Chang's Song List
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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Teddy Pendergrass - If You Don’T Know Me
TEDDY PENDERGRASS - IF YOU DON’T KNOW ME A Documentary Film by Olivia Lichtenstein 106 Mins This is the story of legendary singer, Teddy Pendergrass, the man who would have been the biggest R&B artist of all time. The story of a childhood in a Philadelphia ghetto; of the murders of his father and first manager; of sex, drugs, money and global fame; of the triumph against injustice; and of the tragic accident that changed his life forever at the age of only 31. His was a life where, despite poverty, racism, and violence, he managed to become one of the first African-American artists to go multi-platinum over and over again. A man who actively championed the rights of black artists when discrimination was rife. A man who in the years after becoming quadriplegic, overcame depression and thoughts of suicide and resumed doing what he loved best - making music. A man who left a priceless legacy after his death, with the music he had made and the people he touched. With revealing and exclusive interviews from the people who knew Teddy best, a soulful soundtrack, and rarely seen archive, it’s a story that all too few really know and which is crying out to be told… Hammersmith Odeon, London, February 3rd 1982. It’s a cold night and fans – almost all of them women - are swarming at the entrance eager to see their idol, the biggest male R&B artist of the time, even bigger then than closest rivals, Marvin Gaye and Barry White. Teddy Pendergrass – the Teddy Bear, the ‘Black Elvis’ - tall and handsome with a distinctive husky soulful voice that could melt a woman’s clothes clean off her body! 'It took Teddy eleven seconds to get to the point with a girl that would take me two dinners and a trip to meet her parents,' says Daniel Markus, one of his managers. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Robert Kenneth Wright's Copeland's Song List
Robert Kenneth Wright’s Copeland’s Song List Song Artist Medium A Kiss to Build a Dream On Louis Armstrong Vocal A Lovely Day Bill Withers Vocal A Song for Mama Boyz II Men Vocal A Whole New World Disney Vocal Addicted to Love Robert Palmer Vocal All I Do Stevie Wonder Piano (WT) All of Me John Legend Vocal/Piano Anniversary Tony Toni Tone Vocal Ask of You Raphael Saadiq Vocal Autumn in New York Tony Bennett Vocal Autumn Leaves Matt Monro Vocal Bad Case of Loving You Robert Palmer Vocal Bad Moon Rising Creedence Clearwater Vocal Beat It Michael Jackson Vocal Before I Let Go Frankie Beverly/Maze Vocal Billie Jean Michael Jackson Vocal Blueberry Hill Fats Domino Vocal Brick House Commodores Vocal Brown Eyed Girl Van Morrison Vocal Buffalo Soldier Bob Marley Vocal Can’t Help Falling in Love Elvis Presley Vocal Can’t Let Go Anthony Hamilton Vocal Careless Whisper George Michael Vocal Cause I Love You Lenny Williams Vocal Celebration Kool and the Gang Vocal Change the World Eric Clapton Vocal Cheek to Cheek Fred Astaire Vocal Circle of Life Disney/Elton John Vocal Close the Door Teddy Pendergrass Vocal Cold Sweat James Brown Vocal Could You Be Loved Bob Marley Vocal Creepin’ Luther Vandross Vocal Dat Dere Tony Bennett Vocal Distant Lover Marvin Gaye Vocal Don’t Stop Believing Journey Vocal Don’t Want to Miss a Thing Aerosmith Vocal Don’t You Know That Luther Vandross Vocal Early in the Morning Gap Band Vocal End of the Road Boyz II Men Vocal Every Breath You Take The Police Vocal Feelin’ on Ya Booty R. -
Negrocity: an Interview with Greg Tate
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2012 Negrocity: An Interview with Greg Tate Camille Goodison CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/731 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] NEGROCITY An Interview with Greg Tate* by Camille Goodison As a cultural critic and founder of Burnt Sugar The Arkestra Chamber, Greg Tate has published his writings on art and culture in the New York Times, Village Voice, Rolling Stone, and Jazz Times. All Ya Needs That Negrocity is Burnt Sugar's twelfth album since their debut in 1999. Tate shared his thoughts on jazz, afro-futurism, and James Brown. GOODISON: Tell me about your life before you came to New York. TATE: I was born in Dayton, Ohio, and we moved to DC when I was about twelve, so that would have been about 1971, 1972, and that was about the same time I really got interested in music, collecting music, really interested in collecting jazz and rock, and reading music criticism too. It kinda all happened at the same time. I had a subscription to Rolling Stone. I was really into Miles Davis. He was like my god in the 1970s. Miles, George Clinton, Sun Ra, and locally we had a serious kind of band scene going on. -
