Who's Read at Draft?
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Introduction
Introduction Imagine you’re invited to a party. You arrive at the venue, slip past security, and Margaret Atwood is there; so are Michael Ondaatje, Anne Carson, and Dionne Brand. CanLit’s luminaries surround you, and having never brushed elbows with so many prominent writers, you turn paparazzi and start taking photographs in earnest. Point and click—easy to tell who monopolizes the spotlight and who falls back. It’s only once you focus manually, looking for an unconventional angle, that you begin to notice others: a younger, more anonymous crowd pushing at the margins, trying to bypass the guest list. So you raise your camera to include them too, at least those close enough to see clearly. Some of the shots will turn out perfectly—balanced composition, candid expressions that capture the palpable energy of the event. Some won’t. The blur of time will seep in, poor exposure rendering the photographs unusable. You might think I’m describing a Griffin Poetry Prize gala. I am, of course, but this is also the plight of prospective anthologists. Working without the benefit of hindsight, anthologists are responsible for scouting talent in little magazines, hard-to-find books, and critical periodicals. Canonization is a gamble, and time and time again Canadian editors have either gone all in or hedged their bets, offering up both generation defining compilations and remixed versions of established texts. With New Provinces, F.R. Scott curated 13 The Next Wave the first essential anthology of Canadian poetry in 1936. Providing a platform for future icons like E.J. -
Feminist Periodicals
The Un vers ty of W scons n System Feminist Periodicals A current listing of contents WOMEN'S STUDIES Volume 26, Number 4, Winter 2007 Published by Phyllis Holman Weisbard LIBRARIAN Women's Studies Librarian Feminist Periodicals A current listing of contents Volume 26, Number 4 (Winter 2007) Periodical literature is the cutting edge ofwomen's scholarship, feminist theory, and much ofwomen's culture. Feminist Periodicals: A Current Listing of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues ofmajorfeministjournalsare reproduced in each issue ofFeminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the follOWing information on each journal: 1. Year of first publication. 2. Frequency of pUblication. 3. Subscription prices (print only; for online prices, consult publisher). 4. Subscription address. -
Toronto Comic Arts Festival
Drawn to the Form Leslie Holwerda Toronto Comic Arts Festival attended the first Toronto Comic author visits to school libraries; Douglas Mini Comic Arts Festival Ideas Arts Festival (TCAF) in 2012 and was Davey (who, incidentally, shared the Iinvited to participate in the third elevator with me on arrival) from Network with creators using Twitter & annual Librarian and Educator day as a Halton Hills Public Library discussing Facebook member of a panel discussing inclusion the future of collection development Colouring sheets and exclusion in comics, during TCAF using digital graphic novels; and award Access ideas from publishers or 2014 in May. I was thrilled when my winning creator, Ken Stacey, sharing the creator websites principal gave me permission to attend. variety of graphic novels available for Solicit items for giveaways instruction, information and education Order free from publishers & vendors I awoke much earlier than usual so I could (edutainment). The choice was difficult, Display a wide variety of titles for travel into Toronto and find my way by but edutainment won out. different interests and reading levels subway to the Toronto Reference Library. Include a gaming element or The lobby was almost empty except for Following coffee, participants selected challenge a security guard who was directing the one of three options: A panel discussion Story time presenters to the Bluma Appel Salon. with public librarians about the ups and Puppet show Andrew Woodrow-Butcher of The downs of maintaining a graphic novel Readers theatre Beguiling bookstore welcomed me and collection; a workshop with author Steven Maker Space with comic bottlecap jewellery, comic wallets directed me to the registration table where McCabe on the use of wordless comics Hold on a Saturday in the gym all participants received free comics, book to motivate creative writing skills in marks, postcards, conference information, students; or the Diversity in Comics Panel and directions to the coffee. -
Alchemy Winter 2016
