Highlighting the Role and Importance of the Participants to a Stakeholder Engagement Programme
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Economic Impact of the Recorded Music Industry in India September 2019
Economic impact of the recorded music industry in India September 2019 Economic impact of the recorded music industry in India Contents Foreword by IMI 04 Foreword by Deloitte India 05 Glossary 06 Executive summary 08 Indian recorded music industry: Size and growth 11 Indian music’s place in the world: Punching below its weight 13 An introduction to economic impact: The amplification effect 14 Indian recorded music industry: First order impact 17 “Formal” partner industries: Powered by music 18 TV broadcasting 18 FM radio 20 Live events 21 Films 22 Audio streaming OTT 24 Summary of impact at formal partner industries 25 Informal usage of music: The invisible hand 26 A peek into brass bands 27 Typical brass band structure 28 Revenue model 28 A glimpse into the lives of band members 30 Challenges faced by brass bands 31 Deep connection with music 31 Impact beyond the numbers: Counts, but cannot be counted 32 Challenges faced by the industry: Hurdles to growth 35 Way forward: Laying the foundation for growth 40 Conclusive remarks: Unlocking the amplification effect of music 45 Acknowledgements 48 03 Economic impact of the recorded music industry in India Foreword by IMI CIRCA 2019: the story of the recorded Nusrat Fateh Ali-Khan, Noor Jehan, Abida “I know you may not music industry would be that of David Parveen, Runa Laila, and, of course, the powering Goliath. The supercharged INR iconic Radio Ceylon. Shifts in technology neglect me, but it may 1,068 crore recorded music industry in and outdated legislation have meant be too late by the time India provides high-octane: that the recorded music industries in a. -
Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
Chichen Itza 6 Tourism YUCATAN | 7 Location Yucatan Is Located in Southeastern Mexico, in the GEOGRAPHY Northern Part of the Yucatan Peninsula
SALES CATALOGUE Y U C ATA N THE BEGINNING OF A NEW BAKTUN WELCOME TO YUCATaN The beginnings and origin of who we are today was born in the land of the Maya, the Mayab, with the ancient Maya civilization to which we belong and whose ancient heritage fills us with pride. Humanity in the 21st century searches to reconnect with ourselves, to become reconciled with nature and learn from their peers. We are on a quest to encounter ancient civilizations, new landscapes, new seas, new traditions, new experiences... In YUCATAN we offer the possibility of communion by virtue of our extraordinary heritage, where we have the opportunity to learn, preserve, share and enjoy the cultural, natural and tourist wealth that we possess. At the start of a new Baktun, or long-count cycle in the Maya calendar, we offer a myriad of options for recreation, leisure, knowledge, reflection, peace, health, adventure, andcoexistence throughout the length and width of the Yucatan... YUCATAN is land of origins: It is a land where everything begins anew. It is a prodigious land within the reach of travelers from the world over who seek to know and live among a culture that is more live than ever: The Maya Culture. We are heirs of this great wealth, which we should, want and wish to share with all of you and future generations. WELCOME TO YUCATAN Rolando Rodrigo Zapata Bello Governor of the State of Yucatan MAYAN MUSEUM OF MERIDA 2 Tourism YUCATAN | 3 CREDITS Rolando Zapata Bello Governor of the State of Yucatan Saul M. -
Borderlands E-Journal
borderlands e-journal www.borderlands.net.au VOLUME 11 NUMBER 1, 2012 Missing In Action By all media necessary Suvendrini Perera School of Media, Culture & Creative Arts, Curtin University This essay weaves itself around the figure of the hip-hop artist M.I.A. Its driving questions are about the impossible choices and willed identifications of a dirty war and the forms of media, cultural politics and creativity they engender; their inescapable traces and unaccountable hauntings and returns in diasporic lives. In particular, the essay focuses on M.I.A.’s practice of an embodied poetics that expresses the contradictory affective and political investments, shifting positionalities and conflicting solidarities of diaspora lives enmeshed in war. In 2009, as the military war in Sri Lanka was nearing its grim conclusion, with what we now know was the cold-blooded killing of thousands of Tamil civilians inside an official no-fire zone, entrapped between two forms of deadly violence, a report in the New York Times described Mathangi ‘Maya’ Arulpragasam as the ‘most famous member of the Tamil diaspora’ (Mackey 2009). Mathangi Arulpragasam had become familiar to millions across the globe in her persona as the hip-hop performer M.I.A., for Missing in Action. In the last weeks of the war, she made a number of public appeals on behalf of those trapped by the fighting, including a last-minute tweet to Oprah Winfrey to save the Tamils. Her appeal, which went unheeded, was ill- judged and inspired in equal parts. It suggests the uncertain, precarious terrain that M.I.A. -
