SGA Slates April Events Celebration of the Recording Industry Assn

Total Page:16

File Type:pdf, Size:1020Kb

SGA Slates April Events Celebration of the Recording Industry Assn UN TR Y `Signature' Culls Talents Of Five Artists RCA Debuts Songwriter Series NASHVILLE "Signatures," the RCA's director of a &r, Mary Mar- Galante and Martin agree that any of first in RCA Records' new series of tin, says she "whined and whimpered them might be offered artist con- songwriter albums, is scheduled to for a couple of years" to get the se- tracts if they generate enough public hit the record stores May 3. Writers ries launched, insisting that there are enthusiasm. on the 10 -cut debut album -all of "several writers in this town who Bob McDill, a member of the Nash- whom sing their own material-are [sing] very well and very identifi- ville Songwriters Hall Of Fame, pro- Don Schlitz, Bob McDill, Mark ably." Martin says she chose the tal- duced his own sessions. Other pro- Wright, Rhonda Kye Fleming, and ent lineup for the first album. ducers are Gary Scruggs (for Schlitz Mike Reid. None of the singers on the album and Fleming); Rob Galbraith (Reid); "Old Folks," the initial single from are being paid artist royalties, Ga- Galbraith and Milsap (Reid and Mil - "Signatures," is at No. 10 on the Hot lante says. "The basic deal was [for] sap); and Wright, Brent Rowan, and Country Singles chart this week. recording cost and producer cost." Joe Scaife (Wright). Reid wrote the song and recorded it While none of the songwriters are McDill's "Song Of The South" will as a duet with Ronnie Milsap. signed to RCA as an act, both be the next single. EDWARD MORRIS Joe Galante, RCA's senior VP and general manager, says the album is primarily an "honor" to songwriters rather than a regular business effort. Ricky Van Gold. CBS -Nashville label execs join Ricky Van Shelton in SGA Slates April Events celebration of the Recording Industry Assn. of America's recent gold -album "If we sell 10,000 or 100,000, we're certification of Shelton's "Wild -Eyed Dream." Pictured, from left, are Jack going to continue the series," he NASHVILLE The Songwriters will hold its first general member- Lameier, director of national promotion; Mary Ann McCready, director of sales promises. He anticipates two to three Guild Of America office here will ship meeting and Aggie award cer- and product development; Roy Wunsch, senior vice president of Nashville more albums within the next year, end April with a flurry of activity emony in the Hyatt Regency Hotel operations; Shelton; Steve Buckingham, director of a&r and album producer; each featuring five songwriters. that will include a membership pic- ballroom. The award, which hon- Joe Casey, vice president of promotion; Vicky Rowland, manager of retail "We'll market ['Signatures] as a nic, an award presentation, an ors songwriting excellence, will go relations; and Rich Schwan, director of national promotion. The album has normal release," Galante explains, Ask-A -Pro session, and the third to John D. Loudermilk, who will "and try to develop it as much as pos- annual Sue Brewer Fund Show- become the first Nashville writer yielded two No. 1 singles, "Someboc y Lied" and "Life Turned Her That Way." sible." case. to be honored with an Aggie. The The picnic, which opens the se- award was established in 1973 and ries of Guild events, will be held has been conferred on such song- from 11 a.m. -4 p.m. April 24 at Two writers as Johnny Mercer, Peggy Cable TV Network Garners Awards, Strong Ratings Rivers Mansion. Lee, Henry Mancini, and Meredith At 8 p.m. on April 25, the Guild (Continued on next page) TNN: 5 Years Old & Waltzing To Success HAPPY BIRTHDAY to The Nashville Network. In onstrated that they are as fresh and dynamic today as DoHywood $ To Aid Fund this issue of Billboard you'll find a special salute to they were in the '50s. NASHVILLE Net proceeds from funds will be allocated to create The Nashville Network, which is _celebrating its fifth Here's wishing TNN another five years as impres- the first concerts at Dollywood's college scholarships for all high anniversary. TNN has become one of the biggest suc- sive as the first. With the success of TNN and the rise new D.P.'s Celebrity Theatre in Pi- schools in the county and to devel- cess stories in the often -turbulent world of cable tele- of Country Music Television, country music has a lot geon Forge, Tenn., will be donated op programs to motivate middle - vision. to crow about. to the Dollywood Foundation for school students to stay in school. While much of the music industry fawns over MTV, educational projects. Dolly Parton Inquiries about