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i '^ 'i • THE LIBRARY OF THE UNIVERSITY OF NORTH CAROLINA
ENDOWED BY THE DIALECTIC AND PHILANTHROPIC SOCIETIES MUSIC UBRAR? M1503 .F68 J3 JklUSIC LIBRARY This BOOK is due at the hbrary from which it was borrowed on the LAST DATE stamped below unless
it is recalled sooner. If not on hold, it may be renewed by bringing it to the library from which it was borrowed.
JUL 2 9 tee Digitized by the Internet Archive
in 2010 with funding from
Univeristy of. North Carolina at Chapel Hill
http://wWw.archive.org/details/janeannieorgoodcOOford OR THE GOOD CONDUCT PRIZE
A NEW AND ORIGINAL ENGLISH COMIC OPERA Written by
J.M.BARRIE Sc A.CONAN DOYLE
AVusic by ERNEST FQRD
Arranged from the full score by King Hall Vbc6il Score, J^nce S/net n Lond on, Chappell &C^50.New Bond Street. W.
New York ; Nov ELLO, Ewer & C°
ALL Rl&HTS RESERVED UNDER THE INTERNATIONAL COPYRIGHT ACT PUBLIC PERFORMANCE FORBl DDEN AND RIGHT OF REPRESENTATION RESERVED. SING-LE DETACHED NUMBERS MAY BE SUNG- AT CONC ERTS,
NOT MORE THAN TWO AT ANY ONE CONCERT. BUT THEY MUST BE GIVEN WITHOUT COSTUME OR ACTION . IN NO CASE MUST SUCH PERFORMANCE BE AN NOUNC ED AS A "SELECTION FROM THE OPERA. APPLICATION FORTHERIG-HT OF PERFORMING THE ABOVE OPERA MUST BE MADE TO M^? R. DOYLY CARTE, SAVOY THEATRE, LON DON. PRINTED BY HENDEllSON & SPALDIXG, Liuiitea.
r 1^ ^ ''"^ '^\ )
Produced at the Savoy Theatre, London, under the management of Mr. li. D'OYLY CAKTE, on Saturday, 13th May, 1893.
JANE ANNIE;
THE GOOD CONDUCT PRIZE.
Dramatis Persona?.
A PKOCTOK Mr. KUTLAND BAKRINGTON.
SIM Mr. LAWKENCE GRIDLEY. f ( GREG r '^'""''"f^'^) "i Mr. WALTER PASSMORE.
TOM (a Pn-s.s Sfiidoif) Mr. CHARLES KENNINGHAM.
JACK (a Unrr/orJ Mr. SCOTT FISHE.
CADDIE (n P„^r) •. MASTER HARRY RIGNOLD.
MISS SIMS (a Schoolmistress) MISS ROSINA BRANDRAM.
JANE ANNIE (a Good Girl MISS DOROTHY VANE.
BAB (a Bad Girl) MISS DECIMA MOORE.
MILLY \ / MISS FLORENCE PERRY.
f ROSE ] MISS EMMIE OWEN. }* f.4veraffc^ Girls)^ *\ i ^ jyjj^v^ MEG j JOSE SHALDERS.
MAUD I f MISS MAY BELL.
Schoolgirls, Press-Stiidi/ils, and Lancers.
The Scene is obviously laid round the corner from a certain En>;lish University Town.
The Opera produced under the Stage Direction of Mr. CHARLES HARRIS, and the Musical Direction of Mr. FRANCOIS CELLIER.
ACT I.
First Floor of a Seminary for the Little Things that grow into Women.
ACT II.
A Ladies' Golf Green near the Seminary.
TIME.— The Present.
One Night elapses between the Acts.
1037163 CONTENTS.
ACT I.
N9 Page
1. INTRODUCTION AND CHORUS "Good night, good night" 1.
2. SOLO (jane Annie) AND CHORUS OF GIKLS "I'm not a sneak" \2.
3. SONG(Bab) WITH CHORUS "Bnght-eyed Bab I used to be" \K
4. REGIT. AND SONG(Proctorj WITH CHORUS "There was a time" ; 25.
5. QU.\RTET (Miss Sims, Proctor, Sim and Greg) "Approach her thus" 31.
(3. DUET(Simand Greg) "When a bulldog I became" 37.
7. BALLAD (Tom) "it was th>- time of thistledown" 45.
8. TRIO (Bab, Tom and Proctor) "What are the gifts" 47.
9. VOICES IN THE AIR "Little maiden, pause and ponder" 5;^.
10. FINALE "Madam, do not think us rude". 55.
a. SONG (Proctor) "There was once a man" 69.
" b. officer I SONG (Jack ) "An 75.
c. SONG (jane Annie) ''When I was a little piccaninny" 86.
ACT II.
11. INTRODUCTION 100.
a. SONG ( Page) "A page-boy am l" 102.
12. "G0LF"CH0KUS of GIRLS ''To golf is staid for bashful maid" 108.
13. SONG (Miss Simsj "A girl again I seem to be" 115.
14. BARCAROLE "Where the willows shade the river" 118.
15. DUET (Sim and Greg) "When I was a little child" 121.
16. MILITARY CHORUS WITH SOLO (jack) "We are conscious" 124.
17. DUET (jane Annie and Jack) WITH CHORUS "You and I, dear Jack, will show" 133.
IS. BALLET 149.
19. DUET (Bab and Tom) "Last night when we were forced to part'.' 153.
20. DUET ( Bab and Proctor) "I'm a man of erudition" 159.
21. SEXTET (jane Annie, Miss Sims, Bab, Proctor and Tom) "You're now a sentimental maid". 164.
22. FINALE "The moral of this story is" 175. — —
JANE ANNIE.
Act I.
N9 1. INTRODUCTION AND CHORUS.
Andante sosteniito
Piano
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1945S Cluppcll aCV SOPRANOS
Good night! good night! The hour is late;.
Though eyes are bright, No Ion . ger wait!
Though eyes are bright, No Ion . ger wait!
Though clear the head, Though wit may shine
Though clear Tho wit may
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Good good night ]
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194r.8. Chappell ig \^- ^^ ^^^ late I The hour. t=ir Ei i i f -r-T T f-T f^ f=r=f dim: ^ 19458. Chappell & C' MILLY. i . s ^wm \ ^]l sha - ded, See the moon her ^vi . gil ^ ^ f I ^ i J J- J J i -n I ^ Good-night, good - night! The hour is late! A M:i » Pfi , , K- f Good-night, good - night! The hour is late! Good t^^M^^=mmm=miiiwm ') -? -/ •? ^ ^^-^^ ^ 1 i ^ 1 t ^ *i J j[ 1 1 1 ^/ ^^^ ^ ^^mf f r *i ^ P^ P^^ keep . ing. Tor . por o'er the earth is creep . ing ±^ ^^ ^ - night!. The hour is late! night. good U- I^TTT^^ ^ - night! Good - night, good 19458. Chappell .t C) See the moon her vi _ gil keep ing, her vi - gil keep a ji cresc: 19458. ChappellA- C9 MILLY with SOPRANO I t^ *^ I J rr g v^ p f^r ^ ^ eyes are bright. Is not for us.. rJ J J Jj j= ^ ^ eyes are bright, Is not for us.. 194,^8. Chappell 4 C9 19458. Chappell AC? 1945S. Chappel) & C9 — 12 N? 2. SOLO (Jane Annie) AND CHORUS OF CxIRLS ^•^ JANE ANNIE. ^ ^ I'm ^Jo ^i=^ m s w r I PlASO. f m i-j '. w?=* z . a :^:^ ^=^ =i^=^ m 5555 ^^5" J r. 1 ; ^g^ ^^ J . J' not a sneak fcir praisf or pelf. But when they arp art . ing bad . . ly. I i ^ :5== r^^ r 1-^ ^ •J^" J i rr^ J 1^^ I [j^ r r r 'g ^ ^ r want to miikc them like my - self. And so I tell tales glad . ly. r Uf=-^J- P f f r r fr^ ? '^-^ - J J ^s c; r J ji F ^^ wm 19458. Chappell & C a frmpo ^ ' \ ^ ^^ I r c^^ r r r i ^ Just be-cause, just be - cause, just be -cause I am a good : J i ^ rj-^ ^^ ^w j j i ^T a irmpo J2i ^ j» S > F J J ;^ J' J J i r t ^' C r r r ^Ji^^ g.rl! She gives her rea.sons thus. But it's ra . ther hard on us. To ^ .1' r J J i J^ ; J ^ ' J j'T' r CM J ^ She gives her rea-sons thus. But it's ra . ther hard on us, To ^ i I J' ^ Tjm J ; J- i' ^ She gives her rea-sons thus. But it's ra . ther hard on us, To w '>* r J 1945S. Chappell * C9 14 jy^ m ^ £ g ^ ^ suf - fer, suf ^- fer, to crisc: -# r ^r r i r' r f r r ^J ^f.T, t(. suf - . ffr, t( suf . fer, to S -# ^=± O i^^J i fer, to J J. .. J. r r IT — ^ x_4 I^ r OTT JANE ANXIE. w=^ J I 'ip ^ 1 J J \ ^^^^^ ?^ J J l fer just. be . cause she is such a good girl! ^7v J J^^U J J fer just. be . cause she is such a good girl) . ^ r jjjjj fer just. be . cause she is such a good girl! r^T-| ^TT-i n i* ^gj rrt fff^f 1- f i: 3 ^ 19458. Chappell & C? 15 1945S. ChappeU i /TT.J J^ ^mm =^ r^=^rf r=rfT rr-T f Tr? j-^ J 5t =^^^ t^ J c?J r PP^ r r "c/ J j:^ J J J r"r I r'f n J I J^ - ^^ffi 111 Next I of you my cheek,_Now, dear, go and telll ^ j^ # J rmj ^^ ^ rr m f •>^'' f J ^ s ^r~f i ^ ^^ y r =F ^ [- r J ^^ ^ :^=t= Just be- cause, just be.causp, just be.cause I am a good girl. ^^H^^Eg J jTP i ^ ^~r i# r- J J :^=jF ^3i: ^ (7 tempo riY; £-^^ r I ^^ r r r ' r ^^ Just be- cause. just be . cause, just be. cause I am a good ^^ ! ii s 5=^ p a frmpo ^ 19458. ChappeU * C? J . Jf;M= r r r I ^m^ r r w^^ girll ^mgives it's She her reasons thus, But ra.ther hard on us, To suf-fer. J- J- J' 1 1 e ;- i J r If/ 1 J j.^u^.:^ She gives her reasons thus, But it's ra.ther hard on us. To suf - fer, to I J-J-JJJ I J jjl ju-JJJ i J J LT She givesher reasons thus. But it's ra.ther hard on us. To suf . . fer, t( j i, ^,'' i \uvm r rr'rvrclirr ^Ji^J ^J i j J ^ J'^U j suf . fer to suf . fer, to fer just be. cause she is such a good crexc J J J j J rj_ J m ' Tf^ ^^^ i J jj jlf suf - fer, to suf - fer, to suf fer just because she is such a good J>J^. J. I ^ F ^^ ^^Tij rs ^^i cresc: e^ S ff. 1 I rr^ PP^ w W j J J IJJJi :? ^ ^to ^kJlOi} B" i i-i 3^ -9 t:^. m 19458. Chappell 4 C9 18 N9 3. SOLO (Bab) AND CHORUS OF GIRLS. Andante molto sostenuto. BAB. TTrrr Piano. ^ pp « K I 1. Brii^ht - eyed Bab I used to be,. Now these eyes are el 2. Sim . pie Bab is chai-rd with art, Watched by cru . icftsBreiB WPUFD -. •? ^=^ ^=^ ^ F=^=^ m ^^ 19458. Chappell & C9 — 19 m ^^ m r ^m I X Now my fig ure_ once like this- Droops like au tumn Some . thing Bab has planned to do. Some - thinii wi!I not r^Ml^ mm^m. ^m # # p- Pi . tv ^me,.,. my se _ cret is, Me's lbs a drow . sy girl . ie who ga I' wi}W[ !W*^Ff7i7r4^x^ ^ ^^=¥ i 19458. Chappell BAB. ^ sleep JANE ANNIE \f J r^ ^ i ' r f I But I adJ que MISS SIMS. ^^ She is sleep . y ryl E^ 'i' r^ I r y r ^ She is sleep J' ^J ^ -^TJ | J ^ ^ I J ^r ry—n^ ^ She is sleep 194.'ifi. Chappell 19458. Chappell4C9 — sk-ep,, She. f-— p—1» Hr r KJ-^ sk't.'p?., '>-! ^ ^: j-,(j^ ;w kmm fffffftff Chappell 4 C9 19458. 