2018-19 SEASON Season Highlights

Total Page:16

File Type:pdf, Size:1020Kb

2018-19 SEASON Season Highlights 2018-19 SEASON www.philorch.org Season Highlights Welcome to a season of incomparable reach and breadth, Yannick Nézet-Séguin’s seventh season as music director with the Fabulous Philadelphians! Every week, we like to vary the shape of our programs and offer a great variety of styles and scope of repertoire. Within the season, there are always special highlights. Look for these exceptional performances in the pages ahead! • The Barnes/Stokowski Festival—A two-week celebration of the artistic passion Albert Barnes and Leopold Stokowski shared, led by Principal Guest Conductor Stéphane Denève • Prokofiev Romeo and Juliet—Highlighted by selected choreographed vignettes from Philadelphia-based Brian Sanders for a totally new take on this classic ballet • Handel Messiah—On the main concert season once again under Yannick’s direction • Mahler Symphony No. 9—His last complete symphony, a work of incredible genius and vision, where the sound of our orchestra will be unmatched • Bernstein Candide—The culmination of our Bernstein Centenary Celebration “I am very happy that The Philadelphia Orchestra can offer its unique sound, talent, and excellence in every area of repertoire, in every corner of every genre!” —Yannick Nézet-Séguin Join us! We are excited for the return of our LiveNote® app, providing Welcome to the 2018-19 season, real-time program notes on your smart phone during the a vibrant, engaging, and exhilarating new season. We hope concert for select weekends. Please look for the LiveNote you enjoy browsing through the pages ahead and exploring icon below to see when the app will be used. the over 100 concerts, featuring our main concert season, listed chronologically, followed by our Special Events, This season we are pleased to continue our exploration Holiday, and Family concerts. of great organ works through the Fred J. Cooper Memorial Organ Experience, creating a dialogue between organ and For those of you who enjoy traditional subscription packages, orchestra as a sonic experience very different from just look for the icons below on the pages where concerts orchestra or organ alone. Look for the organ icon below appear. A complete subscription package listing can be to know when the organ will be a feature on the program. found in the center foldout, as well as beginning on page 46. Each of our 14 traditional packages is specially curated to offer you a diverse selection of repertoire and artists. Thank you, Philadelphia! We invite you to join us this season and look forward to For those of you who enjoy making your own selections, welcoming you to a performance soon. simply make note of all of the concerts you wish to enjoy and create your own 6-concert package. Either way you choose to purchase, do so now! Make your selections right away and be among the first to guarantee your seats! Be sure to add on any additional concert tickets now to bring friends and family along with you as concerts do sell out! Concerts with this icon are part of the Thurs 6 Thurs 6 Thurs 6 Thurs 6 Sat 6 Sat 6 Sat 6 Sat 6 Fred J. Cooper Memorial Organ Experience, supported through a generous grant from A B C D A B C D the Wyncote Foundation. Fri Fri MAT Fri MAT Sat 9 Sat 9 Sun 8PM MAT These concerts are A B A B LiveNote® enabled September 2018 Opening Weekend Friday, September 14 8 PM Saturday, September 15 8 PM Sunday, September 16 2 PM Yannick Nézet-Séguin Conductor André Watts André Watts Piano Muhly Suite from Marnie (world premiere—Philadelphia Orchestra commission) Grieg Piano Concerto Rachmaninoff Symphonic Dances Celebrate 10 years of music-making between Yannick and the Philadelphians. André Watts soloed at Yannick’s Philadelphia Orchestra debut in 2008; he celebrates the 10th anniversary with Grieg’s stirring Piano Concerto. With the Metropolitan Opera giving the U.S. premiere of Nico Muhly’s sensational opera Marnie, based on Winston Graham’s book and Alfred Hitchcock’s film, we present the world premiere of the companion orchestral suite (a Philadelphia Orchestra commission). It’s the first of many fruits of Yannick Nézet-Séguin’s upcoming dual role leading both the Fabulous Philadelphians AND the Met. Rachmaninoff wrote his final work, the Symphonic Dances, specifically for The Philadelphia Orchestra. Here’s another chance to hear the special Philadelphia Sound of the Yannick era! Fri Sat 6 Sat 9 Sun Yannick Nézet-Séguin 8PM D A MAT Find complete subscription package listings starting on page 46. For all subscription pricing, see pull-out calendar. 