŠPINI Antigravitacija: litovski kratki dokumentarni filmi 40 Antigravitation: Lithuanian Short Documentaries Razglednice 110 Postcards Starodavni gozdovi 42 The Ancient Woods OTOK V LJUBLJANI 112 OTOK IN LJUBLJANA EVROPA 2.0 44 EUROPE 2.0 KOPRU, TOLMINU, IDRIJI, SEŽANI, CERKNICI 113 KOPER, TOLMIN, IDRIJA, SEŽANA, CERKNICA Izgubljeni raj: program kratkih filmov Vittoria de Sete 46 Paradise Lost: Programme of Shorts by Vittorio de Seta Na kopnem 48 Ashore PRO OTOK 114 PRO OTOK 35-MM KULT-URE 50 35MM CULT-URE GOSTJE FESTIVALA 118 FESTIVAL GUESTS Med ljudmi: Življenje in igra 52 Among the People: Life & Acting Otroci mrtvih 54 The Children of the Dead INDEKS 120 INDEX Zgodnja dela 56 Early Works FESTIVALSKA EKIPA 124 FESTIVAL TEAM LJUBO DOMA 58 HOME SWEET HOME Kratka forma_Kilometer nič: Davorin Marc 60 Short Form_Kilometre Zero: Davorin Marc Obzornik 63 – Vlak senc + Podoba migracij 62 Newsreel 63 – The Train of Shadows + The Migrating Image Ostanki – Izpovedi duhovom 66 Remains – Confessions to the Ghosts Tomos: Narejeno v Jugoslaviji 68 Tomos: Made in Yugoslavia Nazaj, v prihodnost Back, to the Future Petnajst let je za najstnika vse življenje, za tridesetletnika polovica, za Fifteen years, to a teenager, is whole life, to a thirty-year-old, a half, and to a sixty- šestdesetletnika pa četrtina. Pomen in vrednost, ki ju pripišemo nekemu v letih year-old, a quarter. The purpose and value ascribed to a time measured in years izmerjenemu obdobju, sta v namreč v prvi vrsti v očeh opazovalca. Kako zaobjeti are primarily in the eyes of the beholder. How to cover fifteen years of Kino Otok - petnajst let Kino Otoka, mednarodnega filmskega festivala, ki mu je dvojezično Isola Cinema, the international film festival that was given its Italian part of the name okolje, v katerem je našel dom, podarilo tudi italijansko ime Isola Cinema? by the bilingual area where it has found its home? There are quite possibly just as Odgovorov na to vprašanje je zelo verjetno prav toliko, kolikor ustvarjalcev, gostov many answers to this question as there have been filmmakers, guests and visitors in obiskovalcev festivala se je od leta 2004 dalje zvrstilo v Izoli. coming to Izola since 2004. Nekdaj festival kinematografij Afrike, Azije, Latinske Amerike in Vzhodne Through the years, the festival once dedicated to African, Asian, Latin American Evrope s prijatelji se je skozi leta otresel tako geografskega fokusa kot tudi and Eastern European cinema with friends, has shed its geographical focus tekmovalnega programa, a ostal zavezan avtorskemu filmu, angažirani as well as the competition programme, but remained committed to auteur film, ustvarjalnosti in neodvisni filmski produkciji. Vseskozi se napaja iz izvorne ideje socially engaged art and independent filmmaking. It has always fed on the original o živem srečanju filmskih ustvarjalcev in gledalcev, ki se v zadnjih letih vse idea of filmmakers and viewers meeting in person, which in recent years has been tesneje spaja z nujo po možnosti prostora, kjer so misel, beseda in čutenje combining ever more tightly with the necessity to enable a space where thought, karseda blizu svobodi. Vztrajno neguje sodelovanja s filmskimi in drugimi word and sentiment are as free as possible. Persistently, it fosters collaborations iniciativami iz regije in daleč onkraj nje. Je radoveden in vedno znova iskreno with film and other types of initiatives from the region and far beyond. Being začuden nad svetom. Včasih