24 Chappell&Co 19458 25 NV 4. SONG (Proctor). Pomposo. PROCTOR. i ^ - (9 4 » .^ l ^ M r-'-.j^^. J ir^-'^^ ^^ PlAXOr f ^- 0:g 4 d: 1^^=^ ^ 1^^^ > J ^ ^ ^# j^ J -J I ^^ I J J J J J ^m was a time when we were net, The name that this dark period got Was =2=«= ,l>'^ j* 3 i ^d ^ ; V i'^''' ^^^iii ^ ;t^ V iT^m ^i'iti'i ' /•^ rr7r , rrr^ [[ S '" ^ LFILfi L^>Lrff t ^^CJ ^LT'^. "'^'gLTI f JJ j iJ'Ji^j j ^t:?: ~m—a^ Pi# 00 4— Mere.Iy tontaininK animals, vegetables, miner.als, Women and the like, and man. Said Chappell .V C A « ^ ^F^ =^ ^EE£ ^ This stranse u . mis . sion shocked her. Na - tu re, I've no Proc.tor!" 1 7 ^ n 7 n "^ r n^ i ii t i J^ "' ^^ a Hi i YT ^^ ifi ' i ooco cresc: ' )> Uyil <» 7 1 j^ -* «—*-* *- jl Jl j I jl J — — ri:yi ' ' ' j J3 ' ' ' ' UH U' l WlWl ^U't U'l ^U't'-^ ^ 19458. Chappell di C9 27 B Allegro vivace. ^ ' P ^ T7"'J I /^ 111 tell to you what 'tis we (id, We In af _ tor years I fill with fears All A /\ A A A A A ' ir> 2 f t f t fff * 4 i i i i I Ui d III : mult o p ma niarcato AAA A A A A ^ ^, J J J -^^mm—^ J V i i i i »' ^ J J ]J I ^ J J iJ ^^ stalk the un - der . grad. When he per . ceives our vel . vet sleeves, He whove been un . der _ grads; The Cab. i . net, the Laur . e . ate, Still '-'j i^ i TWf Jji i J J i i ^^mi ^m ^^ J J #=^ r J-3J I I ^m runs a . way like mad. Then fol . low we by de - pu . ty. These run frum me like lads. To Par . lia . ment I one time went, The i rJ f ^ U i ^^ ^ ^ / ^ m z=z. a M\ a J ^ ^ ^ -i ^ U j r r J r ^^ If ^''j' mm ?^^ men I now de scribe; Mv bull.dngs sound pull him to ground, They front bench to en light - en, I thought Id try to prove that I Could ^=t^ i\ii i i l iii i ^=m ^^ f F^=l 19458. f'nappell t C? 28 J J J J i J M^J r I r Y r nev . er take a bribe, In vain he tries to docis;!' their eyi's. Of still the members frij^hten. So up I rose, and struck this pose. And =M:i ^^ m 3E3; ^m m j^^-r^ ' ' ' ^m " ^ ' i U4 ^ ^ i" j i ^ riiJ J J J ij -' ^ M all his haunts they've know, ledge; And soon I make our quar. ry quake By shout. ed ''Name and col . leji*-!" Oh, run did they from me that day Whin i ^^^^^ m I \ J .^ 'ji J i f */ '>--' > r r \ J iiJ I l r*^I I p r r ^^ ALL J J J ^m w J ^ J I J cry. ing"Name and col . lege! "Name and col . lege!" "Name and col . lege!' I cried' Name and col . lege!' "Name and col. lege!" "Name and col. lege!' > J I I \ «f i w -ff# f ^ / ^y^r-r^ PKOCTOR. P^ J J i ^ n J I n ^ p p^ Ah!. Caged li - ons may for . get they're tame, The Ah!. Com . . e dians may for . get their part, Li . 19458. Chappell * C'.' 29 l ;i r^^'jJJJ j j J i ^r r Jl^^ wife for. get her ba . by's name, The tram . pled worm fur . gft to turn, The bret . tists that it rhymes with heart; Com . po _ sers may them _ selv es fur.gi't When ^^^# %ms^ r'^un f ^^ •^^V^ J f f > : ^ ^ ifc j'" i n i .j J /Jf I J J »!--» Scot to think of Ban . nockburn. One po . et in a score for. get The rhymes they have to set; rag. ged The Sa . voy ope . ra sin . ger e'en For , fcf im $ ^¥^^m * i-^tiUUd 4-^ m ^ ^ ^ ' ^ ^ r *'^j J J i ^ =^^ —* * laur.eate . ship is o . pen yet; But none who of its gist have knowledge m get that on his head he's been; But ^mnone who of its gist have knowledge ')Vt : *? i i^ f i \ [if ^ : ^ ( 'Vf n n ALL. ufB ^=^ ^ ' ^^ \ -* w r- fr- i J E'er for . get my 'Name and col . lege, Name and col . lege, E er for . get my 'Name and col. lege, Name and. col . lege. J^ *ii't f f ^ f T r r r l J.-/J' s^ ^^ ir^ / ^^ ^ 19458. Chappcll A CV . 30 PRCCTOK. W'-' r r r r P Name and. ^col . lege, Name, Name, tit v^ fff f f #i ;-r^,^-^r^ i ^ ^ / ictg i ^^^ Ms 1^ i ^ ^ and col _ lege. Name, Name, — (» v^v^^ f m 0 m ^^ ^^ 'Mp'* J f J f * fa ^ p |i^*/» '' Name . col . legel" |Vr¥ff-^ I i j / r / i ?=T »/ sf */ / ^^ ^ g ^=i^ ^^ 2. i;^ i ^ u^ s ^ i^ "*5: ^^ ^ ^ ^ ^ V 19458 Chappell 4 C9 ^ — 31 N? 5. QUARTET (Miss Sims, Proctor, Sim and Greg) Vivace. Andante. MISS SIMS J ^ ^ Jl J J^ J / Ap -proach her thus, your rsmiT^& ^m *WPf w^m PlASO. « k0—* ^ ^^ ^mm ±a: hand on heart: Then give a start! Next, let a gleam light *1 1 *1 *H r j; ji ppl^ f j i j / */ N ^^^^^^^ *1 *1 ^^ E^ •' n r i i r r r r. r. '^ r ' c^^ up your eyes. In just this wise. Be . come an al - ter'd r j',j ii; J j ; i i \ i u iU JW ^^ -^^-^ ' w F EF f F n g E ) 1 > ^m ^ 35 ^^ per . son now ^With court . ly bow. Put ^ j j'j I Chappell & CQ 19458. —— 32 on the de . bo . naire and gay This is the way. •^ f' ^ tt* ^ ^ y ii i i i^ r? ' >* ^ h J W All 'i ^ J-f-^r — —' ^ 7 -i^n^^^MU-^'^^J^ y — — ^—5r- Then j'ou give a start; Then you wait and hes . i - tate,Your hand up . on your heart! "U J^u lJ i Jf ^ ^—t^ All i' l JJ^J•^ , ^ ^^^ r i^J;^^v^ f K n Then be.come an al.ter'd man, This is how its done: Raise your heel and claspyourhands^And Chappell * C«? 19458. ^ Tempo priiuo. g PKOCTOK. J J ; . i 33: J l J 1 \ ^i^J' 1^ n J . w ears so small (They're not at all), Com . pare her eyes tn 1 *i "I ^1 ^m #-^^ i-^h-^ 1 I i -T-^ i T^ 4^^4 / ^ -^h-^ ^r ^ ^< ^^ C ^ ^ '' ^^ w 1 ¥^^^^ ^ m^ i- I r r "r i ^wood . ed lakes (That al . ways takes), Say ne'er be . fore you've -^H-^ t^: -^i— 3=3i §^ m 1^ ^ * % •• 1 1 *i -^ jH l^y- Ur ^ ^ sI :t± ±=5: itr^r J HnrjJ j\ Ji,j. J /.Ji;. ^-^^-^ loved^a maid ('Tis eas . y said), And down you plump up . on your knees. - • :. *» -I -71 *' ^i « *i 1 TT*^ ^ ^ i'^==g=^ ^\^^ r , ; I p^ wm Chapiell * C9 19458. 34 m ^^ All . p-in I V JJJ'^J J ^J^. hand up. on your heart! Then become a court . ly man, This is what vou do:- r ^ ^ ^^-r I w^^ Raise your heel a lit. tie more, And that's po . si . tion iwo\ ChappeU A C9 19458. 35 Andante. MISS SIMS S -1 J J- J J r i »rniJN~^% J iN r t t^t'O m let a gleam light up your eyes. In just this wise He.come an al . tered r iu i' ^m^^ ^pf ffpp i i ^ip^ s |- i -j j iJ J ^w j ^P I' J_J r r r r^~Try -nji .r>wJiJ ^^^ per. son now With court . ly bow. Put on the dc . bo ^^^^ r^^ P^i Pif^ ^ ^m i ^ ^ ^ ^ Chappell A C' 19458. Vivace. ALL First approach her gin . ^'er . ly, Then you i;ive a start; Thrn you wait and hes . i . tate.Your '"'uJ u-J ' u^g e All ^J~tfii Chappell 4 C9 19458. . . 37 N9 6. DUET (Sim and Gre^^) PlASO SIM. ^m J J J m^ When bull . I ^^m ^ma dog be. came, ^^mIn - de . pen _ dence f ^ - •!^r. •: •: rr^ •7':rL'?-/ = ^*?-/L-?-y '>--i n^:: i. ^ ^ ] i ^ J iJ J' I J J-J J1J was my game, But since then my course Im steer- ir.": By a rule: that is mun; '! ' Ji^ W ^m ^^^^^m •? 7 7 7 / I ^ T^^-^ r E ^p 7 L 7 ^^^ ! ±=5: For I hear with o - ther's hearing, And see with o . thers f f m r-* *: 0^Tr^ -T » 7 J «j ^fc m #^ 3 ' ^ii j iJ ^-^^'lj^j'I'^'^' I ^'c i ^- 19458 Chappell 4 C9 38 GREG. Sm J j- ^ 7^ -^fJ J- n eyes . Too . ra! loo . ral. u^ j-^m ^-^jn ±=^ m&• U=itpE^^ r^_< r i r -- I ^^P ^^ ^ c^ Lu i iiJ p SIM. ^^^^^ ^ J' J- i i J ^ no . bo . (iy can de . ny. ^ !?' 3 r ^n- i *^ 19458. Chappen 4 C" 39 19458. Chappell 19458. Ch^peU 41 J J I J ij JIJ J J-"^ J JlJ ^ J J J ^ will un . do them! With a wit like ra -Zur's edges, Twit them in the 'var . si. tee;. 7*?f^ ^^^^ ^JV J^ ' u ^w iii -7 L -? •? ^^^ ^ •y-; N7-? ^^^ M | Ir^'?h^'^7L'/ ^ ^1^^ J. i„Jj-'^j ^ r This the thin end of the w..-dj^e is, Spell then ^t5 i' ijJLU ^m ^s ^-^ '>^ ^ctf i ^^^ iuJ^u'Mu^r Jirlujj l 1^ J. J- li T? J. J - ^ if i i 1> J; k^ i^^ f ! t ^^ ^ fe jj' iaji aJu ^P i ^ SIM. Sm •? i * ^^^ f 7 ^ 7 Too . ral, loo . ral, Too . ral, loo . 'ral . Tyir i 4^ -P—^I 4^ ert •7 -7 i •? mW^^ WP 19458. Chappell 4 C? . 42 F GREG SIM. GREG. SIM. jJJM-j \nM m^ We re . for - mers do with . out it, Which no.bo-dy can de ny. 1 P ^^ mm p ¥ M ^=* m w^ G GREG. SIM. J- J- # ^ij n jMj ^ \ j J Mad you are, my friend, go to! Go to where? say I II I E: W ^m ^^ GREG. J-J .nr^^ ^^ ^ r^ r MT r The mis - sing word I leave to you, The mis- sing word I leave to you. ^ ^^ ^P^ P ^^ U-^i rt S=^ ^P 19468 Chappell d C? BOTH. 19458. Chappell* C? ' ^ v-i 1^ ^I 8 '''>li''j ^^ii'/^lii yJ. I i j ^^ '&> 1. 2. it^ 1. ij^ m ^ -^^ * ^1— S ^ •? '^ •? •? -7 •? -7 L. ^^-^ = : L 7 7 U 7 7 [, i^ ^ P ^ f I V ^ W 7 7 L -y 7 - */ 77-1. 