6 Subscribers get fee-free ticket exchanges all season long. Tchaikovsky Violin Concerto Thursday, September 20 7:30 PM Yannick Nézet-Séguin Friday, September 21 2 PM Saturday, September 22 8 PM Yannick Nézet-Séguin Conductor Lisa Batiashvili Violin Berwald Symphony No. 3 (“Sinfonie singulière”) Sibelius Symphony No. 7 Tchaikovsky Violin Concerto Saturday, September 29 8 PM Yannick Nézet-Séguin Conductor Lisa Batiashvili Violin Dvořák Othello Overture Tchaikovsky Violin Concerto Rachmaninoff Symphonic Dances Yannick and Lisa Batiashvili have enchanted concert audiences all over the world; she returns to the Orchestra with Tchaikovsky’s spectacular Violin Concerto anchoring two different programs. The first highlights Scandinavia: Sibelius’s Seventh Symphony was a U.S. premiere for the Orchestra with Leopold Stokowski, long a champion of the Finnish master’s works. And you may not be familiar with Sweden’s Franz Berwald, but his beautiful Third Symphony, composed in 1845, makes a compelling pair with the Sibelius. The following week, Lisa reprises the Tchaikovsky Concerto, bookended by Dvořák’s Othello Overture (a moving musical exploration of Shakespeare’s tragedy) and Rachmaninoff’s Symphonic Dances, the composer’s final piece, written expressly for The Philadelphia Orchestra. Thurs 6 Fri MAT Sat 6 Sat 6 Sat 9 D B B C B Lisa Batiashvili Find complete subscription package listings starting on page 46. For all subscription pricing, see pull-out calendar. www.philorch.org / 215.893.1955 7 October 2018 South American Sounds Thursday, October 4 7:30 PM Friday, October 5 2 PM Saturday, October 6 8 PM Miguel Harth-Bedoya Conductor Miguel Harth-Bedoya Elizabeth Hainen Harp Gershwin Cuban Overture Ginastera Harp Concerto Piazzolla Tangazo López Perú negro Join us on a whirlwind tour of the music of South America and, courtesy of New Yorker George Gershwin, the Caribbean! His 1932 Cuban Overture is awash in rhumba rhythms. Principal Harp Elizabeth Hainen shines in Ginastera’s Harp Concerto, given its world premiere by The Philadelphia Orchestra in 1965. Fellow Argentinian Astor Piazzolla’s Tangazo mines the tango’s rich emotional depths as only he could. We finish in Peru with the young Peruvian composer Jimmy López’s Perú negro, which celebrates Afro-Peruvian traditions. We welcome López’s compatriot Miguel Harth-Bedoya back to our podium. Thurs 6 Fri MAT Sat 6 Elizabeth Hainen A A A Find complete subscription package listings starting on page 46. For all subscription pricing, see pull-out calendar. 8 Subscribe today and secure your seats for this brilliant season. www.philorch.org / 215.893.1955 9 October 2018 The Barnes/ Stokowski David Kim A celebration of Albert Barnes and Leopold Stokowski Debussy and Chausson Thursday, October 11 7:30 PM Friday, October 12 2 PM Saturday, October 13 8 PM Stéphane Denève Conductor David Kim Violin Palestrina/orch. Stokowski “Adoramus te Christe” Chausson Poème, for violin and orchestra Debussy/orch. Stokowski “The Sunken Cathedral,” from Preludes Debussy La Mer Principal Guest Conductor Stéphane Denève leads two weeks of concerts inspired by the glorious art of the Barnes Foundation. Albert Barnes and Leopold Stokowski were both importing the best of European culture into Philadelphia in the 1930s, with a shared desire to make that culture accessible to the public. They debated art and music in a series of letters; Stokowski even spoke at the dedication of the original Barnes Foundation building in Merion. This first program features two Stokowski orchestrations: “Adoramus te Christe” by Palestrina (a composer Barnes felt particular affinity for) and Debussy’s “The Sunken Cathedral.” Concertmaster David Kim solos in Chausson’s elegant Poème, and Debussy’s La Mer paints an indelible picture of the sea. Additional festival events surrounding both concert weekends will be unveiled over the summer. Thurs 6 Fri MAT Sat 6 Sat 9 Albert Barnes B B D A Find complete subscription package listings starting on page 46. For all subscription pricing, see pull-out calendar. 