navihan in razigran, spet drugič mu temne misli curious, it keeps expressing honest astonishment with the world again and again. mrščijo obrvi in stiskajo pest v boj. Nemalokrat je kaotičen, a nikoli zlagan. Sometimes naughty and playful, at other times frowning and clenching its fists, Predvsem pa je filmski Otok že zadnjo petletko veliko, veliko več kot petdnevni dark thoughts having the best of it. Often chaotic, but never fake. festival, časovno zamejeno in hipno praznovanje filma. “Kaj pa počnete čez Most importantly, for the past five years, Isola Cinema has been much, much more leto?”, dobri ljudje radi povprašajo sodelavce festivala. Kino Otok je prvo than a festival spanning five days, a time-bound, instantaneous celebration of desetletje res živel kot projekt, ki je vsako leto znova vzniknil za nekaj vročičnih film. What do you do during the year? is what good people like to ask the festival mesecev. To ob današnjem formatu in obsegu festivala ter svetu, v katerem staff. Indeed, in its first decade, Isola Cinema was a project that emerged for a nastaja, preprosto ni več mogoče. Obenem smo na hranljivi kinootoški few hectic months each year. Given today’s format and scope of the festival and podlagi v zadnjih petih letih ustvarili številne druge programe, ki jih združuje the world within which it is run, this is simply no longer possible. Therefore, in the posvečenost razvijanju filmske kulture in osmišljuje cilj dviga filmske pismenosti, past five years, we have used the nourishing Isola Cinema ground to create other še posebej pri mladem občinstvu. Podmornica – Otok za mularijo, ki smo programmes dedicated to the development of cinema culture and giving meaning jo svetu prvič predstavili leta 2013 – se je do danes razvejala v široko in to the promotion of film literacy, particularly with young audiences. Submarine gosto krošnjo celoletnih filmskovzgojnih aktivnosti v sodelovanju z lokalnimi, – Otok for Kids, which was first introduced to the world in 2013, has since nacionalnimi in mednarodnimi partnerji. Kar torej počnemo čez leto je – poleg developed into a wide and thick canopy of year-long film education activities run in ustvarjanja vsakokratne izdaje festivala – navduševanje najmlajših za filmsko collaboration with local, national and international partners. What we do throughout umetnost in umetnost nasploh. the year, therefore, on top of creating the respective festival edition, is promoting Kako zaobjeti petnajst let Kino Otoka? Tako, da misel na preteklost festivala film art and art as such among the youth. prepletemo z mislijo na brezkončne možnosti njegove prihodnosti. Kot sem How to cover fifteen years of Isola Cinema? Maybe by intertwining the thought nekoč že zapisala: ideje, ki so Kino Otok zagnale in ga poganjajo naprej, niso on the festival’s past with the thought on the endless possibilities of its future. As odvisne od že znane oblike. Ravno nasprotno – vsakokrat, ko se materija okrog I said once before: the ideas that started Isola Cinema and have been pushing it njih spremeni, dobijo nov zagon. on, are not dependent on a known form. Quite the contrary – whenever the matter Vse najboljše, Kino Otok. surrounding them changes, they gain new momentum. All the best, Isola Cinema. Tanja Hladnik, direktorica festivala Tanja Hladnik, Festival Director
Load more

Recommended publications
  • Contemporary China: a Book List
    PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used.