7 7 &77 7 7 ^^7-^ '& 19458. Chappell « C9 ' 45 N9 7. BALLAD (Tom). m-Q- ^OTi ^ . I ff ^ Pi. ISO W F^^ />/> F^ 9 4 TOM. A I ''• J' ^' I I 'i > ' J l u r r f ^ i J r r r 1. It WHS the timf of this . tie - down, The corn we wan _ der'd through; She dill not^ask the this^. tie - down, If ^her own love were true; No ^m wm m W ^m f I %? * B ^j ; i r r r-f=M-i^-^^- mm pluck'd the lo . vers this . tic - down, As Maids are wont to do. need to ask the this _ tie - d(jwn, She thought, as maid . ens do |.r .1 -V iT\ J T j nt;j j \^\n 19458. Chappell .i C? 46 f c 19458. Chappell & C9 N? 8. TRIO (Bab, Tom and Proctor). Tempo di Valse. BAB. S Wm ^^ What arc the fr'r ' y'^ i i i ^ M PlASO. ^^ ^ ^ 3E3E « m tiM f f ^^^^ r r I ' CJ i r U ^r F gifts that love may bring? Dreams of a girl . . ish ^^ ¥ ff ^fl ^ Vn" > » ^^^^^ t < I ^=^ E£^ J J I r ^ fir r rl* ^ci ^ fair - V - land; A bri dal wreath and a g'lld . .en ^ m m P^ ^f %'- V I I ^==^ ^=^ r ^ ^U r r I r — f^ —^^\ ring, A ten . der heart and a loy al hand. ' >j j M .^i s^ * < ^=y < I J 19458. Chappell * C? 48 PROCTOR. !'' f> -i p \ i i J J J J i I hf I M ^ f y A chance for which each school - girl pants, To p''^ jEEj ^E^S i^T fi' ^^ A V rrry ^ P^^f^ rr ^^ i^e_i^i Mfb ^ thrill and sting, These are the gifts that love may bring. PROCTOR. thrill and sting, These are the gifts that love may bring. 19458. Chappel! & C9 — 49 TOM. What are the gifts that love may ^ * ^ ^ M m m PP ii « ^ ^ ^ ^ ^=P I ^^ r r c ^ bring? A hea . vy heart and a sleep . less eye; A wea . ry M m ^^ rt i > '>H I ^ S3E P^ ^ES :^ ^^*P £^^^i¥ soul that still will cling To a shat . ter'd dream and hopes that *^r ^ ^^ sm m TT * iT^ I ^ ^=^ ^^ ^^ ^ ^F=^ r ir r r -I u ^ To a shat . ter'd dream and hopes that die. m *p tt S ^ ^^ ^^^^ I ^Ee£ 19458. Chappell BAB & TOM. 1r^ Joy and sor . row pain, ^ ^ jud . ges gibe ^ ^ *F / ^ 1=4 tt i g^^^ £ ^^These are the gifts that may^^bring These are the gifts that love brought me. f f I f y P ?' 1,1 . ir-^ri^It rf « 19458. Chappell V^^'' j ^ ^^ J ^ ^ ^ r-r-j i^ if^r r K r If r ^:!rrJir^^ jirl - ish fair . y - land; A bri . . dal wreath and a gold . en ' i^i P j-j. W ^^ 'yj' t i :J it I =JF=^ I ^ ^ M PROCTOR. ry— i^f J ^ ^^ ring, A ten . der he rt and^a loy . al hand. m F^ fm ^^5^S r* n ^=1F '^)H' J f f ^B ^ J J i^p J ^J ^ ^ ^ y I y I I ^ writ and breach of pro - - mise case, *^ ^^^ ^-^j A g^^- b i-r 4 r^^^ $ rr ^^ jfe# ^ 19468. Chappell & C' 52 ALL. short, er purse and a Ion - ger face. BAB. L' J O ir r' u [ thrill. and sting, These are the. gifts that TOM. i r r r thrill and sting, These are the gifts PROCTOR. i , J J J thrill and sting. These are the gifts that ^^^ \, J irTT^ W rr j r~r ^ m m ^- r*r r ^r love may bring P^ love may bring. may bring. r r r'rr i JEE£ \ ^ ii Mi ^^ 19458. Chappell N9 9. VOICES IN THE AIR. SOPRANOS * CONTRALTCS. Allegretto. Voices. ^ r TLrC Lit . tie maid M' < f ^p Puxo. ^ V'll' 8 < *> ^ = l,£i.'' J =g ^ ^^^n J .M J ^ ^ pause and pon . der, Life is cru . el, life is drea . ry. Lit . tie feet, why i i i a / M ^ (t* ^=f ^ I ^i-^ i ^ r r "CJ ^ ^ ^M should you wan . der On to paths so rough and wea - ry? Ere you snap.... the i t^-^I^ ^« r r ^ r ^ta ^ =p^=f 194B8. %)^Chappell 4 C9 64 J s r^ C9 19458. ChappeU & 55 N? 10. FINALE. Allegro vivace. pp i i^m^ ^^7^^^ Piano.* siiiijiif sidccato M r- m r_x^ rr rf rrrr if'Jjtlfe^^j^ ')( ff^^. nr^ Tj ^ J J'^^ 1^ & T ' ' ^ ^ ^ J J ' ^ t ^ j i -a 19458 Chappell & C9 56 y TENORS. J'. j-j'ijj j' in^j jj' i f J j jii^r r ^'c't Ma. dam, do not (hink us rude in On your pri . va.cy in.tru.dm; We are Students Jour, nal . is. tic /•BASSES. M M. ^^ ^y% r r r ^ ^ :» <. a- ^ izdz {zrnz=t2=ac dam, do not think us rude in your pri. va.cy ^ are is . tic, Ma. On in.tru.din'; We Students Jour, nal . uo jf In I J i J' J. J J ^j' ] J' $ ^ m J i J I i^J Keen on co.py, plain or mys.tic, Com. men-place or tran.scen.di'n.tal, Psv- chic, phy. si . cal or men.tal. ''^' '' 'f^»r, ' ^"^ nr/rrf"r rrr.r rrM rr r r t Keen on co.py, plain or mys.tic, Com.mon-place or Iran. seen. den. tal, Psy. chic, phy. si . cal or men.tal. J^^nn.j J J. J J J g rj jjjjTTj J J ^j J * 4ft Jt*. ^ e g^i g rf ZJ 5 ^ ^ t=fc f J.J'/^J- /^ I J.J--J'J Jj' I ^- *' ^ r f r r r j^g Niws well have, and through you, madam, Fur we'll in. ter.view you, madam. That's so flat, nought could be flatter, f I'T r r'lr r ''^r^f c i rr- ^ r r r i" ^'r.^r f News we'll have, and through you, madam. For we'll in. ter.view you, madam. That's so flat, nought could be flatter. e ' P ^^P LJ" CJ C 19458 Chappell & C? 57 b' i^trnJ \ c^^n'l^'i' nv^^tt^'t-ti^^ Tell us quick.ly, what's the mat. tcr? Tell us quick.ly, what's the mat. ter? Tell us quirk. ly, what's the mat . ter? 0- . : 0- m— »— . r' ^r •):$ p. c r r £ 12=^ .iTTrrr ? PPf ^f r ^g^ Tell us quick.ly, what's the mat. ter? Tell us quick.ly, what's the mat. tor? Tell us quick.ly, what's the mat. ter? s P^li^nli" i- ^W H ^y* ^ */ l^ s/ ^^ ^W ^ ^^ % § $ 8 1 < I i ^ i 1^ g: ^rt ^ Tell us quick.ly, whats the mat. tcr? Tell us quick. Iv, whats the mat. ter? Tell us whats the Til us quick.ly, whats the mat . ter? Tell us quick . ly, what's the mat. ter? Tell us what's the i=» f i S W ^ i« gr r r ^ i 1^3!s ^« ,,,/ SOPKAXOS. ^' J. J- J ; J ^- > J' J' ^^ Y r r I ^^ mat. ter? Ma. dam, when we heard this screaming. Scarce, ly sure if we were dream.ing, w/COXTRALTOS. *>^» ^- j C r. } 1 1 J' J' J' J^ I J. J J J J' J' J' J^ Ma. dam, when we heard this screaming;, Scarcely sure if we were dream.ing, ' J: i d ^ ^ j7 i J '^ ^ p p p p r'^ F ^/ ''-'F-'^ I I r-^ rf r f "r I" > I rf u r I r ^^ 19458 Chappell Jl C9 — — K 58 r^-V-c^V'rr Xt^\ r'U'g i ^^ Cu.ri.o. si . ty con.trolldus, And we came as j'ou be. hold us, Trim or ruf . f led, toss'd or dap. per, ' . J J jj rjjjj^'^'^^ifFtt'tiJi1^ 1^ ^* * k f? ^^4^ k? Cu.ri . o.si . ty con.trolldus. And we came as you be. hold us. Trim or ruf.fled, toss'd or dap. per, r j-TjifT^ ty--\V\'^m 3 fit ^ m^ IS 3» J J ^^ "^ ' l 1 t?' — 2? c;^ 1?^ ^ 7-^— —i 17 — —J'J'F "t»^Juf^ It l I^ ^ "P^ TTif\-H-tt— IP — P"^^ W> Clad in dressing-gown or wrapper. Me art' kneeling to you, madam, News to get, and through yoxi,madam N N N N K N— M N s V ^- ^ i St $ t t J J' i'w ; / i' ^^ Clad in dressing-gown or wrapper. We are kneeling to you, madam. News to get, and through you,madam • ' y> I i <=> :il »==* r r I r i2=:2 i rrj- ^c r i r f c r rr.c ^ i t?'^ r^'r ^ g Think not this is i . die chat.ter, Think not this is i. die chat. ter. But in.form us whats the mat . ter? i J viU NjVj; j'j jfjjjj i V-' Mj'i ji Thinknot this is i.dle chat.ter, Thinknot this is i.dle chat.ter, But in.form us what's the mat. ter? ^^^ mm '•'iui rm ')*„] j'-,] ^^ i''\ rf rf r ^^ W458 Chappell & C9 59 But in.formus what's the mat.ter? Tell us what's the mat.ter? l' ^ k 1^ U j^= But in.formus what's the mat.ter? Toll us what's the mat.ter? Ma. dam when we heard this screaming. Scarcely sure if we were dreaming. TENORS & BASSES. Ma . dam, do not think us rude in On your pri.va.cy in . tru.din; i f ^t.m J.J J^ J :5t=g •^J JJ "^^^ J J ^ j S / t3f JJlJ x^ OO LJ rj.jjjjnjij.j j.jj/tri'tfjjL ffi Cu . ri . I) . si . ty coatrolUl us, And we came as vdu beheld us, Trim iir ruffled, tnssd or dap-per. ^^ rcTf i ^"«fC j c c r r r r r rT.r. nr g r. f r We are students Jour.nal. is . tic, Keen on co . py, plain or mys.tic, Common-place or transcen .den. tal. ^i=^ ^^ ^ ^^3 # it ^ P ^^^ 19458 Chappell*C9 60 ^ N K N ' fl lnt inv^J iiii^U J J $3 f Clad in dressing-gown or wrapper. We to you are kneel. ing, madam, News to get, and through you, madam. 'yn-nt^[ ^r nrT r tr r. rnrr r r r r r^ Psychic, phy.si.cal or men.tal, News well have, and throughyou, madam, For we'll in . ter view you, madam. ± J,j J.JJ'J^j j i j.J J J J i j. j jj J J J jTT^ ga m \ ^ J:-'hJ J eJi'cJ ^ *^m an iinato Jj J r^ ^;J Jrif^.j-Jj.j'JriF.JJj^-Jj— ' J _^ ^^ ^ ^ ^ ^_ y Think not this is i . die chat. ter. But in . form us whats the raat.ter? Tell us quick. ly, what's the mat. tor? *):* = ttf t '^S= ^ Mp r- ^^P^ ^m r r. r r r r Thats so flat, naught could be flat . ter, Tell us qunk.ly, what's the mat. ter? Tell us quick.ly, what's the mat. ter? 0, ^ i^^ ^m^ • ^^m < ^ ^1 If m ^ :i m 7 u u u^O iJ ^ ^ rrn^TTc .I'lJ-^JJ-J^j J'J hnit PT f Tell us quick.ly, what's the mat .ter? Tell us quick, ly, what's the mat. tor? Tell us quick, ly, what's the mat.ter? ^)- > rt- nb Dr r t'r f n.u.ff.i i in.tt r^r Tell us Ciuick.ly, what's the raat.ter? Tell us quick.ly, wh.a's the mat.ter? Tell us quick, h-, what's the mat.ter? N V \ V _ I"- v i- i-^ ^^ r^rr rr rr r i rr^ 55RF ^S * %> * %) 19458 Chappell >t C9 — 61 :^ • —f ^S—?