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Order Today! Order All Titles in This Booklet and More from Your Favorite Choral Music Retailer Artistry for2013-2014 NEW AllCHORAL MUSIC FROM BY IN I D B LOCH uilding on the legacy of Bartók, Kodály, Britten, Bernstein, Copland and many others, Boosey & Hawkes is proud to present new music from some of the world’s leading composers. I am confident that you will find exciting literature that will B inspire you and your singers to new heights as performers and musicians. Doreen Rao, Ph.D. Choral Advisor and Editor, Choral Music Experience, Boosey & Hawkes ONLINE RESOURCES Featuring Whenever you see the Closer Look icon, just click it to preview sample pages, CHORAL MUSIC EXPERIENCE (CME) audio excepts, and/or video clips! Developing Voices www.halleonard.com/choral Women’s Voices Mixed Voices Best Sellers Visit our online reading session at www.halleonard.com/choral/iSession. MIXED VOICES This innovative new technology will allow you Philip Brunelle • Betty Bertaux to see the music and hear the recordings of Mary Goetze • Jim Papoulis the latest titles from all the Hal Leonard catalogs, including alternate voicings, all at BOOSEY & HawKES LONDON your convenience. MAJOR WORKS FROM Full choral arrangements, instrumental accompaniments and mp3 audio for most new KARL JENKINS publications are available for digital download at www.choralmusicdirect.com. BRITTEN CENTENARY CELEBRATION 2013 OrderVisit Today! www.halleonard.com to order from your favorite Prices, contents, and availability subject to change without notice. choral music retailer. LISTENING Developing Choirs CME Intermediate Daniel Brewbaker UNISON AND SA – NEW OCTAVOS This work exuberantly praises the music inherent and expressed by everything in nature, above all the BRING IT HOME myriad worlds of human nature. It sings of the great CME Intermediate variety and contrast of the seasons. Music is viewed Stephen Hatfield DANIEL BREWBAKER as the means through which the essence of life is Written from the point of view of a young choris- made manifest. ter, this Hatfield original tells the story of a young 48022643 SA ���������������������������������������������������������������������������������������������������������������$1�95 girl who wants to join her friends in the choir. The effect this has on her and her parents is profound. MY SWEET, CRUSHED ANGEL A perfect recruiting piece or first concert of the (from Living the Divine) year! Includes optional steel drum or melody CME Intermediate instrument part in vocal score. Daniel Brewbaker 48022582 SSA ��������������������������������������������������������������$2�25 A gentle, lilting waltz for unison choir, treble solo and piano. The angel being addressed is reassured that he/she has done well in her attempt to THE CHEETAH SONG find the Beloved. Written for the Anima Young Singers, Emily Ellsworth, CME Beginning conductor, this is a wonderful piece for melodic independence for a Stephen Hatfield young choir. From the cantata Living the Divine. Set in a laid-back calypso style, this playful and 48022585 Unison Choir������������������������������������������������������������������������������������������$1�95 imaginative work taps into a child’s age-old wish for a pet, but not just ANY pet! With whimsical lyrics and REMEMBER THE LADIES an irresistible rhythmic groove, younger choirs will CME In High Voice STEPHEN HATFIELD enjoy this clever and easily-learned choral change Carol Barnett of pace! While John Adams was in attendance at the Second 48022759 Unison/SA ���������������������������������������������������������������������������������������������$2�10 Continental Congress in Philadelphia, his wife Abigail was at home in Braintree, Massachusetts, running the CORNISH LULLABY farm, raising four children, and maintaining a lively CAROL CME Beginning BARNETT correspondence with her husband on a wide range David E. Poole of topics. The sprightly text is adapted from Abigail’s Eugene Field’s poetry is full of fanciful imagery of trolls and elves toiling letter dated 31 March 1776, and strongly suggests the role women in caverns deep in the forest. David Poole depicts these creatures with should play in the newly formed government. Set for treble chorus and angular, chromatic lines that portray the quirkiness of the impish labor- piano in a style partially influenced by the music heard in Europe during ers. His use of constant eighth notes paints the relentless, perpetual the late 1700s. comings and goings of the trolls. 