Alchemy winter 2016 From the Dean’s Office Alchemy Sheridan’s Faculty of Humanities and Winter was full of Social Sciences Newsletter creativity and winter 2016 productivity in the Faculty of Humanities and Social Sciences. Welcome to the Winter 2016 issue of Alchemy. As Our faculty always, it’s a wonderfully busy, exciting, and continue to engage sometimes chaotic semester in and around FHASS. students in We hope you take a minute to catch up with all the innovative learning goings on of your colleagues in these pages, and Photo: Yael Katz and to participate in that our collective engagement and achievement scholarly, research and creative activities. In recharges your batteries as we barrel towards addition to continuing our tradition of celebrating spring. Black History Month and hosting cultural community events such as the Film for Thought Please consult the ‘Submissions’ tab on our initiative, we have established a new relationship webpage for specific details and dates around with the Festival of Literary Diversity (FOLD) in submitting to all of our sections. Keep your news, Brampton and, with much anticipation, look ideas, and articles coming, and check out the online forward to participating in the inaugural version of Alchemy at http://fhass.wordpress.com/. installment of the festival this spring. — Owen Percy, Jennifer Phenix, and In the area of curriculum development and Glenn Clifton quality assurance, we have been busy completing thorough program reviews of the ESL Program and the General Arts and Science Program, and our Table of Contents: winter 2016 faculty continue to refresh and develop curriculum for cross-college electives. -
Skim Press Release
Today Lisa said, “Everyone thinks they are unique.” That is not unique!! Proving that there is more to the graphic novel than men in tights, this unforgettable, poignant novel is a perfect introduction for newcomers to the genre. The words and drawings are at once MAY 14+ £9.99 complex and accessible, opening up a new and memorable reading experience. Praise for Skim: “Writer Mariko and artist Jillian stunningly After a boy at school takes his own life, Skim’s fragile world seems intertwine their acute dialogues and visual to turn upside down too. In witty, moving and painfully honest diary riches in brush, soft pencil and grey tones, entries Skim confides the frenzy of grief that surrounds her, while illuminating this adolescent romance in all deep down she struggles with her own loneliness and the secret its conflicted depths. The most sophisticated inner stirrings she feels when falling in love for the first time. and sensitive North American graphic novel debut of the year.” Paul Gravett Skim won the 2008 Outstanding Graphic Novel Ignatz Award and is the first in a year long publishing programme of graphic “With honesty and compassion, this novels. Walker will publish new titles every month, aimed at a innovative narrative communicates a life range of different audiences and designed to encourage readers to just beginning, open and full of possibility.” discover this amazing genre of books. Horn Book Magazine Mariko Tamaki is a Toronto-based writer, performer and playwight. She is a columnist for Kiss Machine and the author of Cover Me, True Lies: A Book of Bad Advice and Fake ID. -
Recommended Books from the Teen Collection
Recommended Books from the Teen Collection Action, Adventure, and Survival Crime, Espionage, Escape, and Heists TEEN BARDUGO Six of Crows by Leigh Bardugo (790L, series, grades 7+) TEEN CARRIGER Etiquette & Espionage by Gail Carriger (780L, series, grades 6+) TEEN CARTER Heist Society by Ally Carter (800L, series, grades 7+) TEEN CARTER I’d Tell You I Love You, But Then I’d Have to Kill You by Ally Carter (1000L, series, grades 6+) TEEN DUCIE The Rig by Joe Ducie (grades 6+) TEEN EVANS Michael Vey: the Prisoner of Cell 25 by Richard Paul Evans (500L, grades 6+) TEEN HOROWITZ Stormbreaker by Anthony Horowitz (670L, series, grades 6+) TEEN MAETANI Ink and Ashes by Valynne E. Maetani (740L, grades 7+) TEEN MCKENZIE In a Split Second by Sophie McKenzie (670L, grades 8+) TEEN SMITH Independence Hall by Roland Smith (660L, series, grades 5+) Survival TEEN BICK Ashes by Ilsa Bick (730L, series, grades 7+) TEEN CALAME Dan Versus Nature by Don Calame (660L, grades 8+) TEEN DELAPEÑA The Living by Matt De La Peña (700L, series, grades 9+) TEEN FULLER Our Endless Numbered Days by Claire Fuller (980L, grades 9+) TEEN GRIFFIN Adrift by Paul Griffin (580L, grades 9+) TEEN HAINES Girl in the Arena: a Novel Containing Intense Prolonged Sequences of Disaster and Peril by Lise Haines (grades 9+) TEEN HIRSCH Black River Falls by Jeff Hirsch (700L, grades 7+) TEEN HURWITZ The Rains by Gregg Andrew Hurwitz (770L, grades 7+) TEEN KEPHART This is the Story of You by Beth Kephart (850L, grades 7+) TEEN LEVEZ The Island by Olivia Levez (grades 7+) TEEN MALLORY -
Biblioasis Winter 2018