    [Show full text]
  • North Carolina Arts Council Grants by County for FY15
    North Carolina Arts Council Grants by County for FY15 05/13/15 Name Category Title Amount Awarded Alamance Alamance County Arts Council, Inc. Grassroots Arts Program Arts programs and administrative support $33,260 Total for Alamance: $33,260 Alexander Hiddenite Center, Inc. Grassroots Arts Program Arts programs and administrative support $11,443 Total for Alexander: $11,443 Alleghany Alleghany County Schools Traditional Arts Programs in Students learning traditional music from local artists $8,000 Schools (TAPS) Arts Guild of Alleghany Grassroots Arts Program Arts programs and administrative support $6,601 Total for Alleghany: $14,601 Anson Anson County Arts Council Grassroots Arts Program Arts programs and administrative support $9,527 Total for Anson: $9,527 Ashe Ashe County Arts Council Grassroots Arts Program Arts programs and administrative support $9,676 Ashe County Arts Council Regional Artist Project Professional development of artists in Alleghany, $2,500 Ashe, Watauga, and Wilkes counties Ashe County Arts Council cARTwheels cARTwheels residency with John Brown Jazz $9,000 Orchestra Ashe County Arts Council Traditional Arts Programs in Students learning traditional music from local artists $8,000 Schools (TAPS) Total for Ashe: $29,176 Page 1 of 32 05/13/15 Name Category Title Amount Awarded Avery Peter Glenn Oakley Artist Fellowship Sculpture $10,000 The Crossnore School Grassroots Arts Program Arts programs and administrative support $7,885 Total for Avery: $17,885 Beaufort Beaufort County Arts Council Grassroots Arts Program
    [Show full text]
  • Routledge Handbook of Indian Cinemas the Indian New Wave
    This article was downloaded by: 10.3.98.104 On: 28 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK Routledge Handbook of Indian Cinemas K. Moti Gokulsing, Wimal Dissanayake, Rohit K. Dasgupta The Indian New Wave Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 Ira Bhaskar Published online on: 09 Apr 2013 How to cite :- Ira Bhaskar. 09 Apr 2013, The Indian New Wave from: Routledge Handbook of Indian Cinemas Routledge Accessed on: 28 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 THE INDIAN NEW WAVE Ira Bhaskar At a rare screening of Mani Kaul’s Ashad ka ek Din (1971), as the limpid, luminescent images of K.K. Mahajan’s camera unfolded and flowed past on the screen, and the grave tones of Mallika’s monologue communicated not only her deep pain and the emptiness of her life, but a weighing down of the self,1 a sense of the excitement that in the 1970s had been associated with a new cinematic practice communicated itself very strongly to some in the auditorium.
    [Show full text]
  • Feminism, Gender, Woman
    Feminism, Gender, Woman... A List of Articles, Books, Chapters in western languages available at the École Française d'Extrême-Orient Library in Chiang Mai, 131 Charoen Prathet Road Opposite The Alliance Française or at Louis Gabaude's home in Sansai Louis GABAUDE Chiang Mai - Sansai July 2016 Feminism, Gender, Woman... A List of Articles, Books, Chapters in western languages available at the École Française d'Extrême-Orient Library in Chiang Mai, 131 Charoen Prathet Road - Opposite The Alliance Française or at Louis Gabaude's home in Sansai (Contact: <[email protected]> More than 2000 References Note 1: This list includes records entered up to 2007 [Before my retirement from the EFEO]. For later acquisitions, consult the EFEO librarian, Dr. Rosakhon, at the library, or Louis Gabaude <[email protected]> Note 2: Records with "Inv. LGTAP" are located in Louis Gabaude's home in Sansai Note 3: Records with "Inv. LG + a number higher than 35000" are located in Louis Gabaude's home in Sansai L.G. ---. "Women and Buddhism in Thailand: A changing identity for religious women". 21 p. - NOTE: Manuscrit. - CALL Nr.: TAP. W872W: Inv. LGTAP 04544. [4544] A. A. "Enceintes dès le seuil de l'adolescence". >>> Croix (La) - L'Evénement (2001/02/21), p. 13. - CALL Nr.: TAP. A???E: Inv. LGTAP ???. [90000] Abbott, Susan M. "[Review of] Simmer-Brown, Judith. Dakini's Warm Breath: The Feminine Principle in Tibetan Buddhism. Boston: Shambhala Publication, 2001. xxv, 404 p.". >>> Pacific World (The) [Third Series], 04 (2002), p. 281-287. - CALL Nr.: PER. E. P001[3]-04: Inv. LGPER. E.
