Jankel Adler Und Die Avantgarde Chagall I Dix I Klee I Picasso

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Jankel Adler Und Die Avantgarde Chagall I Dix I Klee I Picasso JANKEL ADLER UND DIE AVANTGARDE CHAGALL I DIX I KLEE I PICASSO Herausgegeben von Antje Birthälmer Gerhard Finckh von der heydt-museum Wuppertal 2018 Inhalt Gerhard Finckh Vorwort und Dank 7-9 Dank an die Leihgeber 11 Antje Birthälmer Jankel Adler — Der Revolutionär und die Avantgarde des 20. Jahrhunderts. Einführung 13-29 Jankel Adler Ich singe majn t'file/Ich singe mein Gebet 30-31 Jankel Adler Erinnerungen an Paul Klee (1879-1940), 1942 32 Erinnerungen an Jankel Adler von Walter Gerber, Gerd Arntz, Franz Wilhelm Seiwert, Lou Ernst, Alexander Granach, Andreas Becker, Marek Szwarc, Anna Klapheck und Arthur Kaufmann 33-45 Gisela Schmoeckel Ein „gedämpfter, verinnerlichter" Expressionismus. Die Maler im Künstlerkreis Die Wupper und ihr Lehrer Gustav Wiethüchter 47-59 Annemarie Heibel Jankel Adlers Beziehungen zur Avantgarde-Gruppe Jung Jiddisch und die Reflexe jüdischer Thematik in seinen Bildern 61-69 Inka Bertz Judentum und bildende Kunst im Werk Jankel Adlers 71-77 Bernd Kreuter Jankel Adler und das Junge Rheinland 79-87 Antje Birthälmer Jankel Adler und die Kölner Progressiven 89-113 Nicole Hartje-Grave Jankel Adler in Berlin und Düsseldorf — Kontakte zur revolutionären Kunstszene, zur Novembergruppe und zu Else Lasker-Schüler 115-129 Else Lasker-Schüler Jankel Adler, 1924 127 Anne Mitzen Umbrüche, Experiment und Transformation in den 1930er Jahren: Jankel Adler im Dialog mit Paul Klee, Stanley W. Hayter und Pablo Picasso 131-143 Sarah MacDougall und „Treibholz an fremder Küste": Jankel Adler Rachel Dickson in Großbritannien, 1940-49 145-167 Glenn Sujo Jankel Adler: Unermüdliches Erfinden und der Hände Werk 169-181 KATALOG Vom expressionistischen Impuls zum „rheinischen Kunstfrühling" 184-195 Wiethüchter, Adler und die Wupper-Künsder an der Barmer Kunstgewerbeschule 196-207 Von der Wupper an den Rhein — Jankel Adler und die rheinische Kunstszene bis Anfang der 1920er Jahre 208-217 Jankel Adler und die Avantgardegruppe Jung Jiddisch in Lodz 218-229 Jankel Adler und die internationale jüdische Avantgarde 230-249 Jankel Adler im Dialog mit Gustav Wiethüchter, Franz Wilhelm Seiwert und Lasar Segall 250-255 Jankel Adler, die Kölner Progressiven und der Photograph August Sander 256-273 Jankel Adlers Bildnis Angelika Freundschaften und Paarbeziehungen im Kölner Künstlerkreis 274-285 Jankel Adlers Verbindungen zum Jungen Rheinland, seine Freundschaft mit Else Lasker-Schüler und seine Reisen nach Berlin 286-301 Neue Tendenzen in Adlers Malerei ab Mitte der 1920er Jahre 302-317 Tradition und Experiment — Jankel Adlers Stillleben 318-327 Tradition und Erneuerung — Jankel Adlers Katzenbilder 328-331 Umbrüche: Jankel Adler im Dialog mit Paul Klee 332-337 Jankel Adlers Flucht vor den Nazis, sein Weg ins Exil und die Aktion „Entartete Kunst" 338-343 Jankel Adler im Exil in Frankreich — Begegnung mit Stanley William Hayter und Pablo Picasso 344-357 Von Paris nach Glasgow und London: Jankel Adler im britischen Exil 358-383 Wichtige Begegnungen Adlers in der britischen Kunstszene 384-389 Jankel Adler — Biographie 390-394 Biographien der Künstler in Adlers Umfeld 396-412 Fotonachweis 414 Bildrechte 415 Impressum 416 5 .
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