By Alan Ayckbourn
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Plays and Pinot: Bedroom Farce
Plays and Pinot: Bedroom Farce Synopsis Trevor and Susannah, whose marriage is on the rocks, inflict their miseries on their nearest and dearest: three couples whose own relationships are tenuous at best. Taking place sequentially in the three beleaguered couples’ bedrooms during one endless Saturday night of co-dependence and dysfunction, beds, tempers, and domestic order are ruffled, leading all the players to a hilariously touching epiphany. About the Playwright Alan Ayckbourn, in full Sir Alan Ayckbourn, (born April 12, 1939, London, England), is a successful and prolific British playwright, whose works—mostly farces and comedies—deal with marital and class conflicts and point out the fears and weaknesses of the English lower-middle class. He wrote more than 80 plays and other entertainments, most of which were first staged at the Stephen Joseph Theatre in Scarborough, Yorkshire, England. At age 15 Ayckbourn acted in school productions of William Shakespeare, and he began his professional acting career with the Stephen Joseph Company in Scarborough. When Ayckbourn wanted better roles to play, Joseph told him to write a part for himself in a play that the company would mount if it had merit. Ayckbourn produced his earliest plays in 1959–61 under the pseudonym Roland Allen. His plays—many of which were performed years before they were published—included Relatively Speaking (1968), Mixed Doubles: An Entertainment on Marriage (1970), How the Other Half Loves (1971), the trilogy The Norman Conquests (1973), Absurd Person Singular (1974), Intimate Exchanges (1985), Mr. A’s Amazing Maze Plays (1989), Body Language (1990), Invisible Friends (1991), Communicating Doors (1995), Comic Potential (1999), The Boy Who Fell into a Book (2000), and the trilogy Damsels in Distress (2002). -
Pine Gap --Classified
Released: Thursday 14 September 2017 PINE GAP SCREENTIME, NETFLIX, ABC & SAFC ANNOUNCE NEW PRODUCTION FOR 2017 --CLASSIFIED-- Screentime, a Banijay Group company, has been commissioned by Netflix and the ABC to produce a six hour drama series entitled PINE GAP. Created by showrunner Greg Haddrick and co-writer Felicity Packard, the international political thriller is set in and around the enigmatic US/Australia joint defence facility situated in central Australia. With major support from the South Australian Film Corporation and the South Australian State Government, PINE GAP will commence pre-production in Adelaide in November and will film across multiple locations in South Australia and the Northern Territory in 2018. Set in the hidden world of intelligence, PINE GAP exposes the cost of secrecy and the stress inflicted on nations and individuals when our ultimate loyalty is to our country and not to our partner. When a civilian plane is shot down over Myanmar, the search for the true motive threatens the famously strong American/Australian joint military alliance through conflicting interests, personal ideals … and one tragic mistake. The series will be produced by Lisa Scott and Felicity Packard, and executive produced by Screentime’s Bob Campbell, Rory Callaghan and Greg Haddrick, and the ABC’s Sally Riley and Kym Goldsworthy. Executive Chairman of Screentime Bob Campbell said “Screentime is delighted that Netflix and the ABC have come together to commission this production that has been in development by the Screentime drama team for a number of years.” Creator, executive producer, writer and showrunner Greg Haddrick said: “A compelling work of fiction inspired by modern geo political tensions, we are delighted to be working with Netflix and the ABC to produce an original concept for a worldwide audience.” “Greg Haddrick is a magnificent voice in television in Australia and around the world,” said Elizabeth Bradley, Netflix Vice President of Content. -
Benjamin Winspear
