Student Sexuality to Be Examined "Winds of Change" Occur at SM C
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Scorses by Ebert
Scorsese by Ebert other books by An Illini Century roger ebert A Kiss Is Still a Kiss Two Weeks in the Midday Sun: A Cannes Notebook Behind the Phantom’s Mask Roger Ebert’s Little Movie Glossary Roger Ebert’s Movie Home Companion annually 1986–1993 Roger Ebert’s Video Companion annually 1994–1998 Roger Ebert’s Movie Yearbook annually 1999– Questions for the Movie Answer Man Roger Ebert’s Book of Film: An Anthology Ebert’s Bigger Little Movie Glossary I Hated, Hated, Hated This Movie The Great Movies The Great Movies II Awake in the Dark: The Best of Roger Ebert Your Movie Sucks Roger Ebert’s Four-Star Reviews 1967–2007 With Daniel Curley The Perfect London Walk With Gene Siskel The Future of the Movies: Interviews with Martin Scorsese, Steven Spielberg, and George Lucas DVD Commentary Tracks Beyond the Valley of the Dolls Casablanca Citizen Kane Crumb Dark City Floating Weeds Roger Ebert Scorsese by Ebert foreword by Martin Scorsese the university of chicago press Chicago and London Roger Ebert is the Pulitzer The University of Chicago Press, Chicago 60637 Prize–winning film critic of the Chicago The University of Chicago Press, Ltd., London Sun-Times. Starting in 1975, he cohosted © 2008 by The Ebert Company, Ltd. a long-running weekly movie-review Foreword © 2008 by The University of Chicago Press program on television, first with Gene All rights reserved. Published 2008 Siskel and then with Richard Roeper. He Printed in the United States of America is the author of numerous books on film, including The Great Movies, The Great 17 16 15 14 13 12 11 10 09 08 1 2 3 4 5 Movies II, and Awake in the Dark: The Best of Roger Ebert, the last published by the ISBN-13: 978-0-226-18202-5 (cloth) University of Chicago Press. -
University International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider. -
History All-Time Coaching Records All-Time Coaching Records
HISTORY ALL-TIME COACHING RECORDS ALL-TIME COACHING RECORDS REGULAR SEASON PLAYOFFS REGULAR SEASON PLAYOFFS CHARLES ECKMAN HERB BROWN SEASON W-L PCT W-L PCT SEASON W-L PCT W-L PCT LEADERSHIP 1957-58 9-16 .360 1975-76 19-21 .475 4-5 .444 TOTALS 9-16 .360 1976-77 44-38 .537 1-2 .333 1977-78 9-15 .375 RED ROCHA TOTALS 72-74 .493 5-7 .417 SEASON W-L PCT W-L PCT 1957-58 24-23 .511 3-4 .429 BOB KAUFFMAN 1958-59 28-44 .389 1-2 .333 SEASON W-L PCT W-L PCT 1959-60 13-21 .382 1977-78 29-29 .500 TOTALS 65-88 .425 4-6 .400 TOTALS 29-29 .500 DICK MCGUIRE DICK VITALE SEASON W-L PCT W-L PCT SEASON W-L PCT W-L PCT PLAYERS 1959-60 17-24 .414 0-2 .000 1978-79 30-52 .366 1960-61 34-45 .430 2-3 .400 1979-80 4-8 .333 1961-62 37-43 .463 5-5 .500 TOTALS 34-60 .362 1962-63 34-46 .425 1-3 .250 RICHIE ADUBATO TOTALS 122-158 .436 8-13 .381 SEASON W-L PCT W-L PCT CHARLES WOLF 1979-80 12-58 .171 SEASON W-L PCT W-L PCT TOTALS 12-58 .171 1963-64 23-57 .288 1964-65 2-9 .182 SCOTTY ROBERTSON REVIEW 18-19 TOTALS 25-66 .274 SEASON W-L PCT W-L PCT 1980-81 21-61 .256 DAVE DEBUSSCHERE 1981-82 39-43 .476 SEASON W-L PCT W-L PCT 1982-83 37-45 .451 1964-65 29-40 .420 TOTALS 97-149 .394 1965-66 22-58 .275 1966-67 28-45 .384 CHUCK DALY TOTALS 79-143 .356 SEASON W-L PCT W-L PCT 1983-84 49-33 .598 2-3 .400 DONNIE BUTCHER 1984-85 46-36 .561 5-4 .556 SEASON W-L PCT W-L PCT 1985-86 46-36 .561 1-3 .250 RE 1966-67 2-6 .250 1986-87 52-30 .634 10-5 .667 1967-68 40-42 .488 2-4 .333 1987-88 54-28 .659 14-9 .609 CORDS 1968-69 10-12 .455 1988-89 63-19 .768 15-2 .882 TOTALS 52-60 .464 2-4 .333 -
(75F60a5) the New York Times Guide to the Best 1,000 Movies Ever
