Yandro, So I Won’T Be Able to Comment on Them
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Guide to the Mahan Collection of American Humor and Cartoon Art, 1838-2017
Guide to the Mahan collection of American humor and cartoon art, 1838-2017 Descriptive Summary Title : Mahan collection of American humor and cartoon art Creator: Mahan, Charles S. (1938 -) Dates : 1838-2005 ID Number : M49 Size: 72 Boxes Language(s): English Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary Provenance: Mahan, Charles S., 1938 - Acquisition Information: Donation. Access Conditions: None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/for more information. Preferred Citation: Mahan Collection of American Humor and Cartoon Art, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. Biographical Note Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002). University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. University of South Florida Library Links, 10(3), 2-3. Scope Note In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. -
A Pictorial History of Comic-Con
A PICTORIAL HISTORY OF COMIC-CON THE GOLDEN AGE OF COMIC-CON The 1970s were the formative years of Comic-Con. After finding its home in the El Cortez Hotel in downtown San Diego, the event continued to grow and prosper and build a national following. COMIC-CON 50 www.comic-con.org 1 OPPOSITE PAGE:A flier for the Mini-Con; the program schedule for the event. THIS PAGE: The Program Book featured a pre-printed cover of Balboa Park; photos from the Mini-Con, which were published in the Program Book for the first three-day MINI-CON Comic-Con held in August (clockwise MINI-CON from left): Forry Ackerman speaking; Mike Royer with some of his art; Comic-Con founding committee member Richard Alf NOTABLE MARCH 21, 1970 at his table; Ackerman at a panel discus- sion and with a fan; and Royer sketching GUESTS live on stage. The basement of the U.S. Grant Hotel, Downtown San Diego Attendance: 100+ Officially known as “San Diego’s Golden State Comic-Minicon” (the hyphen in Minicon comes and goes), this one-day event was held in March to raise funds for the big show in August, and FORREST J ACKERMAN was actually the first-ever West Coast comic convention. Most Comic-Con’s first-ever guest was the popular editor of Famous of those on the organizing com- Monsters of Filmland, the favorite mittee were teenagers, with the movie magazine of many of the major exceptions of Shel Dorf (a fans of that era. He paid his own recent transplant from Detroit way and returned to Comic-Con who had organized the Triple numerous times over the years. -
One Fine Sunday in the Funny Pages” Exhibit
John Read is the creator and curator of the “One Fine Sunday in the Funny Pages” exhibit. A freelance cartoonist, John also teaches cartooning to children and is the publisher and editor of Stay Tooned! Magazine, considered the trade journal of the craft. The Comic Mode The comic strip provides a colorful and humorous respite from the serious and often tragic news that precedes it. There are many reasons for reading the “funny pages”; from the basic need to be entertained, to the desire to escape for a moment into what seems a playful combination of a joke and a sequence of images that illustrate the nonsense and play that generates it. Yet, what really constitutes the “comic” in a comic strip? Are they simply funny, as in Blondie, Garfield or Hagar the Horrible? Or do we sense underlying tones of irony, satire, political and social commentary as evidenced in Doonesbury, Non Sequitur, and Between Friends? How are we to understand the double entendre, the sting of wit or the twist of the absurd that infuses so many contemporary comic strips? It would seem that as in dreams, there are many levels to the comic mode. On the first take, the superficial or manifest appeal generates a smile or laughter. But as with many dreams and good jokes, there is the second take, a latent need to establish or defy meaning as embedded within the structure of the images themselves. The paradox or playfulness of the comic strip partially lies in discovering the truth in the nonsensical aspects of day-to-day living. -
An Investigation Into the Opinions of Public Library Staff