BIBLIOASIS WINTER 2018 —Ordering Information— For more information, or for further promotional materials, please contact: Daniel Wells Biblioasis Publisher 1520 Wyandotte Street East Phone: 519-968-2206 Windsor, ON N9A 3L2 Canada Email: [email protected] Orders: [email protected] Casey Plett www.biblioasis.com Phone: 519-968-2206 Publicity on twitter: @biblioasis Fax: 519-252-0008 Email: [email protected] Distribution: University of Toronto Press 5201 Dufferin Street, Toronto, ON, M3H 5T8 Toll-free phone: 800 565 9533 / Fax: 800 221 9985 email: [email protected] Sales Representation: Ampersand Inc. HEAD OFFICE/ONTARIO/NUNAVUT Jenny Enriquez VANCOUVER ISLAND Suite 213, 321 Carlaw Avenue Ext. 126 Lorna MacDonald Toronto, ON, M4M 2S1 [email protected] 1333 Fairfield Road Phone: 416-703-0666 Victoria BC, V8S 1E4 Toll-free: 866-736-5620 BRITISH COLUMBIA/ALBERTA/YUKON Phone: 250-382-1058 www.ampersandinc.ca 2440 Viking Way [email protected] Richmond, BC V6V 1N2 Saffron Beckwith Phone: 604-448-7111 ALBERTA, MANITOBA & SASKATCHEWAN/NWT Ext. 124 Toll-free: 800-561-8583 Judy Parker [email protected] Fax: 604-448-7118 10 Hind Avenue Toll-free Fax: 888-323-7118 Winnipeg MB, R3J 2P4 Morgen Young Phone: 204-837-4374 Ext. 128 Ali Hewitt Fax: 866-276-2599 [email protected] Phone: 604-448-7166 [email protected] [email protected] Laureen Cusack QUEBEC/ ATLANTIC PROVINCES Ext. 120 Dani Farmer Jenny Enriquez [email protected] Phone: 604-448-7168 Phone: 416-703-0666 Ext. 126 [email protected] Toll Free 866-736-5620 Vanessa Di Gregorio Fax: 416-703-4745 Ext. 122 Jessica Price [email protected] [email protected] Phone: 604-448-7170 [email protected] Evette Sintichakis Ext. -
Grants Listing 2017-2018
2017–2018 Grants Listing | Liste des subventions Ontario Arts Council Conseil des arts de l’Ontario OAC | CAO The Guelph Chamber Choir surprises founding conductor Gerald Neufeld with a favourite song following his final official concert performance. Neufeld retired after 35 years of serving as artistic director of the choir. (Photo: Sandra Pitts) Les membres du Chœur de chambre de Guelph réservent une surprise à Gerald Neufeld à l’occasion de son départ à la retraite en chantant une de ses chansons préférées après son dernier concert officiel. M. Neufeld, chef fondateur de l’ensemble, en a été le directeur artistique pendant 35 ans. (Photo : Sandra Pitts) FRONT COVER : Élise Boucher DeGonzague performs in Mokatek et l’étoile disparue (Mokatek and the missing star), a co-production between Vox Théâtre and Productions Ondinnok, written and performed by Dave Jenniss, directed by Pier Rodier. (Photo: Marianne Duval) PREMIÈRE DE COUVERTURE : Élise Boucher DeGonzague dans Mokatek et l’étoile disparue, pièce coproduite par Vox Théâtre et les Productions Ondinnok, écrite et interprétée par Dave Jenniss sur une mise en scène de Pier Rodier. (Photo : Marianne Duval) 2017-2018 Grants Listing | Liste des subventions 2017-2018 OAC | CAO Contents Sommaire Grants Listing – Introduction 03 Introduction – Liste des subventions Granting Staff 05 Personnel de subvention Creating and Presenting 08 Création et diffusion Dance 09 Danse Deaf and Disability Arts 11 Pratiques des artistes sourds ou handicapés Francophone Arts 13 Arts francophones Indigenous -
Table of Contents
TABLE OF CONTENTS Introduction ........................................................................................................................................ 1 Overview Strategic Funding .................................................................................................................. 2 Arts Discipline Funding ......................................................................................................... 3 Loan Fund ............................................................................................................................. 4 Operations ............................................................................................................................. 5 Preliminary Results of Increased Grants Funding ............................................................................. 6 2013 Allocations Summary ................................................................................................................ 7 Income Statement & Program Balances for the quarter ended December 31, 2013 ........................ 8 Strategic Funding 2013 Partnership Programs .......................................................................................................... 9 Strategic Partnerships ........................................................................................................... 10 Strategic Allocations .............................................................................................................. 11 Recipient Details .................................................................................................................. -
The YA Novel in the Digital Age by Amy Bright a Thesis
