DOCSLIB.ORG

List of Television Series Based on Marvel Comics from Wikipedia, the Free Encyclopedia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
List of Television Series Based on Marvel Comics from Wikipedia, the Free Encyclopedia List of television series based on Marvel Comics From Wikipedia, the free encyclopedia Below is a list of television series based on properties of Marvel Comics. This list includes live-action and animated series. Contents 1 Live-action 1.1 From Marvel imprints 1.2 Web series 1.3 Pilots 1.4 Unproduced series 2 Animated 2.1 From Marvel imprints 2.2 Pilots 2.3 Motion comics 2.4 Web series, shorts series 3 See also 4 References Live-action Original Title Network Notes / Refs airing Spidey Super 1974–77 PBS [1][2] Stories 29 segments on seasons 4–6 of The Electric Company. The Amazing 1977–79 [3] Spider-Man 13 episodes CBS The Incredible 1977–82 83 episodes and 3 reunion television films Hulk Tokyo Spider-Man 1978–79 Channel 41 episodes and a film. Japanese co-production with Toei Company 12 Mutant X 2001–04 Syndicated 66 episodes Blade: The Series 2006 Spike 13 episodes. Takes place after the events of Blade: Trinity. Agent Carter 2015–16 ABC 18 episodes. Part of the Marvel Cinematic Universe. Ongoing Agents of 2013– ABC Part of the Marvel Cinematic Universe. S.H.I.E.L.D. present Daredevil 2015– Part of the Marvel Cinematic Universe. Renewed for a third season. Jessica Jones present Netflix 2016– Part of the Marvel Cinematic Universe. Both renewed for a second season. Luke Cage present Legion 2017– FX Not part of the Marvel Cinematic Universe nor the X-Men film Universe.[4] Renewed for a second season.[5] Iron Fist present Netflix Part of the Marvel Cinematic Universe. Picked up for series The Defenders Netflix Part of the Marvel Cinematic Universe.[6][7] The Punisher 2017 Part of the Marvel Cinematic Universe. Centered on Black Bolt and other members of the Inhuman Royal Family; co- Inhumans ABC production with IMAX Corporation. Versions of the first two episodes will screen in IMAX theaters before its premiere on ABC.[8] Cloak & Dagger Part of the Marvel Cinematic Universe.[9][10][11] Freeform New Warriors 2018 Based on New Warriors, featuring Squirrel Girl.[12] Runaways Hulu [13] The Gifted TBA Fox Part of the X-Men film Universe.[14][15] In development Damage Control Part of the Marvel Cinematic Universe. Based on Damage Control. Put pilot order.[16] Untitled John ABC Ridley-developed [17][18] series TBA Untitled Marvel TBD [19] comedy Empire of the AMC [20] Dead From Marvel imprints Title Original airing Network Notes / Refs Night Man 1997–99 Syndicated 44 episodes. From the Malibu Comics imprint Powers 2015–16 PlayStation Network 20 episodes. From the Icon Comics imprint. In development Scarlet TBA Cinemax From the Icon Comics imprint.[21] Web series Title Year Airing location Notes / Refs WHIH Newsfront 2015–present YouTube Set in the Marvel Cinematic Universe. Agents of S.H.I.E.L.D.: 2016 ABC.com Spin-off to Agents of S.H.I.E.L.D. Set in the Marvel Cinematic Universe. Slingshot Pilots Title Year Network Notes / Refs Power Pack 1991 NBC Pilot episode Intended to be part of the Marvel Cinematic Universe and a spin-off of Agents of S.H.I.E.L.D., centered on the Most Wanted 2016 ABC characters Bobbi Morse and Lance Hunter.