The Incredible Tide
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Race to Witch Mountain
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/RaceToWitchMountain Dr. Donald Harlan. GARRY MARSHALL WALT DISNEY PICTURES Tina. KIM RICHARDS Sheriff Antony . IAKE EISSINMANN CREDITS Presents Siphon . TOM WOODRUFF, JR. Siphon Stunt Double . PAUL DARNELL Frank . JOHN DUFF RACE TO Marty . BOB KOHERR Matt. KEVIN CHRISTY WITCH MOUNTAIN Lloyd . BOB CLENDENIN Imperial A Stormtrooper Ciardi . SAM WOLFSON GUNN FILMS Imperial Stormtrooper Gray. BRYAN FOGEL Production Dominick . ROBERT TORTI Chuck. JOHN KASSIR Stenftenagel . BETH KENNEDY Directed by . ANDY FICKMAN Gallagher . JONATHAN SLAVIN Screen Story by. MATT LOPEZ Analyst D. Pleasence. HARRY S. MURPHY Screenplay by . MATT LOPEZ Four-Star and MARK BOMBACK General V. Lewton . TED HARTLEY Based on the Book by . ALEXANDER KEY General E. Albert. JACK EASTLAND Produced by. ANDREW GUNN Natalie Gann . MEREDITH SALENGER Executive Producers . MARIO ISCOVICH Casey Taylor. ANDREW SHAIFER ANN MARIE SANDERLIN Gail Ross . SUZANNE KRULL Director of Photography . GREG GARDINER Oren Bergman . STEVE ROSENBAUM Production Designer. DAVID J. BOMBA Sunday. CHRISTINE LAKIN Edited by. DAVID RENNIE, A.C.E. Brokedown Cadillac . CORRI ENGLISH Costume Designer . GENEVIEVE TYRRELL RANDY DUNHAM Special Character Effects DON IAN Designed and Created by . ALEC GILLIS JEFF LEGORE and TOM WOODRUFF, JR. DANNY REULAND Music by. TREVOR RABIN Iscovich. DAVE ENGFER Music Supervisor . LISA BROWN Police Officer Hough . OMAR DORSEY Casting by. RANDI HILLER, C.S.A. Frankie Valet . JOSEPH LEO BWARIE and SARA FINN, C.S.A. Teddy Tentacles . PAUL NYGRO Hendricks. BRANDON MILLER Unit Production Manager . PAUL MOEN Repola. ANDREW T. JANEY First Assistant Director . GEOFF HANSEN Ray. -
Hayao Miyazaki: Exploring the Early Work of Japan’S Greatest Animator
Greenberg, Raz. "To the Valley Below." Hayao Miyazaki: Exploring the Early Work of Japan’s Greatest Animator. New York: Bloomsbury Academic, 2018. 77–106. Animation: Key Films/Filmmakers. Bloomsbury Collections. Web. 26 Sep. 2021. <http:// dx.doi.org/10.5040/9781501335976.ch-004>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 26 September 2021, 13:49 UTC. Copyright © Raz Greenberg 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. C h a p t e r 4 TO THE V ALLEY B ELOW Although Th e Castle of Cagliostro was not an instant success upon its release, the fi lm did draw the attention of prominent fi gures in the animation industry, and as well as getting enthusiastic responses from foreign viewers (as detailed in the previous chapter) it also made a strong impression on the editors of the Japanese magazine Animage . Founded in 1978 as a serious platform for the discussion of animated productions, while at the same time appealing to the now- established and ever growing fandom of animation in Japan, the magazine commissioned articles and sketches from Miyazaki, and in 1981 the editors agreed to serialize a long- running manga drawn by him (there are confl icting reports as to the circumstances that led to the publication of the manga, discussed further in this chapter).1 Th e series, Kaze no Tani no Naushika ( Nausicaa of the Valley of the Wind ) aimed from the beginning to be a long and complex work; its fi rst chapter was published in the magazine in 1982 and its concluding chapter was published 12 years and over a thousand pages of story later, with occasional long hiatuses taken by Miyazaki to work on animated features. -
Escape to Witch Mountain 1995 Remake Original Novel by Alexander Key Screenplay by Robert M Young Novelization by Judith Kenyon
Escape to Witch Mountain 1995 remake Original novel by Alexander Key Screenplay by Robert M Young Novelization by Judith Kenyon (Disclaimer: Disney owns this story and everything in it. No money is being made. I wrote this to see how hard it is to write novelizations. The answer is harder than I’d expected.) Want to hear an amazing story? I grew up in the shadow of a strange mountain. I used to hike up there when I was a little girl, but got scared when I heard stories about the mountain being haunted. Some folks worshipped the old rock. They thought she was magic and had the power to change your life. But nothing much seemed to change around here, except the steady stream of pilgrims passing through town. Most of them stopped at the Witch Mountain Café, where I worked. Lonely people, searchers, outcasts. They came from everywhere, hoping the mountain could turn their lives around. For some, maybe it did. But I never dreamed it would happen to me. It was a morning like any other. Behind the counter at the Witch Mountain Café, Zoë passed a sandwich to a woman with a Mohawk. In one booth two women dressed like gypsies were muttering over their herbal tea, as a small group of druids finished their pie and left politely. Sheriff Bronson came in with his usual attitude. “Gonna be pretty lively tonight.” He said with a sarcastic smile over the counter. Zoë smiled back. “I heard someone say the mountain’s pulse is strong tonight.” “Can you look me in the eye and tell me you believe in all that stuff?” “I dunno.