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02MUSICOLOGICA 1 Cast.Indd ACTA UNIVERSITATIS PALACKIANAE OLOMUCENSIS FAKULTAS PHILOSOPHICA PHILOSOPHICA – AESTHETICA 28 – 2005 ACTA UNIVERSITATIS PALACKIANAE OLOMUCENSIS FACULTAS PHILOSOPHICA PHILOSOPHICA – AESTHETICA 28 – 2005 MUSICOLOGICA OLOMUCENSIA VII Univerzita Palackého v Olomouci Olomouc 2005 The present volume was submitted to print on 6 April 2005. Dieser Band wurde am 6. April 2005 in Druck gegeben. Předáno do tisku 6. dubna 2005. The authors are responsible for the content and the linguistic correctness of the papers. Die autoren sind für den Inhalt and die sprachliche Richtigkeit der Arbeiten verantwortlich. Za obsah prací a jejich jazykovou správnost odpovídají autoři. © Paul Christiansen (editors), 2005 ISBN 80-244--1055-9 ISSN 1212-1193 ACTA UNIVERSITATIS PALACKIANAE OLOMUCENSIS FAKULTAS PHILOSOPHICA PHILOSOPHICA – AESTHETICA 28 – 2005 Contents Foreword . 13 Lucie Brázdová Moravian Musical Inventories of the Seventeenth Century . .17 Alena Burešová MUSIC IN OLOMOUC – Past and Present II, In Honor of Robert Smetana . 27 Božena Felgrová Don Giovanni in Prague and Versions of the Opera in the Czech Lands at the Turn of the 18th and 19th Centuries . 31 Naďa Hrčková Politics, Music, and Theater in Juraj Beneš’s Opera Das Festmahl (1980) . 47 Lucie Kaucká RUDOLFINUM – The “Temple of Beauty” in the Heart of Prague: Architecture of the Rudolfinum Music Hall in the Context of Prague Musical Life Toward the End of the 19th Century . .59 Markéta Kratochvílová A Comparison of Compositional Procedures in Some Atonal Piano Cycles of Erwin Schulhoff to Those of Arnold Schoenberg’s Atonal Works . 73 Lenka Křupková A Heroine’s Drama . 79 Elena Letňanová Thus Composed the Philosopher: On the Occasion of the 160th Anniversary of the Birth of Friedrich Nietzsche . 99 5 Ivan Poledňák On (Musical) Taste and Fashion . 107 Jaroslav Pszczolka The Relation between Visual Art and Music in Luboš Fišer’s Fifteen Sheets According to Dürer’s Apocalypse and Caprichos . .117 List of Bachelor and Master Theses at the Department of Musicology of Palacký University in Olomouc in the Years 1993–2004 . 135 List of Dissertations at the Department of Musicology of the Palacký University in Olomouc in the Years 1996–2003 . 143 Biographies . 145 6 ACTA UNIVERSITATIS PALACKIANAE OLOMUCENSIS FAKULTAS PHILOSOPHICA PHILOSOPHICA – AESTHETICA 28 – 2005 Inhalt Vorwort . 15 Lucie Brázdová Mährische Musiksammlungen des 17. Jahrhunderts . .17 Alena Burešová MUSIK IN OLOMOUC – Geschichte und Gegenwart II, In honorem Robert Smetana . 27 Božena Felgrová Don Giovanni in Prag und Fassungen der Oper in den Böhmishcen Ländern an der Wende des 18. und 19. Jahrhunderts . 31 Naďa Hrčková Politik, Musik und Theater in der Oper von Juraj Beneš Das Festmahl (1980) . 47 Lucie Kaucká Zur Architektur des Rudolphinums und dem Prager Musikleben am ende des 19. Jahrhunderts . 59 Markéta Kratochvílová Ein Vergleich der kompositorischen Verfahren in einigen atonalen Klavierzyklen von Erwin Schulhoff mit dem atonalen Werken Arnold Schönbergs . 73 Lenka Křupková Drama einer Heldin . 79 Elena Letňanová So komponierte der Philosoph: Zum Anlass des 160. Jahrestags der Geburt von Friedrich Nietzsche . 