[22][23] Not ordered to series.[24] Unproduced series Title Network Notes / Refs Hellfire Club Fox Planned as part of the X-Men film series.[25][14] Animated Original Title Studio Network Notes / Refs airing The Marvel Super Heroes Grantray-Lawrence Animation 1966 Syndicated Anthology with rotating segments Fantastic Four Hanna-Barbera 1967–1968 Grantray-Lawrence ABC Spider-Man 1967–1970 Animation/Krantz Films The New Fantastic Four DePatie-Freleng Enterprises 1978 Fred and Barney Meet The NBC Hanna-Barbera 1979 Thing Spider-Woman DePatie-Freleng Enterprises 1979–1980 ABC Spider-Man 1981–1982 Syndicated Spider-Man and His Marvel Productions 1981–1983 Amazing Friends NBC The Incredible Hulk 1982–1983 Marvel Films Animation/Saban X-Men 1992–1997 Fox Kids Entertainment Fantastic Four New World Animation 1994–1996 Syndicated Part of The Marvel Action Hour. Iron Man Marvel Films Animation/Saban Spider-Man 1994–1998 Fox Kids Entertainment The Incredible Hulk New World Animation 1996–1997 UPN Kids Silver Surfer Marvel Studio Animation/Saban 1998 Spider-Man Unlimited Entertainment 1999–2001 Fox Kids The Avengers: United They Saban Entertainment 1999–2000 Stand X-Men: Evolution Film Roman 2000–2003 Kids' WB Spider-Man: The New Adelaide Productions 2003 MTV Animated Series Fantastic Four: World's Marvel Studio 2006–2007 Cartoon Network Greatest Heroes Animation/Moonscoop Kids' WB (season 1 episode 1- 9) The Spectacular Spider-Man Adelaide Productions 2008–2009 The CW4Kids (season 1 episode 10-13) Disney XD (season 2) Wolverine and the X-Men 2008–2009 Iron Man: Armored Marvel Animation Nicktoons 2009–2012 Adventures The Super Hero Squad 2009–2011 Cartoon Network Show Film Roman The Avengers: Earth's 2010–2013 Disney XD Mightiest Heroes 2010–2011 (Japan) G4 (U.S.) Anime, four 12-episode series, based on Iron Man, Marvel Anime Madhouse 2011–2012 Sci Fi Channel (Australia) Wolverine, X-Men, and Blade (U.S.) Ultimate Spider-Man 2012–2017 Hulk and the Agents of Film Roman Disney XD 2013–2015 S.M.A.S.H. 2014–2015 TX Network (Japan) Marvel Disk Wars: The (Japan) Toei Animation Disney XD (Southeast Asia) Anime, 51-episode series Avengers 2015–2016 (Malaysia) (Malaysia) Ongoing Avengers Assemble 2013–present Renewed for a fourth season Marvel Animation Disney XD Guardians of the Galaxy 2015–present Renewed for a second season Upcoming Big Hero 6[26] Disney Television Animation Continuation of the 2014 film of the same name. Disney XD Spider-Man[27] Marvel Animation 2017 Marvel Future Avengers[28] Dlife From Marvel imprints Title Original airing Network Notes / Refs Ultraforce 1995 USA From the Malibu Comics imprint Men in Black: The Series 1997–2001 Kids' WB From the Malibu Comics imprint Pilots Title Original airing Network Notes / Refs X-Men: Pryde of the X-Men 1989 Syndicated Only pilot episode Solarman 1992 Fox Kids Only pilot episode Motion comics Title Original airing Episodes Notes / Refs Spider-Woman: Agent of S.W.O.R.D. June 14, 2011 (DVD) 5[29] Astonishing X-Men: Gifted October 27, 2009 (iTunes) September 28, 2010 (DVD) 6[30] Iron Man: Extremis April 16, 2010 (iTunes) 6[30] January 16, 2010 (TV, Australia) 6 (original) Black Panther June 23, 2010 (iTunes) [31] November 15, 2011 (TV BET, US) 12 weekly Thor / Loki: Blood Brothers