48022642 SA ���������������������������������������������������������������������������������������������������������������$2�10 48022623 SA ��������������������������������������������������������������������������������������������������������������$1�90 WYNKEN, BLYNKEN, AND NOD JE VOIS LA NEIGE QUI DANSE CME Beginning (I SEE THE SNOW) Benjamin Kornelis CME Beginning Capturing the excitement and enthusiasm of the Nick Page three intrepid seafarers heading out into the wind and waves for some moonlit fishing, Benjamin Written for the Cincinnati Children’s choir, this simple Kornelis has set this famous children’s poem. The and haunting melody by Nick Page uses an original, text will offer many opportunities to work on Impressionistic piano accompaniment that will allow crisp, clear diction. The refrain is different than young singers many opportunities for expression and NICK PAGE the verses so form can be explored. And there are freedom. The French text is simple and, as always, an multiple key changes making modulation another IPA is provided. musical concept to explore. 48022781 Unison ������������������������������������������������������������������������������������������������������ $1�95 48022595 SA ���������������������������������������������������������������������������������������������������������������$1�95 BEST-SELLING OCTAVOS FOR DEVELOPING CHOIRS AL SHLOSHA D’varim DODI LI THE PATH TO THE GOOD NIGHT CME Beginning CME Beginning MOON (A Russian Song) Allan Naplan arr. Doreen Rao CME Beginning CME Beginning 48004534 2-Part �����������������������$1�90 48004441 2-Part �����������������������$1�90 Eric H. Thiman Dmitri Kabalevsky/ 48003957 Unison ���������������������$1�90 arr. Doreen Rao FairesT LADY MARY HAD A 48004214 2-Part �����������������������$1�90 (No. 7 from The Nursery LITTLE BLUES JUBILATE DEO Rhyme Cantata) CME Beginning CME Beginning HINE MA TOV CME Beginning Charles Collins Michael Praetorius/ CME Beginning Nick Page 48004510 2-Part ������������������������$1�95 arr. Doreen Rao Allan Naplan 48004859 Unison ���������������������$1�95 48004144 Canon ����������������������$1�95 48004533 2-Part ������������������������$1�95 2 Women’s Voices SSA AND SSAA – NEW OCTAVOS BALLADE WITH THE Leaving OF LIVERPOOL CHRISTINE DE PISAN CME In High Voice CME In High Voice arr. Mark Sirett Kristina Boerger Setting this Celtic folk song in a slow and majestic This is a highly emotional and powerful piece for style, the arranger underscores the anguish and women’s choir. Composer Boerger asks the chorus uncertainty of the lovers who must say goodbye to to produce the sound of bereavement when it each other. The final outburst is full of heartbreak first strikes. A total commitment to the emotions MARK SIRETT and will be a passionate and emotional moment for as masterfully created by the poet and the com- your choir. poser will result in a tour de force for the mature 48022672 SSA (opt� bass & percussion) �������������������������������������������������������$2�10 women’s choir. 48022820 SSA/Solo ������������������������������������������������������������������������������������������������ $1�95 SONG OF WOMAN CME In High Voice BORA MAISHA Cary Ratcliff (Life Is the Best Gift) This work sings of loves and experiences with a vibrant and lyrical CME Intermediate text by Francesca Gulì (1924-2008) an American of Italian heritage. Robert I. Hugh Opening with the phrase, “I sing of Summer and of tree, whom I embrace embraces me,” with music that grows and develops into rich textures After multiple trips to Kenya, East Africa, and studying, watching, listen- ideal for collegiate and community women’s choruses. ing and singing Kenyan music of all styles, composer Hugh was inspired 48022645 SSAA ��������������������������������������������������������������������������������������������������������$2�10 to write a new piece in the style of this region. Incorporating the guitar, driving percussion and the beautiful Swahili language, Bora Maisha will have you, your singers and the audience moving and dancing to this VELO QUÉ BONITO energetic and joyful music. Percussion parts included. CME Latin Accents 48022596 SSA (opt� perc�, Djembe & shaker) ��������������������������������������������$2�25 arr. Alejandro Zuleta Velo qué bonito is a traditional Colombian song also known as Bunde CHANGE MY NAME de San Antonio, patron saint of the Colombian black communities. It is CME In High Voice sung a cappella, accompanied only by a tambora, the typical Afro-Indo- Stephen Hatfield American drum. 48022644 SSA a cappella ������������������������������������������������������������������������������������ $1�95 Change My Name is a series of melodic variations on the opening line of a spiritual more commonly known as If He Changed My Name. Composer Stephen Hatfield has created an intense, grave, peaceful arrangement WHEN YOU Fall for women’s voices that will cast a spell over both singer and listener. CME In High Voice 48022594 SSA �����������������������������������������������������������������������������������������������������������$2�25 Cary Ratcliff Exhibiting that the power of music can influence
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