and contribu- VH -1, and other services, many executives forget that NEWSNOTES: Just wait until you hear k.d. lang's has established the foundation to tions to the organization can be TNN is going head to head with the cable biggies- new album, recorded in Nashville under the tutelage raise funds to reduce the school sent to Eunice Eledge, Dollywood and in some cases is coming up a winner. For example, of Owen Bradley. The Canadian country star has nev- dropout rate in her native Sevier Foundation, Pigeon Forge, Tenn. a recent two -hour special er sounded better, and County, Tenn. 37863 -4101. showing of "Nashville this could be the vehicle A spokesman for Parton says Now," the live nightly to take her to a higher entertainment series level of stardom. Patsy hosted by veteran Ralph Cline is k.d.'s hero, and Emery, drew a 2.7 Niel- Bradley produced the FOR WEEK ENDING APRIL 23, 1988 sen prime -time rating, Cline classics of the past. ©Copyright 1988, Billboard Publications, Inc. No part of this representing 1.06 million One of the highlights of illboard publication may be reproduced, stored in any retrieval system, or transmitted, in any form or by any means, electronic, mechanical, households. That was the album is a three -song photocopying, recording, or otherwise, without the prior written good enough for a tie medley with lang joined permission of the publisher. with USA for the top by Brenda Lee, Loretta spot among all basic-ca- Lynn, and Kitty Wells. HOT COUNTRY SINGLES ACTION ble shows during that by Gerry Wood ... A recent music -biz re- time slot. Bested were ESPN (a 1.6 rating), CNN (1.2), ception in Nashville drew one of the largest turnouts RADIO MOST ADDED Lifetime (0.9), MTV (0.7), CBN (0.9), and CNN Head- ever here for this kind of event. The reception was for, BRONZE/ line News (0.3). of all people, Tiny Tim, who was being feted by GOLD SILVER SECONDARY TOTAL TOTAL ADDS ADDS ADDS ADDS ON Emery has been named favorite cable personality of ASCAP. Tim has gone country with his latest release. 26 REPORTERS 61 REPORTERS 63 REPORTERS 150 REPORTERS the year and best host of a talk /entertainment or in- ... BMI drew some record-industry biggies with its FALLIN' AGAIN formational series by The Cable Guide magazine. reception for Mike Greene, the new national president ALABAMA RCA 13 31 39 83 87 Awards have also gone to "Nashville Now" and sever- of NARAS.... Party -of- the -week honors go to the OLD PHOTOGRAPHS al other TNN shows and specials. Recently, Emery Jim Halsey Agency for hosting a block party celebrat- SAWYER BROWN CAPITOL 2 18 34 54 55 and the show's crew traveled to the Treasure Island ing the opening of the Music Row studios for WSIX SHE DOESN'T CRY ANYMORE SHENANDOAH COLUMBIA 3 12 28 43 43 Resort on Grand Cayman Island to broadcast the Nashville, a powerhouse country station. Halsey must WORKIN' MAN April 11 -15 telecasts. It's the perfect spot from which have had a preparty powwow with a medicine man: NITTY GRITTY DIRT we. 2 9 24 35 79 to broadcast a Nashville -based show. The sky is sunni- The outdoòr picnic along Music Row took place on a TALKIN' TO THE WRONG MAN er than it is in Nashville, the water bluer, and the perfect spring day. M. M. MURPHEY W.B. 3 15 12 30 72 sands whiter. Slated to appear or these telecasts were Joe Hoppel, morning man at WCMS Radio, Nor- JUST ONE KISS such acts as Bertie Higgins, Randy Travis, Loretta folk, Va., for more than 30 years, was the winner of EXILE EPIC 0 10 20 30 38 Lynn, T.G. Sheppard, Conway Twitty, Mel Tillis, and the Top Of The Morning -Hampton Roads Favorite GIVERS AND TAKERS Mike Love of the Beach Boys. Morning Disk Jockey contest, sponsored by the Vir- S -K -B MTM 3 13 14 30 30 One of the wilder "Nashville Now" shows came a ginian Pilot /Ledger Star newspapers. A $5,000 check GOODBYE TIME week before TNN took over the Cayman Islands. was donated in Hoppel's name to his favorite charity, CONWAY TWITTY MCA 3 8 16 27 93 "Nashville Now" was promoting a new TNN rockin' the Arthritis Foundation. IF IT DON'T COME EASY TANYA TUCKER CAPITOL 3 9 8 20 137 oldies show that features Wolfman Jack as MC. Jimmy C. Newman recently signed with Miami - Among those who helped plug the new show on based Playback IF YOU CHANGE YOUR MIND Records, according to label chief ROSANNE CASH COLUMBIA 5 11 4 20 114 "Nashville Now" were the Wolfman himself, the Jack Gale. The label's roster also includes Margo Shirrelles, Del Shannon, the Diamonds, and Freddie Smith, Del Reeves, Bobby Helms, Bonnie Radio Most Added is aweekly national compilation of the ten records most added to the playlists Guitar, the of the radio stations reporting to Billboard.
