2018-19 SEASON Season Highlights
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2018-19 Chronological Calendar
2018-19 (119TH SEASON) Chronological Calendar (as of January 31, 2018) OPENING NIGHT September 13 at 7:00 PM–Thursday evening—Verizon Hall at the Kimmel Center for the Performing Arts The Philadelphia Orchestra Yannick Nézet-Séguin Conductor André Watts Piano Rossini Overture to William Tell Strauss Don Juan Join us as we kick off The Philadelphia Orchestra’s 119th season in high style. The Opening Night Concert and Gala for the 2018-19 season promises to be a highlight of the cultural year. Yannick, internationally renowned pianist André Watts (who made his debut with the Orchestra in 1957, at the age of 10), and the Fabulous Philadelphians are planning a special celebratory program that features musical masterworks and audience favorites, including Rossini’s famous Overture to William Tell and Strauss’s Don Juan. Opening Night Co-Chairs Alison Avery Lerman and Lexa Edsall, Volunteer Association President Lisa Yakulis, Board Chairman Richard Worley, and the Opening Night Gala committee look forward to welcoming you to this special evening, featuring great music, high couture and black tie, and delicious food and champagne with Philadelphia’s cultural leaders and arts patrons. Contact Dorothy Byrne in the Volunteer Relations office at 215.893.3124 or via e-mail at [email protected] to make sure you are on the invitation list. Concert-only tickets for the evening are also available—simply add them to your subscription. January 31, 2018—All programs and artists subject to change. PAGE 2 The Philadelphia Orchestra 2018-19 Chronological -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
October 2015
October 2015 Bertrand Chamayou INSIDE: Ian Bostridge | Sarah Connolly Ehnes Quartet | Thomas Hampson Alina Ibragimova & Cédric Tiberghien Magdalena Kozˇená & Mitsuko Uchida Steven Isserlis | Robert Levin Sandrine Piau | Christoph Prégardien Stile Antico | Vox Luminis And many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. Please note that the Box Office with be closed for bookings in person from Monday 27 July to Friday 4 September. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–Y Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – Y AAAA AAAA Lowest price This brochure is available in alternative formats. -
Saison 2021 /22 Saison 2021 /22 Herzlich Willkommen! Alte Oper Frankfurt Inhaltsverzeichnis
SAISON 2021 /22 SAISON 2021 /22 HERZLICH WILLKOMMEN! ALTE OPER FRANKFURT INHALTSVERZEICHNIS Einmal mit den Flügeln INHALT schlagen und abheben bitte. Starten Sie mit uns einen Flug über die Alte Oper, mitten ins IM ÜBERBLICK ABONNEMENTS 19 Herz der Stadt! FESTIVALS UND SCHWERPUNKTE 33 KONGRESSE UND EVENTS 51 DAS OFFENE HAUS 55 DANK 73 DIE KONZERTSAISON 2021/22 DIE KONZERTE DER ALTEN OPER TAG FÜR TAG 81 ANGEBOTE DER PARTNER 161 SERVICE 177 NEUE PERSPEKTIVEN So haben Sie das Konzerthaus noch nie gesehen. Halten Sie einfach die Kamera Ihres Smartphones auf den abgebildeten Code, um die Alte Oper aus ungewohnter Perspektive zu entdecken. Oder gehen Sie auf www.alteoper.de/rundflug 2 3 GELEITWORT ZUM PROGRAMM GELEITWORT ZUM PROGRAMM PETER FELDMANN DR. MARKUS FEIN Oberbürgermeister der Stadt Frankfurt am Main Intendant und Geschäftsführer der Alten Oper Frankfurt Vorsitzender des Aufsichtsrats der Alten Oper Frankfurt Es ist gut, Perspektiven zu haben – nicht nur in Krisenzeiten. Sehr geehrte Damen und Herren, Wenn ich das Programm der Alten Oper betrachte, entdecke ich liebe Besucher*innen der Alten Oper, neue Perspektiven in mehrfacher Hinsicht: Es sind einerseits Aus- sichten auf die Rückkehr zur Normalität im Kulturbetrieb. Aber Die Alte Oper ohne Publikum? Das war für uns unvorstellbar, und zugleich zeigen sich andere Blickwinkel. Mich freut, wie sich auch nach Monaten des Lockdowns können und wollen wir uns zahlreiche Projekte auf Frankfurt selbst konzentrieren und in die nicht daran gewöhnen. Zu wichtig ist uns der Dialog mit Ihnen, Stadt hineinwirken. Derzeit sind mehr denn je Zusammenhalt unserem Publikum. Die Alte Oper ist ein Haus, das sich vielfältig und gegenseitiges Verständnis gefordert. -
