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Double Glaze Matters
Double Glaze Matters Alan Cuthbertson JANUARY 2015 [email protected] It has been a bizarre week in politics. What a Night! The one thing that I don’t understand is why Tony gave the Duke an award. Instead of writing my newsletter I have been What political advantage could he have distracted by the soccer. I have never been thought would result? Anyway, politics terribly interested in it, but I was on the edge is a funny game. of my seat. With 2 minutes to go we seemed to have won, then the equalizer. Then the goal in I think this was the best cartoon I saw extra time and a scramble in the end to keep of Abbott playing for team Australia. South Korea out. A great match. Returned to my computer to find that it ap- pears Labour has won in Qld. Now there is talk of Brough standing against Abbott. We live in interesting times! Perhaps by the time you read this we may have a new prime min- ister. The worst result would be if Morrison took over, but if it was Turnbull we may at least have a chance for action on Climate Change. Maybe the unthinkable will happen and all parties will get together to agree a price on carbon. I could almost vote for Turnbull if that happened! Franciscus Henri’s contribution. (I didn’t receive one this month, so I have recycled this from 3 years ago) DOUBLE GLAZE MATTERS Update on Battery Storage Update on Electric cars After last month’s article on using batteries Tesla is about to release its latest electric car for store energy from solar panels for later in Australia. -
Glen Eira News
l 11111111!11 602920 City of GLEN EI RA Glen Eira News Corner Hawthorn and Glen Eira Roads, South Caulfield 3 162 (PO Box 42, South Caulfield 3 162) Phone 9524 3333 Internet - http://www.gleneira.vic.gov.au Email: [email protected] be len Eira City Council will spend nearly Rates in the City of Glen Eira have been set at Funds will go to older people's facilities, G$ I O million on capital works in its 4.7835 cents in the dollar, a 2.4 per cent increase. playgrounds, child care and family services. The State Government bas required councils to 1997/98 Budget - the first brought down "Funds will be injected to increase library by the elected Council. The overall Budget pay for the $400 million local government materials, improve Information Technology, is worth $54 million. superannuation fund shortfall revealed recently, repair East Bentleigb pool for re-opening next and bas allowed Councils to increase their rates summer, improve sports pavilions and update The biggest portion of the Budget - close to between 1 to 3 per cent to contribute to the cost of Packer Park Velodrome. $6 million -will be spent on vital maintenance the blowout. This accounts for 1.7 per cent of works to roads, drains and buildings, which have Glen Eira's increase. "The Budget also bas no new loans, and by the been inadequately funded in the past. end of the decade, the City will be debt free. Council will raise just over $28 million from rates Major projects on community facilities include and garbage charges, the latter increasing by 0.7 "The Budget took months of planning and I thank the members of the Glen Eira community $250,000 repair work on East Boundary Road per cent (less than inflation). -
Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers. -
Vince Valitutti
VINCE VALITUTTI IMDB https://www.imdb.com/name/nm1599631/ Po Box 7140 GCMC Gold Coast~Qld 4217~ Australia Australian phone: +61-414069917 www.vincevalitutti.com [email protected] [email protected] FILM STILLS PHOTOGRAPHY 2020 : Godzilla vs Kong: Client: Legendary Ent, Warner Bros. Director: Adam Wingard Cast: Alexander Skarsgard, Millie Bobby Brown, Eiza Gonzalez, Rebecca Hall, 2019 : Dora and the lost City of Gold: Client: Paramount Players, Walden Media Director: James Bobin Cast: Isabela Moner, Benicio Del Toro, Eva Longoria, Michael Pena, Eugenio Derbez 2018 : Swinging Safari: Client: Piccadilly Pictures, Wildheart Films Director: Stephan Elliot Cast: Kylie Minogue, Guy Pierce, Julian Mc Mahon, Radha Mitchell, Asher Keddie 2017 Kong Skull Island: Client: Warner Bros, Legendary Director: Jordan Vogt-Rodgers Cast: Samuel L. Jackson, Brie Larson, Tom Hiddleston, John Goodman, John C Riley 2017 Australia Day: Client: Hoodlum Entertainment Director: Kriv Stenders Cast: Bryan Brown, Matthew Le Nevez, Elias Anton, Sean Keenan, Daniel Weber 2016 The Shallows: Client: Sony Pictures Director: Jaume Collet Serra Cast: Blake Lively, Oscar Jaenada, Sedona Legge, 2014 The Inbetweeners 2: Client: Bwark productions Directors: Damon Beesley, Iain Morris Cast: James Buckley, Simon Bird, Joe Thomas, Blake Harrison, Freddie Stroma 2014 Unbroken (Additional stills): Client: Universal Pictures Directors: Angelina Jolie Cast: Jack O'Connell, Domhnall Gleeson, Jai Courtney, Finn Wittrock 2013 Nim’s Island 2: Client: Fox-Walden Director: -
Barry Humphries
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
History of the Art Horses