MARTA DUSSELDORP | Actor TELEVISION Year Production / Character Director Company 2017 A PLACE TO CALL HOME: SERIES 5 Various Foxtel / Seven Network Sarah Adams Operations. 2016 JANET KING S3 Various Janet King TV Pty Ltd Janet King 2016 A PLACE TO CALL HOME: SERIES 4 Various Foxtel / Seven Network Sarah Adams Operations. 2015 JANET KING: SERIES 2 Various Janet King TV Pty Ltd Janet King 2015 JACK IRISH SERIES Various Essential Media & Entertainment Linda 2015 A PLACE TO CALL HOME: SERIES 3 Various Foxtel / Seven Network Sarah Adams Operations. 2013 A PLACE TO CALL HOME: SERIES 2 Various Seven Network Operations. Sarah Adams 2013 JACK IRISH: DEAD POINT Jeffrey Walker Essential Media & Entertainment Linda Hillier 2013 JANET KING Various Janet King TV Pty Ltd Janet King 2012 A PLACE TO CALL HOME: SERIES 1 Various Seven Network Operations. Sarah Adams Shanahan Management Pty Ltd Level 3 Berman House 91 Campbell Street Surry Hills NSW 2010 PO Box 1509 Darlinghurst NSW 1300 Australia ABN 46 001 117 728 Telephone 61 2 8202 1800 Facsimile 61 2 8202 1801 [email protected] 2012 DEVIL’S DUST Jessica Hobbs Fremantle Media Meredith Hellicar 2012 JACK IRISH: BLACK TIDE Jeffrey Walker Essential Media & Entertainment Linda Hillier 2012 JACK IRISH: BAD DEBTS Jeffrey Walker Essential Media & Entertainment Linda Hillier 2011 CROWNIES Various Crownies TV Pty Ltd Janet King 2010 RESUE SPECIAL OPS: SERIES 2 Peter Andrikidis Southern Star Productions Lisa Hartigan 2007 BLACKJACK: TELEMOVIES Peter Andrikidis Jigsaw Entertainment GHOSTS, AT THE GATES DEAD -
List of Play Sets
Oxfordshire County Council List of Play Sets Available from the Oxford Central Library 2015 Oxford Central Library – W e s t g a t e – O x f o r d – O X 1 1 D J Author Title ISBN Copies Cast Genre Russell, Willy Shirley Valentine: A play T000020903 2 1f Comedy (Dramatic) Churchill, Caryl Drunk enough to say I love you? T000096352 3 2m Short Play, Drama Churchill, Caryl Number T000026201 3 2m Drama Fourie, Charles J. Parrot woman T000037314 3 1m, 1f Harris, Richard The business of murder T000348605 3 2m, 1f Mystery/Thriller Pinter, Harold The dumb waiter: a play T000029001 3 2m Short Play Plowman, Gillian Window cleaner: a play T000030648 3 1m, 1f Short Play Russell, Willy Educating Rita T000026217 3 1m, 1f Comedy (Dramatic) Russell, Willy Educating Rita T000026217 3 Simon, Neil They're playing our song T000024099 3 1m, 1f Musical; Comedy Tristram, David Inspector Drake and the Black Widow: a comedy T000035350 3 2m, 1f Comedy Ayckbourn, A., and others Mixed doubles: An entertainment on marriage T000963427 4 2m, 1f Anthology Ayckbourn, Alan Snake in the grass: a play T000026203 4 3f Drama Bennett, Alan Green forms (from Office suite) N000384797 4 1m, 2f Short Play; Comedy Brittney, Lynn Ask the family: a one act play T000035640 4 2m, 1f Short Play; Period (1910s) Author Title ISBN Copies Cast Genre Brittney, Lynn Different way to die: a one act play T000035647 4 2m, 2f Short Play Camoletti, Marc; Happy birthday 0573111723 4 2m, 3f Adaptation; Comedy Cross, Beverley Chappell, Eric Passing Strangers: a comedy T000348606 4 2m, 2f Comedy (Romantic) -
Alan Ayckbourn: Complete Play List
Alan Ayckbourn - Complete Writing Credit: Alan Ayckbourn’s Official Website www.alanayckbourn.net License: This resource is available for free reproduction providing it is credited, is not used for commercial purposes and has not been modified without permission. Full Length Plays 1959 The Square Cat 1959 Love After All 1960 Dad’s Tale 1961 Standing Room Only 1962 Christmas V Mastermind 1963 Mr Whatnot 1965 Meet My Father subsequently Relatively Speaking (revised) 1967 The Sparrow 1969 How The Other Half Loves 1970 The Story So Far… subsequently Me Times Me Time Me (revised) subsequently Me Times Me (revised) subsequently Family Circles (revised) 1971 Time And Time Again 1972 Absurd Person Singular 1973 The Norman Conquests comprising Fancy Meeting You subsequently Table Manners Make Yourself At Home subsequently Living Together Round And Round The Garden 1974 Absent Friends 1974 Confusions 1975 Jeeves (with Andrew Lloyd Webber) subsequently By Jeeves (with Andrew Lloyd Webber) (revised) 1975 Bedroom Farce 1976 Just Between Ourselves 1977 Ten Times Table 1978 Joking Apart 1979 Sisterly Feelings 1979 Taking Steps 1980 Suburban Strains (with Paul Todd) 1980 Season’s Greetings 1981 Way Upstream 1981 Making Tracks (with Paul Todd) 1982 Intimate Exchanges comprising Events On A Hotel Terrace Affairs In A Tent Love In The Mist A Cricket Match A Game Of Golf A Pageant A Garden Fete A One Man Protest 1983 It Could Be Any One Of Us subsequently It Could Be Any One Of Us (revised) 1984 A Chorus Of Disapproval 1985 Woman In Mind 1987 A Small Family Business 1987 Henceforward… 1988 Man Of The Moment 1988 Mr. -