—— ^m It Tell US whats the mat.ter? '>•*[ I' > i- 1 1 1 i i I rM Tell us what's the mat.ter? • '^ " r "r r ^ / * * ')* . ' . » ^EE ± i i •Stii. m •Sti.^ P •Sax iS^tJi # f Andante. %3 # %5 « * ') il ^\ i what is this? t ti^i fc i I'j J tfiii*^ t fe^^iS ?»f ^g^ ^ ^ Vivace REGIT. Andante. Chappell 4 C9 19458. REGIT. C Allegro vivace. ^ f *? ^ r J J- f I J- J I i -^—r- I thouj;hl she was a gent . le . man! T=^ ^^^^ ^^ ^^ /r MISS SIMS. ^RECIT^_ Andante. #^4/^^^,J7] T ^^^^^^^^^^ TT f^ "T -t 19458. Chappell & C9 63 Aiidante maestoso. TENORS. 3 PP ' nhll.j^ ^ Ul: \ I I l: IIV I School ar. is.to.crat. ic, Scene most dra. ma.tic, Plot un . svs - tern . at . ic, And ^ ' *. I : ^ 9 \7 C r tt^ T (^ I V School ar. is . to.crat . ic, Scene most dra. ma. tic, Plot un . svs . tern . at . a ^^ ^ :E 7 X f r ! r ^g f 'g ; g F r ; g f' M r f^ ve . ry er . ra . tic, Jane An.nie ec . stat . ic. Her tri . umph em.pha.tic.^ 3 3 f f f 0- 01 ^>-'» ^' ^ : L^ Ir^- \ llllt l- I. 1^ ^: l^ ^ . ic. tri . umph em.pha.tic. She m ve . ry er . ra.ticjane An.nie ec.stat Her ^4^i >i^i fz 7 4 7 :t 7 ^ -!•• 1»- i ''••'" J J Ff-rr r J^rc i J^J'i^ ^,i .r.rJi- won it by steal . ing Down from the at. tic, She won it by steal . ing Down from the at .tic, ^^ Je T~ '^ 7" I 19468. Chappell 4 CV 64 ALL. (spoken sofily) Down from the at. tic! Down from the at. tic! Down from the at. tic! Fi^P.^l^ ^ ^ // ^^=^ ^ fli=^^^^i ^-^^* 7 ^ f V - "Sas. PRESS-MEN. . BASSES f V V is 1^ > ^.r i i^''''T^=^r r-r.^^^ We're glad to in. ter. view you, To get a column thro' you.And 19458. Chappe;i&C9 V — 65 . \ ^^^^^^^u r^^'« ^ I'n r r^^: uh t nr-* p- note what you may say. See ni)\v huwwewill do him.Whilewe seem to in.ter-viewhim In our frank, new - fashion'd way Are Proctorsmenof learninj^? Doyouspendmorethanyou'reearning? And • A A . 1 L - >- * f 10-f^ * ^ gjj-^ ?^ w ^^ M f, ^ *=^ i i ^ ^ ^ i t t r^ / — '"/ TENORS. [^ ^h^. -;:^,i y ^f^f^r ^ii^lj^j^s J- ^^^^jyj-/^^ how much do you owe? Of women do you thinkmuch? On oc. ca-Sionsdoyoudrinkmuch? t^ PROCTOR (shout) -...TENORS. f^— r^^ JiJ-l- ^ ^ ! * ^m^ ^ X Era . pha _ ti . cal . ly, no! Proctors have no acu . men, And //• BASSES. ^ P -^ ^ ^ V V h • , ' ^^rl r i il: Vniili 19458. ^Chappell In debt, and boasts a . bout it! Loves gro^, can't do with, out it, 19458. Chappell A ^ i^ ^^ f ^=^ ni:^} }} ' u t ^^ frank, new . fu.shiun'il way. Yes, this is in . ter . view.ing, In the ^*0- -m- -0- -0- -#- «= ^ 7 ^ l ^t r^ y^ifF D F-t frauk, new .fa - shion'd way. Yes, this is in . ter . view.ing, In the ,r>m,rn-,i«^r"--^ f-JffTr!;f h s ff i nn n ^ ^ I r' c [ c [ I 1 I I frank new . fa . shion'd way. The frank new . fa . shion'd wav! '"'' r r r. r r w^m ^ frank, new . fa . shion'd way, The frank new fa . shion'd wayl Chappell & C9 1^458. PKOCTOK. REGIT. ^ If you'll supress Ihib fa . ble, .I'll tell you if I'm tt^^F^j: ^ji * ^^ /*/> ^11 •''':[![: j^ js;, ^h .j7J'|j-.ji;;.- I-'J-Ji i'J'-^^'i^C^r-D A re.cent in. ci -dent. /./.v/V/cj Diverting theirat-ten-tion, I'llilravvfiommy in. f^^ I ^m *i: ^ # ^^ . d : /, ^ w Some sin.gu.lar e . ventl J> _LS ^ ^ ^'"•j J J J Chappell &C? 19458. N9 10a Allegro moderato. SONG. (Proctor). PROCTOH. once was a man in a sea - side town. And his name it was. what wi . dow liv'd in the same ho . tel, Her name it was _ you when the la . dv heard this speech, Down to the pier she ^m /7\ a tijiipo was it? I know it was. n't Smith, and I'm sure it was. n't Brown, But it know it! He stole to her and whis . per'd, well, he.... flew then, Threw up her arms, and with a screech, She_ oh, ^^ L^ ^ i ' ^^ ^ ' i^ ' I ^ r^ 1945S. Chappell 70 was_ oh, Lor,' what was it? what was it? what was it? It whis-per'd.well oh, blow it! Oh, blow it! Oh, blow it! He dear! what did she do then? Oh, bo.ther! Oh, bo.ther! Oh, te iW a itinpo jv J ^ ^ . i l^ 3* ' f f t t ^^ ^ m te=ls: ''' ^- ^ } I JJ'/ J- I J' J J ^ i ^[^ / \ was oh, Lor', wn^l was it? ve.ry much want to tell you all. You'd whisper'd, well _ oh, blow it! dear! what did sh>; do lheii?\ ^=^ ^ I ; I m^ r J' jj ; J' J' J- ; love to know a bout it; (1*2. But just this point I can't re . call. And 3.But just this point I don't re . call, And ^m if M g-Lf I ^^ £ ' I J ' J J ^ ^ B^ 19458. Chappell m^ 1 m ; ; J- ' ; ^ out It, Id best gi) on with - out it! out it. can't go on with . out it! ./ wm m ^ With . ^out it, ^ With _ out it, $ I — m ^ i ^ f -M^ ^i ^ M r g r M^ ^^ f^/ out it out it, We'd best, we'd best go on with . out it! ff y -y-i' t l^ i - ^^^ ^ -X J- i ) ^ out it, We'd best, we'd best go on with . out it! With. wla^ca^ ^ ^' f f I ^ ff i m ^1 f . 1^^ f=^ 19458. Chappell * C? 72 "T7 V '7- can't go on, go % % % t %—% s y ]/ Y. / ^m p^^f y with . out it! He cant go on, he cant go on, go ^^ ^ iE m "U^y- kr / / with . out it! He cant go on, he cant go on, go ^ ^ W^ w 'y-i' J' 1 # # i on with n ** on with SE on with out it! - / r /^ , g ^ =feS3? i^ ^ f s w i:*—JT- i^ 19468. ChappeU « C? 73 Dance m^ ^^-^ M m ^^^^^^^ */ Andante SIM PROCTOR. PROCTOR. Sm. ' -' 3 J- j 19458. Chappell d- 09 74 SIM.& GREG. an un. der.grad .u . ate, In all re.spectsbut one. That one to men.tion we fur. rrrr CHORUS. jy^rr ir^riT -^/J-JiJii* ^m is graduate! Why e . vi . dent.ly he not An un.der . grad.u.ate! S N ^ r \ i\AUfc=fczr&=2: ^^ s V V V -r—^- s ^Tiy e . vi . dentjy he is no/ An un.der. grad.u.ate! E:=r=«:^=«3: J id^i"\i i »l ^^ f -^i ^ ^ ^ ^j^ i^^^--^ ^ ^ MILLY ''''''' -' -I "J J' J^ J J J I I V^ h'f f Oh, sir, take care Of one so fair! Let his com.plex . ion T ^mrr ^ n^ 19458. Chappell 4 C9 75 I" "•'''' '^n 'j"ij' I J /I' j M ^''i> J ; J ^^ ^^ i I f W m '^ of . fi . ccr I Strol - hng by, Smok.in^ a Hen . ry Clay, These dragged me here By brute force sheer! But this doth chief, ly jar, Your ^ m ^^ i—i-i 9^## Jl N /I N ^ 19458. Chappell 4 C? 76 men I met, They me be - set In a most un . seem . ly . way! ... pa^re, I find, We left be . hind Sm(ik_ing my big ci . gar! .... *• -K^ * cj r u ^^m ^m^ i ^ i ^ M ^^ ^m m nyf iJ ^'li j^J^ J ;;- //;/ SI.} ! n ^ I spoilt my smoke, For the sex I do not care a .bout. I've not ad - dress't Them school de . fy, Oh, I do not stand in awe of you; For spoilt have they My J"j ^"^ ^ u ^m w^^^ ; r^ m ' I ' ' ;,iu' e'en jest Since eight - y - five - or there a . bout, Hen . ry Clav, And I mean to have the law of vou! 19458. Chappell * C9 E 77 s ^ -0- -0- . mm mm ~t^\^ Jtfr tif r ^— p^ dim: fc):,U =d 1 1 nJ bJ n J - -* ^ \>v M^ -Ah#J 4 4-^ H-" *fe SH5= W^w fTF f t5 f U pp ^ i ^ ^ a g^ Allegro vivo. ^ ^ T l-' I'' l , « *; •; y^ i 'li 5^^s ^ ^ i jSr ^Itt* 4Jt <; N^ r=i=j=t I St=a: p^^^ i ^ ^^ f p p p ^ f f p *Jto %) PROCTOR. S ^'^'^' ^5=5= ' ^* ;i V' r il Nuw, I am trepanned and done brown I TENORS. ^ '' m l^t i t P^ We hear you, and we've got it BASSES. m i ^i nr f c ^Bs We hear you, and we've got it ^ dt^H^^ » ^ ^ ^ -^^-^ -^^ 7- i -^H^ =5=± :i± i 7 7 — 19468. Chappell & C<.' 78 MISS SIMS. *? •? '• j > if. I f r r all you,^mit ap . pears! We owe to So , SOPRANOS. i ^ P' i t t f down, got it down! It ap - pears! CONTRALTOS. g >- ' k"* ^ir i^ J J i down, got it down I It ap . pears! 7 J j 7 ^^ ±**=t r cXr [^ I c^ cX ^ 7 7 jt 7^ V" iittO'^ what can I do, can I - ' l> i> ^ * » J ^ ^ I J ^ u J •> i J Box her ears! Box her ears! Box her ears! Box her m Box her ears! Box her ears! Box her ears! Box her PP " m H E g n What can she do? Box her PP m. t t t t t t What can she do? Box her ^ PP ^ CO 19458. ^^Chappell & — — 79 ^m JANE ANNIE. •7 •/ i ^"^ — i r V V" ^sy ^^ ^^^ ask no reward, no re . wardl Yet if I should fake Something nice, s -' — — — I ^ ^ * i -V v ^ Vr yr— rY Oh, the sneak! Oh, the sneaki N N N ^ " *fe t t t ^t=t i •7 •? i •? Oh, the sneak! Oh, the sneak! i^^j£j^ ^^ # ^^i g ^ j j^i:Lj.l ^^K i i i i ^ 19458. Chappell & C? ^ ^ ' JANE ANNIE They may learn to for . sake Ways of vice, They may learn to fur. MISS SIMS. Ir— m ^h-^h- kJ 1 1 ^J ^ ^ •7 •? i Ways of -^— •? •? i^ ^ I m ^-r- Ways of Stop a mo-ment,''For . sake!' Ways of t c r f r f ^=^ I 1 ^ Stop a mo.ment, For _ sake! Ways of 194 B8 Chappell A C9 . 