DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Summer, 1963-1964

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Summer, 1963-1964 ewoo BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director „i^ 'fi Sis ( Berkshire Festival \ 1 1963 "THE ARISTOCRAT OF ORCHESTRAS" THRILL TO THE is captured to perfection! These exciting "DYNAGROOVE" records are BOSTON SYMPHONY the product of RCA Victor's newly developed system of recording which ON DYNAGROOVE provides a spectacular improvement in sound quality. You'll enjoy their brilliance and clarity , realistic presence, RECORDS BY virtual elimination of inner-groove distortion , full-bodied tone — even RCA VICTOR when you listen at low level! fmm-.;^i;m-' . 9WMCT0p OVWAERDOyE XiVk ^^ Mahler/Symphony No. 1 Boston Symphony Orch. Dello Joio /Fantasy and Variations Eavel/Concerto in G Erich Leinsdorf Boston Symphony Oreh. /Leinsdorf Cms ^-irfiHjtiHMt'affymfii/mi The Ari*»u>cfa< of Orchestras Lorin Hollander LEINSDORF/Mahler "Sym- LEINSDORF / HOLLANDER phony No. 1." A stunning /Ravel "Concerto in G'7 performance! Hear every Dello Joio "Fantasy." Bril- subtle shading on this liant performances by "DYNAGROOVE" album. young Lorin Hollander. Illii . Tchaikovsky M^Sk! -^ "PATHETiaUE" SYMPHONY m\ BOSTON SYMPHONY/MUNCH «gH /~yw iAy*/rf/w»j/« MUNCH /Ravel "Bolero." MUNCH/Tchaikovsky You've never heard Ravel's "Pathetique" Symphony. tour de force build with The superb sound is rich such power as on this and colorful, always in per- "DYNAGROOVE" recording. fect balance. Magnificent! 2 DELIGHTFUL DYNAGROOVE ALBUMS BY THE BOSTON POPS FIEDLER/ "Stardust." The FIEDLER/ "Jalousie." The Boston Pops plays some of Pops plays favorites in the the most romantic melodies Latin flavor with a very ever written. Truly a great special flash and fire on this "DYNAGROOVE" album! "DYNAGROOVE" record. ALL ALBUMS AVAILABLE IN LIVING STEREO, MONO HI-FI, AND ON TAPE RCA SEAL RECORDS RCA VICTOR^ ~ ^H. nrflTkAThe mostmMct InirtArltrusted namaname in soundeminH Boston Symphony Orchestra ERICH LEINSDORF, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season 196^ TWENTY-SIXTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS FOURTH WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk Copyright, 1963 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C Paine Abram Berkowitz E. Morton Jennings, Jr. Sidney R. Rabb Theodore P. Ferris Henry A. Laughlin Charles H. Stockton , ; Francis W. Hatch John T. Noonan John L. Thorndike Harold D. Hodgkinson Mrs. James H. Perkins Raymond S. Wilkins C. D. Jackson Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Tangleivood Advisory Committee Alan J. Blau Henry W. Dwight George E. Mole Lenges Bull George W. Edman Whitney S. Stoddard Robert T. Capeless Lawrence K. Miller Jesse L. Thomason Robert K. Wheeler H. George Wilde Chairmen of the Boards of Selectmen (Ex Officio): Stockbndge, Robert Williams Lenox, William T. McCormack Lee, William O'Brien Thomas D. Perry, Jr., Manager Norman S. Shirk, Assistant Manager James J. Brosnahan, Business Administrator Rosario Mazzeo, Personnel Manager — 3 — HOW MUTCH DOES A CADILLAC COST? Take a guess — and then check it with your authorized Cadillac dealer. Odds are you 11 have guessed too high—for a Cadillac can be remarkably modest in cost. And this is om year you ought to be sure — for the 1963 "car of cars'''' is simply too beautiful and too fine to miss because of a misunderstanding about price. Better pay your authorized Cadilh( dealer a visit soon — and learn firsthand ivhy more motorists than ever have moved up ft the Cadillac car this year. What are you doing tomorrow? VISIT YOUR LOCAL AUTHORIZED CADILLAC DEALER BOSTON SYMPHONY ORCHESTRA Friday Evening, July 26, at 8:00 ERICH LEINSDORR Conductor ' ! beethoveN Overture to "Leonore" No. 3, Op. 72 BRAHMS Symphony No. 3, in F major, Op. 90 i. Allegro