Recommended publications
  • Country Music Special 1979
    COUNTRY MUSIC SPECIAL 1979 Songwriters: Unsung Heroes The Future Looks Bright For Are Enjoying New Popularity Country Music Labels, Artists (continued from nage C-22) (continued from page C-20) very little monetary reward for some time," Songwriters Hall of Fame. Founded in 1970, "Television seems to be the primary that area slowing down either. Cavender noted. "It takes tenacity, dedica- the list of Hall of Famers now boasts some market in any country in getting the big "I've always contended that if country tion, hard work and total concentration for a 74 names. Four more songwriters will be word out," Walker said. "Getting the music could be heard more, it would long, thankless period. But the writer does immortalized this week (Oct. 7) when the awards show on would allow us to expose become more popular," said Walker. "That receive something very important - self association announces this year's new country music to a large group of people was the theory behind trying to get more fulfillment. I don't think you can ask for members. who 'may have never heard country music radio stations to program country music. much more of a reward than fulfillment of A nomination list is comprised yearly by before." That was our first goal when the CMA was self." the NSAI board of directors, the past presi- Of the countries the CMA is hoping to organized. I think the figures speak for The NSAI was formed in 1967 to aid the dent of the association and a selected elec- develop, Walker said that Germany would themselves.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Course Description, Class Outline and Syllabus Instructor: Peter Elman
    Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary.
    [Show full text]
  • Clint Fisher and His Musical Buddies
    EDITOR: Amelia Martin ASSOCIATE EDITOR: Sarah Fitzjarrald CONSULTING EDITOR: CONTENTS Carolyn Pollan GUEST WRITER: VOL VIII, NO. 1 APRIL, 1984 Doc Miller PROOF READERS: Letter From Editors 2 Pam Pearce Alphonso Trent, One of the Best 3 Dr. Larry Pearce Mary Nell Euper Hammer's Bands 7 Rosalie Platt Amrita Grotto Band 9 Col. C.B. "Pat" Porter Jimmie Grace and His Ozarkians 10 PHOTOGRAPHIC STAFF David King The Southerners, Edgar A. Robinson, Director 12 INDEXING Doc Miller's Orchestras 14 Floy Looper Clint Fisher and His Musical Buddies 16 OFFICE STAFF Del Conger Fred Rose 18 Felix Thomson Wayne Redden and His Arkansas Valley Boys 19 Thelma Black Velma Barber Froebel E. Lee 19 Frank Jedlicka Heart Throbs 20 BOARD AND OFFICERS: Paul Lewis 20 Amelia Martin, Pres. Chris Allen, V.P. Calvin Carter and the Border City Ramblers, Mary Nell Euper, Sec. Rhonda "Kye'Tleming 21 Donald Peer, Treas. Floy Looper, Corres. Sec. News & Opportunities 22 Wayne Bledsoe Book Notes: Fort Smith, Siloam Shorts, Del Conger Fire In The Hole 25 Gilmer Dixon Sarah Fitzjarrald Marriage Book B, Fort Smith District, Mary Lou Jacobsen Sebastian County, Arkansas 26 Rosalie Platt Col. C.B. (Pat) Porter Corrections, Marriage Book A 32 Felix Thomson Contents, Past Issues 34 Thelma Wray 1884 Newspapers Excerpts 35 Membership in the Fort Smith Historical Index 49 Society includes subscription to The Journal of the Fort Smith Historical Society, which is published semi-annually. Year begins Jan. 1 COVER: Some of Fort Smith's "Big Band Era" Bands and Orchestras and ends Dec. 31. «Copyright 1984 ISSN 0736 4261 For membership, send dues with your name By the Fort Smith Historical Society, Inc.