“Dig If You Will the Picture: Prince's Subversion of Hegemonic Black
HOWARD JOURNAL OF COMMUNICATIONS 2019, VOL. 30, NO. 2, 129–143 https://doi.org/10.1080/10646175.2018.1536566 “Dig if you will the Picture: Prince’s Subversion of Hegemonic Black Masculinity, and the Fallacy of Racial Transcendence” Kevin Talmer Whiteneir Jr. School of the Art Institute of Chicago, Chicago, Illinois, USA ABSTRACT KEYWORDS Representations of Blackness are often limited to a narrow selection Blackness; masculinity; race; of archetypes despite the everyday experience of Blackness being gender; Prince immeasurably varied. Its intersectionality with class, gender, sexuality, age, ability, and more is complex and cannot simply be transcended as if it does not shape our choices, our ideologies, and our cognitive frameworks. And Prince, as a Black man, and as an artist, was no stranger to this. Flirting with the demarcated boundaries of every- thing, including gender and race, Prince presented us with a seem- ingly endless catalogue of musical and performative works that showcase, not “transcend,” the complexity of Blackness, masculinity, and their cultural intersections. This essay will analyze how Prince challenged racial stereotyping, the false equivalence of this with racial transcendence by looking at Prince’s Purple Rain era. In doing so, I push to undermine this interpretation of racial transcendence, articulate how race is in fact inextricable from his artistry, and illus- trate how an awareness of this serves to benefit the legibility of Blackness and Black gender dynamics within not only Prince’s art, but within Western society. Prince Rogers Nelson (1958–2016) was an artist whose name alone evoked images of purple rain, white lace, red corvettes, and raspberry berets. -
ARTIST SONG 112 Cupid 112 Peaches and Cream a Taste of Honey Boogie Oogie, Oogie Aaliyah at Your Best Abba Dancing Queen After 7 Can't Stop Ah Ha Take on Me Al B
ARTIST SONG 112 Cupid 112 Peaches And cream A Taste Of Honey Boogie Oogie, Oogie Aaliyah At Your Best Abba Dancing Queen After 7 Can't Stop Ah Ha Take On Me Al B. Sure Nite And Day Al Green Here I Am (Come And Take Me) Al Green How Can You Mend A Broken Heart Al Green I'm Still In Love With You Al Green Let's Stay Together Al Green Tired Of Being Alone Al Jarreau After All Al Jarreau Morning Al Jarreau Were In This Love Together Al Wilson Show And Tell Alabama Mountain Music Alan Jackson Chattahoochie Alicia Bridges I Love The Night Life All-4-One I Swear Arrested Development Mr.Wendal Average White Band Cut The Cake B.J. Thomas Raindrops Keep Fallin On My Head B.J. Thomas Wont You Play Another Somebody….. Babyface Everytime I Close My Eyes Babyface For The Cool In You Babyface Never Keeping Secrets Babyface When Can I See You Babyface Whip Appeal Bachman-Turner Overdrive Takin Care Of Business Bachman-Turner Overdrive You A'int Seen Nothin Yet Backstreet Boys Everybody (Backstreets Back) Backstreet Boys Larger Than Life Barbra Streisand The Way We Were Bar-Kays, The Shake You Rump To The Funk Barry Manilow Copacabana Barry Manilow I Write The Songs Barry White Ectasy, When You Lay Next to Me Barry White Practice What You Preach Barry White Your The First, The Last, My Everything Beach Boys, The Surfin' USA Beatles, The A Day In The Life Beatles, The Come Togeter Beatles, The Do You Want to Know A Secret Beatles, The Eight Days a Week Beatles, The Nowhere Man Beatles, The The Long And Winding Road Beatles, The Twist And Shout Bee Gees, The How Deep Is Your Love Bee Gees, The How Deep Is Your Love Bee Gees, The Jive Talkin' Bee Gees, The Night Fever Bee Gees, The Stayin Alive Bee Gees, The Too Much Heaven Bee Gees, The Tragety Bee Gees, The You Should Be Dancin Bell Biv DeVoe Do Me Ben E. -