81 p ^ - r I r N i i^ r I ^ ^1 Nowthe good con. duct prize, = - i& i 7 •? ^ J •? ^ Oh, how mean!. ^ i *? -y ^ d 1 *! Oh, how mean! ff 1*: - •? =y m# 7 i ^ 1 7 7 ^ r ^^^ 7 7 'z • r /r r1^ ^ " t I r r r- f^ good to my eyes; So if you a-greeThat I'm right, Why not ^^^ ^^^m^ nJ^ J" J ^ That she's rii,'ht Which are green! . ' •''0 •' nJl ^ /I '^ g_f # [I I I 194B8 Chappell * C9 82 ;e^ -'-^-^ r. ^r i rr I Mr r.r give it me, Well _ to night? Why not give it me to - i ^^^^ w To - night! To -night! >i. 7 ^j i^=^==im :^t^f=^ -* ^ 55F^^ » i ^^ r r r ^ J' night? Why nut give it me night, to - night? Why MISS SIMS. ^ ^ V Why not give it htr to - night ?.. Why PROCTOR. i^ P^P^ * Why not give it her to - night ?. Why i^^ m a=e=&^ Yes, v^'hy not pre . sent night, to - night? Yes, N N iff j i r^ I ^ . night, to - night? Yes, Yes, why not pre sent ^ ^ I ^' ^ $ r U ^ ^ ^ ' ' it night, to - ^ Yes, why not pre . sent to night? Yes, WiF^ r r r r r r r r 1^ r Yes, why not pre . sent it to - night, to - night? Yes, ^Ei^m LU U^ ^m 19-lBS ^ Chappell « C9 1 83 cresc- '''• i J ' -^ J ^ -r^^ r r r r f r nnt give it me to - night? Why n^il eive if me to pri i J J mm r^'r^ r r ^ not give it her to - night? Why not give it her ,'-1. J' J' J' J ^^=J^ i;J' J' j" . not give it her to - night?. Why not give it her r r r >• y- I > — p' J r r r- r r r c r ^ttitt ihy not pre - sent it to - night, to - nip Then why not pre - sent it to 1 ^« -?^- — rrfsr: ir s N N S i N. N N N. •^^^TT-T > > Jg JT j: j. ^Tj i a i il l why not pre - sent it (< night, to - night? Then why not pre - sent it to cresr: ^ i r. f r r r f I r r r r F ? r f I why not pre - sent it to - night, to - night? Then why n(jt pre . sent it to riesc: c c ')^i\ t t t r I X t ^ why not pre - sent it to - night, to - night? Then why not pre . sent it to - 19458 '2. Chappell* C9 84 RECIT. MISS SIMS. V—y~ see, to my bosom I fold hor, The prize shall be hers ere she's five minutes old - er. S r rj-rrrr i; JANE ANNIE i > ^.ih^'^h\'^h\Uyl ^^^^ The girl who's good, de . mure, correct, Cannot preserve her ^ I JjjJ' JuJ * ^ So hav-ing got the prize to-night. To-morrow I, with 19468. Chappell 4 C9 85 ^7\ W REGIT. I i ^ /J J J'?;-J>;^i f \^ \ Girls, I am all my might. Will be an imp a . gain naughty from this -j^j rm i 3EJ; ^/ -?g* J ? 5 3^ T^r=^ i<^ f N \ ^ l r r ''F r rr 'i:^JN J' J ALL. K— :s - -> > ;^ fi l \ > > S^ 11 IX-U JN day I will com . press! Jane An.nie's naughty from this hour, fBpf m Wfm ^ ^ -^ m aE2E jiiij; i iJ^wii,j^j'^j_^j-Mf But oh! what ('•' this ma.gic pnw'r? What is this ma . gir pow'r? ^ ^ ^ ^7 JT a ^ ^^?^=r t^^ ^^ f 19458. Chappell 4 C9 : 86 N9 lOP SONG (Jane Annie) WITH CHORUS. Allegrefto PlA^O. JAN'E ANXIE. ;, -I I ^'^ i r ' ! P^'^^ ^-^^^-^v^ri^-' 1. When I was a lit . tie, lit . tie pic . ca.nin.ny, On - ly a - bout so as I grew my pow'r grew too, For we were one, you i P W^ ^fV-i I dim PP 9^7r»rr ^^=f J' 'T m ^ F*fc J. /JMJX J^^JMJJ ^JJM/3^'-^^ high, Id a ba . by's bib and a ba.by's pin.ny And a queer lit . tie gim - let see, And what I will'd the folk would do At a wave or a glance from r 'Hi I'ii' i i-ii- i |-' nm s ^ / 1 ^^ =E m >{,f ^ J j- ^» J. /ilf /J ;J? I J j:3 I^J J i ej'e. They could. n't tell why that ti - ny eye Would make them writhe and me. I could "sug . gest" what pleas'd me best. And still can, when I f uv i 1"-^^ \w s r T^ m ^ ^ ^ ^ ^s^ 19458. Chappell & C? ^ 87 twist; Thpy found it so, but how could they know That the list,.., And Mad _ am Card will find it hard To. N \ ±=fc r=fc J^* /I J J ^g^ u— S d i babe was a hyp - no . tist?. Now think of that' This^li - nv brat Was beat this hyp - no . tist?. Oh, think of it! This lit . tie chit Is m. Now think of that! This ti - ny brat Was a Oh, think of if! This lit . tie chit Is a o . tist.'x ' mijrh . ty.. ,. mes . mer - ist! 19458. Chappell * C9 88 )it of a hyp - no, hyp - no, hyp. no, hyp . no, hyp . ncno. S I illhl ^^ h^ bit of a hyp . no, hyp . no, hyp . no, hyp . no. hyp . no, ^ rn fTJ /T J i hmd m | L/ [_r LnL/L-; 0^ ^^ nr?: JANE ANNIE. r=^ i :^t=#: 2. And^ 'y-^-r. •> i i ^^ ^^ «=3: i ^^ ^^ ^^ ^^ ^ I- 7 j 19458. Chappei; * C9 89 Dance. ' '' *' I I I I I I I 1 I I ! H ! ! ! ! M r ^^ I I \ I J I fT] n I I I I M ! I 1 I ^^ r^ 4^^^ ~^ife B ^^-ffrr"hf^ fffffS"rr \ S P ^ f ^ ^^ 19458. Chappell 4 C9 90 Maestoso AA *: ^ ^ g. MISS SIMS. (Spnkrn) To Janp Annie this prize I pre.sent, And in it I've v.-rit this in.scriptiiin 'A warded a hundred per rent. For goodness of every des-criptionV Maestoso. MILLY, ROSE. ^ m ^ Hail, oh hail to the^mod. est MISS SIMS i PAGE. P . 3. J: J' J' 1 J iw } r Hail, oh hail to the mod.est PKOCTOR. r r F' g;r r r ; Hail, oh hail to the mod.est I", SIM (S: GREG. X I'll II Hail, oh hail to the mod-est Maestoso. 19458 Chappel! & 39 91 Hail, oh hail to the down. cast eyes! Hail, oh hail to the down .cast eyet Hail, oh hail to the down. cast eves! 7 *7 y—>— >~ Hail, oh hail to the mod . est maid, en! Hail, oh hail to the down.cast Hail, oh hail to the mod . est maid . en! Hail, oh hail to the down.cast Hail, oh hail to the mod. est maid, en! Hail, oh hail lo the down.cast Hail, oh hail to the mod. p^t maid . en! Hail, oh hail to the down.cast 19458 Chappell * C'.> 92 i. f f f ^ ^ -[7^ p^ ir iV^in^i' i' P r=f Now with all her plaudits la . den, See, she takes the well.earn'd S N s ^ J. j'ij j ^^ N N Now with all her plaudits la . den, See, she takes the well.earn'd P r r r r r . r. m r r n r Now with all her plaudits la . den, See, she takes the well.earn'd P Sm • >>; Ej G r 1 1 r^^^ f r r r r g Now with all her plaudits la . . den. See, she takes the well.earn'd J'J^' ^ ^ r- f i r eyes! Now with all hir plau.dits la . den, -^?—-- ^m J. J- 1 J J j^f^^= eyes! Now with all her plau.dits la . den, m • M. ^^ r r r c CI r i Now with all her plau.dits la . den. ^^-^ r' r r r r txx=t Now with all her plau.dits la . den. jj rm F^ ji i m pp 19458 Chappell 4 C9 — ^ 93 /TFibbfen/'J-/ « ' i -j 1/ 1?— ^ priZf, Hail Jane AniiR', hail i?Mt5 V/J I J Jv m prize. Hail, Jane Annie, hail! r r ir r-- r r r prize, Hail, Jane Annie, hail! /. Sm. t - m : i r ^ prize. Hail, Jane Annie, hail! ral/: < dim: / FT f rr. r i rj ^ See, she takes the well.carn'd prize. Hail! Jane Annie, hail! V f rail: c dim: re See, she takes the welLearn'J prize. Hail! Jane Annie, hail! rnll: f dim: See, she takes the welLearn'd prize. Hail! Jane Annie, hail! rail: f dim: See, she takes the weU.earn'(l prize Hail! Jane Annie, hail! 19458 ChappeU & C9 Hail, oh hail to the schem . ing maid . en, Hail. Animato. -^ e ^m r r If r ^ m 1^ 1^- ^^ Now she stands with hon . ours la . den, with hon . ours i 5^ ^ eye! Now she stands with hun . ours . den, A J J^I^XJ '' h .^ i *rJ I r ^t i' r V ^=5| W i rt ^^ den. Thoy will^know her by . and JSk V ^ ^ J' J J' ^ will know her by and bye, They wiU #^ ^ a" mr '-n i s •Sai. <£eii. 19458 Chappell ltf468 Chappell Hail, oh hail to her they hon Hail, to her un . blush . ing cheek! ff CONTRALTOS Hail, oh hail to her they hon.our! Hail, oh hail to blush.ing TENORS. -^ 3 \-tU£L4t tt • m m m m : g g : ft ^ f ^^^ Hail, oh hail to her we hon . . our! Hail, oh hail to the blushing choek! BASSES, PROCTOR, SIM and GREG. Hail, oh hail to her we hon . . our' Hail, oh hail t(j the blushing cheek!. ^^r m d *—S-* ^ti.rrfgf ^ :££ :f fUU m r^ ^=5=^ .M^rr // u =6=: ^m » %Ji. ^t^ » ^Stl. 'StJt SOPRANOS, MILLY and ROSE Place the l.iu . rel wreath up . on her, Place the lau . rel wreath up CONTRALTOS, MISS SIMS and PAGE. cheek! Place the Uu - rel wreath up - .on her, Place TENORS. ^=^ f ^ ^ r r B Place the lau . rel wreath up . on her, Place the lau BASSES, PROCTOR, SIM and GREG. Chappell « C9 19458 97 aniinato e cirsa her! Hail,. Jane An . nit JL i^^ / j J ^ It. Chapptll 4 C9 19458. hail, Jane An . nie, hail Jane An . nie, hail, oh hail, ^ p i^ij^^ !^ r r r r ^ r r hail, Jane An - nie, hail Jane An . nie, hail,. oh hail. i^=?2= ^ r I f r T ^^ hail, Jane An . nie, hail Jane An . nie, hail. oh hail. u m I s Hdi), Jani' An . nie, rail: Hail, Jane An. nie, hail, hail, Jane Annie, hail, Jane An. nie, hail, hail, hail, Jane An _ nie, 19458. Chappell & CO . 99 Maestoso. ff ji * m m ^=^ ?? Jane Annie, hail, Jane An . nie, hail!. 3C=^ ^^ m y K w ^^ hail,. Jane Annie, hail, Jane An _ nie, hail!. m Itar : r r ?=^ hail, Jane Annie, hail, Jane An _ nie, haill. Maestoso. \ \ \ \ ^EEt mw ^ ^ i^ h i ^ i 3 I T /;.VZ> OF .JfT i V V V o. . hassa 1945S. Chappf^n * C? 100 Act II. N911. INTRODUCTION AND PAGES SONG. Andante molto sostenuto. Piano. 