con brio II. Andante in. Poco allegretto ( IV. Allegro Inter m i s s i o n BARTOK # Concerto for Orchestra I. Andante non troppo; allegro vivace II. Giuoco delle coppie: Allegro scherzando III. Elegy: Andante non troppo \ <i IV. Intermezzo interrotto: Allegretto V. Finale: Presto BALDWIN PIANO *RCA VICTOR RECORDS 5 — p Program Notes OVERTURE TO "LEONORE" NO. 3, Op. 72 By Ludwig van Beethoven Born in Bonn, December 16(?), 1770; died in Vienna, March 26, 1827 The third "Leonore" Overture was composed in the year 1806 for the second production of "Fidelio" in Vienna. Within a few weeks of his death, Beethoven extracted from his confu- sion of papers the manuscript score of his opera Fidelio and presented it to Schindler with the words: "Of all my children, this is the one that cost me the worst birth-pangs, the one that brought me the most sorrow; and for that reason it is the one most dear to me." The composer spoke truly. Through about ten years of his life, from 1803 or 1804, when he made the first sketches, until 1814 when he made the second complete revision for Vienna, he struggled intermittently with his only opera, worked out its every detail with intensive application. They were the years of the mightiest products of his genius. Between the Fidelio sketches are the workings out of the Fourth through the Eighth symphonies, the Coriolanus Overture and Egmont music, the Fourth and Fifth piano con- certos, the Violin Concerto, the Razoumovsky Quartets. Into no one of these CARNEGIE HALL EASTMAN THEAJJE SUMN»E R .. THE nter •,ntheW» , concerts. ,,p M.DS< and fW«-* t£Jzz concerts ssicaUoncert-;> artistsofan NORTI :t c.a concerts, uy „m festival ranks EVEHT* te un-ver ally tne.Piano EMY RAVIN I A PAriH LEWISOHN h KINLEY AUYj KIEL A PALAIS H O L LYIV OU D I B O W M. STEINERT & SONS 162 boylston st. boston • Worcester, Springfield — 6 — did he put more effort and painstaking care than he expended upon each portion of the opera, constructing it scene by scene in the order of the score, rilling entire books with sketches. He was struggling first of all, of course, with his own inexperience of the theatre, the necessity of curbing his sym- phonic instincts and meeting the demands of that dramatic narrative which singers and "action" require. The Overture to "Leonore" No. 3 retains all of the essentials of its predecessor, Leonore No. 2. There is the introduction, grave and songful, based upon the air of Florestan: "In des Lebens Friihlingstagen," in which the prisoner sings sorrowfully of the darkness to which he is condemned, and dreams hopefully of the fair world outside. The main body of the Overture, which begins with the same theme (allegro) in both cases, rises from a whispering pianissimo to a full proclamation. The section of working out, or dramatic struggle, attains its climax with the trumpet call (taken directly from the opera, where the signal heard off stage, and repeated, as if closer, makes known the approach of the Governor, whereby the unjustly imprisoned Florestan will be saved from death). There follows a full reprise. CHAMBER & ORCHESTRAL CONCERTS Chamber Operas • Festival C0U4&UI r MUSIC SHED • STOECKEL ESTATE NORFOLK, CONNECTICUT Cun&wiS Performing Artists: Ward Davenny, vw Broadus Erie, Aldo Parisot, David Schwartz, Keith Wilson, Robert Bloom, Mason Jones, Paul Ulanow- sky. Conductors: Gustav Meier, Keith Wilson. What a wonderful sur-> prise. Charming Country! Friday, July • 26 8:30 p.m. Curtains for every room, Soloist, Davenny - Conductor, Meier in your house right here Haydn String Quartet in G Minor in the Berkshires! Choose Howard Boatwright .. Qt., clar. & strings from such Colonial fab- Schumann Piano Concerto rics as BLEACHED and muslin Stravinsky Suite No. 2 UNBLEACHED with a variety of trims and fringes including cal- Friday, August 2 • 8:30 p.m. ico ruffles. Also