05/10/18 CURATOR’S STATEMENT - ART HORSES AUSTRALIA ART HORSES - A Sculpture Exhibition of Painted Horses These Art Horses have their genesis in the phenomena of painted animal-art that has swept the world. It has included exhibitions of artist-designed cows in Zurich, Calgary, Chicago and New York, pigs in Seattle and moose in Toronto. In Australia, the horse was selected for its unique role in our history, from the settlers to the legendary Phar Lap - and, of course, the “race that stops a nation” - the Melbourne Cup. These uniquely painted and designed life-size horse and foal sculptures created by prominent and emerging Victorian artists provide an unprecedented blend of art, imagination and fun. The exhibition combines elements of street theatre and public art and they create a memorable spectacle wherever they ‘graze’! Each horse is brightly and amusingly painted to reveal the individual artist’s distinctive perspective on the tradition of ‘equine art’. They have become synonymous with the famous Spring Racing Carnival over the years. The Art Horses Collection originally included over fifty wonderfully painted horses on many themes, ranging from wild and zany to more classically executed pieces. They have been displayed throughout the City, beginning in 2000, with exhibitions running through 2015. In 2001, a major three week event entitled “Birth of an Art Horse” was staged at the Melbourne Museum, featuring notable artists at work designing and painting them. Art Horses Australia has three simple goals: • to generate artistic creativity & showcase local artists • to bring smiles & chuckles to the faces of children and adults - Melbournians and visitors alike • to raise substantial funds for a nominated charity with a major auction to be held at the conclusion of the exhibition run. -
Australian Cinema Umbrella Australian Cinema
20152017 UMBRELLAUMBRELLA CATALOGUECATALOGUE AUSTRALIAN CINEMA UMBRELLA AUSTRALIAN CINEMA DVD DVD DCP DVD BD THE ADVENTURES OF BARRY MCKENZIE ANGEL BABY AUTOLUMINESCENT Reviled by the critics! This year marks the 20th Anniversary of this Containing a selection of rare footage and moving interviews Adored by fair-dinkum Aussies! landmark Australian Drama. with Rowland S. Howard, Nick Cave, Wim Wenders, Mick Harvey, Lydia Lunch, Henry Rollins, Thurston Moore, In this fan-bloody-tastic classic, directed by Bruce Beresford Winner of 7 AFI Awards, including Best Film, Best Director, Best Actor and Best Actress. Bobby Gillespie, and Adalita, AUTOLUMINESCENT traces (his first feature) Australia’s favourite wild colonial boy, the life of Roland S. Howard, as words and images etch Barry McKenzie (Barry Crocker), journeys to the old country Written and directed by Michael Rymer (Hannibal) and light into what has always been ‘the mysterious dark’. accompanied by his Aunt Edna Everage (Barry Humphries) starring Jacqueline McKenzie (Romper Stomper), John to take a Captain Cook and further his cultural and intellectual Lynch (In the Name of the Father) and Colin Friels (Malcolm), “ IF YOU MAKE SOMETHING THAT IS SO MAGICAL, SO UNIQUE education. this multi-award winning drama tells a tragic tale of love YOU WILL PAY THE PRICE... IT’S THE DEVIL’S BARGAIN.” between two people with schizophrenia as they struggle with LYDIA LUNCH life without medication. “ HEARTBREAKINGLY GOOD AND FILLED WITH A DESPERATE INTENSITY.” JANET MASLIN, THE NEW YORK TIMES FOR ALL ENQUIRIES REGARDING UMBRELLA’S THEATRICAL CATALOGUE umbrellaent.films @Umbrella_Films PLEASE CONTACT ACHALA DATAR – [email protected] | 03 9020 5134 AUSTRALIAN CINEMA BP SUPER SHOW DVD LOUIS ARMSTRONG One of the greatest musical talents of all time, Louis ‘Satchmo’ Armstrong raised his trumpet and delivered a sensational concert for the BP Supershow, recorded at Australia’s Television City (GTV 9 Studios) in 1964. -
Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo .. -
Star Trek Fan Community
The Effect of Commercialisation and Direct Intervention by the Owners of Intellectual Copyright A Case Study: The Australian Star Trek Fan Community Susan Pamela Batho PhD Candidate University of Western Sydney Australia 2009 Resubmitted March 2009 © Susan Batho February 2007 Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. …………………………………………… (Signature) ABSTRACT In the early 1990s, Australian Star Trek fandom appeared to be thriving, with large numbers of members in individual clubs, many publications being produced and conventions being held. The Star Trek phenomenon was also growing, with its profitability being an attractive selling point. In 1994, Viacom purchased Paramount Communications, and expanded the control over its rights by offering licences to the title of Official Star Trek Club for countries outside of the United States, as well licences for numerous commercially sold items At the time they were in negotiation with the Microsoft Corporation to establish an on-line community space for Star Trek to attract the expanding internet fan presence, and relaunching Simon & Schuster’s Pocket Books which was part of Paramount Communications, as its sole source of Star Trek fiction, and had organised to launch the Star Trek Omnipedia, a CD produced by Simon & Schuster Interactive. A new Star Trek series, Voyager, was about to appear, and marketing-wise, it was a good time to expand their presence commercially, launch the new website, and organise the fans through Official Star Trek Clubs, feeding them new merchandise, and the new website. -