10 Enjoy flexibility and savings by purchasing a Create-Your-Own subscription today. Festival A celebration of Albert Barnes and Leopold Stokowski The Rite of Spring Stéphane Denève Friday, October 19 2 PM Saturday, October 20 8 PM Sunday, October 21 2 PM Stéphane Denève Conductor Peter Richard Conte Organ Milhaud The Creation of the World Poulenc Organ Concerto Stravinsky The Rite of Spring In our second program inspired by the Barnes Foundation, we witness The Creation of the World, courtesy of Frenchman Darius Milhaud, who was energized by the jazz he heard on a visit to Harlem. Francis Poulenc’s Organ Concerto is a dazzling showpiece for the marvelous Fred. J. Cooper Memorial Organ. The Rite of Spring—first brought to America by Leopold Stokowski and the Philadelphians— remains a primal, shattering musical masterpiece. Albert Barnes once wrote about the strong link he saw between the works of Henri Matisse and Stravinsky’s compositions. This program reveals the intellectual and artistic zeal Barnes and Stokowski shared, which Leopold Stokowski resonates to this day. Fri MAT Sat 6 Sat 9 Sun MAT A C B Peter Richard Conte Find complete subscription package listings starting on page 46. For all subscription pricing, see pull-out calendar.
Recommended publications
  • 2018-19 Chronological Calendar
    2018-19 (119TH SEASON) Chronological Calendar (as of January 31, 2018) OPENING NIGHT September 13 at 7:00 PM–Thursday evening—Verizon Hall at the Kimmel Center for the Performing Arts The Philadelphia Orchestra Yannick Nézet-Séguin Conductor André Watts Piano Rossini Overture to William Tell Strauss Don Juan Join us as we kick off The Philadelphia Orchestra’s 119th season in high style. The Opening Night Concert and Gala for the 2018-19 season promises to be a highlight of the cultural year. Yannick, internationally renowned pianist André Watts (who made his debut with the Orchestra in 1957, at the age of 10), and the Fabulous Philadelphians are planning a special celebratory program that features musical masterworks and audience favorites, including Rossini’s famous Overture to William Tell and Strauss’s Don Juan. Opening Night Co-Chairs Alison Avery Lerman and Lexa Edsall, Volunteer Association President Lisa Yakulis, Board Chairman Richard Worley, and the Opening Night Gala committee look forward to welcoming you to this special evening, featuring great music, high couture and black tie, and delicious food and champagne with Philadelphia’s cultural leaders and arts patrons. Contact Dorothy Byrne in the Volunteer Relations office at 215.893.3124 or via e-mail at [email protected] to make sure you are on the invitation list. Concert-only tickets for the evening are also available—simply add them to your subscription. January 31, 2018—All programs and artists subject to change. PAGE 2 The Philadelphia Orchestra 2018-19 Chronological
    [Show full text]
  • Here Comes Television
    September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business.
    [Show full text]
  • October 2015
    October 2015 Bertrand Chamayou INSIDE: Ian Bostridge | Sarah Connolly Ehnes Quartet | Thomas Hampson Alina Ibragimova & Cédric Tiberghien Magdalena Kozˇená & Mitsuko Uchida Steven Isserlis | Robert Levin Sandrine Piau | Christoph Prégardien Stile Antico | Vox Luminis And many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. Please note that the Box Office with be closed for bookings in person from Monday 27 July to Friday 4 September. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–Y Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – Y AAAA AAAA Lowest price This brochure is available in alternative formats.