99 7 Ivan Poledňák Über (musikalischen) Geschmack und Mode . 107 Jaroslav Pszczolka Das Verhältnis zwischen bildener Kunst und Musik in den „Fünfzehn Blätter nach Dürer’s Apokalpse“ und „Caprichos“ von Luboš Fišer . .117 Verzeichnis der Diplom- Und Bakkalaureatarbeiten Im Bereich der Musikwissenschaft der Palacký-universität in Olomouc in Jahren 1993–2004 . 135 Verzeichnis der Dissertationarbeiten im Bereich der Musikwissenschaft der Palacký-universität in Olomouc in Jahren 1996–2003 . 143 Lebensläufe . 145 8 ACTA UNIVERSITATIS PALACKIANAE OLOMUCENSIS FAKULTAS PHILOSOPHICA PHILOSOPHICA – AESTHETICA 28 – 2005 Obsah Předmluva . .11 Lucie Brázdová Moravské hudební sbírky 17. století . .17 Alena Burešová Hudba v Olomouci – Minulost a současnost II, In honorem Robert Smetana . 27 Božena Felgrová Don Giovanni v Praze a verze opery v českých zemích na přelomu 18. a 19. století . 31 Naďa Hrčková Politika, hudba a divadlo v opeře od Juraje Beneše Das Festmahl (1980) . 47 Lucie Kaucká RUDOLFINUM – „Chrám krásy“ v srdci Prahy: k architektuře Rudolfina v kontextu pražského hudebního života ke konci 19. století . 59 Markéta Kratochvílová Srovnání kompozičních procedur ve vybraných atonálních klavírních cyklech od Erwina Schulhoffa s procedurami v atonálních dílech Arnolda Schönberga . 73 Lenka Křupková Drama jedné hrdinky . 79 Elena Letňanová Tak komponoval filozof: k 160. vyročí narození Friedricha Nietzscheho . 99 Ivan Poledňák O (hudebním) vkusu a módě . 107 9 Jaroslav Pszczolka Vztah mezi vizuálním uměním a hudbou v Patnácti listech podle Dürerovy Apokalypsy a Caprichos od Luboše Fišera . .117 Seznam diplomových a bakalářských prací obhájených na katedře muzikologie filozofické fakulty Univerzity Palackého v Olomouci v letech 1993–2003 . 135 Seznam dizertačních prací obhájených na katedře muzikologie filozofické fakulty Univerzity Palackého v Olomouci v letech 1996–2003 . 143 Životopisy . 145 10 ACTA UNIVERSITATIS PALACKIANAE OLOMUCENSIS FAKULTAS PHILOSOPHICA PHILOSOPHICA – AESTHETICA 28 – 2005 Předmluva Předkládaný sborník Musicologica Olomucensia VII obsahuje studie členů a spolu- pracovníků Katedry muzikologie Filozofické fakulty Univerzity Palackého. Stejně jako v předchozích svazcích řady Musicologica se zde setkáváme se širokým spektrem témat, jež se vztahují k hlavním oblastem odborného zaměření jednotlivých členů katedry. Ivan Poledňák se ve svém příspěvku věnuje obecnější reflexi estetického tématu (On [Musical] Taste and Fashion), Lenka Křupková pak svou pozornost zaměřila na adaptaci textů Karla Čapka pro Janáčkovo libreto Věci Makropulos (Drama einer Heldin: Die Umwandlung Čapeks Drama in Janáčeks Libretto), Lucie Kaucká se zabývá architektonickými aspekty Rudolfina (Rudolfinum – The Temple of Beauty in the Heart of Prague: Architecture of the Rudolfinum Music Hall in the Context of Prague Musical Life toward the End of the Nineteenth Century), Lucie Brázdová píše o barokních hudebních sbírkách na Moravě (Moravian Musical Inventories of the Seventeenth Century), Jaroslav Pszczolka pojednává o vztahu mezi vizuálním uměním a hudbou v Patnácti Listech podle Dürerovy Apokalypsy a Caprichos od Luboše Fišera (The Relation between Visual Art and Music in Luboš Fišer’s Fifteen Sheets According to