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Dey, Misri Misri.Dey@Falmouth.Ac.Uk Tel: 00 44 7949362718 Dey, Misri [email protected] http://www.soloperformanceforum.co.uk/ Tel: 00 44 7949362718 Senior Lecturer in Theatre Department of Performance and Media Falmouth University Education Whitefield School, London. 1977 – 1984 Oxford University, Wadham College. 1985 – 1988 Qualifications B.A. (Hons.) English Language and Literature M.Phil. - ‘Change Through Exchange: Contact Improvisation’, University of Plymouth, 1998. Ph.D. ‘Devising solo performance – a practitioner’s enquiry’. University of Plymouth. Awarded 10th March, 2015. Professional Qualifications PGCE Drama, Middlesex University, 1992. Foundation Course (propodaus) Amsterdam School of the Arts, School for New Dance Development, Amsterdam, 1993. Post Graduate Actor Training Course, Bristol Old Vic Theatre School, 1998. Memberships Equity PRS: Performing Rights Society Member. TAPRA: Theatre and Performance Research Association Member. Peer Reviewer: Theatre, Dance and Performance Training Career Details 2003 – Falmouth University (previously Dartington College of Arts campus), Senior Lecturer (full time) 2001 – 2003 – Freelance theatre practitioner – employed by Travelling Light Theatre Company and Bristol University. Director Youth Theatre, visiting lecturer and researcher. 1999 – 2001 – York St John University, Lecturer in Theatre (full time) 1995 – 1998 – University of Plymouth, Associate Voice Lecturer 1988 – 1995 – Freelance performer, theatre practitioner, and music workshop leader. Clients include Musicworks Community Music, London, Camden People’s Theatre, London, Slederloj Youth Theatre, Belgium, Bebe Miller Dance, as well as various independent workshops. Research and Scholarly Foci Solo performance, devising. Composition/Dramaturgy. Contact Improvisation Music Theatre Artistic Director of the Solo Contemporary Performance Forum, Falmouth and Bristol. A development agency offering multiple platforms for contemporary solo performance work, curating laboratories, residencies, public artist talks and performances. http://www.soloperformanceforum.co.uk/ Recent Publications Dey, M, and Sarco-Thomas, M. Dec. 2014. (co-eds.) Contact (and) Improvisation. Journal of Dance and Somatic Practices, Vol. 6. No. 2. ‘Framing the Gap: Contact [and] improvisation’ in Journal of Dance and Somatic Practices, Vol. 6. No. 2. pp.119 – 128. Dey, M. and Hartley, R. Website. http://www.soloperformanceforum.co.uk/ 2012 Dey, M. 2012. ‘Virtuoso’ in ‘A Lexicon of Training Terms’, Theatre Dance and Performance Training. Vol.3 (3). 397-399. Research Grants and Awards 2014: Arts Council UK and Bristol City Council funding for Lab, Scratch Showing and Premiere of four new solo works in Bristol, UK. (£14,000). In-kind funding received from partnerships with Bristol Old Vic Theatre (Ferment), Theatre Bristol, Trinity Arts Centre and Residence Collective, Bristol (equivalent to £6,000). 2014: HEFCE and AMATA funding for Solo Contemporary Performance Forum Development Lab at Falmouth University. (£2,000). 2014: Private investment funding ABOUT Corporate Finance awarded to develop new solo ‘Vibrato’ for UK tour in 2016. (£9,970). Matched research and development funding for collaborators being applied for from Arts Council UK (£6,000). 2011/2012: Awarded financial support from Falmouth University internal research awards, for writing of initial contract proposal for interview book (Palgrave) and project completion (PhD). 2005/6: Awarded HEFCE and Higher Education Innovations Fund (HEIF) research and development funding to establish the Solo Contemporary Performance Forum, two laboratory exchanges and premiere of three artists solo works at Dartington Arts. (£3,000). 2003/5/6: Arts Council South West – Research and development funding for development of script of auto-ethnographic solo radio performance: ‘Bed’ ( £4,300). 2000: College of Ripon and York St John – Contribution towards research costs for devising physical theatre piece ‘Escape’. 1998: Elmgrant Fellowship for contribution to fees for training at Bristol Old Vic Theatre School. 