Other Half PR
CONTACT: Nancy Richards – 917-873-6389 (cell) /[email protected] MEDIA PAGE: www.northcoastrep.org/press FOR IMMEDIATE RELEASE, PLEASE: NORTH COAST REP SERVES UP BANQUET OF FUN IN HOW THE OTHER HALF LOVES By Sir Alan Ayckbourn Performances Beginning Wednesday, April 11, 2018 Running Through Sunday, May 6, 2018 Now extended by popular demand to May 13, 2018 Directed by Geoffrey Sherman Solana Beach, CA Britain’s comic genius, Sir Alan Ayckbourn, has penned a fast-paced and hilariously funny theatrical feast that stands as a classic modern comedy. With the precision of a master chef, Sir Ayckbourn mixes three very different marriages into a pot, simmering with sex, jealousy, and liberally spiced with ingenious stagecraft. Full of clever, razor-sharp dialogue and impeccable split-second timing, HOW THE OTHER HALF LOVES is a treat you won’t want to miss. Find out why The London Daily Mail called this “a delicious, jolly good show.” Geoffrey Sherman directs Jacqueline Ritz,* James Newcomb,* Sharon Rietkerk,* Christopher M. Williams,* Noelle Marion,* and Benjamin Cole. The design team includes Marty Burnett (Scenic Design), Matthew Novotny (Lighting Design), Aaron Rumley (Sound), Elisa Benzoni (Costumes), and Holly Gillard (Prop Design). Cindy Rumley* is the Stage Manager. *The actor or stage manager appears through the courtesy of Actors’ Equity Association, the union of professional actors and stage managers in the United States. For background information and photos, go to www.northcoastrep.org/press. HOW THE OTHER HALF LOVES previews begin Wednesday, April 11. Opening Night on Saturday, April 14, at 8pm. There will be a special talkback on Friday, April 20, with the cast and artistic director. -
Benjamin Winspear
SHANAHAN MARTA DUSSELDORP | Actor TELEVISION Year Production / Character Director Company 2021 JACK IRISH: SERIES 3 Various Easy Tiger Productions Linda 2020 WENTWORTH: SERIES 8 Kevin Carlin, Fremantle Media Sheila Fiona Banks 2019 STATELESS Emma Freeman, Dirty Films / ABC / Matchbox Margot Verner Jocelyn Moorhouse Pictures 2018 A PLACE TO CALL HOME: SERIES 6 Various Foxtel / Seven Network Sarah Adams 2018 WHO DO YOU THINK YOU ARE Various SBS Australia 2017 JACK IRISH: SERIES 2 Various Essential Media & Entertainment Linda 2017 A PLACE TO CALL HOME: SERIES 5 Various Foxtel / Seven Network Sarah Adams 2016 JANET KING: SERIES 3 Peter Andrikidis, Screentime Janet King Grant Brown, Catherine Millar 2016 A PLACE TO CALL HOME: SERIES 4 Various Foxtel / Seven Network Sarah Adams 2015 JANET KING: SERIES 2 Various Screentime Janet King Shanahan Management Pty Ltd PO Box 1509 Darlinghurst NSW 1300 Australia ABN 46 001 117 728 Telephone 61 2 8202 1800 Facsimile 61 2 8202 1801 [email protected] SHANAHAN 2015 JACK IRISH SERIES 1 Various Essential Media & Entertainment Linda 2015 A PLACE TO CALL HOME: SERIES 3 Various Foxtel / Seven Network Sarah Adams 2013 A PLACE TO CALL HOME: SERIES 2 Various Seven Network Sarah Adams 2013 JACK IRISH: DEAD POINT Jeffrey Walker Essential Media & Entertainment Linda Hillier 2013 JANET KING Various Screentime Janet King 2012 A PLACE TO CALL HOME: SERIES 1 Various Seven Network Operations Sarah Adams 2012 DEVIL’S DUST Jessica Hobbs Fremantle Media Meredith Hellicar 2012 JACK IRISH: BLACK TIDE Jeffrey Walker Essential -
JANET KING - Season