1945.s. Chappell :^=F i * ^ * r »=n=:» ^^ ^ * # ^ »^ ^ # ^*- i^ ^ 1: # 7 r- P ^ I =^=F 19458. Chappell A C9 — 102 N911^ Allegretto moderato. PAGES SONG. Puso A paKe - boy am I That young la _ dies de . cry. Yes, # * ^h T^J J- p ~;p i^ ^ it's . yes, dears, you do, for I hear yer; But lit tie you know The vol i" J JiJiJ ' ' ' <- ^ ? I ^ _i— ^ 1 1 19458. Chappell 4 C9 103 *i nj: j- m canoes that ^\o\\, In , _ side of this servile ex . W . ri . or. In ^*=¥ ^ ?? S n ±. 53ra: * # J J ^ ^^i=i^ e ^ :n'-i'i j ^/-nrnr m^ j l^J^^-^N i ;.^j wouldn't de - ride. Could you step in. side Of this here pocket e . di.tion,. \ i~]i I \ ^ T ^ 7 f f > < '' J ^ '' ^ ; J - j' ^'< ^ r iJ j i h \ .ju fc : [ i J r:j f r strik . ini; a light, Per •'ive that this mite, Is on fire with a grand am - * ^ r r J d * l^f^ I V^^U~n r r I I ^ ^ I m ^ . 1 1 19458. Chappeli * C9 104 ^ pri'.sent thi' out. ton's he's . wear, ing And he's ^m r': */ ^ "/ ffll ffl ^^ p=^p f tttttty y V ^ V ^^ tak.ing me out for an But at pre . sent the but - ton's he's I I :* I' m ^(]]{]] fT^ ; • ^ * =?=#^ J' J' ' wear, ing, And he's tak. ing me out, tak . ing me out, h f f ^ a p f ^r f » « / ^ w—:k ^ i ^ ^ 'y r r J i _«__f__f__#__£__^ i^ f=ft: m ^ ^^= r r r r_± 19458. Chappell & C9 105 PAGE. Mv wife I shall choose From the !' I fii n Hi a I i i j m pp '^ ^-j *t fI r ^ ^^ f -mrr-^r^ '^ J J J j- \ I ^ J' J jj J n p r ^ class call'cl the Blues, Whose Ihcu . ry is that they hate man, J rij I -HJ .1 i fli ii n f r^"ii I ^ f J'~ ^ ^ I ^ ^^^ '^ / JJ.JJ ;: ^=r ^EE i.g / J ^ W J I J S birth-places f^a.lore I. mean to have more, Than him whafs the em.i.nent :5C=:=5=a: f^ P4 jl I i ifi* ;f f « ^i^ ^ ^ ^ r WW ^m L.^ 19458. Chappell & C9 — ^ — —— — — — r 1 106 '" i i J I i . states. man. 1, Than him what's the em- nent K^ r r- ^ =^^P= t^ -—] frl- rH hf. —h \ ^ * ^ ^ 1 m— m J ^^ — —d— ^ N= 1 —] -J- '. sake, To re - fuse It I think would be peer, a^e 1 1 take For my pro _ ge.ny's 1 T 1 > 1— -T r-— \ \ i — -i] ^ ^nn— -* 1 ^ ^^ i / ^ Hi i -IT ^t ^ ' "^ \ 1 1- \ |>j: ff, - • 1 „u/-^ ^ ——J-L4—^ — — 1 ' ^ ^^H-- -^— — • m 19458 107 r^ * , 4 m ^j JJ' r this heif pocket e di - tiun,. And strik . ing a light, Per iw m^^ ^ ^m f m 7 55?^ §^ f r ^ ^ ^^ 3i=?= :^5=d±: J^ I J * ?< --—^ ^^ 7 Y ceive that this niite Is a . fire with a grand am . _ bi.tion! J r^ J i r'r r r n n j i ^^ s ^ ^ i 19458. Chappell * C9 108 N9 12. "GOLF" CHORUS OF GIRLS. Piano. J-- J^J j-^;/ :j=:± f | r ^ r mis. tress thinks, so our school, mis - tress thinks, That's why, 'tis said. Queen Ma . ry 4^'' ^- j-j_j-j--^ j. /|^ i J ij ,j n\i J mis. tress thinks, scour school .mis. tress thinks. That's why, 'tis said. Queen Ma . ry ^- **to 19458. Chappell 109 J mp n^"^ r I r ^ Niblick! Dri.ver! Bras.sv! .j^ ^ 3 I J""J^ J^-j Niblick! Pul-ter! iJri-ver! Bras-sy! 19458. Chappell & C? 110 l^i-FrFrTr Fn ^'JJ^ ? M r- ' J'- i J i rxr"- r? r- ^" r r ^ r r 'r -tf ^ S Ma - ry, used to play. ^^^ ^m 19458. Chappell & C? Ill CONTRALTOS. i^ J J J- r^^ ^ game was gay in Ma . ry's day, forp . somes witp not m iiii*I Si i4*4 m r J n r =p 1 1^ ly, May - - be 'cause they had not to play On {Ul ih^^HilTi n~i^ '.hH-HriU^ ^ m mm May - be 'cause they had not to play On ^ ^ ^^EEim ^ i greens for la . dies on - ly! ^ iiiiiii i UH^ l ^Tu ^['^^^ 19468. Chappe'l arfrfff rfr Hfrfrf r FrFrTr^r ' 1'' 'g^ r= f- < ^ 1 ^- ' ; r r r ttn^ r- ^ - f M'e play the gamf as that Scotch lassie, Ma. ry, used to play, We iw L ^'s \ uiu ni\Ui^f'^^ 'W'f plav the j;ame as that Scotch lassie. Ma. ry, used to play MV ^ i^r/ ^ I' J-J-- ^-PP^ play the game as that Scotch las.sie, Ma . ry, used to play. To N i^ N ^ ^ r77i ^ < ^^ 2 play the game as that Scotch las-sie. Ma - ry, used to play. To 19458. Chappell * C9 113 golf is staid for bash- ful maul So our school, mis . tress thinks, so our school. r r; II- i^ip r r r p r~^Fr r . mis. tress thinks That's why, 'tis said, Queen Ma . ry play'd On fam'd St J I ^ J"! ^^ tfj ^J: ^^ ^ ^^. mis. tress thinks, That's why, 'tis said, Queen Ma - ry play'd On fam'd St. 19468 114 why. 'tis said, Queen Ma - ry play'd On fam'd St. An - drew's -j: — wm ; J ; id^ The game was gay. in Ma . ry's P rail: m j- I i': i- i- i i i I The game was gay. in Ma - ry's ^ r J rr r r r rail: '-'" ' ^ ^.L_^ J: H U t=f i I ^a tempo day a tempo ^^ ^f^=^ g § I f g i ^ » ^^ Chappell i C9 115 N9 13. SONG (Miss Sims). Moderalo Piano. MISS SIMS. .i^^ ^ J i- J J^ J' ' 1. A girl a . - gain I i^pcm to be,., 2. We meot, but he does not re call. The f PP Lj^^U L±JU r- r- - J I- 1 J- J J / J- I ^^ ^ j J / ^m Though^I'm an old school- mis. tress grey; A . - giiin a boy comes court . in.i; gol . . den.... head, the love -lit eyes; Our meet . ings and our part . in,i,'S i^I ^ T- 194.58 Chappell * C7 feel his.... calls me lit . tie gol . den - head, I kiss.es on my twits the old school-mis . tress prim, For get . ful.... of his bro - ken J i m^ ^ n r , still re . . call.... the. words he said,, The:. that she owes it all to him.. That. 'i-^ i 'H 4 r=jf *L r TT~y ' iiJ- J J- 'f [ ^ ^ I'm an old school -mis .tress now, Youth dreams of what's to she's an old school -mis .tress now.•> r r r ^ I r ^ tf li'hi -m. f^f ^ I j^ ^m J ' J f i- / J- be, I ween, The fu . . ture's al.ways far a . way; g=^^ f r cj ^ * t * j CJ cJ CJ ±ii3 1945R ^ Chappell 19458. Chappeil & C9 — 118 N9 14. CHORUS OF STUDENTS. Tempo di Barcarole. ^ ?^ ^^=^ r FlA.\0. ^ ^ * —#- ^B^ ^ Where the wil _ lows shade the ri . ver, BASSES. ^ F P ^ ^ Where the wil. lows shade the ri . ver, C=& J- r* i^ J r $ Tf / J^^ / '>•» 1-^ a ^^ » • I -7 > ^^=5= ^ 7 1^=^ f^^ f*^ i j 'Jlk>. T 'Aii. <» h ^ M f f=F^ i ^ r't^r r i r Where the leaning rush . es qui . ver,. Where the leaning rush . es qui «^A ^ F if r=nJ- *^ J-j ^ k 4 r 19458. Chappell A- C'.' 119 Chappell A C? 19458. 120 CO 1945S. Chappell N915. DUET (Sim (t Greg). Moderato. r^ 'i^^UI^^^ Piano. m m I" J J J j\n n SIM & GREG, (in unison) 3=^3;^ JT-^ ' i OI^J^J^^ ^ if^ (^ 1. When I was a . W'lii'n Ac was a lit _ tie child, 2. When I was a- When Ai' was a lit . tie man, ^'- / /^ .1 r J- / J' J' n m On . ly two or threi All thr house . hi. Id went quite wild On . ly just of age Off to Lon . don then hr ran. ^^ 19458 Chappell A C9 pH-^ J- J- J=fe Cooks and housemaids came too kiss, Hij;h and low they lov'd him so, And ')!! J O' ^ J ^ J ^ i^ i^ i^ i ^'U^-^u^r Crowd . ing from their du . ty, claim'd hi/ii for their boo . t}', UJJIUJUJM^t ^ \ ^ N N N J 3 ^ $^^^0 t F And the rea son of all this, And the rea . son of all this tWa And the rea son well I know, And the rea . son well I knowj i —^ ^^ i i is ^ * w^ p r '! j" ^ te ^ • ^ p^ my too his too fa . tal beau 't±LUUlJM4jj ILJ/U^/^^ Chappell >V CV ' J ' ^ •' ij ^ t m f^^^ ^A/*- his fa . t;il beau . ty! too too too too ^^^^^^ r ^ g ^ Dance, HtftH^-^f M^./!^ i^^^ ^^^S^^^S ^^ ^^ i 1 I r^^-p ^^ u ^ ^ f^^^^m^^^^^mg^ -L£^af^% kOUf F f f fJ-g^d^^^^f^HMyp ^1 s ^^'U!U]^^^ g^ r l'' [ / tffe = J ^i^ fc a *— 19458 Chappell ii — ^ 124 N9 16. SOLO (Jack) AND MILITARY CHORUS. Tempo di Marcia. tW W^ PP Piano . PP ^ ! H I ^ 4 ^- d J J i^ •>>^ j - ^ v p" ^ . -p ^ I ^ f w ^ I f f f !-^-^ j.jj^^J ^- ^ J ^ J 1^1 I J J J M V'OCf/ P'^' f )• r , i i ^ ^ i » i F- ' f-f-f-^ t ^ ^ J ^ ^ l u i^;^ii u r^ f fW^^ s I I j 1 1 J ' c-i-i-T I // ot:I d — lLjiJ ^ f^ 19458 Chappell & C? 125 TENORS. k L ^^mJACK. A S Right turn! Front turn! tv ^ N fe ji- ^m l ii ; i .i^ . scend, But we couldn't ^d and dis . o.blifje a friend; J J. J J. 1 m I 1 u- hr^ . scend, But we couldn't gu and dis . o.blige a friend; i ^ .j r Ff u^^ r r. r ?n 't''^- ^r4 f Yet its in . fra dig, you see, For such war . ri _ ois as we Thus to come to tea At i,ftftfi^ fg FT.;.-; i fUTr ^r-r' Yet it's in . fra dig, you see. For such war . ri - ors as we Thus to come to tea At a 194.S8 'happen 4 C9 126 C A \ P Stand at ease! Now a mid- night oys.ter sup . per would be nice, Or a . ny. thing with just a touch of vice; But com . ing fresh, you know. From $ "^m^ Just a spice! 5^ F5^ Just a spice! d. t±=p*> ^m fe "/ fe^^^ !- j-f n > 1^ » slaugh . ter . ing the foe, you know, Its just a tri . fie slow.... At a 19458 Chappell & C9 127 school! Right turn' ' J. ^ J-^ J j''J- - ' 1 J. J I y. J i- 1 Now a mid.niMht oys . ter sup . per would be nice Or ->- J- •? tf Mark. time Now a mid _ nij;ht ovs . ter sup . per would be nice, Or «f *f *' A // * r J ]^ T I ^ Front turn! But com.ing fresh, you know, From ff , _ -1 J.