The YA Novel in the Digital Age by Amy Bright A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies University of Alberta © Amy Bright, 2016 Abstract Recent research by Neilsen reports that adult readers purchase 80% of all young adult novels sold, even though young adult literature is a category ostensibly targeted towards teenage readers (Gilmore). More than ever before, young adult (YA) literature is at the center of some of the most interesting literary conversations, as writers, readers, and publishers discuss its wide appeal in the twenty-first century. My dissertation joins this vibrant discussion by examining the ways in which YA literature has transformed to respond to changing social and technological contexts. Today, writing, reading, and marketing YA means engaging with technological advances, multiliteracies and multimodalities, and cultural and social perspectives. A critical examination of five YA texts – Markus Zusak’s The Book Thief, Libba Bray’s Beauty Queens, Daniel Handler’s Why We Broke Up, John Green’s The Fault in Our Stars, and Jaclyn Moriarty’s The Ghosts of Ashbury High – helps to shape understanding about the changes and the challenges facing this category of literature as it responds in a variety of ways to new contexts. In the first chapter, I explore the history of YA literature in order to trace the ways that this literary category has changed in response to new conditions to appeal to and serve a new generation of readers, readers with different experiences, concerns, and contexts over time. -
Burma Chronicles and Guibert, Lefèvre, and Lemercier’S the Photographer
Asian American Literature: Discourses and Pedagogies 5 (2014) 23-44. Graphic Self-Consciousness, Travel Narratives, and the Asian American Studies Classroom: Delisle’s Burma Chronicles and Guibert, Lefèvre, and Lemercier’s The Photographer By Monica Chiu As graphic narratives find solid purchase in the literary marketplace and in academia, students flock to related courses. I recently experienced this enthusiasm when I offered an upper-level Asian American graphic narratives course that filled beyond capacity, the first time this umbrella course for the field of Asian American studies had ever over enrolled in the fifteen years I had taught at my New England- based institution. In the course, students first grappled with comics terminology, introduced through Scott McCloud’s Understanding Comics and Thierry Groensteen’s The System of Comics. After this basic introduction to reading verbal-visual texts, we discussed those by and about Asian Americans: Gene Luen Yang’s American Born Chinese, Mariko Tamaki and Jillian Tamaki’s Skim, Tofic El Rassi’s Arab in America, among others. These comics rely on recognizable (stereotypical) images of Asians and Asian Americans to expose accepted types and then to subvert or dismantle them. Students were most challenged by the autobiographical Burma Chronicles (2008) by Guy Delisle and The Photographer: Into War-Torn Afghanistan with Doctors Without Borders (2009), an artistic collaboration among Didier Lefèvre’s photographs, which served as an impetus for the text; Emmanuel Guibert’s comic art; and colorist Frédéric Lermercier’s book design. Delisle’s and Lefèvre’s travel narratives by non-Asian Americans about Southeast Asians (Burmese) and West Asians (Afghans) asked students to consider the self-representation of the comics’ Canadian and French protagonists, respectively, as they navigated foreign territories. -
Annual Report 2019 – 20
Annual report 2019 – 20 My Salinger Year © Philippe Bossé Babysitter Beans Maria Chapedelaine © Fred Gervais-Dupuis © Sebastien Raymond © Laurence Grandbois-Bernard 24-34 YEARS OF FULFILLING YOUR CREATIVE DREAMS TABLE OF CONTENTS English Language Program Message From our partner 4 From the Co-chair and the President 5 Management Board of directors and Committee members 7 Staff 10 Script Development Program Story Optioning 12 Treatment To First Draft 17 First To Second Draft 18 Second To Third Draft 22 Polish And Packaging 24 Short Film Shorts-To-Features Program 27 Manitoba Shorts Program 28 Newfoundland and Labrador Shorts Program 29 Territories Shorts Program 29 Financial Highlights Contributions 31 Financed projects 32 2 French Language Program Message From our partner 35 From the Co-chair and the President and Managing Director 36 Management Board of directors and Committee members 39 Staff 42 Feature Film Story Optioning 44 Script Development 50 Polishing 52 Equity Investment 53 Format Development/Television Concept 65 Television Series/Format Conversion 67 Financial Highlights Contributions 70 Financed Projects 71 3 ENGLISH-LANGUAGE PROGRAM Message FROM OUR PARTNER It’s been another remarkable year for the Harold Greenberg Fund’s English Language Program (Fund), which invested $ 1.5 million in 117 diverse Canadian projects. The end of this year also marks the beginning of an excit- ing new journey for the Fund as it transitions to a new funding model. The past seven years saw the Fund invest in a long list of incredibly rich films, from The Breadwinner and Maudie, to Closet Monster, Blood Quantum, and more. Over the years, many HGF-supported productions were met with international acclaim and accolades, and all demonstrated the strength and vitality of the Canadian film and television industry.