    [Show full text]
  • Saison 2021 /22 Saison 2021 /22 Herzlich Willkommen! Alte Oper Frankfurt Inhaltsverzeichnis
    SAISON 2021 /22 SAISON 2021 /22 HERZLICH WILLKOMMEN! ALTE OPER FRANKFURT INHALTSVERZEICHNIS Einmal mit den Flügeln INHALT schlagen und abheben bitte. Starten Sie mit uns einen Flug über die Alte Oper, mitten ins IM ÜBERBLICK ABONNEMENTS 19 Herz der Stadt! FESTIVALS UND SCHWERPUNKTE 33 KONGRESSE UND EVENTS 51 DAS OFFENE HAUS 55 DANK 73 DIE KONZERTSAISON 2021/22 DIE KONZERTE DER ALTEN OPER TAG FÜR TAG 81 ANGEBOTE DER PARTNER 161 SERVICE 177 NEUE PERSPEKTIVEN So haben Sie das Konzerthaus noch nie gesehen. Halten Sie einfach die Kamera Ihres Smartphones auf den abgebildeten Code, um die Alte Oper aus ungewohnter Perspektive zu entdecken. Oder gehen Sie auf www.alteoper.de/rundflug 2 3 GELEITWORT ZUM PROGRAMM GELEITWORT ZUM PROGRAMM PETER FELDMANN DR. MARKUS FEIN Oberbürgermeister der Stadt Frankfurt am Main Intendant und Geschäftsführer der Alten Oper Frankfurt Vorsitzender des Aufsichtsrats der Alten Oper Frankfurt Es ist gut, Perspektiven zu haben – nicht nur in Krisenzeiten. Sehr geehrte Damen und Herren, Wenn ich das Programm der Alten Oper betrachte, entdecke ich liebe Besucher*innen der Alten Oper, neue Perspektiven in mehrfacher Hinsicht: Es sind einerseits Aus- sichten auf die Rückkehr zur Normalität im Kulturbetrieb. Aber Die Alte Oper ohne Publikum? Das war für uns unvorstellbar, und zugleich zeigen sich andere Blickwinkel. Mich freut, wie sich auch nach Monaten des Lockdowns können und wollen wir uns zahlreiche Projekte auf Frankfurt selbst konzentrieren und in die nicht daran gewöhnen. Zu wichtig ist uns der Dialog mit Ihnen, Stadt hineinwirken. Derzeit sind mehr denn je Zusammenhalt unserem Publikum. Die Alte Oper ist ein Haus, das sich vielfältig und gegenseitiges Verständnis gefordert.
    [Show full text]
  • Tchaikovsky Caprice Italien - "Eugene Onegin": Introduction & Waltz and Polonaise - Theme and Variations from Suite No
    Tchaikovsky Caprice Italien - "Eugene Onegin": Introduction & Waltz And Polonaise - Theme And Variations From Suite No. 3 In G mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Caprice Italien - "Eugene Onegin": Introduction & Waltz And Polonaise - Theme And Variations From Suite No. 3 In G Country: UK Released: 1961 MP3 version RAR size: 1418 mb FLAC version RAR size: 1935 mb WMA version RAR size: 1899 mb Rating: 4.6 Votes: 172 Other Formats: MP1 VOC ASF MOD AA AU DTS Tracklist A1 Caprice Italien, Op. 45 A2 Introduction And Waltz (From Eugene Onegin, Act 2) B1 Polonaise (From Eugene Onegin, Act 3) B2 Theme And Variations (From Suite No. 3 In G Major, Op. 55) Companies, etc. Record Company – E.M.I. Records Limited Printed By – Garrod & Lofthouse Credits Composed By – Tchaikovsky* Conductor – Lovro Von Matacic Notes Recorded in co-operation with "E. A. Teatro alla Scala, Milan" Title on Spine "Caprice Italien etc." Title on Coverfront: "In collaboazione con l'ente autonomo del Teatro alla Scala - Tchaikovsky - Caprice Italien - Introduction And Waltz from "Eugene Onegin" - Polonaise from "Eugene Onegin" - Theme And Variations from Suite No.3 in G Major" Other versions Category Artist Title (Format) Label Category Country Year Tchaikovsky*, The Orchestra Of La Scala, Tchaikovsky*, The Milan*, Lovro Von Matacic Orchestra Of La SAX 2418, - Caprice Italien - "Eugene Columbia, SAX 2418, Scala, Milan*, UK 1961 33CX 1772 Onegin": Introduction & Columbia 33CX 1772 Lovro Von Waltz And Polonaise - Matacic Theme And Variations From Suite No. 3 In G (LP) Related Music albums to Caprice Italien - "Eugene Onegin": Introduction & Waltz And Polonaise - Theme And Variations From Suite No.