Acts • Port Fairy Folk MUSIC Festival – 1977 to 2016
International Boys of the Lough (Scotland) Acts • Port Fairy Folk MUSIC National Abominable Snow Band, Acacia Trio, Boys of The Lough, Barefoot Nellie, John Beavis, Festival – 1977 to 2016 Ted Egan , Captain Moonlight, Bernard Carney, There are around 3500 acts that have been Elizabeth Cohen, Christy Cooney, Alfirio Cristaldo, booked, programmed and played at Port Fairy John Crowl, Dave Diprose, Five N' A Zak, Fruitcake since 1977. of Australian Stories, Stan Gottschalk, Rose No-one has actually counted all of them. Many Harvey, Greg Hastings, High Time String Band, Street Performers and workshop acts have not Richard Keame, Jindivick, Stephen Jones, been listed here. Sebastian Jorgensen, Tony Kishawi, Jamie Lawrence, Di McNicol, Malarkey, Muddy Creek December 2 - 4th 1977 Bush Band, The New Dancehall Racketeers, Tom Declan Affley, Tipplers All, Poteen, Nick Mercer, Nicholson, Trevor Pickles, Shades of Troopers Bush Turkey, Flying Pieman and many more Creek, Gary Shields, Judy Small, Danny Spooner, Shenanigans, Sirocco, Tara, Mike O'Rourke, Tam O December 1- 3rd 1978 Shanter, Tim O' Brien, Ian Paulin, Pibroch, Shirley Declan Affley, Buckley's Bush Band, John Power, Cathy O'Sullivan and Cleis Pearce, Poteen, MacAuslan, Poteen, Rum Buggery and The Lash Tansey's Fancy, Rick E Vengeance, Lisa Young Trio, Kel Watkins, Tim Whelan, Fay White, Stephen December 7 -9th 1979 Whiteside, Witchwood, Geoff Woof, Yabbies Redgum, Finnegans Wake, Poteen, Mick and Helen Flanagan, Tim O'Brien and Captain Moonlight, March 8 - 11th 1985 Buckley's Bush Band, -
The City of Melbourne's Collection of Portraits
The City of Melbourne’s Collection of Portraits by Phip Murray Tom Roberts, Portrait of Alderman Samuel Amess (mayor 1869–70), 1886 Bob van der Toorren, Portrait – Moomba Queen Mother – Dame Edna Everage, 1983 From Tom Roberts’s sublime painting of Mayor Samuel Amess to Bob van der Toorren’s ridiculous photograph of Dame Edna Everage as Queen Mother of Moomba – plus the odd photograph of a council engineer pointing out a pothole – the City of Melbourne’s collection of portraits is nothing if not idiosyncratic. A collection of marvellous diversity and range, it features thousands of faces in artworks that comprise everything from true art-historical treasures to pop-cultural delights. The collection was established when Melbourne City Council was inaugurated in 1842 and it now includes more than 8000 items, with an estimated value (at the time of writing) of $64 million. Its age and depth result in a more compact – and council-oriented – version of the National Gallery of Victoria (NGV) collection of Australian works. Many of the country’s most celebrated artists feature in both collections. In the city’s collection, for instance, there are portraits by Australian impressionists such as Tom Roberts and Charles Douglas Richardson; modernists such as William Beckworth McInnes and Sir William Dargie; and contemporary artists such as Patrick Pound, Destiny Deacon, Sangeeta Sandrasegar and Callum Morton. Truth be told, there are also works of more variable quality, with artworks by seriously talented artists rubbing shoulders (appropriately) with portraits that are unremarkable or even – in the case of one mayor given unflatteringly green skin– remarkably strange. -
Australian Ephemera Collection Finding Aid
AUSTRALIAN EPHEMERA COLLECTION FINDING AID TIVOLI (VAUDEVILLE CIRCUIT) PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 The Tivoli was established by English music hall comedian Harry Rickards in 1893, following the success of his "New Tivoli Minstrel and Grand Specialty Company"(Sydney, 1892), and grew to be the major outlet for variety theatre and vaudeville in Australia for over 70 years. “The Tiv” operated under a range of names with the shows managed and produced variously by Harry Rickards, H.D. McIntosh, H.G. Musgrove, Connors & Paul, Frank Neil, Wallace R. Parnell, Bruce Carroll and David N. Martin. The Tivoli Circuit grew to include Melbourne, Adelaide, Brisbane and Perth by the turn of the century, promoting a broad spectrum of both local and international vaudeville acts including comedians, dancers, acrobats, ventriloquists, and scantily-clad chorus girls who were colloquially known as the “Tivoli Tappers”. This list includes Tivoli vaudeville circuit shows as well as performances at the Tivoli theatres (i.e. venue hire arrangements).The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for this artist are filled. CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance. The list is based on imperfect holdings, and is updated as gaps in the Library’s holdings are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. ACCESS The Tivoli (vaudeville circuit) PROMPT files may be accessed through the Library’s Special Collections Reading Room by eCallslip request: http://nla.gov.au/nla.cat-vn3531752 Programs in the National Library’ PROMPT collection are arranged by entrepreneur and/or management company name.