^J.JJ.i'J- J f \ *n f^ a. ny.thing with just a touch of vice; But com_ing fresh, you know, From i* s ^,f^ ff /^ iTf r-ff f ny . thing with just a touch of vice; But com _ ing fresh, you know, From rhanpell A C° ^ 128 ^^ j->j J ^l ii i i, N'j.jj i J i 'V siauglutei.mg the foe, you knuw. It's just a tr» _ fie slow At a school! 4i- ^^^:^^^ J. J [ M,,j.;i.^j J I ^ , slaui!,h.tci_ing the foe, youknow. It's just a tri . fie slow At a school! f=^^±^ m i ^=t^ ^ ' — i m ^ V slaugh_ter.ing the foe, you know. It's just a tri . fie slow At a school! Cf; 1945S. Chappell N !t\ i # There are maids whose lei _ sure moments we may cheer; I ' J J ' ^ Quite clear! Hear! hear! ^ ' r r ' Quite clear! Hear! hear! U-^ ^ ^ ^^ N ^. _ ! : m ^ I as a sol . dier brave Is ver beau, ly's slave, We had awash and shave, And we'vi m T ^m T==itH ^ V" $ ^m ±E^ And we've come. And we've come' form Ime m ^& • s ^F=l ^ m Yet from the in . VI _ . ta.tion it is clear, There are P cresc: ^^ 3^ ^ rv-g ^ n^ Ul.r Vet from the in . vi ta.tion it IS clear, % % J^l r f ! r #.^ ^^ ^"/ ^ ^^ I « #. # ^ f 19458. Chappell 4 09 130 And we've come! Mark time! So as a Sol _ dier maids whose lei _ sure moments we may cheer; So as a sol _ dier iEiiEf - \ ^—^— i ^—— — J / ^ faf i 1>-*^ ^ ^ —if-^— P b^ p ^ brave Is e . ver beau . tv's slave, We had a wa-h and shave, And wr'vi- come, f- ^ r; . j:JlJ..J.f J ^f^=T i rrrr • ^-^—{? ^ ^ brave ^!- ver b.\,u _ty's slave, \\r had a wash ar.d >have. And we'v come, ^ -1^ ^ -V P' bravt- Is e . ver beau, tv's slave, We had a wash and shave. And we've come. and we've come, And we've J i * * )* : ^ ^^ ^ ^^ ^^=1^ t=F^ 19458. Chappell & C9 131 had a ^vash and shave, And we've come. M± i UU' r'lr ^m x^x had a wash and shave. And we've come, And we've come, had a wash and shave. And we'vi' come, And we've come. 3 . ^ a=^=^^; V- -^. ^ m J Ej n J DJ n i * * ~* V *" m poro rail: brave Is e . ver beau. tv"s slave,We've had awash and shave, And we've come, we've brave Is e . ver beau-tv's slave,Wi>'ve had a wash and shave, And we've come, ^m ^m ^^i -.. JL*- ^- f:± Se4» i* m^t=y j I r=f=i ^a U-l n ff - ^^.u:i^ i ^^ ^M Chappell 4 Cq 1945S. 133 N9 17. DUET (Jane Annie and Jack) AND CHORUS. Allegro PlASO. p h'f:f::ieru c siaccat > :,,• r^f..\^l. IJJP fl^ rp ^mt=t=^ ^iAH 'i ^^ ^nh. r9 r• c» SJ p p p p ^ ^ JANE ANNIE. (j^''^ ^ r r rj / j., 1:^' / /^^ You and 1, dear Jack, will show. A most ex . eel . ' i ^' U U P^^^^ f^^ . JACK. I ^ lent ex . am . pie. Scarce can they in vir . tue grow, ^ ^m•1 r ^^ ^^ ^^ ^ 194B8. Chappell & C9 134 JANE ANNIE. ''''! i ^^^ I (j J J ij J \ n r r r p If jou list to my ad . vice, Keep young men S ^ 5 5 j . ^ fi i n atE^^ < *1 ", —1h»- T :l^— T- B JACK ^''1. J- J J- ^j- J J- J I I (| i>iJ .L^ J G r r r t-^-^ m at a safe dis . tance. This is strange, and yet it's nice, I ^mshall of . fer *i qf I i ^ fi m a M -'^-*^- ^ J JL 1 1 -*M^ \ r r p :J f r t r sis ^ no re . . tance, I shall of . fer ^no re . sis . tance. P'^' •' jl Ui ^^m- — i-t s^^ *i r *i ^ 19458. Chappell * C9 135 JANE ANNIE J f^=i (^''1- J- J I I r I -^ U s n r r~r In ac . Cfird with my ad . vice Keep youngyouni; men JACK ; j- h j^— I i ^ J J J J J' This is strange, and yet its nice, I shall of . fi'i This is strange, and yet it's nic §^ PP ^^-^ 1 r 1 This is strange, and yet ^mit's nice 19458 Chappell 4 C9 136 . sis . tance, no re . sis . tance, We shall of . fer ^ ^ fe- ^ L^^ U-H m jj JJ\ 194v'i8. Chappell & C9 137 I PP J' ^ ^ I Xj In ac - C(ird with my ad . vice, We will *1 *1 cord with her ad . vice. PP *] *1 *i ^ i In ac , cord with her ad . vice, VVV; . PP ^ . . ^'v ^j' 1 ^ ^ ^ ^ . i J w y\ s s J- I J a In ac . cord with her ad . vice, I PP In ac . cord with her ad . vice, ^H. M M f f I f f f f fj I}}} U ,./ffffffh^pf ^^^^=^ ^ 19458. Chappell ' ^' '' • ^ I ^ ^ ^ ^ ^ I i r r i J J i^ n. . nt that, pre cept pat, They must do They must.nt do that! And ^'•^' •> -' J^ J' J' J^ I J J J -^^^ ' J' J^ J- pre . cept n't J^ S pat, We must . do that, We must . n't do that! And - J' ^ r r I J ^ i^^t -Vr r^ ^r r -Ht^ t pre - cept pat We must . nt do that. We must - n't do that! And J I J j\ pt > *1 —1^ S MM J J pre)re . cept pat,pat. we must - n't do that. We must - n't do that! And =^=^ J J- J J -. J pre . cept pat. We must . n't do that, We must . n't do that! And -- r •' '' J' J' ^ J' 'h\ i r r r f. " pre _ cept pat, We must . n't do that. We must, n't do that! AnJ iLLr r f ^ T =ti==t 'M,-^! ±^^^f^, i 19458. Chappell 4 C9 — 139 - j^ j^ J J 7 J' : ^ i' I J- n n m of course, the quence is, They must . n't do this! They ' I , h 1 \ N 7 N ' -. •' S J JM J i i J I J J J'^ ^mSI), of course, the se We must - n't do this! We ^m r. r ^^^-^-f t of course, the quence is, We must . n't do this! jix ji-^, , , ^j. , J., ; I J- J- J J I J J- J J of course, the se We must - n't do this! ^ ^ ij" - J' ^^^^^ i ^ ; r F r I w f r r r if course, the se . quence is, "W'e must . n't do this! 'We '^ 1 r' ^ ^ h ^ fi J J J -. J ^=^ iiJ J J must - n't do this! They have learn'd my pre - cept pat. They must . n't do this We have learn'd her pre . cept pat, We -7 J' . i J' . J J . J J ^ m t I must - n't do this! We have learn'd her pre . cept pat. We have learn'd her pre . cept pat. We 194B8. Chappell * C9 : cresr; J J i J' J' ^ J -. j- ^ I I ; J- J' m^must - n't do that! must . n't do that! of course, the ('rear: ' ^'' j^ ' ^ i J ^ -i-^' s is J J J I J' i^^ te^must n't do that! must . n't do that! And so, of course, the „'* i *U..ir ^* .1,. *t...il A _- J _, .r r must - n't do that must . n't do that! And so of course, the f resr -N !s. !>^ ^ ^ N 1 '1. - J . J J J I i J J- i ^ */ '1 —ttj J^ J^ J must - n't d( that! must . n't do that! And so, of course, the r/'esc- *- ^''[ ' -^^=.^ r i 't r r i^c •'^r^n; must - n't do that! must . n't ndoo that! And of course, the rre.li'. must . n't do that! must . n't do that! And so, of course, the ^^ J -> J t 'r. W' I J J ; ; ; ; j^n- ; ; j s se . quence is. They must . n't, they must- n't, they must, n't, they must -n't, they ^' S . S J v eP r. — \ > t"?> t7^ t"^ ^t ;^^. : t : t ^ se - quence is. must . n't, we must _ n't, we must - n't, we must -n't, we 'h t 1 : t -if ^ ; F ; ; ; r I r r r r^^ se - quence is, We must - n't, wp must - n't, we must . n't, we must - n't, we i\ J ^ J I'r ^ J I J J J J J' J^ us s r:r~n se . quence is. We must - n't, we must - n't, we must - n't, we must - n't, we I , ^ r w c r I f r t-c^x c I c c .^^^g quence is. We must - n't, we must- n't. we must- n't, we must, n't, we ^^ r V r r c c r r c i c r f r r r must - n't, we must . n't, we must . n't, we must, n't, we i* ^==£ r f m f r m • P ^ ?^ f^ fejt ^-.JJ-M L-u i gj-qi 19468. Chappell * r? 141 dz^=^ *? *? •? j^ *? *? 1; / ^ :^ J" 7 7 1=^ I J^ J- J I must-nt do this, this, -^ 1 ^ 11 7 7 7 7 7 7 j 7 s I ^^ J^ J^ J^ must. n't do this, this, i\ > ^ -^ -^ ^ ^ ^ § T r r n r r I r w ^ must-nt do this, this, this! -, j' ^ ^ 1 ^ ^ i 'h ^ 1 \ 1 ^ J' ] J S \ J- ^ must- n't do this, this. k=^ n 7 7 f -J =^ 7 7 j r i c c ^ r ^ 'c must -n't do this, ^this, ^ C7C-?7_|f77^-?7|P 771 must, n't do this, this. this! " ,ff^fL-f, [ frTir ^^*^ 7 7 rfT^xn jTl 1^ t-' r •? r ,11 ff.f^ \ ^ n rf ^ t^ 'i^ ^^^^L^-J^r- JANE ANNIE J j L^i J J- J J N J7 r r I r r You and I will al . so show A cor . rect and so . ber Chappell 4 CV 142 JANE ANNIE. J J ; j J- 1 ^^ ^m If you list to my ad. vice, You will ne . ver, ne - ver =^^=^ =^^=^ r 1 1 Pj^ I 1 M ^^ l^^ $ *! •? I •7 •? ji i?'" I start off danc . in" •? *? '^ "^ 1 j[ *? /•? ^ r r r r ^ r ^ ^ ^ r ^ f^ ^^ j M r I I I V I 19458, Chappell * C9 143 FJACK - J ^ i ^^ !^'^ J J J J J-f If r ^^^ Though she's so se - vere on vice, Yet her ways are most en . tranc . ing, JANE ANXIE. PP '•'. > V I ^ ^ .r ^ J- ^ J- I ,,J ^ A J- J J nJ J J J ac - cord with niv ac . cord with JACK. P^PP m I pp„i«-i •7 •? I'J > l , J i ^ J ^ ^r. ^ In ac . cord with her ad . vice, ac . cord with '> > ^ J- ^ ,iJ ^ J J ^ I i,J ^ i J ^ J- J- JM W In ac . cord with her ad . vice, ac - cord with PP •' '- ' ^^- ^ ' ^ ^ ' ^ I I c iji r r r r r r c r, r Tho' so ve rv hard on vice. Yet their wavs are PP Tho' ry hard on vice, Yet their ways are . ^1 19458. Chappell « C9 ^ ver, ne ad . vice, They wiH ne . - ver, ne - - ad - vice, We will ne . . ver, ne - . ver, ne . •? ? •? T •? •? J I J- J- start off danc . ^ing. m ^— start off danc - ing. h •? 