Dürer’s Apocalypse and Caprichos) a Marké- ta Kratochvílová o atonálních klavírních cyklech Ervina Schulhoffa (A Comparison of Compositional Procedures in Some Atonal Piano Cycles of Erwin Schulhoff to those of Arnold Schoenberg). Alena Burešová pak přináší recenzi konference Hudba v Olomou- ci – Historie a současnost II: In honorem Robert Smetana, která se konala v listopadu 2003 ke stému vyročí narození profesora Smetany. Božena Felgrová, absolventka dokto- randského studia na naší katedře, píše o uvádění opery Don Giovanni v českých zemích na konci 18. a začátku 19. století (Don Giovanni in Prague and Versions of the Opera in the Czech Lands at the Turn of the Eighteenth and Nineteenth Centuries). Ve sborníku se rovněž objeví příspěvky muzikologů z Bratislavy. Naďa Hrčková se zamýšlí nad politickým pozadím opery Das Festmahl od Juraje Beneše (Oper und Tota- lität: Politik, Musik und Theater in der Oper von Juraj Beneš Das Festmahl 1980) a Elena Letňanová se zabývá skladatelskými pokusy Friedricha Nietzscheho (Thus Composed the Philosopher: On the Occasion of the 160th Anniversary of the Birth of Friedrich Nietzsche). Při editování sborníkových prací se více než jinde osvědčuje tvrzení: „Více hlav, více rozumu“. Rád bych proto poděkoval Janu Vičarovi a Ivanu Poledňákovi za cenné připo- mínky. Marku Keprtovi vděčím za pečlivé korektury příspěvků v němčině. Lucii Kaucké děkuji za její pomoc při redigování celého sborníku. 11 ACTA UNIVERSITATIS PALACKIANAE OLOMUCENSIS FAKULTAS PHILOSOPHICA PHILOSOPHICA – AESTHETICA 28 – 2005 Foreword For the seventh issue, Musicologica Olomucensia VII, we present articles covering a wide spectrum of topics, largely from members of the Department of Musicology in the Philosophical Faculty at Palacký University. Ivan Poledňák has written about musical aesthetics (“On [Musical] Taste and Fashion”), Lenka Křupková on the transformation of Karel Čapek’s text into Janáček’s libretto for The Makropulos Affair (“Drama einer Heldin: Die Umwandlung Čapeks Drama in Janáčeks Libretto”), Lucie Kaucká on the architectural aspects of the Rudolfinum (“Rudolfinum – The “Temple of Beauty” in the Heart of Prague: Architecture of the Rudolfinum Music Hall in the Context of Prague Musical Life toward the End of the Nineteenth Century”), Lucie Brázdová on Baroque Moravian musical inventories (“Moravian Musical Inventories of the Seventeenth Cen- tury”), Jaroslav Pszczolka on the relation between visual art and music in Luboš Fišer’s Fifteen Sheets According to Dürer’s Apocalypse and Caprichos (“The Relation between Visual Art and Music in Luboš Fišer’s Fifteen Sheets According to Dürer’s Apocalypse and Caprichos”), and Markéta Kratochvílová on the atonal piano cycles of Ervín Schulhoff (“A Comparison of Compositional Procedures in Some Atonal Piano Cycles of Ervín Schulhoff to those of Arnold Schoenberg”). Alena Burešová offers a review of the con- ference Music in Olomouc – Past and Present II: In honorem Robert Smetana that took place in November 2003 to commemorate the 100th anniversary of Professor Smetana’s birth. Božena Felgrová, graduate of the Musicology Department’s doctoral program, has written on late eighteenth- and early
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