    [Show full text]
  • Media Release the Perth Mint Reaches the Stars With
    Monday 5 February 2018 MEDIA RELEASE THE PERTH MINT REACHES THE STARS WITH WARNER BROS. CONSUMER PRODUCTS AGREEMENT BRINGS COIN COLLECTIONS TO FANS OF BELOVED FILM AND TV ANIMATED ICONS The Perth Mint under licencing agreement with Warner Bros. Consumer Products, a division of Warner Bros. Entertainment, will deliver a range of coin programs celebrating some of the world’s most loved movies and television icons. The second of many coins to be launched under this exciting licencing agreement features Bugs Bunny, one of the most iconic characters in Animation. Struck from 1/2oz of 99.99% pure silver and issued with a strict worldwide mintage of just 5,000, this coloured coin provides a rare opportunity for Looney Tunes fans to secure a unique piece of pop culture memorabilia. The beloved Bugs Bunny coin unveiled by The Perth Mint this month will be followed later this year by other Looney Tunes characters including Daffy Duck, Tweety, Sylvester and the Tasmanian Devil. Each 1/2oz coin will be issued as Tuvalu legal tender and individually housed in a clear acrylic case to view both sides with ease. The Perth Mint Group Manager Minted Products Neil Vance said the venture was a shining example of the Mint’s innovative approach to developing new markets for Australian-made coins. “This latest alliance will significantly expand our range of licenced commemoratives and introduce the world of coin collecting to fans of classic Warner Bros. movies and cartoons in Australia and internationally,” Mr Vance said “Having issued limited edition licensed coin products for more than 10 years in collaboration with entertainment industry leaders and independent estates, we have seen their popularity grow.” The first release in the Warner Bros.
    [Show full text]
  • Dukal Looney Tunes
    Looney Tunes Adhesive Bandages Item # Description Packaging 1073737 Bugs Bunny & Tasmanian Devil, 100/bx, 12 bx/cs Featuring kid’s favorite characters including Bugs Bunny, Stat Strip®, ¾” x 3” Tazmanian Devil, Tweety, Daffy Duck, Wile E. Coyote, Road 1074737 Tweety, Spot*, 7/8” 100/bx, 24 bx/cs Runner and Sylvester. Long-lasting adhesive helps ban- dage stay on, to keep cuts clean. The unique, easy-open- 1075737 Bugs Bunny & Daffy Duck, 100/bx, 12 bx/cs ing Stat Strip® wrapper allows for aseptic Stat Strip®, ¾” x 3” application. 1076737 Wile E. Coyote & Road Runner, 100/bx, 12 bx/cs Stat Strip®, ¾” x 3” • Perforated, breathable bandage 1079797 Tweety and Taz, Spot*, 7/8” 100/bx, 24 bx/cs • Absorbent, non-stick pad for easy removal 1083737 Tweety Assortment, Stat 100/bx, 12 bx/cs • Multi-purpose family protection for cuts and scrapes Strip®, ¾” x 3” • Not made with natural rubber latex 1084737 Assorted Characters*, 2” x 3” 50/bx, 12 bx/cs • Sterile Patch 1085737 Bugs Bunny & Assorted 100/bx, 12 bx/cs Characters, Stat Strip®, ¾” x 3” Stat Strip® Opening Technology 1086737 Bugs Bunny and Sylvester, 100/bx, 12 bx/cs Stat Strip®, ¾” x 3” • Unique Stat Strip LOONEY TUNES and all related characters and elements are wrapper opening trademarks and © Warner Bros. Entertainment Inc. (s21). technology • Patented, easy opening process Find our full line of products at www.Dukal.com Dukal Corporation Phone: 1 631 656 3800 Email: [email protected] 2 Fleetwood Ct, Ronkonkoma, NY 11779 Toll Free: 1 800 243 0741 To Place Orders: [email protected] ART-00100-DOC Rev 1 Effective Date: 05/14/2021 1073737 1074737 1075737 Bugs Bunny & Tasmanian Devil Tweety Spot* Bugs Bunny & Daffy Duck ¾” x 3” 7/8” ¾” x 3” 100/bx, 12 bx/cs 100/bx, 24 bx/cs 100/bx, 12 bx/cs 1076737 1076737 1083737 Wile E.