    [Show full text]
  • City As Canvas: Graffiti Art in New York City Summer 2021 Online Educator Workshop
    City as Canvas: Graffiti Art in New York City Summer 2021 Online Educator Workshop About the Artworks Materials from our virtual workshop “City as Canvas: Graffiti Art in New York City” come from the Museum of the City of New York’s 2014 exhibition City as Canvas: Graffiti Art from the Martin Wong Collection. Explore the Martin Wong Graffiti Collection by visiting the MCNY Collections Portal at collections.mcny.org and searching “Martin Wong”. MCNY Virtual Student Program: City as Canvas Explore highlights from the Museum’s graffiti art collection including original works by artists such as Daze, Lee Quiñones, Lady Pink, and Keith Haring. View sketches, photographs, and works on canvas as sources for studying graffiti as a dynamic art movement and respond creatively to guided drawing prompts. Available for students in grades 1-12. Learn more at mcny.org/education/virtual-field-trips. Additional Resources Continue the conversation by exploring the following resources for educators and students. Hidden Voices Curriculum Learn about Martin Wong, a Chinese American artist and collector who championed the graffiti arts movement in the NYC Department of Education curriculum supplement Hidden Voices: LGBTQ+ Stories in United States History. Find the curriculum at weteachnyc.org/resources/resource/hidden-voices-lgbtq. MCNY Kids Create: Recording Session with Daze, Artist and Graffiti Writer Hear Chris “Daze” Ellis share stories of his time as a young artist growing up in New York City, discuss his recent work, and lead a drawing activity for viewers to create their own graffiti-inspired designs in an MCNY Kids Create recorded live program from 2020.
    [Show full text]
  • Hidden Voices: Eliza Jennings Graham
    Social Studies – Day 1 Hidden Voices: Eliza Jennings Graham Objective Consider how a member of a community can change an unfair rule or law through the story of Eliza Jennings Graham. Resources/Materials • Old Storehouses Corner of Pearl & Chatham St., 1861 • A 19th-Century Rosa Parks Activity • Brainstorm what you know about the history transportation in New York City in the 1800s. • Look at the image the Old Storehouses Corner of Pearl & Chatham St., 1861. Answer the question: ̶ What clues tell us the time period of this image? ̶ What were the transportation options available to people at this time? ̶ What similarities and differences might you find if you visited this street corner today? • Read A 19th-Century Rosa Parks and think about the following questions as you read: ̶ What challenges did Elizabeth Jennings face growing up during the 1800s? ̶ How did the Jennings v. Third Avenue Railroad Company (1854) NYS Supreme Court case change the policies of the company? ̶ Did the rules and laws of 1800s New York City protect all of its citizens? • Write a paragraph that answers the following question considering the history of Eliza Jennings Graham: ̶ What are a citizen’s responsibilities when rules and laws are not in the best interest of all? Extension • Investigate a person in New York City history who you feel should have a street renamed for them. Write a letter to a city council person about why that person deserves to be recognized with a street renaming ceremony. Learn at Home: Social Studies Resources for Families Grade 4 Old Storehouses Corner of Pearl & Chatham St., 1861 Citation: Sarony, Major & Knap.
    [Show full text]
  • JANUARY 2016 .Com/Civilsocietyonline `50
    VOL. 13 NO. 3 JANUARY 2016 www.civilsocietyonline.com .com/civilsocietyonline `50 ssttrreeeett bbuussiinneessss How NASVI helps vendors upscale Arbind Singh, National Coordinator of NASVI anil swarup on coal SPECIAL FOCUS entering rural markets Pages 9-10 Delhi comes Pages 22-23 fat girls are smart low status of teachers Page 14 full circle on Pages 25-26 air pollution chilD health sinks the kerala film fest Page 15 Pages 6-8 Pages 29-31 ConTenTS READ U S. WE READ YO U. give vendors their due enDorS work hard and brave many odds to earn a living. They deserve to be given their due as entrepreneurs. Small businesses like Vtheirs are tough to run and have all the challenges of providing quality and value to customers. From their carts and stalls they derive incomes on which their families depend. It is estimated that there are 10 million vendors in the country. It would be impossible to replace so many livelihoods. efforts to push them off the streets are misconceived and a vio - coVer storY lation of their rights. Vendors also add colour and diversity to our cities and towns with their range of wares and food items. They are essential to an street business urban mosaic. It is fortunate that a central law passed in 2014 bestows recognition on india has an estimated 10 million street vendors who earn a living vending. Credit for getting the law passed by Parliament must go to nASVI selling wares and serving up meals. They are a uniquely plural or the national Association of Street Vendors of India.