gingham, floral prints and others. Soloists, Erie and Parisot Dust ruffles, pillow shams Conductor , Wilson and canopy covers too. Beethoven Archduke Trio Please come in and see Brahms ... Double Concerto us. The Curtain Shed on Pine St is open Mon-Sat 10-4 PM. Brochure on re-, Final Friday Concert August 9, 8:30 p.m. quest. J Festival: August 16, at 8:30; •; August 17 at 2:30 and 8:30 Tickets $2, $3. Available at Box Office YALE SUMMER SCHOOL OF MUSIC & ART Inquiries: HAROLD KENDRICK Norfolk • Telephone Kl 2-5719 SYMPHONY NO. 3, IN F MAJOR, Op. 90 By Johannes Brahms Born in Hamburg, May 7, 1833; died in Vienna, April 3, 1897 The world which had waited so many years for Brahms' First Symphony was again aroused to a high state of expectancy when six years elapsed after the Second before a Third was announced as written and ready for perform- ance. It was in the summer of 1883, at Wiesbaden, that Brahms (just turned fifty) completed the symphony which had occupied him for a large part of the previous year. Brahms, attending the rehearsals for the first performance, in Vienna, expressed himself to Biilow as anxious for its success, and when after the performance it was proclaimed in print as by far his best work, he was angry, fearing that the public would be led to expect too much of it, and would be disappointed. He need not have worried. Those who, while respecting the first two symphonies, had felt at liberty to weigh and argue them, were now completely convinced that a great symphonist dwelt among them; they were only eager to hear any new score, to probe the beauties which they knew would be there. If the early success of the Third Symphony was in some part a succes d'estime, the music must also have made its way by its own sober virtues. Certainly Brahms never wrote a more unspectacular, personal symphony. In PEABODY CONSERVATORY OF MUSIC CHARLES KENT, Director BACHELOR OF MUSIC • MASTER OF MUSIC ARTIST DIPLOMA • DOCTOR OF MUSICAL ARTS Major Study in all Instruments .
Load more

Recommended publications
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1963-1964
    -•-'" 8ft :: -'•• t' - ms>* '-. "*' - h.- ••• ; ''' ' : '..- - *'.-.•..'•••• lS*-sJ BERKSHIRE MUSIC CENTER see ERICH LEINSDORF, Director Contemporary JMusic Presented under the Auspices of the Fromm zMusic Foundation at TANGLEWOOD 1963 SEMINAR in Contemporary Music Seven sessions will be given on successive Friday afternoons (at 3:15) in the Chamber Music Hall. Four of these will precede the four Fromm Fellows' Concerts, and will consist of a re- hearsal and lecture by the Host of the following Monday Fromm Concert. July 12 AARON COPLAND July 19 GUNTHER SCHULLER July 26 I Twentieth Century Piano Music PAUL JACOBS August 2 YANNIS XENAKIS j August 9 Twentieth Century Choral Music ALFRED NASH PATTERSON & LORNA COOKE de VARON August 16 I LUKAS FOSS August 23 Round Table Discussion of Contemporary Music Yannis Xenakis, Gunther Schuller and lukas foss Composers 9 Forums There will be four Composers' Forums in the Chamber Music Hall: Wednesday, July 24 at 4:00 ] Thursday, August 1 at 8:00 Wednesday, August 7 at 4:00 Thursday, August 15 at 8:00 FROMM FELLOWS' CONCERTS Theatre-Concert Hall Four Monday Evenings at 8:00 'Programs JULY 15 AUGUST 5 AARON COPLAND, Host YANNIS XENAKIS, Host Varese Octandre (1924) Boulez ...Improvisations sur Mallarme, Copland Sextet (1937) No. 2 Chavez Soli (1933) Philippot ...Variations Schoenberg String Quartet No. 2, Op. 10 Mdcbe .. ..Canzone II (1908) Brown, E ...Pentathis Stravinsky Ragtime for Eleven Instruments Marie, E... Polygraphie-Polyphonique (1918) J. Ballif,C ...Double Trio, 35, Nos. 2 and 3 Milhaud... L'Enlevement d'Europe — Op. Xenakis Achorripsis Opera minute (1927) JULY 22 AUGUST 19 GUNTHER SCHULLER, Host LUKAS FOSS, Host Ives Chromatimelodtune Paz .Dedalus, 1950 Schoenberg Herzgewacb.se Goehr...