Tchaikovsky Caprice Italien - "Eugene Onegin": Introduction & Waltz and Polonaise - Theme and Variations from Suite No
Tchaikovsky Caprice Italien - "Eugene Onegin": Introduction & Waltz And Polonaise - Theme And Variations From Suite No. 3 In G mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Caprice Italien - "Eugene Onegin": Introduction & Waltz And Polonaise - Theme And Variations From Suite No. 3 In G Country: UK Released: 1961 MP3 version RAR size: 1418 mb FLAC version RAR size: 1935 mb WMA version RAR size: 1899 mb Rating: 4.6 Votes: 172 Other Formats: MP1 VOC ASF MOD AA AU DTS Tracklist A1 Caprice Italien, Op. 45 A2 Introduction And Waltz (From Eugene Onegin, Act 2) B1 Polonaise (From Eugene Onegin, Act 3) B2 Theme And Variations (From Suite No. 3 In G Major, Op. 55) Companies, etc. Record Company – E.M.I. Records Limited Printed By – Garrod & Lofthouse Credits Composed By – Tchaikovsky* Conductor – Lovro Von Matacic Notes Recorded in co-operation with "E. A. Teatro alla Scala, Milan" Title on Spine "Caprice Italien etc." Title on Coverfront: "In collaboazione con l'ente autonomo del Teatro alla Scala - Tchaikovsky - Caprice Italien - Introduction And Waltz from "Eugene Onegin" - Polonaise from "Eugene Onegin" - Theme And Variations from Suite No.3 in G Major" Other versions Category Artist Title (Format) Label Category Country Year Tchaikovsky*, The Orchestra Of La Scala, Tchaikovsky*, The Milan*, Lovro Von Matacic Orchestra Of La SAX 2418, - Caprice Italien - "Eugene Columbia, SAX 2418, Scala, Milan*, UK 1961 33CX 1772 Onegin": Introduction & Columbia 33CX 1772 Lovro Von Waltz And Polonaise - Matacic Theme And Variations From Suite No. 3 In G (LP) Related Music albums to Caprice Italien - "Eugene Onegin": Introduction & Waltz And Polonaise - Theme And Variations From Suite No. -
Media Release the Perth Mint Reaches the Stars With
Monday 5 February 2018 MEDIA RELEASE THE PERTH MINT REACHES THE STARS WITH WARNER BROS. CONSUMER PRODUCTS AGREEMENT BRINGS COIN COLLECTIONS TO FANS OF BELOVED FILM AND TV ANIMATED ICONS The Perth Mint under licencing agreement with Warner Bros. Consumer Products, a division of Warner Bros. Entertainment, will deliver a range of coin programs celebrating some of the world’s most loved movies and television icons. The second of many coins to be launched under this exciting licencing agreement features Bugs Bunny, one of the most iconic characters in Animation. Struck from 1/2oz of 99.99% pure silver and issued with a strict worldwide mintage of just 5,000, this coloured coin provides a rare opportunity for Looney Tunes fans to secure a unique piece of pop culture memorabilia. The beloved Bugs Bunny coin unveiled by The Perth Mint this month will be followed later this year by other Looney Tunes characters including Daffy Duck, Tweety, Sylvester and the Tasmanian Devil. Each 1/2oz coin will be issued as Tuvalu legal tender and individually housed in a clear acrylic case to view both sides with ease. The Perth Mint Group Manager Minted Products Neil Vance said the venture was a shining example of the Mint’s innovative approach to developing new markets for Australian-made coins. “This latest alliance will significantly expand our range of licenced commemoratives and introduce the world of coin collecting to fans of classic Warner Bros. movies and cartoons in Australia and internationally,” Mr Vance said “Having issued limited edition licensed coin products for more than 10 years in collaboration with entertainment industry leaders and independent estates, we have seen their popularity grow.” The first release in the Warner Bros. -
Dukal Looney Tunes