March 14, 2011 (iTunes) 4[32] Astonishing X-Men: Dangerous April 10, 2012 (DVD) 6[33] Astonishing X-Men: Torn August 14, 2012 (DVD) 6[34] Astonishing X-Men: Unstoppable November 13, 2012 (DVD) 7[35] Inhumans April 23, 2013 (DVD) 12[36] Wolverine: Origin July 9, 2013 (DVD) 6[37] Ultimate Wolverine Vs. Hulk September 10, 2013 (DVD) 6[36] Wolverine Versus Sabretooth January 14, 2014 (DVD) 6[38] Wolverine: Weapon X: Tomorrow Dies Today May 13, 2014 (DVD) 6[39] Eternals September 16, 2014 (DVD) 10[40] Wolverine Versus Sabretooth: Reborn March 24, 2015 (DVD) 4[41] Web series, shorts series Title Original running Production company(s) Airing location Notes / Refs Marvel Superheroes: What the--?![42] 2009-present Marvel Website In development Ant-Man and the Wasp[43] Passion Pictures! Rocket and Groot[44] 12 episodes See also List of films based on Marvel Comics Marvel Animation Marvel Television Spider-Man in television Marvel Comics Video Library List of television series based on DC Comics List of Marvel Cinematic Universe television series List of television programs based on comics References 1. "Comics on TV: 'Spidey Super Stories' ". MTV.com. 23 September 2013. Retrieved 17 December 2016. 2. Fickett, Travis; Goldman, Eric; Iverson, Dan; Zoromski, Brian (3 May 2007). "Spider-Man on TV". IGN. Retrieved 17 December 2016. 3. Brewer, Byron (2 March 2014). "The Wayback Machine: The Amazing Spider-Man (1977)". Cosmic Book News. Retrieved 7 March 2015. 4. Schwartz, Terri (16 January 2017). "LEGION: X-MEN PRODUCER ON HOW PROFESSOR X FITS IN AND FUTURE TV PLANS". IGN. Retrieved 16 January 2017. 5. Hibberd, James (March 15, 2017). "Legion renewed for season 2". Entertainment Weekly. Retrieved March 15, 2017. 6. "Daredevil, Luke Cage, Iron Fist, Jessica Jones TV Series Coming To Netflix; Leading Into The Defenders Miniseries". IGN. Retrieved 14 October 2014. 7. Hibberd, James (April 29, 2016). "Marvel's The Punisher spin-off ordered by Netflix". Entertainment Weekly. Archived from the original on April 29, 2016. Retrieved April 29, 2016. 8. " 'Marvel's The Inhumans' Coming To IMAX & ABC In 2017". Marvel.com. November 14, 2016. Archived from the original on November 14, 2016. Retrieved November 14, 2016. 9. Wagmeister, Elizabeth (April 7, 2016). "Freeform Greenlights Marvel Romance Superhero Series 'Cloak and Dagger' (EXCLUSIVE)". Variety. Archived from the original on April 7, 2016. Retrieved April 7, 2016. 10. "Freeform Continues to Grow Its Programming Slate with New Series, Pilots, Returning Series and More". The Futon Critic. April 7, 2016. Archived from the original on April 9, 2016. Retrieved April 9, 2016. 11. Goldberg, Lesley (November 11, 2016). "Freeform's Fraught Year: Inside the Rebranded Network's Chase for Millennials (and a Hit Show)". The Hollywood Reporter. Archived from the original on November 12, 2016. Retrieved November 12, 2016. 12. Goldberg, Lesly (April 5, 2017). "Marvel's 'New Warriors,' With Squirrel Girl, Ordered Straight-to-Series at Freeform (Exclusive)". The Hollywood Reporter. Archived from the original on April 5, 2017. Retrieved April 5, 2017. 13. Goldberg, Lesley (May 3, 2017). "Marvel's 'Runaways,' From 'The O.C.' Creators, Ordered to Series at Hulu". The Hollywood Reporter. Archived from the original on May 3, 2017.