The New York Times Guide To The Best 1,000 Movies Ever Made Vincent Canby, Janet Maslin, Peter M. Nichols - book pdf free by Vincent Canby, Janet Maslin, Peter M. Nichols The New York Times Guide to the Best 1,000 Movies Ever Made, Free Download The New York Times Guide to the Best 1,000 Movies Ever Made Full Version Vincent Canby, Janet Maslin, Peter M. Nichols, Vincent Canby, Janet Maslin, Peter M. Nichols ebook The New York Times Guide to the Best 1,000 Movies Ever Made, Download Free The New York Times Guide to the Best 1,000 Movies Ever Made Book, The New York Times Guide to the Best 1,000 Movies Ever Made Ebook Download, The New York Times Guide to the Best 1,000 Movies Ever Made Free Download, PDF The New York Times Guide to the Best 1,000 Movies Ever Made Full Collection, The New York Times Guide to the Best 1,000 Movies Ever Made Books Online, The New York Times Guide to the Best 1,000 Movies Ever Made by Vincent Canby, Janet Maslin, Peter M. Nichols Download, Read Online The New York Times Guide to the Best 1,000 Movies Ever Made E-Books, Download The New York Times Guide to the Best 1,000 Movies Ever Made E-Books, Read The New York Times Guide to the Best 1,000 Movies Ever Made Book Free, read online free The New York Times Guide to the Best 1,000 Movies Ever Made, Download Online The New York Times Guide to the Best 1,000 Movies Ever Made Book, The New York Times Guide to the Best 1,000 Movies Ever Made Free PDF Online, The New York Times Guide to the Best 1,000 Movies Ever Made Full Collection, Download The New York Times Guide to the Best 1,000 Movies Ever Made E-Books, pdf download The New York Times Guide to the Best 1,000 Movies Ever Made, full book The New York Times Guide to the Best 1,000 Movies Ever Made, The New York Times Guide to the Best 1,000 Movies Ever Made by Vincent Canby, Janet Maslin, Peter M. -
"It's Aimed at Kids - the Kid in Everybody": George Lucas, Star Wars and Children's Entertainment by Peter Krämer, University of East Anglia, UK
"It's aimed at kids - the kid in everybody": George Lucas, Star Wars and Children's Entertainment By Peter Krämer, University of East Anglia, UK When Star Wars was released in May 1977, Time magazine hailed it as "The Year's Best Movie" and characterised the special quality of the film with the statement: "It's aimed at kids - the kid in everybody" (Anon., 1977). Many film scholars, highly critical of the aesthetic and ideological preoccupations of Star Wars and of contemporary Hollywood cinema in general, have elaborated on the second part in Time magazine's formula. They have argued that Star Wars is indeed aimed at "the kid in everybody", that is it invites adult spectators to regress to an earlier phase in their social and psychic development and to indulge in infantile fantasies of omnipotence and oedipal strife as well as nostalgically returning to an earlier period in history (the 1950s) when they were kids and the world around them could be imagined as a better place. For these scholars, much of post-1977 Hollywood cinema is characterised by such infantilisation, regression and nostalgia (see, for example, Wood, 1985). I will return to this ideological critique at the end of this essay. For now, however, I want to address a different set of questions about production and marketing strategies as well as actual audiences: What about the first part of Time magazine's formula? Was Star Wars aimed at children? If it was, how did it try to appeal to them, and did it succeed? I am going to address these questions first of all by looking forward from 1977 to the status Star Wars has achieved in the popular culture of the late 1990s. -
Cinema's Darkest Vision: Looking Into the Void in John Carpenter's the Thing (1982)
Journal of Popular Film and Television ISSN: 0195-6051 (Print) 1930-6458 (Online) Journal homepage: https://www.tandfonline.com/loi/vjpf20 Cinema's Darkest Vision: Looking into the Void in John Carpenter's The Thing (1982) Heather Addison To cite this article: Heather Addison (2013) Cinema's Darkest Vision: Looking into the Void in John Carpenter's TheThing (1982), Journal of Popular Film and Television, 41:3, 154-166, DOI: 10.1080/01956051.2012.755488 To link to this article: https://doi.org/10.1080/01956051.2012.755488 Published online: 02 Sep 2013. Submit your article to this journal Article views: 837 Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=vjpf20 Figure 1. Blair confronts the horror of the Thing as he performs an autopsy on its apparently dead remains. (Color figure available online.) N ALL OF CINEMA of laboratory-concocted special effects, a short volume on The Thing published with the actors used merely as props to by the British Film Institute, praised HISTORY, perhaps there has be hacked, slashed, disemboweled, and the film for preserving her “faith in the Inever been a more unfortunate decapitated,” and Desmond Ryan of The movies” and referred to it as “one of the release date than the one suffered by Philadelphia Inquirer sneered, “This is greatest horror movies of all time” (12– director John Carpenter’s The Thing, a monster movie of incredible ferocity 13). She glibly attributed The Thing’s an apocalyptic horror film about a hos- and graphic gore that asks no more than poor reception among 1982 critics to a tile alien with the ability to absorb and utter passivity and a strong stomach. -