Looney Tunes Adhesive Bandages Item # Description Packaging 1073737 Bugs Bunny & Tasmanian Devil, 100/bx, 12 bx/cs Featuring kid’s favorite characters including Bugs Bunny, Stat Strip®, ¾” x 3” Tazmanian Devil, Tweety, Daffy Duck, Wile E. Coyote, Road 1074737 Tweety, Spot*, 7/8” 100/bx, 24 bx/cs Runner and Sylvester. Long-lasting adhesive helps ban- dage stay on, to keep cuts clean. The unique, easy-open- 1075737 Bugs Bunny & Daffy Duck, 100/bx, 12 bx/cs ing Stat Strip® wrapper allows for aseptic Stat Strip®, ¾” x 3” application. 1076737 Wile E. Coyote & Road Runner, 100/bx, 12 bx/cs Stat Strip®, ¾” x 3” • Perforated, breathable bandage 1079797 Tweety and Taz, Spot*, 7/8” 100/bx, 24 bx/cs • Absorbent, non-stick pad for easy removal 1083737 Tweety Assortment, Stat 100/bx, 12 bx/cs • Multi-purpose family protection for cuts and scrapes Strip®, ¾” x 3” • Not made with natural rubber latex 1084737 Assorted Characters*, 2” x 3” 50/bx, 12 bx/cs • Sterile Patch 1085737 Bugs Bunny & Assorted 100/bx, 12 bx/cs Characters, Stat Strip®, ¾” x 3” Stat Strip® Opening Technology 1086737 Bugs Bunny and Sylvester, 100/bx, 12 bx/cs Stat Strip®, ¾” x 3” • Unique Stat Strip LOONEY TUNES and all related characters and elements are wrapper opening trademarks and © Warner Bros. Entertainment Inc. (s21). technology • Patented, easy opening process Find our full line of products at www.Dukal.com Dukal Corporation Phone: 1 631 656 3800 Email: [email protected] 2 Fleetwood Ct, Ronkonkoma, NY 11779 Toll Free: 1 800 243 0741 To Place Orders: [email protected] ART-00100-DOC Rev 1 Effective Date: 05/14/2021 1073737 1074737 1075737 Bugs Bunny & Tasmanian Devil Tweety Spot* Bugs Bunny & Daffy Duck ¾” x 3” 7/8” ¾” x 3” 100/bx, 12 bx/cs 100/bx, 24 bx/cs 100/bx, 12 bx/cs 1076737 1076737 1083737 Wile E. -
A History of German-Scandinavian Relations
A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term -
Tchaikovsky.Pdf
Tchaikovsky CD 1 1 Orchestrion It wasn’t unusual, in the middle of the 19th century, to hear sounds like that coming from the drawing rooms of comfortable, middle-class families. The Orchestrion, one of the first and grandest of mass-produced mechanical music-makers, was one of the precursors of the 20th century gramophone. It brought music into homes where otherwise it might never have been heard, except through the stumbling fingers of children, enduring, or in some cases actually enjoying, their obligatory half-hour of practice time. In most families the Orchestrion was a source of pleasure. But in one Russian household, it seems to have been rather more. It afforded a small boy named Piotr Ilyich Tchaikovsky some of his earliest glimpses into a world, and a language, which was to become (in more senses then one), his lifeline. One evening his French governess, Fanny Dürbach, went into the nursery and found the tiny child sitting up in bed, crying. ‘What’s the matter?’ she asked – and his answer surprised her. ‘This music’ he wailed, ‘this music!’ She listened. The house was quiet. ‘No. It’s here,’ cried the boy – he pointed to his head. ‘It’s here, and I can’t make it go away. It won’t leave me.’ And of course it never did. ‘His sensitivity knew no bounds and so one had to deal with him very carefully. Every little trifle could upset or wound him. He was a child of glass. As for reproofs and admonitions (with him there could be no question of punishments), what would have been water off a duck’s back to other children affected him deeply, and if the degree of severity was increased only the slightest, it would upset him alarmingly.’ Despite his outwardly happy appearance, peace of mind is something Tchaikovsky rarely knew, from childhood to his dying day. -
Seattle Symphony October 2017 Encore
OCTOBER 2017 LUDOVIC MORLOT, MUSIC DIRECTOR BEATRICE RANA PLAYS PROKOFIEV GIDON KREMER SCHUMANN VIOLIN CONCERTO LOOKING AHEAD: MORLOT C O N D U C T S BERLIOZ CONTENTS My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ind those gaps—and help you achieve what is important to you. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 4157057159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2017 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 7/17/17 3:08 PM CONTENTS OCTOBER 2017 4 / CALENDAR 6 / THE SYMPHONY 10 / NEWS FEATURES 12 / BERLIOZ’S BARGAIN 14 / MUSIC & IMAGINATION CONCERTS 15 / October 5 & 7 ENIGMA VARIATIONS 19 / October 6 ELGAR UNTUXED 21 / October 12 & 14 GIDON KREMER SCHUMANN VIOLIN CONCERTO 24 / October 13 [UNTITLED] 1 26 / October 17 NOSFERATU: A SYMPHONY OF HORROR 27 / October 20, 21 & 27 VIVALDI FOUR SEASONS 30 / October 26 & 29 21 / GIDON KREMER SHOSTAKOVICH SYMPHONY NO. -