    [Show full text]
  • A History of German-Scandinavian Relations
    A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term
    [Show full text]
  • Tchaikovsky.Pdf
    Tchaikovsky CD 1 1 Orchestrion It wasn’t unusual, in the middle of the 19th century, to hear sounds like that coming from the drawing rooms of comfortable, middle-class families. The Orchestrion, one of the first and grandest of mass-produced mechanical music-makers, was one of the precursors of the 20th century gramophone. It brought music into homes where otherwise it might never have been heard, except through the stumbling fingers of children, enduring, or in some cases actually enjoying, their obligatory half-hour of practice time. In most families the Orchestrion was a source of pleasure. But in one Russian household, it seems to have been rather more. It afforded a small boy named Piotr Ilyich Tchaikovsky some of his earliest glimpses into a world, and a language, which was to become (in more senses then one), his lifeline. One evening his French governess, Fanny Dürbach, went into the nursery and found the tiny child sitting up in bed, crying. ‘What’s the matter?’ she asked – and his answer surprised her. ‘This music’ he wailed, ‘this music!’ She listened. The house was quiet. ‘No. It’s here,’ cried the boy – he pointed to his head. ‘It’s here, and I can’t make it go away. It won’t leave me.’ And of course it never did. ‘His sensitivity knew no bounds and so one had to deal with him very carefully. Every little trifle could upset or wound him. He was a child of glass. As for reproofs and admonitions (with him there could be no question of punishments), what would have been water off a duck’s back to other children affected him deeply, and if the degree of severity was increased only the slightest, it would upset him alarmingly.’ Despite his outwardly happy appearance, peace of mind is something Tchaikovsky rarely knew, from childhood to his dying day.
    [Show full text]
  • Seattle Symphony October 2017 Encore
    OCTOBER 2017 LUDOVIC MORLOT, MUSIC DIRECTOR BEATRICE RANA PLAYS PROKOFIEV GIDON KREMER SCHUMANN VIOLIN CONCERTO LOOKING AHEAD: MORLOT C O N D U C T S BERLIOZ CONTENTS My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ­ind those gaps—and help you achieve what is important to you. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 4157057159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2017 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 7/17/17 3:08 PM CONTENTS OCTOBER 2017 4 / CALENDAR 6 / THE SYMPHONY 10 / NEWS FEATURES 12 / BERLIOZ’S BARGAIN 14 / MUSIC & IMAGINATION CONCERTS 15 / October 5 & 7 ENIGMA VARIATIONS 19 / October 6 ELGAR UNTUXED 21 / October 12 & 14 GIDON KREMER SCHUMANN VIOLIN CONCERTO 24 / October 13 [UNTITLED] 1 26 / October 17 NOSFERATU: A SYMPHONY OF HORROR 27 / October 20, 21 & 27 VIVALDI FOUR SEASONS 30 / October 26 & 29 21 / GIDON KREMER SHOSTAKOVICH SYMPHONY NO.