Digital Dawn
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
Sound Matters: Postcolonial Critique for a Viral Age
Philosophische Fakultät Lars Eckstein Sound matters: postcolonial critique for a viral age Suggested citation referring to the original publication: Atlantic studies 13 (2016) 4, pp. 445–456 DOI http://dx.doi.org/10.1080/14788810.2016.1216222 ISSN (online) 1740-4649 ISBN (print) 1478-8810 Postprint archived at the Institutional Repository of the Potsdam University in: Postprints der Universität Potsdam Philosophische Reihe ; 119 ISSN 1866-8380 http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393 ATLANTIC STUDIES, 2016 VOL. 13, NO. 4, 445–456 http://dx.doi.org/10.1080/14788810.2016.1216222 Sound matters: postcolonial critique for a viral age Lars Eckstein Department of English and American Studies, University of Potsdam, Potsdam, Germany ABSTRACT KEYWORDS This essay proposes a reorientation in postcolonial studies that takes Sound; M.I.A.; Galang; music; account of the transcultural realities of the viral twenty-first century. postcolonial critique; This reorientation entails close attention to actual performances, transculturality; pirate their specific medial embeddedness, and their entanglement in modernity; Great Britain; South Asian diaspora concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang”–as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today. -
PRESSEHEFT Kinostart
PRESSEHEFT Kinostart: 22. November 2018 Im Verleih von Rapid Eye Movies INHALT Credits / Filmdaten ....................................................................................................................... 3 Synopsis ....................................................................................................................................... 4 Bio-/Filmografie Regie .................................................................................................................. 4 Über die Produktion und die besondere Beziehung zwischen M.I.A. und Steve Loveridge ........ 5 Über das Team .............................................................................................................................. 9 Songliste des Films ........................................................................................................................ 9 Pressestimmen ........................................................................................................................... 15 Kontakte ..................................................................................................................................... 16 2 MATANGI / MAYA / M.I.A. Ein Film von Steve Loveridge CREDITS Regie & Produktion: Steve Loveridge Mit: Maya Arulpragasam Kamera: Graham Boonzaaier, Catherine Goldsmith, Matt Wainwright Schnitt: Marina Katz, Gabriel Rhodes Musik: Dhani Harrison, Paul Hicks Music Supervisor: Tracy McKnight Sound Design: Ron Bochar Produzenten: Lori Cheatle, Andrew Goldman, Paul Mezey Ausführende Produzenten: -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Cancún Cozumel
dventure GuideTM to the Yucatán Cancún& Cozumel Bruce & June Conord 2nd Edition Bruce & June Conord HUNTER HUNTER PUBLISHING, INC, 130 Campus Drive, Edison, NJ 08818 732-225-1900; 800-255-0343; fax 732-417-1744 [email protected] Ulysses Travel Publications 4176 Saint-Denis, Montréal, Québec Canada H2W 2M5 514-843-9882, ext. 2232; fax 514-843-9448 Windsor Books The Boundary, Wheatley Road, Garsington Oxford, OX44 9EJ England 01865-361122; fax 01865-361133 ISBN 1-55650-908-1 © 2001 Hunter Publishing, Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written per- mission of the publisher. This guide focuses on recreational activities. As all such activities contain el- ements of risk, the publisher, author, affiliated individuals and companies disclaim any responsibility for any injury, harm, or illness that may occur to anyone through, or by use of, the information in this book. Every effort was made to insure the accuracy of information in this book, but the publisher and author do not assume, and hereby disclaim, any liability for any loss or damage caused by errors, omissions, misleading information or potential travel problems caused by this guide, even if such errors or omissions are the result of negligence, accident or any other cause. Cover photo: Girl in pool, Casa de los Sueños, Isla Mujeres © 2001 June Conord Back cover photo: Orange vendor © 2001 June Conord Maps by Kim André, © 2001 Hunter Publishing, Inc. Cach Mool logo © 2001 Bruce & June Conord; design by Judy Mazziotti ([email protected]) All other images © 2001 Bruce & June Conord 1234 Acknowledgements n iii Acknowledgements The authors wish to thank the Mexico Ministry of Tourism and the individual State Offices of Tourism for their invaluable help in preparing this guide. -
The Scmc Chronicle ISSUE NO.2 2020 ART, CULTURE & LIFESTYLE SUPPLEMENT