Image Song List Dance / Top 40
Image Song List Dance / Top 40 • 867-5309 ~ Tommy Tutone • Ain't nobody ~ Chaka Khan • Ain’t it fun ~ Paramore • All about that bass ~ Meaghan Trainor • All Summer Long ~ Kidd Rock • All right now ~ Free • American girl ~ Tom Petty • Baby now that I found you ~ The Foundations • Bad Romance ~ Lady Gaga • Billy Jean ~ Michael Jackson • Black horse and the cherry tree ~ KT Tunstall • Blurred lines ~ Robin Thicke • Boogie,Oogie ~ Taste of Honey • Born this way ~ Lady Gaga • Brickhouse ~ The Commodores • Brown eyed girl ~ Van Morrison • Build me up buttercup ~ The Foundations • Burning love ~ Elvis • Cake by the Ocean ~ DNCE • California Gurls ~ Katy Perry • Can't take my eyes off you ~ Frankie Valli • Can’t stop the feeling ~ Justin Timberlake • Carwash ~ Rose Royce • Change the world ~ Eric Clapton • Chicken fried ~ Zac Brown Band • Counting Stars ~ Coldplay • Crazy little thing called Love ~ Queen • Crazy ~ Gnarls Barkley • DJ got me fallin in Love ~ Usher • Dancing in the street ~ Martha and the Vandellas • December 1963 ~ Frankie Valli and The Four Seasons • Disco Inferno ~ The Tramps • Dynamite ~ Taio Cruz • Earth Wind and Fire medley • Edge of glory ~ Lady Gaga • Ex’s and Oh’s ~ Elle King • Footloose ~ Kenny Loggins • Forget you ~ Cee Lo Green • Funky Music ~ Wild Cherry • Get Lucky ~ Daf Punk • Get this party started ~ Pink • Give it to me baby ~ Rick James • Hall and Oates medley ~ Hall and Oates • Happy ~ Pharrell Williams • Heatwave ~ Martha and the Vandellas • Heaven must be missing an angel ~ Tavares • Hey soul sister ~ Train -
Examining the Role Hip-Hop Texts Play in Viewing the World
Georgia State University ScholarWorks @ Georgia State University Department of Middle-Secondary Education and Middle-Secondary Education and Instructional Instructional Technology (no new uploads as of Technology Dissertations Jan. 2015) Fall 1-10-2014 Wordsmith: Examining the role hip-hop texts play in viewing the world Crystal LaVoulle Follow this and additional works at: https://scholarworks.gsu.edu/msit_diss Recommended Citation LaVoulle, Crystal, "Wordsmith: Examining the role hip-hop texts play in viewing the world." Dissertation, Georgia State University, 2014. https://scholarworks.gsu.edu/msit_diss/119 This Dissertation is brought to you for free and open access by the Department of Middle-Secondary Education and Instructional Technology (no new uploads as of Jan. 2015) at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Middle-Secondary Education and Instructional Technology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ACCEPTANCE This dissertation, WORDSMITH: EXAMINING THE ROLE HIP-HOP TEXTS PLAY IN VIEWING THE WORLD, by CRYSTAL LAVOULLE, was prepared under the direction of the candidate’s Dissertation Advisory Committee. It is accepted by the committee members in partial fulfillment of the requirements for the degree, Doctor of Philosophy, in the College of Education, Georgia State University. The Dissertation Advisory Committee and the student’s Department Chairperson, as representatives of the faculty, certify that this dissertation has met all standards of excellence and scholarship as determined by the faculty. The Dean of the College of Education concurs. _________________________________ _________________________________ Peggy Albers, Ph.D. Tisha Y. Lewis, Ph.D. Committee Chair Committee Member _________________________________ _________________________________ Kimberly Glenn, Ph.D. -
Ray Parker Jr
ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles, California To the Honorable Council FEB 1 I} 2014 Of the City of Los Angeles Honorable Members: C. D. No. 13 SUBJECT: Hollywood Boulevard and Vine Street - Walk of Fame Additional Name in Terrazzo Sidewalk- RAY PARKER JR RECOMMENDATIONS: A. That the City Council, designate location No. 134 as shown on Sheet 19 of Plan 0-30385 for the Hollywood Walk of Fame for the installation of the name of Ray Parker Jr at 7065 Hollywood Boulevard. B. Inform the Hollywood Chamber of Commerce of the Council's action on this matter. C. That this report be adopted prior to the date of the ceremony on March 6,2014. FISCAL IMPACT STATEMENT: No General Fund Impact. All cost paid by permittee. TRANSMITTALS: 1. Unnumbered communication dated February 5, 2014, from the Hollywood Historic Trust of the Hollywood Chamber of Commerce, biographical information and excerpts from the minutes of the Chamber's meeting with recommendations. City Council -2- C. D. No. 13 DISCUSSION: Plan 0-30385 details the extension of the Hollywood Walk of Fame along Hollywood Boulevard from Sycamore Avenue to La Brea Avenue. A print of Sheet 19 of said Plan, filed in the office of the City Engineer, identifies locations of Walk of Fame Stars numbered 1 to 148, inclusive. The Walk of Fame Committee of the Hollywood Chamber of Commerce has submitted a request for insertion into the Hollywood Walk of Fame the name of Ray Parker Jr. The ceremony is scheduled for Thursday, March 6, 2014 at I I :30 a.m. -
BKO Song List
Becca Kaufman Orchestra - Song List 2010’s 24K Magic - Bruno Mars How Long Will I Love You - Ellie Goulding A Little Party Never Killed Nobody - Fergie Humble and Kind - Tim McGraw A Thousand Years, Pt. 2 - Christina Perri feat. Steve Kazee I Lived - One Republic All About That Bass - Meghan Trainor I Love It - Icona Pop All of Me (Ballad) - John Legend I Will Always Be Your Mom - Aimee Zimmermann All of Me (Dance Mix) - John Legend I Will Wait (BKO Version) - Mumford and Sons American Kids - Kenny Chesney I Won't Give Up - Jason Mraz Best Day of My Life - American Authors Just Give Me A Reason - Pink Better When I'm Dancin’ - Meghan Trainor Just the Way You Are - Bruno Mars - or- Boyce Avenue Blow - Kesha Last Friday Night - Katy Perry Blank Space - Taylor Swift Latch - Sam Smith feat. Disclosure Blurred Lines - Robin Thicke Like I'm Gonna Lose You - Meghan Trainor Born This Way - Lady Gaga Little Things - One Direction Cake By The Ocean - DNCE Locked Out of Heaven - Bruno Mars California Gurls - Katy Perry Love Never Felt So Good - M. Jackson / J. Timberlake Call Me Maybe - Carly Rae Jepsen Love On Top - Beyoncé Can't Hold Us - Macklemore & Ryan Lewis (feat. Ray Dalton) Marry You - Bruno Mars Can’t Stop the Feeling - Justin Timberlake Me Too - Meghan Trainor Club Can’t Handle Me - Flo Rida Mean To Me - Brett Eldredge Come To Me - Goo Goo Dolls Moves Like Jagger - Maroon 5 Counting Stars / Wake Me Up - One Republic/Avicii My House - Flo Rida Crazy Girl - Eli Young Band Never Tear Us Apart - Beck & St. -
Music Guide Music HISTORY There Was a Time When “Elevator Music” Was All You Heard in a Store, Hotel, Or Other Business
Music Guide Music HisTORY There was a time when “elevator music” was all you heard in a store, hotel, or other business. Yawn. 1 1971: a group of music fanatics based out of seattle - known as Aei Music - pioneered the use of music in its original form, and from the original artists, inside of businesses. A new era was born where people could enjoy hearing the artists and songs they know and love in the places they shopped, ate, stayed, played, and worked. 1 1985: DMX Music began designing digital music channels to fit any music lover’s mood and delivered this via satellite to businesses and through cable TV systems. 1 2001: Aei and DMX Music merge to form what becomes DMX, inc. This new company is unrivaled in its music knowledge and design, licensing abilities, and service and delivery capability. 1 2005: DMX moves its home to Austin, TX, the “Live Music capital of the World.” 1 Today, our u.s. and international services reach over 100,000 businesses, 23 million+ residences, and over 200 million people every day. 1 DMX strives to inspire, motivate, intrigue, entertain and create an unforgettable experience for every person that interacts with you. Our mission is to provide you with Music rockstar service that leaves you 100% ecstatic. Music Design & Strategy To get the music right, DMX takes into account many variables including customer demographics, their general likes and dislikes, your business values, current pop culture and media trends, your overall décor and design, and more. Our Music Designers review hundreds of new releases every day to continue honing the right music experience for our clients.