    [Show full text]
  • Peter CORNELIUS
    Peter CORNELIUS Complete Lieder • 2 Christina Landshamer, Soprano • Markus Schäfer, Tenor Hans Christoph Begemann, Baritone Mathias Hausmann, Baritone • Matthias Veit, Piano Peter CORNELIUS (1824-1874) Complete Lieder • 2 Sechs Lieder, Op. 5 (1861-1862) 16:28 # Abendgefühl (1st version, 1862)** 2:08 1 No. 2. Auf ein schlummerndes Kind** 3:02 (Text: Christian Friedrich Hebbel) (Text: Christian Friedrich Hebbel (1813-1863)) $ Abendgefühl (2nd version, 1863)** 2:40 2 No. 3. Auf eine Unbekannte†† 5:29 (Text: Christian Friedrich Hebbel) (Text: Christian Friedrich Hebbel) 3 No. 4. Ode* 2:34 % Sonnenuntergang (1862)† 2:29 (Text: August von Platen-Hallermünde (1796-1835)) (Text: Friedrich Hölderlin (1770-1843)) 4 No. 5. Unerhört† 2:45 (Text: Annette von Droste-Hülshoff (1797-1848)) ^ Das Kind (1862)†† 0:52 5 No. 6. Auftrag* 2:38 (Text: Annette von Droste-Hülshoff) (Text: Ludwig Heinrich Christoph Hölty (1748-1776)) & Gesegnet (1862)†† 1:29 † 6 Was will die einsame Träne? (1848) 2:44 (Text: Annette von Droste-Hülshoff) (Text: Heinrich Heine (1797-1856)) * Vision (1865)** 3:30 † 7 Warum sind denn die Rosen so blaß? (c. 1862) 2:04 (Text: August von Platen-Hallermünde) (Text: Heinrich Heine) ( Die Räuberbrüder (1868-1869)† 2:43 †† Drei Sonette (1859-1861) 9:05 (Text: Joseph von Eichendorff (1788-1857)) (Texts: Gottfried August Bürger (1748-1794)) 8 No. 1. Der Entfernten 2:33 ) Am See (1848)† 2:37 9 No. 2. Liebe ohne Heimat 2:39 (Text: Peter Cornelius) 0 No. 3. Verlust 3:52 ¡ Im tiefsten Herzen glüht mir eine Wunde (1862)† 1:44 ! Dämmerempfindung
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
    *l'\ fr^j BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 G> X will MIIHIi H tf SEVENTY-SEVENTH SEASON 1957-1958 BAYARD TUCEERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT 8. TUCEERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 83,1963-1964, Trip
    BOSTON • r . SYMPHONY ORCHESTRA FOUNDED IN 1881 BY /'I HENRY LEE HIGGINSON TUESDAY EVENING 4 ' % mm !l SERIES 5*a ?^°£D* '^<\ -#": <3< .4) \S? EIGHTY-THIRD SEASON 1963-1964 TAKE NOTE The precursor of the oboe goes back to antiquity — it was found in Sumeria (2800 bc) and was the Jewish halil, the Greek aulos, and the Roman tibia • After the renaissance, instruments of this type were found in complete families ranging from the soprano to the bass. The higher or smaller instruments were named by the French "haulx-bois" or "hault- bois" which was transcribed by the Italians into oboe which name is now used in English, German and Italian to distinguish the smallest instrument • In a symphony orchestra, it usually gives the pitch to the other instruments • Is it time for you to take note of your insurance needs? • We welcome the opportunity to analyze your present program and offer our professional service to provide you with intelligent, complete protection. invite i . We respectfully* your inquiry , , .,, / Associated with CHARLES H. WATKINS CO. & /qbrioN, RUSSELL 8c CO. Richard P. Nyquist — Charles G. Carleton / 147 milk street boston 9, Massachusetts/ Insurance of Every Description 542-1250 EIGHTY-THIRD SEASON, 1963-1964 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Abram Berkowitz Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Mrs.