Load more

Recommended publications
  • Bill Rogers Collection Inventory (Without Notes).Xlsx
    Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers
    [Show full text]
  • The Charismatic Leadership and Cultural Legacy of Stan Lee
    REINVENTING THE AMERICAN SUPERHERO: THE CHARISMATIC LEADERSHIP AND CULTURAL LEGACY OF STAN LEE Hazel Homer-Wambeam Junior Individual Documentary Process Paper: 499 Words !1 “A different house of worship A different color skin A piece of land that’s coveted And the drums of war begin.” -Stan Lee, 1970 THESIS As the comic book industry was collapsing during the 1950s and 60s, Stan Lee utilized his charismatic leadership style to reinvent and revive the superhero phenomenon. By leading the industry into the “Marvel Age,” Lee has left a multilayered legacy. Examples of this include raising awareness of social issues, shaping contemporary pop-culture, teaching literacy, giving people hope and self-confidence in the face of adversity, and leaving behind a multibillion dollar industry that employs thousands of people. TOPIC I was inspired to learn about Stan Lee after watching my first Marvel movie last spring. I was never interested in superheroes before this project, but now I have become an expert on the history of Marvel and have a new found love for the genre. Stan Lee’s entire personal collection is archived at the University of Wyoming American Heritage Center in my hometown. It contains 196 boxes of interviews, correspondence, original manuscripts, photos and comics from the 1920s to today. This was an amazing opportunity to obtain primary resources. !2 RESEARCH My most important primary resource was the phone interview I conducted with Stan Lee himself, now 92 years old. It was a rare opportunity that few people have had, and quite an honor! I use clips of Lee’s answers in my documentary.
    [Show full text]
  • Orientalism Within the Creation and Presentation of Doctor Strange
    Sino-US English Teaching, May 2021, Vol. 18, No. 5, 131-135 doi:10.17265/1539-8072/2021.05.007 D DAVID PUBLISHING Orientalism Within the Creation and Presentation of Doctor Strange XU Hai-hua University of Shanghai for Science and Technology, Shanghai, China Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Considering his identity as Sorcerer Supreme, there is a crucial connection between the Orient and his magic. The paper will discuss the detailed symbols of Orientalism in the process of creation and presentation of Doctor Strange respectively to figure out the change of Orientalism with the times within the texts of Doctor Strange and its existence today. Keywords: Orientalism, Doctor Strange, magic in the world of Marvel Introduction Ever since his debut in 1963, Doctor Strange has become a representation of superheroes with magic in the world of Marvel. Noticeably, a number of eastern elements have never ceased to appear in the Doctor Strange series throughout the times. Several characters are from the east, and the mysterious Asian land is also the birthplace of Doctor Strange’s magic power. Considering his identity as Sorcerer Supreme, the first and strongest sorcerer in Marvel, there must be a crucial connection between the Orient and his magic, both in the entire Marvel world, and in traditional western culture. Eastern elements under the account of westerners can be well interpreted with reference to the general concept of Orientalism. Thus, this paper aims to discuss the way the idea of Orientalism evolves with the times that is showcased within the texts of Doctor Strange.
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • Why No Wonder Woman?
    Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends.
    [Show full text]
  • What Every Producer's Attorney Should Know Jacqui Gold Grunfeld
    Hastings Communications and Entertainment Law Journal Volume 14 | Number 4 Article 1 1-1-1992 Docudramas: The Legality of Producing Fact- Based Dramas - What Every Producer's Attorney Should Know Jacqui Gold Grunfeld Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jacqui Gold Grunfeld, Docudramas: The Legality of Producing Fact-Based Dramas - What Every Producer's Attorney Should Know, 14 Hastings Comm. & Ent. L.J. 483 (1992). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol14/iss4/1 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Docudramas: The Legality of Producing Fact-Based Dramas-What Every Producer's Attorney Should Know by JACQUI GOLD GRUNFELD* Table of Contents I. Introduction .............................................. 485 A. Docudrama: A Popular Form of Entertainment ....... 485 B. Producing Docudramas ............................... 487 II. Potential Liabilities When Rights Are Not Secured ......... 488 A . Introduction ......................................... 488 B. Defamation Law: Libel ..............................