THE SCMC CHRONICLE ISSUE NO.2 2020 ART, CULTURE & LIFESTYLE SUPPLEMENT From Japan, with Love India Reimagines the Wabori art in tattoos Reminiscing on Identity A Journey to the Roots A Whiff of the East Indians are embracing Food Tales Korean Culture The Migratory Tale of Indian delicacies The Music of Migration A new era of music is born out of fusion 2 THE SCMC CHRONICLE THE SCMC CHRONICLE Word Search About the theme WORD SEARCH By- Vidushi Singh I TMBW I SOUV E N I RD ndian culture is a product of change. Stories of the Iland, as old as time, speak not only of traditions and CNROIHDTETYHHOI rituals, but also of assimilation. The Indian shores welcomed OOFADREEORIGINS ingredients that we know today as our own: potatoes, MAR LDE TRNPUQSUP tomatoes, chilli. Across a history of battles, Indian culture carved a home for the Mughal way of things into its food, MSNEU I RH I TDOT X L THE SCMC CHRONICLE its language, its architecture. Even our colonizers left a trace U S L OS X T N P T I OOMA Managing Editor: Dr. Sreeram Gopalkrishnan on our cultural habits – but we seamlessly folded it into our Consulting Editor: Liji Ravindran N I DESEF I I LATR I C Executive Editor: Anushka Mukherjee life, as we have always done. The diversity of art, culture, Associate Editor: Sharwari Kale IMI LGTTAOSAGYGE food and architecture in India invites you to ask: how much Visuals Editor: Govind Choudhary TIAJAIATMNACERM Assistant Editor (Visuals): Tshewang Choden of it is a product of migration? Design: Raghvendra Singh Chouhan Every day, people leave their hometowns and migrate to a YLSOONTLL IKTEAE Assistant (Design) : Passang Lhamo QAPBSUGIGELL I TN Reporting: Students, SCMC different part of the country – for jobs, for an education, for a new life. -
Table of Contents
TABLE OF CONTENTS Video Summary & Related Content 3 Video Review 4 Before Viewing 5 While Viewing 6 Talk Prompts 8 After Viewing 11 The Story 13 Activity #1: Analyzing World Issues in M.I.A.’s Music 23 Activity #2: Silenced Political Bands Campaign 24 Sources 26 CREDITS News in Review is produced by Visit www.curio.ca/newsinreview for an archive of all CBC NEWS and curio.ca previous News In Review seasons. As a companion resource, go to www.cbc.ca/news for additional GUIDE articles. Writer: Chris Coates Editor: Sean Dolan CBC authorizes reproduction of material contained VIDEO in this guide for educational purposes. Please Host: Michael Serapio identify source. Senior Producer: Jordanna Lake News In Review is distributed by: Packaging Producer: Marie-Hélène Savard curio.ca | CBC Media Solutions Associate Producer: Francine Laprotte Supervising Manager: Laraine Bone © 2019 Canadian Broadcasting Corporation MAYA/MATHANGI/M.I.A. – The Making of a Political Pop Star Video duration – 9:06 Mathangi Maya Arulpragasam — known simply now as M.I.A. — is an acclaimed Sri Lankan-Tamil rapper pop star from England. Always controversial, she is an outspoken activist, who uses her fame as a platform to express her political views, particularly about the Tamil crisis in Sri Lanka. Film director Stephen Loveridge put together a documentary of the artist’s life which includes a slew of footage shot by Maya herself over the past 22 years. It follows her from her early years in Sri Lanka, growing up in London and her rise to fame. The National’s host Adrienne Arsenault takes a look at the life of this controversial music artist at the release of her documentary in North America. -
PLACE and INTERNATIONAL ORGANIZATIONS INDEX Italicised Page Numbers Refer to Extended Entries
PLACE AND INTERNATIONAL ORGANIZATIONS INDEX Italicised page numbers refer to extended entries Auchen. 534. 557 Ado-Ekiti.943 Akyab. 254. 257 ALIDE.54 Aalborg. 415. 423-4 Adola.463 AI-Aaiun. 879. 1126 Aligarh.032 Aalsmeer. 900 Adoni,654 Alahama. 1376. 1382. Ali-Sabieh.430 Aalst. 195 Adrar (Algeria). 74 1386-7.1407.1409. AI Jadida, 880 Aargau. I 100 Adrar (Mauritania), 856 1427-9 AI-JawL 1058 Aarhus, 415. 423 Advcnture, 594 ALADl,54 al-laza 'ir see Alciers Aba.943 Adygci, 1254, 1262 Alagoas, 229 AI-Kamishli Airport. Abaco. 174 Adzope.390 AI Ain. 1295 1178 Abad<in. 709. 711 Aegean Islands, 572. 575 Alajuela. 385. 3SR AI-Kharijah.446 Abaing.778 Aetolia,571 AI-Amarah.714 AI-Kharf 1058 Abakan, 1263 Afam,945 Alamosa (Colo.), 1442 AI-Khobar. 1ü58 Abancay. 998 Afghanistan, 48. 50. AI-Anbar.714 AI-Khollr. 1029 Abariringa.778 63-7.276 Aland. 473. 475 Alkmaar. 900 Abastuman, 1271 Afvonkarahisar. 1207 AI-Arish.446 AI-Kut. 714 Abbotsford (Canada), Agadez. 940-1 Alaska. 1375-6. 1379. Allahabal\. 632, 639, 304 Agadir. 879-82 1.181. 1386-90. 64Y,691 Abdel Magid. I 13 7 Agalega Island, XS9 1401. 1404. 1406. Allentown (Pa,). 1378. Abeche. 345. 347 Agana, 1555 1408.1420.1429-32 1523 Abengourou,390 Agartala. 652, 689-90 al-Asnam.74 Allerdale. DOO Abeokuta,943 Agatli.697 Alava.1114-15 Alma-Ata. 1224, 1244, Aberueen (Hong Kong). Agboville. 390 Alaverdi. 1274 1246.1251.1282 611 Aghion üros, 51'2 Alba. 1m3 Almarla, 1020. 1025 Aberueen (S.o,). 1530 Aghios Nikolaos. 572 Albacete. 1115.