1996 – 8: University of Plymouth – Research Studentship: M.Phil. Travel research bursary to teach with Augusto Boal and the Brecht Forum in New York and with Jana Sanskriti and the Dancers Guild in Calcutta, India. (£4,000). 1993: Hogeschol fur de Kunsten, Amsterdam – European Development funding to attend training course in Kerala, India. Previous publications, presentations and conference papers Dey, M. 1996. ‘Contact Improvisation and Theatre of the Oppressed’ in Contact Quarterly, 21(2). Dey, M. 1996, ‘Pedagogy of the Oppressed’ in Research in Drama Education, 1 (2). Dey, M. 1996 ‘Cop in the Head, Cop in the Body’. Paper and workshop given at the Pedagogy of the Oppressed Conference, University of Nebraska, Omaha and report back, 1996, University of Lancaster Symposium Theatre of the Oppressed working group. Dey, M. 1997.‘Contact Improvisation in India’ in Contact Connection, Issue 9 Dey, M. 1997. ‘Jamming on the Periphery’ in Contact Quarterly, 22 (2). Dey, M. 1998. ‘Contact in Calcutta’ Contact Quarterly, 23, (2). Dey, M. 2002 AHRB Project Report: ‘Mnemosyne Dreams (Performance, memory, and heritage and contesting histories)’ Bristol University Dey, M. 2003 ‘Interviewing Techniques’ in ‘Tell It as It Is’: ‘A Guide to Recording Your LHI Project, LHI, and ISBN No 9264133607 Dey, M. 2006. ‘Taj A Chino Blues’, British Asian Theatre Symposium, Society for Theatre Research, London. Performance. Dey, M. 2007. ‘Resonant Performance – a mixer’s search’, ‘New Performance Paradigms’ University of Salford. Performance Paper. Dey, M. 2010. ‘I know this won’t work, don’t we?’ - Solo Devising and Collaboration, TAPRA conference, University of Glamorgan. Dey, M. 2011. Facilitator of workshop at ‘As Yet Impossible’ conference, University of Salford. Dey, M. 2012. Paper on solo and collaboration, University of Middlesex Symposium on Collaboration 4th May 2012. Dey, M. 2015 (forthcoming presentation) ‘Vibrato’ at Giving Voice, The Centre for Performance Research, Falmouth University. 13th April 2015. Performances Numerous performances in scripted and devised group performance work, performed in the UK, Edinburgh Festival and Amsterdam. Venues include Gate Theatre, London, Lyric Theatre Hammersmith, Cockpit Theatre, Battersea Arts Centre, English National Opera, Hoxton Hall, Theatre Clywd, Bristol Old Vic Studio, Egg Studio Bath, Comedia, Brighton, Exeter Phoenix, Singel Theatre and Theatre de Liefde, Amsterdam. Also lead singer in several music groups, ensembles, working across jazz, popular music and folk. Dey, ‘Bed’, Radio Play, funded Arts Council South West Broadcast Nov 14th 2004: Commonwealth FM, BBC Radio Bristol. Jan 2005: Section performed at BBC Bristol – Launch of ‘Split Screen’ Festival of Black and Asian Film 15th July – 23rd Sept 2004 - Played as part of ‘All Different All Local’ Photographic tour, Exeter Phoenix, Royal Albert Memorial Museum, Exeter, and Dartmoor. 12 November 2006. Broadcast on BBC Radio Bristol, Saangam, with accompanying interview. Dey, Outlaws, 2005, Solo devised Performance, Radio Play, March 8th 2005 – Bristol Empire and Commonwealth Museum. May 13th 2005 – Performance commissioned by Exeter tEXt festival, performed at Exeter Phoenix. Oct 2005. Recorded and broadcast on BBC Radio Bristol Commonwealth FM. Dey, ‘Taj A Chino Blues’ 2006, Solo devised Performance, Oct 2006, Theatre Museum, London. Nov.2006, Dartington Arts, Devon. February, 2008, Bristol October 2010 (a fragment) Tremough Performance Centre, Cornwall. July 2012. Solo Performance Festival, Lost Theatre, London (see http://www.solotheatrefestival.co.uk/). Two solo performances: ‘Bring a song and I will sing it for you’: one to one performance and ‘Taj A Chino Blues’. Dey and Allen-Mason, C. ‘Bring me a song and I will sing It for you’, 2012. One-to one solo performance. Feb. and June 2012: LIVEDART Festival, Falmouth. July 2012: Face-to-Face Festival, London. May 2016: (forthcoming): Proximity Festival, Australia. Teaching My main areas of teaching include solo performance making, devising, movement for performance, voice, dramaturgical feedback, improvisation, cultural identity and performance. .
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