    [Show full text]
  • (“Spider-Man”) Cr
    PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
    [Show full text]
  • Adrianne Palicki
    UND ACTION! Hollywoods Hau-drauf-Kino hat eine neue Heldin, deren Schlagkraft ebenso umwerfend ist wie ihre Schönheit: Adrianne Palicki. Autor | Volker Paulun Fotos | Paramount Pictures (Jamie Trueblood, Nino Muñoz) ir wissen nicht, wer 2001 ihren wohlgeformten Körper „Homecoming Queen“ der geschunden. Sie hat mit Pisto- Whitmer Highschool in To- len geschossen, mit Schlag- und ledo, Ohio, geworden ist – aber Stichwaffen gekämpft, Muskeln die junge Dame muss atembe- aufgebaut und Stunts geübt. raubend schön gewesen sein. „Manchmal habe ich abends W Immerhin hat sie Adrianne zu Hause geweint, so erschöpft Palicki, Hollywoods derzeit hei- war ich“, gibt die toughe Schau- ßesten Shootingstar in Sachen spielerin hinter vorgehaltener Actionkino, auf den zweiten Hand zu. Ein sympathischer Platz des Provinzschönheits- Anflug von Schwäche. Mensch- wettbewerbs verwiesen. lich, aber selten bei ihr. „Adrianne ist körperlich SIE KANN WUNDERBAR ausgesprochen kompetent“, be- DRECKIGE WITZE ERZÄHLEN schreibt Lorenzo di Bonaven- tura, Produzent von Palickis Palicki ist alles andere als aktuellem Kino-Hit G.I. Joe, nah am Wasser gebaut. An der eine mehr als offensichtliche Seite der Actionfilm-Legenden Stärke der 29-Jährigen. Aber Bruce Willis und Dwayne „The der Filmemacher bezog sich bei Rock“ Johnson stand Palicki seiner Schwärmerei bei Wei- in G.I. Joe überaus mannhaft tem nicht nur auf das optische ihre Frau. „Adrianne ist ein zä- Potenzial seiner sexy Prota- hes Mädel, sie lässt sich nicht gonistin, sondern auch auf die einfach an die Seite drängen“, Schlagkraft der ehemaligen klopft Dwayne Johnson verbal Basketballspielerin und Leicht- ihre Schultern. „Sie stammt aus athletin. Für die Rolle der kampfes- lustigen G.I.-Joe-Figur Lady Jaye hat Palicki ihre solide Grundfitness nochmals getunt.
    [Show full text]
  • Oasis Digital Studios and Apex Comics Group Partner with Comic-Book Industry Legends for New Multimedia Experiences and Nfts
    Oasis Digital Studios and Apex Comics Group partner with Comic-Book Industry Legends for New Multimedia Experiences and NFTs Famed former Marvel Editor-in-ChiefTom DeFalco andartists Ron Frenz and Sal Buscema launch comic books, avatars, and AR enhanced NFT collectibles. Toronto / Vancouver, Canada / Erie PA / New York, NY – April 12, 2021 –Liquid Avatar Technologies Inc. (CSE: LQID / OTC:TRWRF / FRA:4T51) (“Liquid Avatar Technologies” or the “Company”,), a global blockchain, digital-identity and fintech solutions company, together with ImagineAR Inc. (CSE:IP / OTCQB:IPNFF), an Augmented Reality platform company, are excited to announce that Oasis Digital Studios (“Oasis”) has partnered with Apex Comics Group to publish Mr. Right, a new multimedia project by legendary Marvel Entertainment and pop culture veterans Tom DeFalco, Ron Frenz, and Sal Buscema. The program will consist of printed and digital comic books, digital avatars produced for the Liquid Avatar Mobile App and Marketplace, and AR enhanced NFT collectibles with Oasis. A sneak preview of the program will be made virtually on April 13th at the special presentation “NFTs Myths, Market, Media & Mania," hosted by Liquid Avatar, ImagineAR and Oasis Digital Studios: https://hello.liquidavatar.com/oasis-webinar-registration. The integrated campaign, expected to launch in early summer, will feature a series of limited- edition print and digital comic books, along with collector-enhanced NFTs, Liquid Avatar digital icons available in the Liquid Avatar Marketplace, and a fully immersive Augmented Reality multimedia program. A pre-sale waiting list is available for prospective purchasers and NFT collectors at the Oasis website: www.oasisdigitalstudios.com Mr. Right is led by Tom DeFalco, who was Marvel’s 10th Editor-in-Chief.