    [Show full text]
  • 1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB
    Total tracks number: 1715 Total tracks length: 87:21:49 Total tracks size: 10.8 GB # Artist Title Length 01 Adam Brand Good Friends 03:38 02 Adam Harvey God Made Beer 03:46 03 Al Dexter Guitar Polka 02:42 04 Al Dexter I'm Losing My Mind Over You 02:46 05 Al Dexter & His Troopers Pistol Packin' Mama 02:45 06 Alabama Dixie Land Delight 05:17 07 Alabama Down Home 03:23 08 Alabama Feels So Right 03:34 09 Alabama For The Record - Why Lady Why 04:06 10 Alabama Forever's As Far As I'll Go 03:29 11 Alabama Forty Hour Week 03:18 12 Alabama Happy Birthday Jesus 03:04 13 Alabama High Cotton 02:58 14 Alabama If You're Gonna Play In Texas 03:19 15 Alabama I'm In A Hurry 02:47 16 Alabama Love In the First Degree 03:13 17 Alabama Mountain Music 03:59 18 Alabama My Home's In Alabama 04:17 19 Alabama Old Flame 03:00 20 Alabama Tennessee River 02:58 21 Alabama The Closer You Get 03:30 22 Alan Jackson Between The Devil And Me 03:17 23 Alan Jackson Don't Rock The Jukebox 02:49 24 Alan Jackson Drive - 07 - Designated Drinke 03:48 25 Alan Jackson Drive 04:00 26 Alan Jackson Gone Country 04:11 27 Alan Jackson Here in the Real World 03:35 28 Alan Jackson I'd Love You All Over Again 03:08 29 Alan Jackson I'll Try 03:04 30 Alan Jackson Little Bitty 02:35 31 Alan Jackson She's Got The Rhythm (And I Go 02:22 32 Alan Jackson Tall Tall Trees 02:28 33 Alan Jackson That'd Be Alright 03:36 34 Allan Jackson Whos Cheatin Who 04:52 35 Alvie Self Rain Dance 01:51 36 Amber Lawrence Good Girls 03:17 37 Amos Morris Home 03:40 38 Anne Kirkpatrick Travellin' Still, Always Will 03:28 39 Anne Murray Could I Have This Dance 03:11 40 Anne Murray He Thinks I Still Care 02:49 41 Anne Murray There Goes My Everything 03:22 42 Asleep At The Wheel Choo Choo Ch' Boogie 02:55 43 B.J.
    [Show full text]
  • Artist/Group Song Title
    ARTIST/GROUP SONG TITLE V.I.C. WOBBLE VALENS, RICHIE DONNA VALENS, RITCHIE COME ON LET'S GO VALLI, FRANKIE CAN'T TAKE MY EYES OFF YOU VALLI, FRANKIE MY EYES ADORED YOU VAN BEETHOVEN, CAMPER TAKE THE SKINHEADS BOWLING VAN DYKE, LEROY AUCTIONEER [THE] VAN DYKE, LEROY WALK ON BY VAN HALEN AIN'T TALKIN' 'BOUT LOVE VAN HALEN AND THE CRADLE WILL ROCK VAN HALEN BEAUTIFUL GIRLS VAN HALEN DANCE THE NIGHT AWAY VAN HALEN DON'T TELL ME (WHAT LOVE CAN DO) VAN HALEN DREAMS VAN HALEN EVERYBODY WANTS SOME (EXPLICIT) VAN HALEN FEEL YOUR LOVE TONIGHT VAN HALEN FINISH WHAT YA STARTED VAN HALEN HOT FOR TEACHER VAN HALEN HUMANS BEING VAN HALEN ICE CREAM MAN VAN HALEN I'LL WAIT VAN HALEN JAMIE'S CRYIN' VAN HALEN JUMP VAN HALEN OH, PRETTY WOMAN VAN HALEN PANAMA VAN HALEN POUNDCAKE VAN HALEN RIGHT NOW VAN HALEN RUNNIN' WITH THE DEVIL VAN HALEN TOP OF THE WORLD VAN HALEN UNCHAINED VAN HALEN WHEN IT'S LOVE VAN HALEN WHY CAN'T THIS BE LOVE VAN HALEN WITHOUT YOU VAN HALEN YOU REALLY GOT ME VAN SHELTON, RICKY BACKROADS VAN SHELTON, RICKY I AM A SIMPLE MAN VAN SHELTON, RICKY I MEANT EVERY WORD HE SAID VAN SHELTON, RICKY I'LL LEAVE THIS WORLD LOVING YOU VAN SHELTON, RICKY I'VE CRIED MY LAST TEAR FOR YOU VAN SHELTON, RICKY JUST AS I AM VAN SHELTON, RICKY KEEP IT BETWEEN THE LINES VAN SHELTON, RICKY LIFE TURNED HER THAT WAY VAN SHELTON, RICKY LIVING PROOF VAN SHELTON, RICKY LOLA'S LOVE VAN SHELTON, RICKY SHE NEEDS ME VAN SHELTON, RICKY SOMEBODY LIED VAN SHELTON, RICKY STATUE OF A FOOL VAN SHELTON, RICKY WEAR MY RING AROUND YOUR NECK VAN SHELTON, RICKY WHERE WAS I VAN
    [Show full text]
  • The Official Newsletter of the San Diego Model Car Club January 2007