THE AUSTRALIAN BROADCASTING CORPORATION AND SCREEN NSW PRESENTS A SCREENTIME, A BANIJAY GROUP COMPANY, PRODUCTION AACTA award winner Marta Dusseldorp reprises her lead role as the brilliant Senior Crown Prosecutor Janet King. Synopsis With gun crime exploding in the suburbs, Janet King (Marta Dusseldorp) is handpicked by a nervous government to head a Royal Commission into the surge of recent shootings. Unlike the world of the DPP, the Royal Commission allows Janet and her team to become the investigators – they can raid, interrogate and have police seconded to them. Conscripting solicitors Lina Badir (Andrea Demetriades), Richard Stirling (Hamish Michael), as well as the ambitious Owen Mitchell (Damian Walshe-Howling) as Counsel Assisting, with Detective Inspector Andy Campbell (Christopher Morris) as Police Liaison, Janet and her team peel back the complex layers of intrigue underpinning the illicit trade in weapons. As Janet exercises her powers and begins uncovering the truth, criminal and political forces begin to stir, bent on shutting down the Royal Commission, even if it means destroying Janet in the process. A shocking reveal brings Janet’s world crashing in on her as she faces legal proceedings of a deeply personal nature. Cast Janet King Marta Dusseldorp Owen Mitchell Damian Walshe-Howling Richard Stirling Hamish Michael Lina Badir Andrea Demetriades Andy Campbell Christopher Morris Tony Gillies Peter Kowitz Heather O’Connor Leah Purcell Bianca Grieve Anita Hegh Deborah Larsson Genevieve Hegney Major Simon Hamilton Aaron Jeffery -
Ayckbourn's Stage Reaction to Families Buried In
AYCKBOURN’S STAGE REACTION TO FAMILIES BURIED IN TECHNOLOGY KAĞAN KAYA Cumhuriyet University, Sivas Abstract: The paper analyses the premature warnings of British playwright, Alan Ayckbourn, who foresees that the modern family has been under the onslaught of technology. His dystopia, Henceforward... (1987) , set in the flat of the high-tech addict protagonist, Jerome, tells one of the traditional family stories of the playwright. However, the paper focuses on Ayckbourn’s neglected dramatic mission - that of securing the British family. Keywords: Alan Ayckbourn, British drama, dystopia, family, technology “Happy families are all alike; every unhappy family is unhappy in its own way.” (Tolstoy (2001), 1875-1877:1) 1. Introduction British playwright, Sir Alan Ayckbourn, is often referred to as a famous farceur. However, he is not pleased with this label, because with a “tireless dedication to the idea of theatre and... fierce moral concern with the state of the nation,” (Billington 1989), he has a distinctive multi-dimensional understanding of drama. In fact, he expresses sociologically harsh criticism of British middle-class man through his black comedy, in the light of his vision of drama. Henceforward... , which is the thirty-fourth play of the playwright, is a very noteworthy fraction of Ayckbourn’s tenet, for several reasons. It received the Evening Standard Award for Best Comedy in 1989. It was the second quickest transfer of all Alan Ayckbourn plays to the US, Houston’s Alley Theatre. Even the title of the play suggests a kind of manifesto of the playwright which declares that he is resolute in the changes of his drama. -
A SCREENTIME Production for ABC TV
A SCREENTIME production for ABC TV MEDIA CONTACTS Catherine Lavelle Kris Way FOR SCREENTIME ABC TV PUBLICITY T 02 9405 2880 T 02 8333 3844 M 0413 88 55 95 M 0419 969 282 E [email protected] E [email protected] As at 4.7.13 The powerful new 8 x 1 hour miniseries produced by Screentime, a Banijay Group company, for ABC1. Following twelve months maternity leave, Senior Crown Prosecutor Janet King (Marta Dusseldorp) returns to the DPP to confront a high-profile murder and a conspiracy, which will have shocking ramifications throughout the judicial system - as well as threaten all she holds dear. With Tony Gillies (Peter Kowitz) now the Director and a rising star prosecutor (Damian Walshe-Howling as Owen Mitchell) well entrenched in the DPP, Janet juggles legal cases and motherhood in equal measure. Following the Attorney General’s decree that there be a closer working relationship between the DPP and the Police, Chief Superintendent Jack Rizzoli (Vince Colosimo) is taking a very ‘hands on’ approach in the cases for prosecution, and especially Janet’s campaign to expose the truth behind a shocking murder that strikes at the very heart of the justice system. Also appearing in the compelling high stakes legal thriller are John Howard, Jessica Napier, Zoe Carides, Terry Serio, Deborah Kennedy and Tiriel Mora, as well as returning Crownies alumni Hamish Michael, Ella Scott Lynch, Christopher Morris, Andrea Demetriades, Jeanette Cronin, Lewis Fitz-Gerald, Aimee Pedersen, and Indiana Evans. © 2013 Screentime Pty Ltd, the Australian Broadcasting Corporation and Screen NSW Page 2 Janet King was series produced by Karl Zwicky, produced by Lisa Scott and co-produced by Jane Allen, with Hilary Bonney as story consultant and associate producer. -