    [Show full text]
  • Sir Antonio Pappano and Accademia Nazionale Di Santa Cecilia
    Sir Antonio Pappano and Accademia Nazionale di Santa Cecilia Orchestra bring renewed prestige to Italy through international touring and recordings for their 10th anniversary 11 - 18 April, 2016 Paris – 11, Berlin– 12, Hannover - 14, Hamburg - 15, Frankfurt – 17, Munich – 18 ROSSINI La Cenerentola: Symphony, BEETHOVEN Piano Concerto No. 4 SAINT-SAENS Symphony No. 3 7 - 11 May, 2016 São Paolo - 7, 8 , Buenos Aires – 10, 11 Sir Antonio Pappano’s 10th anniversary with the Orchestra dell’Accademia Nazionale di Santa Cecilia brings renewed prestige to Italy’s oldest music institution through their international touring and multiple recordings which are gaining further critical acclaim. Their next tour starts in Paris at the new Philharmonie on 11 April. This is followed by a five-city tour across Germany, with return concerts in Berlin, Hamburg, Frankfurt and Munich and their first visit to Hannover. Their programme includes Saint-Saëns’s Symphony No.3 (“Organ Symphony”), Beethoven’s 4th Piano Concerto performed by Hélène Grimaud and Rossini’s Cenerentola Sinfonia. In May, Pappano and the Accademia di Santa Cecilia will cross the Atlantic for their first tour to South America for concerts in São Paolo and Buenos Aires and there will be a much-anticipated return to the UK in the summer (to be announced in due course). Italian pianist Beatrice Rana, featured on the latest Warner Classics recording of Tchaikovsky’s Piano Concerto No.1 and Prokofiev Piano Concerto No. 2 (her debut album), will join Maestro Pappano and the Accademia di Santa Cecilia on their South American tour. At a time of cultural instability and economic malaise, the Accademia di Santa Cecilia stands as a beacon of artistic excellence, progress and enlightened administration in Italy.
    [Show full text]
  • N E W S R E L E a S E
    N E W S R E L E A S E CONTACT: Katherine Blodgett phone: 215.893.1939 e-mail: [email protected] Alyssa Porambo phone: 215.893.3136 FOR IMMEDIATE RELEASE e-mail: [email protected] DATE: June 11, 2015 Click here for downloadable images from the 2015 Tour of Europe The Philadelphia Orchestra’s 2015 Tour of Europe: A Triumphant Success (Philadelphia, June 11, 2015)—The Philadelphia Orchestra returned from its highly-anticipated European Tour with Music Director Yannick Nézet-Séguin on June 7, 2015, following 14 performances in 10 of Europe’s most storied and historic music halls in Luxembourg, Germany, France, Austria, the Netherlands, and England. Across the board, European audiences and critics alike lauded the Fabulous Philadelphians under the leadership of Nézet- Séguin, with Vienna’s Der Standard commenting, “A cornucopia of perfection and dynamic fury—this is just a taste of what the Philadelphia Orchestra brought to its first evening performance of its two-day residence at the Wiener Musikverein. … Yannick Nézet-Séguin is considered by many to be one of the most thrilling conductors of our time, and his interpretation of Pyotr Ilyich Tchaikovsky’s Fifth Symphony with the Philadelphia Orchestra was a consummate masterpiece of sheer perfection.” Overall, the Tour’s successes were threefold: as an artistic venture, with the Orchestra and Nézet-Séguin receiving glowing reviews; as an opportunity for furthering the Orchestra’s educational mission through residency activities in Lyon and London; and as a moment for promoting Pennsylvania as a global destination for tourism, trade, and business development, alongside two delegations representing the Commonwealth of Pennsylvania and the City of Philadelphia.
    [Show full text]