    [Show full text]
  • Magazines V17N9.Qxd
    Apr COF C1:Customer 3/8/2012 3:24 PM Page 1 ORDERS DUE th 18APR 2012 APR E E COMIC H H T T SHOP’S CATALOG IFC Darkhorse Drusilla:Layout 1 3/8/2012 12:24 PM Page 1 COF Gem Page April:gem page v18n1.qxd 3/8/2012 11:16 AM Page 1 THE MASSIVE #1 STAR WARS: KNIGHT DARK HORSE COMICS ERRANT— ESCAPE #1 (OF 5) DARK HORSE COMICS BEFORE WATCHMEN: MINUTEMEN #1 DC COMICS MARS ATTACKS #1 IDW PUBLISHING AMERICAN VAMPIRE: LORD OF NIGHTMARES #1 DC COMICS / VERTIGO PLANETOID #1 IMAGE COMICS SPAWN #220 SPIDER-MEN #1 IMAGE COMICS MARVEL COMICS COF FI page:FI 3/8/2012 11:40 AM Page 1 FEATURED ITEMS COMICS & GRAPHIC NOVELS Strawberry Shortcake Volume 2 #1 G APE ENTERTAINMENT The Art of Betty and Veronica HC G ARCHIE COMIC PUBLICATIONS Bleeding Cool Magazine #0 G BLEEDING COOL 1 Radioactive Man: The Radioactive Repository HC G BONGO COMICS Prophecy #1 G D. E./DYNAMITE ENTERTAINMENT Pantha #1 G D. E./DYNAMITE ENTERTAINMENT 1 Power Rangers Super Samurai Volume 1: Memory Short G NBM/PAPERCUTZ Bad Medicine #1 G ONI PRESS Atomic Robo and the Flying She-Devils of the Pacific #1 G RED 5 COMICS Alien: The Illustrated Story Artist‘s Edition HC G TITAN BOOKS Alien: The Illustrated Story TP G TITAN BOOKS The League of Extraordinary Gentlemen III: Century #3: 2009 G TOP SHELF PRODUCTIONS Harbinger #1 G VALIANT ENTERTAINMENT LLC Winx Club Volume 1 GN G VIZ MEDIA BOOKS & MAGAZINES Flesk Prime HC G ART BOOKS DC Chess Figurine Collection Magazine Special #1: Batman and The Joker G COMICS Amazing Spider-Man Kit G COMICS Superman: The High Flying History of America‘s Most Enduring
    [Show full text]
  • Raport 32/22.07.2021
    REP 32/22.07.2021 PRODUCATORI STRAINI IDENTIFICATI T I 2021 Difuzari Production Country t Production Year t Channel t Title t Description t Producer t Grand Total LUNETISTUL 2/SNIPER: REL... FILM AFRIKA WORLDWIDE 1 LUNETISTUL 2/SNIPER: RELOADED AXN LUNETISTUL 2/SNIPER: RELOADED Total 1 2011 AFRICA DE SUD LUNETISTUL 2/SNIPER: RELOADED Total 1 AXN Total 1 2011 Total 1 AFRICA DE SUD Total 1 THE SQUARE COMPACT COLLECTIONS LTD 2 THE SQUARE TV1000 THE SQUARE Total 2 2008 THE SQUARE Total 2 TV1000 Total 2 2008 Total 2 AUSTRALIA INSULA DIN VIS 2/RETURN ... FINTAGE AUDIOVISUAL RIGHTS B.V. 3 INSULA DIN VIS 2/RETURN TO NIM'S ISLAND Antena 1 INSULA DIN VIS 2/RETURN TO NIM'S ISLAND Total 3 2013 INSULA DIN VIS 2/RETURN TO NIM'S ISLAND Total 3 Antena 1 Total 3 2013 Total 3 AUSTRALIA Total 5 CAPTIVI FARA SCAPARE/BAIT CASTLE ROCK ENTERTAINMENT 3 CAPTIVI FARA SCAPARE/BAIT AMC CAPTIVI FARA SCAPARE/BAIT Total 3 2012 AUSTRALIA-SINGAPORE CAPTIVI FARA SCAPARE/BAIT Total 3 AMC Total 3 2012 Total 3 AUSTRALIA-SINGAPORE Total 3 THE LION KING (II): SIMBA'... WALT DISNEY ANIMATION AUSTRALIA 