House & Garden
2008-2009 SEASON / WELCOME TO C T3 PEOPLE HOUSE & GARDEN A couple of months ago I had asked Jae Alder, BOARD OF DIRECTORS 'Hey! Who's directing House and Garden?' He CHAIRSonja J. McGill LIAISON, CITY OF DALLAS CULTURAL COMMISSION looked at me fora full fiveseconds, and then he TailimSong said 'Um ....You are.' BOARD MEMBERS JacAlder, Nancy Cochran, Roland ll[VirginiaDykes, David G. Luther, Patsy Here are the reasons I didn't completely freakout. P. Yung Micale, Jean M. Nelson,Shanna Nugent, It's all about trust. Valerie W. Pelan, Eileen Rosenblum, PhD, Enika 1) I trust myself Anybody that knows Eves = Absurd Person Sh1gular - that sort Schulze, John & Bonnie Strauss, AnnStuart, PhD, Katherine Ward, Karen Washington, Linda R. me knows I am constantly working on of thing. So I figure he has this whole Zimmerman multiple projects at the same time. I 'being in two places at one time' concept HONORARY BOARD MEMBERS GaryW. Grubbs, do this because I have artistic needs. down cold. And if you are going to trust Elizabeth Rivera, JanetSpencer Shaw Like paying my rent. So directing what anybody to do their homework and CORPORATE ADVISORY COUNCIL amounts to two full length productions get the mechanics of a tricky conceit TNS PARTNERS Jim Chambers simultaneously? A walk in the park ... like this worked out, it's going to be ALLIE BETH ALLMAN &ASSOCIATES Ayckbourn. I knew I could trust this Bill & MarsueWilliams 2) I trust Jae. He is my mentor. He GABLES RESIDENTIAL Cindy Davis whole schlemeil to work. And it does. usually knows how to match up a HEALTH SEARCH, LLC Dodie Butler A Class Act Thank God. -
The Alan Ayckbourn and Andrew Lloyd Webber Musical Based on the Jeeves Stories by P.G
SPOTLIGHT ON THEATER NOTES PRODUCED BY THE PERFORMANCE PLUS™ PROGRAM, KENNEDY CENTER EDUCATION DEPARTMENT THE ALAN AYCKBOURN AND ANDREW LLOYD WEBBER MUSICAL BASED ON THE JEEVES STORIES BY P.G. WODEHOUSE logo designed by Dewynters plc., London TM © 1996 RUG Ltd. TM © 1996 RUG London plc., Dewynters designed by logo Y EEVES “The Fairy Tale World B J Jeevesorever joined and at the comic Bertie hip, Reginald Jeeves and Bertram Wilberforce Wooster are in the front rank of Fdroll characters invented in the 20th century. of P.G.odehouse Wodehouse” biographer Richard Jeeves is the perfect manservant. Bertie (“Bertram Voorhees* points out that BERTheTIE WOO STCharactersER TheTHE SCENE Story: A church hall, later to represent a London Wilberforce” is reserved for the rarest of occasions) is the WWodehouse’s fiction belongs “spiri- John Scherer flat and the house and grounds of Totleigh Towers. far-from-perfect master. Through the imagination of P.G. tually to the world of Victoria and Edward VII,” a THE TIME: This very evening. Wodehouse they have found a happy symbiosis, not unlike world “roughly limited on one side by the EEVES his manservant J , Eager to contribute to the festivities of a charity benefit that of naughty child and protective parent. Diamond Jubilee of Queen Victoria [1897] and Richard Kline performance in an English village hall, dim-but-affable Given Bertie’s propensity for foolish capers and his limited on the other by the introduction of the cross- Bertie Wooster bursts on stage strumming a frying pan. HONORIA GLOSSOP, his ex-fiance vocabulary, it is a bit difficult to understand how he managed word puzzle [1925].” To his confusion and chagrin, he realizes that the pan has Donna Lynne Champlin to graduate such prestigious institutions of learning as Eton been substituted for his stolen banjo.