Sir Antonio Pappano and Accademia Nazionale Di Santa Cecilia
Sir Antonio Pappano and Accademia Nazionale di Santa Cecilia Orchestra bring renewed prestige to Italy through international touring and recordings for their 10th anniversary 11 - 18 April, 2016 Paris – 11, Berlin– 12, Hannover - 14, Hamburg - 15, Frankfurt – 17, Munich – 18 ROSSINI La Cenerentola: Symphony, BEETHOVEN Piano Concerto No. 4 SAINT-SAENS Symphony No. 3 7 - 11 May, 2016 São Paolo - 7, 8 , Buenos Aires – 10, 11 Sir Antonio Pappano’s 10th anniversary with the Orchestra dell’Accademia Nazionale di Santa Cecilia brings renewed prestige to Italy’s oldest music institution through their international touring and multiple recordings which are gaining further critical acclaim. Their next tour starts in Paris at the new Philharmonie on 11 April. This is followed by a five-city tour across Germany, with return concerts in Berlin, Hamburg, Frankfurt and Munich and their first visit to Hannover. Their programme includes Saint-Saëns’s Symphony No.3 (“Organ Symphony”), Beethoven’s 4th Piano Concerto performed by Hélène Grimaud and Rossini’s Cenerentola Sinfonia. In May, Pappano and the Accademia di Santa Cecilia will cross the Atlantic for their first tour to South America for concerts in São Paolo and Buenos Aires and there will be a much-anticipated return to the UK in the summer (to be announced in due course). Italian pianist Beatrice Rana, featured on the latest Warner Classics recording of Tchaikovsky’s Piano Concerto No.1 and Prokofiev Piano Concerto No. 2 (her debut album), will join Maestro Pappano and the Accademia di Santa Cecilia on their South American tour. At a time of cultural instability and economic malaise, the Accademia di Santa Cecilia stands as a beacon of artistic excellence, progress and enlightened administration in Italy. -
N E W S R E L E a S E
N E W S R E L E A S E CONTACT: Katherine Blodgett phone: 215.893.1939 e-mail: [email protected] Alyssa Porambo phone: 215.893.3136 FOR IMMEDIATE RELEASE e-mail: [email protected] DATE: June 11, 2015 Click here for downloadable images from the 2015 Tour of Europe The Philadelphia Orchestra’s 2015 Tour of Europe: A Triumphant Success (Philadelphia, June 11, 2015)—The Philadelphia Orchestra returned from its highly-anticipated European Tour with Music Director Yannick Nézet-Séguin on June 7, 2015, following 14 performances in 10 of Europe’s most storied and historic music halls in Luxembourg, Germany, France, Austria, the Netherlands, and England. Across the board, European audiences and critics alike lauded the Fabulous Philadelphians under the leadership of Nézet- Séguin, with Vienna’s Der Standard commenting, “A cornucopia of perfection and dynamic fury—this is just a taste of what the Philadelphia Orchestra brought to its first evening performance of its two-day residence at the Wiener Musikverein. … Yannick Nézet-Séguin is considered by many to be one of the most thrilling conductors of our time, and his interpretation of Pyotr Ilyich Tchaikovsky’s Fifth Symphony with the Philadelphia Orchestra was a consummate masterpiece of sheer perfection.” Overall, the Tour’s successes were threefold: as an artistic venture, with the Orchestra and Nézet-Séguin receiving glowing reviews; as an opportunity for furthering the Orchestra’s educational mission through residency activities in Lyon and London; and as a moment for promoting Pennsylvania as a global destination for tourism, trade, and business development, alongside two delegations representing the Commonwealth of Pennsylvania and the City of Philadelphia.