2 Nina's Rev Editor's Revision Heroic Aging in The
COPAS—Current Objectives of Postgraduate American Studies 15.1 (2014) “You Ought to Stop Trying Because You Had Too Many Birthdays?”—The Making of an Aged Hero in Rocky Balboa Nina Schnieder ABSTRACT: This article deals with one of Hollywood’s most popular (sport) action heroes, Rocky Balboa, who, after thirty years of screen history, increasingly has to face the obstacles of age in the last installment of the franchise. Although cultural assumptions seem to contradict the combination of aging and sports hero, the article claims that the athletic protagonist Rocky Balboa is actually perceived as a true American action hero by the depiction of his progressed age as a motivation to once again “go the distance.” The article focuses on the aspects of work and the aging male body and it aims to show how the Rocky series has always dealt with the issue of male aging. KEYWORDS: age/aging; Rocky Balboa; boxing; work; male body Introduction When in 2006 Sylvester Stallone announced to release a sixth and presumably last Rocky movie—written and directed by himself—critics as well as countless studio bosses advised him not to do so, because at sixty they did not picture him as a “magnet for young moviegoers” (Weiner). Before the movie was released, audiences laughed at the trailers and critics ridiculed the project as a joke, as they seemed to watch, according to Philippa Gates, “a vanity play to make an aging star feel vital and relevant to a new generation,” and they named it a ridiculous attempt to live up to former successes. -
MIT and Amgen Dink 10-Year Pact
MIT's The Weather Oldest and Largest Today: Increasing clouds, 54°F (12°C) Tonight: Mostly cloudy, 36°F (2°C) Newspaper Tomorrow: Sprinkles, 45°F (7°C) Details, Page 2 Volume 114, Number 17 Cambridge, Massachusetts 02139 Friday, April I, 1994 I DInkrOLL L 10-YearCUWL Zj&&l.v/I" Pact MIT 'V "tf I f\ and'W AmgenT^ J~~~~~~mof I SnB^B JBVudy* Ecit i i Ev"tl lawslc t ligA~~~ Z i i i By Sarah Y. Keightley definite plus," Hynes said. "We'll EXECUTI VE EDI'TOR i see more arrangements likes this. ... On Tuesday, the Institute and Relationships with companies are Amgen, a biotechnology company, very healthy," he said. Because gov- t announced their agreement for a ernment funding is rising too slow- decade-long partnership. ly, industry funding helps cover the Amgen will fund research efforts increased expenses and enables at MIT - giving up to $3 million a more research projects to be carried year for 10 years -- in exchange for out, he said. some patent and technology licens- "This university-industry collab- ing rights on this research, accord- oration will advance the already ing to a press release. The company rapid pace of scientific discoveries will use the research results to in biology and other sciences," Vest develop and manufacture pharma- said. ceutical products. Scientists can make discoveries, Both sides are pleased with the but "we can't develop them to a collaborative arrangement. point" where the public can use ,.^sZ.. ,y . , W/..., , -- ........ ;"*.. :.;w. | "This agreement with Amgen them, Hynes said. This is where the · A represents an essential element in pharmaceutical companies can take HELEN LIN--HE TECHL the kind of future I see for MIT -- a the idea and develop it, he said. -
From Sidious to Nixon: the Parallels Between Star Wars and Vietnam