    [Show full text]
  • Eugene Ormandy Commercial Sound Recordings Ms
    Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985
    [Show full text]
  • Opera Recordings: a Very Personal Guide by Ralph Moore
    “Untouchable” and ”Most Recommendable” Opera Recordings: a very personal guide by Ralph Moore My handful of regular readers might have noticed some glaring omissions in the list of thirty-seven major operas whose discographies I have surveyed over the last couple of years - operas whose quality and popularity are such that one might reasonably have expected me to have included them in my labours. There are, after all, probably around fifty truly first-rate operas which have been most often performed and recorded and I have by no means covered them all. I received requests to survey some of the following but on consideration, I realised that there were good reasons for my reluctance to do so. The most obvious omissions are these twelve operas: Verdi’s La traviata and Il trovatore; Wagner’s Lohengrin and Tannhäuser; Mozart’s Don Giovanni; Puccini’s La bohème, Tosca, Madama Butterfly and Turandot; Rossini’s Il barbiere di Siviglia; Donizetti’s Lucia di Lammermoor and Beethoven’s Fidelio. My reason for not having reviewed them collectively is that either the opera in question has received one or two recordings of such definitive quality that consideration of the others is otiose or there are so many good recordings of it in the catalogue that making a helpful or meaningful recommendation becomes difficult. I have therefore decided to circumvent the problem by making some brief, annotated recommendations and guidance for those major operas hitherto neglected. Obviously, my selections are highly subjective and controversial, and other collectors will be dismayed that I have ostensibly rejected their own candidates for recordings of classic status or nominated one they loathe but at the same time I think I may fairly claim that these are, in general, recordings which have stood the test of time.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961
    E I G H T I E T H S EASON i960 - 1961 BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE We blueprint the basic structure for the insurance of our clients and build their protection on a sound foundation. Only by a complete survey of needs, followed by intelligent counsel, can a proper insur- ance program be constructed. Without obligation on your part, we would be happy to act as your insurance architects. Please call us at any time. CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. When You Think of Insurance . Think of us! 141 Milk Street Boston 6, Massachusetts HU bbard 2-6200 EIGHTIETH SEASON, 1960-1961 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1960, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Henry A. Laughlin Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen Lewis Perry N. Penrose Hallowell Edward A. Taft Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [643] mm . Boston's Pops are known throughout the world as a yardstick for excellence .