AN INVESTIGATION INTO THE OPINIONS OF PUBLIC LIBRARY STAFF ON HOW AND WHERE A GRAPHIC, COMIC, AND CARTOON COLLECTION SHOULD BE SHELVED A study submitted in partial fulfilment of the requirements for the degree of Master of Arts in Librarianship at THE UNIVERSITY OF SHEFFIELD by EMILIEBETH ARWEN CADDY September 2009 Abstract Background: In 2006, after a two year review, the Dewey Decimal Classification System [DDCS] decided that all graphic novels, cartoon strips, comic books, manga, fotonovelas, caricatures, and similar material should be stored under one classification code in the Dewey run – 741.5. Literature from before and after this date however, shows that librarians find it extremely difficult to decide where to shelve their graphic collections, and suggests that few if any choose to use the DDCS method. Aims: The study aimed to test whether the DDCS method of classifying, and by extension shelving, graphic novels etc. was adequate by gathering the opinions of librarians across the UK on how and where they currently shelve their graphic novels etc. and what they would do if they were given complete freedom. The hypothesis was that librarians would prefer a method of shelving closer to fiction practice, such as alphabetical or genre-based, to the DDCS method. Methods: The study used a form of triangulation, focusing mainly on an online questionnaire, but also using observational research and interviews. The questionnaire was distributed using snowball sampling and the data collected was analysed using simple data analysis including the creation of graphs. There were seventy respondents to the questionnaire. In addition to questions on shelving practice, respondents were also asked about their fears over content and complaints. -
Sample Title/DDC List: 741.5 Comic Books, Graphic Novels, Fotonovelas, Cartoons, Caricatures, Comic Strips
Sample Title/DDC List: 741.5 Comic books, graphic novels, fotonovelas, cartoons, caricatures, comic strips The sample title list is intended as a guide to help classifiers with the new distinction between 741.5 and 741.56 given in the February 2006 posting of New and Changed Entries. The list is not intended to be exhaustive, but we do welcome suggestions for additional titles. Users may respond to the Dewey blog, or send comments and suggestions to: Julianne Beall Assistant Editor, DDC [email protected] Title DDC Writers & Artists Alex 741.56942 Charles Peattie & Russell Taylor The Amazing 741.5973 Stan Lee & Steve Ditko Spider-Man Andy Capp 741.56942 Reg Smythe Astérix 741.5944 Uderzo & Goscinny Astro Boy 741.5952 Osamu Tezuka Archie 741.5973 Bob Montana; Craig Boldman & Henry Scarpelli Azumanga Daioh 741.56952 Azuma Kiyohiko B.C. 741.56973 Johnny Hart Baby Blues 741.56973 Rick Kirkman & Jerry Scott Ballard Street 741.56973 Jerry Van Amerongen Batman 741.5973 Bob Kane & Bill Finger; Frank Miller Beetle Bailey 741.56973 Mort & Greg Walker Bizarro 741.56973 Dan Piraro Blondie 741.56973 Chic Young; Dean Young & Denis Lebrun Bloom County 741.56973 Berkeley Breathed Bristow 741.56942 Frank Dickens Broom Hilda 741.56973 Russell Myers The Broons 741.569411 Dudley D. Watkins; Ken H. Harrison Calvin and Hobbes 741.56973 Bill Watterson Captain Marvel 741.5973 Bill Parker & C.C. Beck Cathy 741.56973 Cathy Guisewite Close to Home 741.56973 John McPherson Contract with God 741.5973 Will Eisner and Other Tenement Stories Dennis the Menace 741.56973 Hank -
Connotations 11 5
Volume 11, Issue 5 ConNotations October/November The Bi-Monthly Science Fiction, Fantasy & Convention Newszine of the Central Arizona Speculative Fiction Society 24 Frames SF Tube Talk In This Issue Movie News & Reviews about every type of alien available and he By Lee Whiteside By Lee Whiteside expects his new role to be a recurring one, News & Reviews even if it is mostly appearing on a Movie News - Tragedies, Release Delays The New Fall season has gotten viewscreen. Appearing in the episode SF Tube Talk 1 and a Red Dwarf Movie underway with some interruptions and “The Andorian Incident” will be Jeffrey 24 Frames 1 The recent tragic events have had an changes due in part to the Terrorist Coombs, who had two recurring roles on FYI 2 effect on many movies in production or Attacks in early September. This has Deep Space Nine as the Ferengi Brunt and Musical Notes 3 about to be released. The Arnold resulted in some episodes of shows being the Vorta Weyoon. Brannon Braga has Schwarzenegger movie Collateral pulled to rescheduled. But we’ve still got said they intend to delve into the ConClusion 4 Damage has been postponed indefinitely new episodes of returning and new series Andorian Society with this and future In Our Book (Book Reviews) 16 due to the terrorist subject matter. The Tim debuting still as we continue into the fall. episodes. There’s also rumors of William Musty Tomes 17 Allen comedy/adventure Big Trouble, Enterprise Launches Shatner making a cameo as James Kirk’s which deals with a bomb being accidentally With the publishing schedule such great grandfather or something along transported on an airplane, has been that I need to write this up before any Special Feature postponed and the Ben Stiller comedy episodes have actually aired, I can’t really Thief of Time Zoolander has had a last minute digital comment about how the pilot actually By Shane Shellenbarger 3 removal of the World Trade Center from looked, but based on the script it should Shane & Laurie’s Excellent any New York skyline shots. -