3 THE LION KING (II): SIMBA'S PRIDE Disney THE LION KING (II): SIMBA'S PRIDE Total 3 THE LION KING (II): SIMBA'S PRIDE Total 3 Disney Total 3 1998 CE VRAJI MAI FAC FETELE/P... DINOVI PICTURES 1 CE VRAJI MAI FAC FETELE/PRACTICAL MAGIC Film Cafe 1 <Prefilter is Empty> 1 Of 137 REP 32/22.07.2021 PRODUCATORI STRAINI IDENTIFICATI T I 2021 CE VRAJI MAI FAC FETELE/PRACTICAL MAGIC Film Cafe CE VRAJI MAI FAC FETELE/PRACTICAL MAGIC Total 1 CE VRAJI MAI FAC FETELE/PRACTICAL MAGIC Total 1 Film Cafe Total 1 1998 Total 4 PLANETA ROSIE/RED PLANET WARNER BROS.
    [Show full text]
  • American Broadcasting Company from Wikipedia, the Free Encyclopedia Jump To: Navigation, Search for the Australian TV Network, See Australian Broadcasting Corporation
    Scholarship applications are invited for Wiki Conference India being held from 18- <="" 20 November, 2011 in Mumbai. Apply here. Last date for application is August 15, > 2011. American Broadcasting Company From Wikipedia, the free encyclopedia Jump to: navigation, search For the Australian TV network, see Australian Broadcasting Corporation. For the Philippine TV network, see Associated Broadcasting Company. For the former British ITV contractor, see Associated British Corporation. American Broadcasting Company (ABC) Radio Network Type Television Network "America's Branding Broadcasting Company" Country United States Availability National Slogan Start Here Owner Independent (divested from NBC, 1943–1953) United Paramount Theatres (1953– 1965) Independent (1965–1985) Capital Cities Communications (1985–1996) The Walt Disney Company (1997– present) Edward Noble Robert Iger Anne Sweeney Key people David Westin Paul Lee George Bodenheimer October 12, 1943 (Radio) Launch date April 19, 1948 (Television) Former NBC Blue names Network Picture 480i (16:9 SDTV) format 720p (HDTV) Official abc.go.com Website The American Broadcasting Company (ABC) is an American commercial broadcasting television network. Created in 1943 from the former NBC Blue radio network, ABC is owned by The Walt Disney Company and is part of Disney-ABC Television Group. Its first broadcast on television was in 1948. As one of the Big Three television networks, its programming has contributed to American popular culture. Corporate headquarters is in the Upper West Side of Manhattan in New York City,[1] while programming offices are in Burbank, California adjacent to the Walt Disney Studios and the corporate headquarters of The Walt Disney Company. The formal name of the operation is American Broadcasting Companies, Inc., and that name appears on copyright notices for its in-house network productions and on all official documents of the company, including paychecks and contracts.
    [Show full text]