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958
    r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON SEVENTY-SEVENTH SEASON !957-!958 Sanders Theatre, Cambridge [harvard University] Boston Symphony Orchestra (Seventy-seventh Season, 1957-1958) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin Joseph de Pasquale Sherman Walt Concert-master Jean Cauhape Ernst Panenka Alfred Krips Eugen Lehner Theodore Brewster Albert Bernard George Zazofsky Roll and Tapley George Humphrey Contra-Bassoon Norbert Lauga Jerome Lipson Richard Plaster Vladimir Resnikoff Robert Karol Horns Harry Dickson Reuben Green Gottfried Wilfinger Bernard Kadinoff James Stagliano Vincent Charles Yancich Einar Hansen Mauricci Joseph Leibovici John Fiasca Harry Shapiro Harold Meek Emil Kornsand Earl Hedberg Paul Keaney Roger Shermont Violoncellos Osbourne McConathy Minot Beale Samuel Mayes Herman Silberman Alfred Zighera Trumpets Stanley Benson Jacobus Langendoen Leo Panasevich Roger Voisin Mischa Nieland Andre Come Sheldon Rotenberg Karl Zeise Armando Ghitalla Fredy Ostrovsky Josef Zimbler Gerard Goguen Clarence Knudson Bernard Parronchi Trombones Pierre Mayer Martin Hoherman Manuel Zung Louis Berger William Gibson Samuel Diamond Richard Kapuscinski William Moyer Kauko Kabila Victor Manusevitch Robert Ripley Josef Orosz James Nagy Winifred Winograd Melvin Bryant Flutes Tuba Lloyd Stonestreet Doriot Anthony Dwyer K. Vinal Smith Saverio Messina James Pappoutsakis William Waterhouse Phillip Kaplan Harps William Marshall Bernard Zighera Leonard
    [Show full text]
  • Choral Arts in New England
    Your choral legacy: Make Choral Arts in a tax-deductible gift to Choral Arts New England and the Patterson Foundation as part of New England your planned giving! Encouraging Choral Excellence through Alfred Nash Patterson Grants September 2018 Boston Singers’ Gwyneth Walker Resource 2018 Lifetime Achievement Award Recipient Helping singers throughout New England r. Gwyneth Walker is a ll chorus members are singers. Everyone who D revered New England participates in a choral performance knows A composer whose the beauty of human voices meaningfully joined in works have been song—and likely knows, too, how hard it can be widely performed to achieve that high level of accomplishment. As throughout the singers themselves, choristers take special pleasure country. Her career, in singing with accomplished soloists, who often spanning a lifetime bring a performance to new heights. of composing, has Boston is home to a unique organization devoted given the choral world to supporting and enriching the lives of all sing- many beloved pieces, ers. Boston Singers’ Resource (BSR) provides in- ranging from long- formation about singing, connections to teachers form works for SATB and performing organizations, workshops, net- chorus and orchestra to shorter pieces, some for working opportunities, and auditions that intro- women’s voices or children’s choirs. Walker is one of duce outstanding soloists to directors of choruses, the most frequently performed modern composers of church choirs, opera and theater companies, and concerts listed in the Choral Arts New England cal- others who might employ their talents. endar, with her compositions being explicitly named Anyone can go to www.bostonsingersresource.org on 37 different programs since 2012.
    [Show full text]
  • 7 Subscription Price, $3.75 Per Y Single Copy, 10 Cents August 7
    Property of the Watertown Historical Society The watertownhistoricalsociety.orgWatertown - Oakville TOWN Weekly TIMES Vol. 11, No. 557 Subscription Price, $3.75 Per Y Single Copy, 10 Cents August 7. itSS All Full-Time Teacher Vacancies Filled By Hiring Of 18 Teachers AH full time teacher position va- assistant elementary Art teacher. cancies in the Watertown Public The Superintendent announced Schools have been filled, accord- the names of eighteen teachers ing to an announcement this week who" have been hired, by the Pub- from the office of Joseph B. Por- lic Schools Department this year. ter, Watertown Superintendent of He emphasized that only three of Schools. 'The sole remaining va- this number represent additional cancy in. the system, at the pre- teaching positions this year, with sent time' is that of a part-time the remainder hired to fill vacan- ces in the system caused by re- tirement or resignations. The Superintendent's office' gave the following list of newly-hired" Net Seriously Hurt teachers, along with their teach- ing assignments. List New Teacheirs After Stepping lit § Miss Nancy Alexander, of Beers Street, will be assigned as a sec- ond grade ' teacher at Judson Stream Of Traffic School. She .graduated, this, year Thomas Quea, of Cutler Street:, from Wheelock: College, Boston, escaped serious injury Monday Mass., morning when he stepped into the path of a moving automobile on Burton A. A Id rich will teach- Main Street at the center of Water- General Science at Gordon C. town's business district. He was Swift Junior High School. A, 're- Shown examining a setup of "Radar Speed Meter" equipment during a demonstration July 31 on Litch- taken, by "ambulance to Water- sident of Kensington,, Conn,.,, Mr.
    [Show full text]