Presents Famous Cartoonists Posters for the Arts
PRESENTS FAMOUS CARTOONISTS POSTERS FOR THE ARTS THERE'S NO BUSINESS LIKE SHOW BUSINESS rooklyn cademy of Music dance 111USlC drama ZIGGY by Tom Wilson WIZARD OF ID by Brant Parker and Johnny Hart © 1981 Universal Press Syndicate ©1981 Field Enterprises, Inc. KERRY DRAKE by Alfred Andriola © 1981 Field Enterprises, Inc. Brooklyn Acaden1y of Music dance music dmnm BLONDIE by Dean Young and Jim Raymond © 1981 King Features Syndicate, Inc. Brook I~11 Acaden1~r of~ lusic dance n1usic drama BEETLE BAILEY by Mort Walker © 1981 King Features Syndicate, Inc. Brooklyn Academy of Music dance tnusic dran1a HAGAR THE HORRIBLE by Dik Brown © 1981 King Features Syndicate, Inc. BROOM-HILDA by Russell Myers FAMILY CIRCUS by Bil Keane © 1981 Chicago Tribune-New York News Syndicate, Inc. © 1981 The Register and Tribune Syndicate, Inc. Brooklyn Academy of Music dance 111US1C drama THE PHANTOM by Lee Falk and Seymour Barry FEIFFER by Jules Feiffer ©1981 Jules Feiffer, ©1981 King Features Syndicate, Inc. Distributed by Universal Press Syndicate Brooklyn Academy of Music dan~ 111USIC drama ~---~· wg rit Brooklyn Academy of ~usic dance n1usic drama STEVE CANYON by Milton Caniff MARMADUKE by Brad Anderson © 1981 Field Enterprises, Inc. ©1981 United Feature Syndicate, Inc. BAm Famous Cartoonists Series Posters for the Arts Designed for BAM A special series of posters featuring world-famous cartoon characters celebrating the performing arts has been created for the Brooklyn Academy of Music. The posters were designed by twelve leading cartoon artists who have used their cartoon art and comic-strip characters to depict the cultural activities at BAM, America's oldest perfor ming arts center. -
Myers: Russell Benton Myers
Russell Myers Oklahoma cartoonist best known for his comic strip “Broom-Hilda”. Chapter 01 Introduction Announcer: Russell Myers is best known for his newspaper comic strip “Broom-Hilda”. He was born in Pittsburgh, Kansas, but the family moved to Tulsa, Oklahoma, when he was 7. He was sketching and drawing while attending Lanier Elementary, Wilson Middle School, and Rogers High School. Russell attended the University of Tulsa, where his father was a faculty member. After Russell’s first comic strip submission for syndication failed, he began working for Hallmark Cards in Kansas City, Missouri in 1960 as an illustrator of greeting cards. The idea for Broom-Hilda came from writer Elliot Caplin, brother of cartoonist Al Capp. Elliot Caplin described the character to Myers, and Myers then designed the characters and wrote the scripts. Broom-Hilda was first published on April 19, 1970, and was carried by the Tulsa Tribune. Now fifty years later in 2020, the Tulsa World continues its publication. Listen to Russell talk about his days in Tulsa, his work at Hallmark Cards, how he came to create the character of Broom-Hilda, and his 1970 Cadillac. on the oral history website VoicesofOklahoma.com. Chapter 02 – 6:20 Myers Family John Erling: My name is John Erling, and today’s date is April 20, 2020. Russell, would you state your full name, please? Russell Myers: Russell Benton Myers. JE: And your date of birth? RM: October 9, 1938. RUSSELL MYERS 2 JE: And that makes your present age? RM: Eighty-one. JE: I am in Tulsa, Oklahoma, and we’re obviously recording this by phone. -
20Th Century American Paperback Humor Collection PS648 .H84 V.1-V.2590
20th Century American Paperback Humor Collection PS648 .H84 v.1-v.2590 v.1384 - v.2590 not cataloged separately and constitute: The Ray Torrence Collection of Cartoon, Joke, Cartoon-Illustrated, and Humor-Related Paperbacks. Klever kid kartoons / compiled & edited by Belly laughs annual / compiled and edited by Harold Meyers. Harold Meyers. Avon Avon 1955 v. 1 Box 1 1955 v. 9 Box 1 Hatlo, Jimmy, 1898-1963. Meyers, Harold. Hatlo's inferno / Jimmy Hatlo. Naughty 90's joke book : & dyspeptics guide to Avon Publications the grave / by Harold Meyers. 1955 v. 2 Box 1 Avon 1947 v. 10 Box 1 Hatlo, Jimmy. The new Jimmy Hatlo book : they'll do it every Mandel, George. time. Beatville U. S. A. / George Mandel. Avon Avon Book Division, Hearst Corp. 1953 v. 3 Box 1 1961 v. 11 Box 1 Richter, Mischa, 1910-2001 Hatlo, Jimmy. Keeping women in line / by Richter. Office hi-jinks / Jimmy Hatlo. Avon Avon 1953 v. 4 Box 1 1961 v. 12 Box 1 Bassler, Anthony, 1874- Dunn, Bob, 1908-1989. Just what the doctor ordered. [Poems] Hospital happy. Avon Pub. Co. Avon 1949 v. 5 Box 1 1952 v. 13 Box 1 Another all about girls book. The Cracked reader. Avon Book Division, The Hearst Corporation Ace 1960 v. 6 Box 1 1960 v. 14 Box 1 Hatlo, Jimmy. Thurber, James, 1894-1961. The newest Jimmy Hatlo cartoon book : They'll The beast in me and other animals / James do it every time. Thurber. Avon Avon Books 1959 v. 7 Box 1 1948 v. 15 Box 1 Hatlo, Jimmy.