    [Show full text]
  • Music in South India – Kerala a Smithsonian Folkways Lesson Designed By: Lum Chee Hoo University of Washington
    Music in South India – Kerala A Smithsonian Folkways Lesson Designed by: Lum Chee Hoo University of Washington Summary: Talk about the geography, language, and culture of Kerala in South India using story songs, dance dramas, and rhythms. Introduce students to specific artists and instruments important to Kerala's musical traditions. Suggested Grade Levels: 9-12 Country: India Region: Asia Culture Group: Kerala Genre: Indian Instruments: Voice Language: Malayalam Co-Curricular Areas: Social Studies National Standards: 6, 9 Prerequisites: None Objectives: Learn about culture of Kerala group, including music, dance, and language Materials: “Idakka” from Music from South India- Kerala (FW04365) http://www.folkways.si.edu/tr-ankaran-nambudiri-and-pm-narayana- mara/idakka/world/music/track/smithsonian “Nala Charitam,” Music from South India- Kerala (FW04365) http://www.folkways.si.edu/mep-pillai-and-gopinathan-nayar-k-damodaran- pannikar-and-vasudeva-poduwal-mankulam-vishnu-nambudiri-and-kudama-ur- karunakaran-nayar/kathakai-nala-charitam/world/music/track/smithsonian “Panchawadyam” from Music from South India- Kerala (FW04365) http://www.folkways.si.edu/instrumental/panchawadyam/world/music/track/s mithsonian http://www.folkways.si.edu/narayana-mara-and- party/panchawadyam/world/music/track/smithsonian Liner notes from Music from South India- Kerala (FW04365) http://media.smithsonianfolkways.org/liner_notes/folkways/FW04365.pdf The JVC video anthology of world music and dance: South Asia I, India, Track 11- 2 (Kathakali-dance-drama: Dryodana vadham from the Mohabharata DVD - Vanaprastham: The last dance (1999). Director: Shaji N. Karun. Vanguard Cinema. ASIN: B000066C7A Map of South India Pictures of instruments: from liner notes and Music in South India: Experiencing music, expressing culture Lesson Segments: 1.
    [Show full text]
  • HIDDEN VOICES Time, Not All Stories Are Preserved
    Every place has a story to tell but, with the passing of Dr Penny Johnston is a graduate of University VOICES HIDDEN time, not all stories are preserved. The archaeological College Cork and the University of Sheffield. discoveries presented in this book afford a rare chance Her research interests include a broad range of to hear from people whose voices would be lost were it topics in cultural heritage, from oral history to not for the opportunities for discovery presented by the environmental archaeology. She worked on the construction of the M8 Fermoy–Mitchelstown motorway M8 Fermoy–Mitchelstown motorway project HIDDEN in north County Cork. while a post-excavation manager at Eachtra Archaeological Projects. Hidden Voices documents a major programme of archaeological investigations at 24 sites on the route of the Jacinta Kiely is a graduate of University College motorway, which traverses broad plains of rich pastureland Cork. She is a founder member of Eachtra VOICES and the western foothills of the Kilworth Mountains. Archaeological Projects and has worked on a A diverse range of archaeological sites was discovered, number of national road schemes including the representing the day-to-day life, work and beliefs of the M8 Fermoy–Mitchelstown motorway. communities who occupied this landscape over the last 10,000 years. Readers will learn of Mesolithic nomads fishing the and Jacinta Johnston Penny Kiely River Funshion and of Neolithic farmsteads excavated at Gortore, Caherdrinny and Ballinglanna North. Bronze Age houses were found at Ballynamona, Gortnahown and Kilshanny, and a rare Iron Age example at Caherdrinny. Life in prehistory was precarious.