From Sidious to Nixon: The Parallels Between Star Wars and Vietnam A Senior Project presented to the Faculty of the History Department California Polytechnic State University – San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Bachelor of Liberal Arts By Brennan Simpson March, 2021 © 2021 Brennan Simpson 1 In the case of a film franchise that features twelve movies, five television series, and various other forms of media by the time this paper was written, many people may be surprised to hear that Star Wars was actually inspired by one of the most questionable moments in American history. However, the time period in which Star Wars creator George Lucas first wrote what became this world’s ‘‘first step into a larger world’’ actually greatly reflected what ended up on the big screen. Even though the Star Wars movies take place ‘‘a long time ago in a galaxy far, far away….,’’ it has been publicly stated in interviews that Lucas based both Star Wars media on the Vietnam War and their main villain, Darth Sidious, on former U.S. President Richard Nixon. Though there have been a few scholarly works since the first Star Wars movie was released in theaters in 1977 that have attempted to explore these parallels, none of them has directly explored how Lucas’s long-standing views on the Vietnam War affected certain key moments of the first six Star Wars movies. This thesis explores George Lucas’ antiwar activism before creating Star Wars to demonstrate how remarkably similar the films and related media of this franchise truly are to both various aspects of the Vietnam War and Richard Nixon’s rise to power. -
Illinois Basketball Guide
e 19 9 49 9 1 •<k Basketball University of Illinois Urbana-Champaign Guide *J :.-;K &<- 'A IV RALPH R. JONES CRAIG RUBY HARV SCHMIDT HARRY COMBES DOUGLAS R. MILLS J. LOU HENSON / J-m^j j/b-UM^x£yOC^- 1990-91 University of Illinois Basketball Rosters Alphabetical Numerical No. Player Ht. Wt. Yr. Pos. Hometown/HS or JC No. Player 6'0" Springfield, IL/Calvary 3 Tim Geers* 1 1 Rennie Clemons 170 Fr. G 3 Tim Geers* 6'5" 194 So. F Chicago, IL/DeLaSalle 4 Brooks Taylor* 6'6" 11 34 Andy Kaufmann* 219 Jr. F Jacksonville, IL/Jacksonville Rennie Clemons 50 Andy Kpedi* 67" 216 Sr. C St. Anne, IL/Kankakee JC 23 Larry Smith*** A2 Tom Michael 6'8" 187 Fr. + F Carlyle, IL/Carlyle 24 Scott Pierce '8" 24 Scott Pierce 6 195 Fr. I' Euless, TX/Trinity 25 Deon Thomas 23 Larry Smith*** 6'4" 190 Sr. G Alttm, IL/Alton 32 Tom Michael 4 Brooks Taylor* 6'4" 172 So. G Chicago, IL/DeLaSalle 34 Andy Kaufmann* 2."> Deon Thomas 6'9" 200 Fr. + C Chicago, IL/Simeon 44 T.J. Wheeler 6'4" 44 T.J. Wheeler 180 Fr. G Christopher, IL/Christopher 50 Andy Kpedi Redshirt freshman *Denotes number of Varsity I's won Tim Geers Andy Kaufmann Andy Kpedi Larry Smith Brooks Taylor THE COVER: With Lou Hensons first victory this coaches over the years: Ralph R. Jones (1913-1920) 85 wins, 34 • i winningest Illinois basketball losses (.676); J. Craig Ruby (1923-1936) 148 wins. 97 losses 1 lombes. -
Auteurs at an Urban Crossroads: a Certain Tendency in New York Cinema Rene Thomas Rodriguez University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-18-2015 Auteurs at an Urban Crossroads: A Certain Tendency in New York Cinema Rene Thomas Rodriguez University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Film and Media Studies Commons Scholar Commons Citation Rodriguez, Rene Thomas, "Auteurs at an Urban Crossroads: A Certain Tendency in New York Cinema" (2015). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/5564 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Auteurs at an Urban Crossroads: A Certain Tendency in New York Cinema by Rene Thomas Rodriguez A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Liberal Arts with a concentration in Film and New Media Studies College of Arts and Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Amy Rust, Ph.D. Scott Ferguson, Ph.D. Date of Approval: March 18 2015 Keywords: Martin Scorsese, Neoliberalism, Woody Allen, decline, 70’s cinema Copyright © 2015, Rene Thomas Rodriguez Dedicated To Tom and Mary Zambito Acknowledgments Writing a Thesis, one is often in isolation and left to contemplate on the task at hand, however, there are many people I wish to thank, for without their contributions and support, this Thesis project will still be merely a collection of muddled ideas, instead of a tangible piece to converse about cinema and its role in society.