    The Official Newsletter of the San Diego Model Car Club January 2007 . Most of us never give this a second thought, but without a place to meet, our little club wouldn’t exist. The fact that we even know each other and get together once a month is almost totally because we have a place to do it, and what most of us don’t know is that we come under real danger of losing it every single January. For one reason or another, the City Parks and Recreation Dept. changes the rules and criteria on our meeting room every year and as such, one of our members has to jump through hoops and negotiate just to make sure we still have a place to meet for the following year, and that guy is Darryl Gassaway. This latest round of bureaucratic nonsense got me to thinking about Darryl and how important he’s been to our club over the years. Darryl has been with us almost from the beginning and has always held positions of responsibility for just about the same length of time, ranging from newsletter editor to treasurer to probably some other positions I don’t even know about. During the time the club was involved with the Lower Left Coast Model Car Contest, Darryl, along with Dan King, ram-rodded that event every year and although as president, I never approved of the club’s involvement in it, I have to applaud Darryl’s tireless efforts in making that event a success. In addition, Darryl has be come a true ambassador of the model car building hobby, especially as it pertains to the Southern California area.
    [Show full text]
  • Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver
    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2017 Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Music Commons, and the Women's History Commons Recommended Citation Morrow, Madeline Rachel, "Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015" (2017). Electronic Theses and Dissertations. 1258. https://digitalcommons.du.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 __________ A Thesis Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the requirements for the Degree Master of Arts __________ by Madeline Rachel Morrow June 2017 Advisor: John J. Sheinbaum ©Copyright by Madeline Rachel Morrow 2017 All Rights Reserved Author: Madeline Rachel Morrow Title: WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 Advisor: John J. Sheinbaum Degree Date: June 2017 ABSTRACT This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015.
    [Show full text]
  • Ilistung Spec:131
    -FEBRUARY 28,1981 s Po, (tZtoo 4)0 1. .(1 C06/24,a402-(7/2,4 tE0 ic . ilistung SPeC:131.. SLEEPERS ND JEFFREYS, "96 TEARS" (prod. EMMYLOU HARRIS, -MISTER SAM' by Jeffreys-Clearmountain) (writ- (prod. by Ahern) (writer..f' er: Martinez) (ABKO, BMI) (3:06). (EdwinH.Morris&" The unforgettable organ riff intro ASCAP)(2:20).Putifr`!- forewarns of somethi-hg .special watch your speakers flo about to happen and Jeffreys' Emmylou's luscious voc vocal fever doesn't disappoint. .4 age to recreate the Ch marvelous update of the '67 hit full sound. Great for any to Epic 19-51008. WB 49684. RAY PARKER JR. & RAYDIO, "A WOMAN THE FOOLS, "RUNNING SCARED" (prod. GAHLANu NEEDS LOVE (JustLike You by Poncia) (writers: Orbison-Mel- ARTIST." From tha *Sr Do)" (prod. by Parker Jr.) (writer: son: (Acuff -Rose,BMI)(2:28). "Modern Lovers," it's obvious,k ParkerJr.)(Raydiola,ASCAP;, Roy Orbison is a hot commodity this prolific songwrte- and dramat (3:46). A velvet -smooth chorus these days and the Fools make a performerhasmeldedthetwo adorns Ray's loving tenor on the wise choice withthis cover of talents into his ideal album. Reggae classy hook, giviig st-ong multi - his'61 hit.Mike Girard's poplike"Christine" andchilling format appeal. From theJpco m- vocal captures the drama of the finales like "Mystery Kids" will cor- in g "Just Love" LP. A-ista 0592 original. EMI -America 8072. ner airplay. Epic JE 36983 (7.98) DAN HARTMAN, "HEAVEN IN YOUR HAWKS, "RIGHT AWAY" (prod. by Wer- PHIL COLLINS, "FACE VALUE." At ARMS" (prod.
    [Show full text]
  • “The Stories Behind the Songs”
    “The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]