    [Show full text]
  • Adult Learning in the Urban Context: Community Engagement
    ADULT LEARNING IN THE URBAN CONTEXT: COMMUNITY ENGAGEMENT FROM THE VOICES OF FOUR ADULT BLACK MALES Myron C. Duff, Jr. Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the School of Education, Indiana University September 2020 Accepted by the Graduate Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee ______________________________________ James J. Scheurich, Ph.D., Chair ______________________________________ Lasana Kazembe, Ph.D. May 14, 2020 ______________________________________ Henry Merrill, Ed.D. ______________________________________ Khaula Murtadha, Ph.D. ii DEDICATION First, I would like to dedicate this dissertation to my mother, Dorothy Jean Williams Duff and to my father, Myron C. Duff, Sr. They are no longer with us, but they impressed upon me the importance of furthering my education and the impact it can have on my future. Their pushing, insisting, encouraging, and supporting led me to this place in my life’s journey and it is fitting that my dissertation be dedicated to their memory. This dissertation is also dedicated to my grandparents, Rev. David A. Williams, Sr. and Margaret Ridley Williams who served as positive examples of manhood, womanhood, and a godly marriage. They are also no longer with us, but they taught me how to cultivate a love for Christ, to earnestly pursue a deep relationship with Him, to seek His will in all things, and to allow His Word to serve as the foundation for every aspect of my life. To my children, Antoine, Alyjah, Averee’, and Ahmaad, I dedicate this dissertation to you because you served as my personal motivators for completing this goal.
    [Show full text]
  • Hidden Voices and Disengagement: the Gift of Learning from Political Earthquakes IES Perspectives on HR 2017
    Paper Hidden voices and disengagement: the gift of learning from political earthquakes IES Perspectives on HR 2017 Amanda Callen, Senior Research Fellow March 2017 Member Paper 132 We didn’t see that coming 2016 was a politically astonishing year for many people. For others, however, it was the first year that they finally made themselves heard. A year when people whose voices had previously been contained and often disregarded, took the opportunities of the UK referendum and the US presidential election to propel their countries, and their astonished leaders, into momentous change. One of the most striking things unifying the two voting results was the complete failure of many people to see the results coming. We know that the polls almost entirely missed the target, even up to and including the final day of voting. The politically powerful failed, or perhaps refused, to believe that so many people could feel so strongly that they would overturn the status quo and propel the nation into risky, uncharted territory. The news media too, largely failed to predict the result, almost until results were declared, listening mostly only to voices from within existing power structures. It seems no one in power listened to, or took seriously, the voices of the people who were finally given a chance to be heard through the ballot box. Only long after the horse had bolted was the security of the stable door examined. Organisations can learn from politics about listening, without the pain This is all rich navel-gazing fodder for political and social commentators to ponder and dissect and since the elections there has been much debate about how ‘everyone’ got it so wrong.
    [Show full text]
  • School of Education Codeswitching by Tertiary Level Teachers of Business English
    School of Education Codeswitching by Tertiary Level Teachers of Business English: A Vietnamese Perspective Pham Thi Ngoc Hoa This thesis is presented for the Degree of Doctor of Education of Curtin University May 2015 Declaration To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Signed: Date: 16th May, 2015. Acknowledgements This study would not have been possible without the assistance, encouragement and guidance of a number of individuals to whom I would like to express my heartfelt appreciation. First and foremost, my sincere gratitude goes to my two dedicated supervisors, Professor Rhonda Oliver and Professor Jennifer Nicol for their mentorship and guidance. Thank you for your wisdom, devoted supervision and unceasing encouragement that have significantly contributed to the completion of this study. Your support and expertise throughout this research is deeply appreciated and will always be remembered. I am hugely grateful to Associate Professor Katie Dunworth and Dr Christopher Conlan for all their guidance in the early stage of this study. I am also appreciative to Dr Anna Alderson for her editing and insightful comments on the earlier drafts of the thesis. I am especially indebted to the teachers and students who participated in this study for generously giving their time and honestly sharing their voices with me. Their stories and their words are the heart and soul of this work. I would like to extend my gratitude to the Ministry of Education and Training, Vietnam and Curtin University, Western Australia for granting me a scholarship to study at Curtin University.
    [Show full text]