'y / 7 j- 7 7 ^ J J=^ I JM start off danc - ing. -, - > ^ 7 T ^ T |_^ 7 ^ 7 franc . ing. 7 7 h 7~^^ J~7 f- ^ ^ 7 7 tranc . ing. ± 1 ± il^r?^ ^S ^ ^^ "r-Y- ^ 7 7 7 7 :2=5: 1 ^ 1^=^ 19458. f ChappeU « C? 1 145 mElMASil * I i & 1 ^ ^^ , 1 1 f r^ j-nJTi j55-Aii ^^=^ 1 1^ 1 W^ t=$=$ I ^ i =^p4=l ? 5* "W f */ ^ 1 1 i •? I '^ Vivace JANE ANNIE ^' ^' J' •' ^^^-^ ih-s ^ ; ^ J'^'' r I ^ "7 ^c r They have learn'd my pre cept pat, They must, n't do that! They JACK. -Pit ^ 1 a j-^ ^ J J- J'-^JLI J J J i P i J' J We have learn'd her pre - cept pat, We must, n't do that! We SSF3 ^^ ^=P^ -V- ^^ M F f^ Wr have learn'd her pre . cept pat, must, n't do that! We ^- rfc -N—fv— ^^^^^^m ^^^^^ r \ 1^1 J m We have learn'd her pre cept pat, 'We must . n't do that! We ^ r I r r r r i r w r M ^ V\e have learn'd her pre . cept pat, We must . n't do that! We ^ ^ ^ s I—^ M I r r r ^ r r r r We have learn'd her pre cept pat, We must . n't do that! We Vivace. Chappell it C9 19458. 146 ; ^ J J' ^ J4^/ •< J -0 r P I^m nust.n't do that! And so, of course, the se . quence is, They l\ -' ' ^ I ^ J J J J J \ i' i' J' J- i M' ^^ st-n't do that! And so, of course, the se . quence is, We ^' ^" ! ^ i ^ ^ ^- ^ r J I i f r r r r M ^^ lUst - n't do that! And so, of course, the se . quence is, We « • ' -*a *^—m —a ra * — must-n't do that! And of course, the se - quence is, I'l, , : J' J' J- J- ^ES .i' ^ i' J' -. r must . n't do that! And so, of course, the se - quence is, We •^H"i. J' J- J- J' o- ^ ^^ 1 r r *i i' J' J- J J^ J^ ^ ^ . 1 1 1 i , j ^^ must- n't do ihib! They must . n't do this! They have learn'd mA' ''1. J -i -^ -i '. I I J' J' J J ^ J J. J-7-^ -»J—Jr J must.n't do this! We must, n't do this! We have learn'd her ^ ' ^|J J' ^ ^ I r. M'^^ i c r f c M r ^ ^^m must . n't do this! We must- n't do this! We have learn'd her 1 . J' J' i^\ J J J\ ;^ ; l|,J J J J'l I / ^ must - n't do this! We must . n't do this! We have learn'd her ^ ^ ^ ^ ^ I ^j: i " r r F f f r r c F U r r. must . n't do this! We must - n't do this! We have learn'd her '^^^'' •* 1 I ^ " I ^ I' ^ ^ r r r r M F r F ^ ^- ^ must . n't do this! We must, n't do this! We have learn'd her t^r r . 19458. Chappell & C9 147 pre . cept pat, They mustn't do that! They must, n't do that! And 19458. ChappeU & C9 St. n't, sve must. n't, wt- must. n't do this, this, this! » ^ »h-^ ]» i^^iiri iij[ 1 | must, n't, we must. n't, we must. n't do tnis, this, thi ia458. Chappell & C9 N? 18. P 1.4 so •? -7 " - 1 -^ L> 7 =j 7 r =-^T=^=- r-7 i. 7 I Y '^' •? •? *? '^ •? ^ "^ •? •? '^ :=^^^=fa I,'' k ^ I ^ ^"^ h ^ I ^ I J p ^^ ^^ •? •? t^ ^ ^5 '^ [^ ? '^~^ ? ^ •? 'Hp -I ^ I f^ I ^ ir^^"^T^t^ 19468, ChappplI 4 C? 150 '^ •/ 7 C 7 7 •? •? *iili ^^_p rj I P_P |_p ^r^?=^ s^ I I *~* J^ "^ Ljz 19458. Chippelld- CV 19458. Chappell 4 C9 - — . ^— — .t. . A /I t i— f"^ 1 N ^ ^ 3?^ -r- \ T 'J^tc^r r^M ^ — —FH >J3 -r^ 1^ J JJ J JJ iJ ^ p r — i i — •— ^, - ^ N * f — i ^^^^F— h=^ ^ F i^ M \t • yr c^ rtJ ^L-uJ A ^ *. M. *:=:^i*^ ^ — —'^—m 1 r 1 [L'^•j r r. .r;!n 1 \— ^n^^rr^ -^\^ • 5— ft » •— f" —ff^7 hn: ri "^ yi_^ - — il 'cJ c^ y^^ «ci c^ 1945S. Chappell A C9 W 153 N? 19. DUET (Bab and Tom) Mode rat 0. BAB. ' 1 S ^ J Last night when we were furc'd to r r if ^ f a i i' Hi PlAsn. i ^^^^^M^ f ^ 1 •? N N j^ J ,i ^' ^ ; I =E ^ J i W \ r r- : part, I heard a pit - a - pat Up )n the win.dow of my - ^^ ^ii Hi i u iiiii m^^ v-^ ;-/ \ ^'/ H ^^ ^ ^ ^J^ 1 ± tm ^^ Tom, tell me, tell me what was that, tell me what was f a am ii i ii p »^"$ ^'<^^— J- ^ I J- ! ^ -^j 7 \ >ur~T^ 19458. rhappell TO^ TTt V* J Lj ^ L- \ ^m 19458. Chappell 4 C9 155 the rais'd sash, and said "Come in','. And there it's now ding. Y(ju rais'd the sash, and said "Come in," And there it's BAB. d ^J :J < '\ i \ j ^ ^m now re ding. Tom, will your love grow I SS I ^3Z ^ 3i5 i ^ i Hi i t i ikiii ^ * t \ I ' 19458. Chappell 4 C? - 156 Or you make be - lieve that we Shall aye be young and 4 ^- t ' WJU^ ii ii i i ii L^^~~i pp ^^=^ I tfJ •/ ^ ^^^ ^ mf I r wi r r r Oh teH me (rue. ^ ,|* r O^-rvr^ >- ' ! li ? f jT F -T ^ * « « ^i r w r r' I # r. r r ^ 'r n^' r r c "'^^ t-LJ ^^^ tell me true, For I'm a lit . tie maid, Of all the world a - - ^ ^^ i ' r^i"ir4 ! P>^^^- 7 ^ S«=¥=j^ $ TTti t 7^ ^^ TOM. 19458. Thappell * C9 f , .^E^^^ ^m f r r r iJT se _ cret's to dis But when you're old and i ^^ n W^^ ^ f— ^=^:^ J ^^r w w i ^ .BOTH. i r r r r i Tnrmr f^P^^ - rHe's grey my dear, I still will be your LiVe . # ^ 4 i i ^?g^ f rj t iiiii^ ^^ ^ r ir J g ^m rme-| c^ ^^ LherJ true This lit tie maid No Ion . ger is i ^>j ijr-7f^i rr^ i 4JJJ ^i ^ :^=?: =^=^ 1 i t "I It ^ ^V : e r r T r r V Come joy or strife, Come weal or woe. M. M. M. \>r r t 4 » i^ t y_i ^iJ.t3fej UM ^^ ThR ** m =^=r \r^ 19458. ChappeU & C9 158 19468. Chappcll 4 C9 — 159 N9 20. DUET (Bab and Proctors Vivace PROCTOR. Pi. I SO. J J J ^' JM r ^^ i t t t t ^ man of er . u . di . tkm, And a scorn . er of fri . vo .11. ties, With will thats ad . a . mant . ine, And mv nerve is quite un . shake . a . ble, My ^ i i - ^ ^ ^ ^ " ^ \ 1 1\, II \ t u ^m lof . ti est am . bi . tion, And most dom . in . eer . ing qua _ li . ties. The strength is el . e . phan . tine, And my spir . it is un . break .a . ble. I I i f ^m m ^ J' C f!?= r,— — p— p !^'I? ?^ row . di . est grow meek . er When I fix them with this eye; But cow . the flip^. pant cab by, I can make the ^cos . ter cry. Yet 19458 Chappell * C« 160 T?—g^ feel lia grow.ing weak.er, And I dont knew whv._ Nil, I dont know why, No, I wh3-,_ No, I feel I'm grDW . mg flab _ b}', And I diint knuw -why,. No, I dont know dont_ not Im grow . ing quite ge . lat . in . ous, and don't _ not I'm grow, ing quite blanc -mange. i . cal, and V just a lit . tie girl . ie, Who still am in my teens, you know, For just a lit . tie dol . ly, With an un . e . vent . ful his . to . ry. They 19458 Chappell & C? 161 love its much too ear . ly, And I cant guess what it means, you know. But tfll me love is jol . ly. But to me its still a mys . te . ry. I since I saw that sim . per, And the twin . kle of that eye, love my play - things dear . ly, And my dolls and ap . pie pie, But Im not feel I'm srow. ing lim . per, And I cant tell wh}-,_ No, I not feel . ing, oh, so queer, ly, And I can't tell why,_ No, I ' T T e ^ e m grow _ ing quite in . ver . to . brate, and cant tell why. Im grow . ing gut . ta - per . chi . cal, and can't tell wh^•. 19458 Cbappell *C'.' 162 me, these words of meek.noss, Now tell me what they sig . ni. fied? Your love can hide no lon.ger, It ^ $ ^^ ^ ^^ ^ ^ r r c \ ^m i I ii\; \> \> \, i I ^0 beckons from your eye; We're un . ques . tion . ab . ly stron.ger, And we both know why. Do f » 19458 ChappeU 4 C9 . 163 PROCTOK. ^\ ,t j^ J- J- , y •, ^ J- J- I J- I } J I J ^^^ you? So (id I! Do you? So do I! ^^ ^^ f K 1 S P ^^^3^ 1^ pp J' J- =j^^^ g F U^ g ^^ ¥=5^ foci . ing dry chan.piig . ni . fied, And both know why, both know whv! ^ />/*^ r^ ^m p ^ f ^^^js^;?^ ^^ p^;n! TOJ^ .ffl. f F f ^ m^. m fe^ ^^ D^ c^ ft ' I .f?T3 i l ^=^p r?^ .rn ^ ^ ^ i ^ # r f f v^h, :J c ^ i 19458 Chappell & Ol —— ^ 164 SOLOS CHORUS. N921. AND HYPNOTIC SCENE. Moderato. iiHii'i mm Piano. pp ^ pp pp y^w JJJJJJ.mjg J ^ ^ J^*^ J ^ ^ i^ ^' ? -^ --L 'j^ ' ^ '^ '^^ -j^ ^I; ^L^' ^-ii'J J i'JNr jJJ'iUi'ii^ xf pp H^J ^^^^^^ ^ihif ^ J^J iJ ^ •£. ^ ^^ -?. JJJJJJJ# S 3 3 3 ^^ • J'. • i'^ • "^ JANE ANNIE. fdzrsz $ ^ ^ I r c r You're now a sen^. ti ^FF^ ^ J J *==t $ it J. — i f t~r t f^ f n g 19458 Chappell & C9 165 J- J J \ ] J I \ n rj } s r-n^ tress, wo can't have it said We went with . out your BAB. J J' J ^^ t-j^ / 1 r r4f-4^ t ^m We're kneel . ing sen - ti . men . tal maid, A . wait . ing for your JANE ANNIE. p ^Sj-J-^ ^ J'l J J.iJ JI^J J- J il^ j J^J J We're kneel . ing sen . ti . men . tal maid, A . wait . ing for your i 'h\ ^j-^ I r r We're kneel . ing sen - ti . men _ tal maid, A . wait . ing for your s P ^tzT^ ^^ i mJ* J" § 9 9 =§ i |i,|> ^ poro cresc: -'^'^' P ^ P M P ^ P M P ^ P M P ^^ 194.58 ChappeU * C'.> r 166 h t^ J' ^ < i bles- sing! bles- sing! GIKLS. 1 ^ v=^ !'. I : i ^^ i 'iT j fttrl blps. sing! We hedr with won . der what they've said, But MEN. '^'^''^- f-^t^ip *] M *i P I -V-r F M'M F S bles. sing! We hear with won . der what they've said, But i ^3^=5^^ ^^m ^ « ^ P ^^ ^ ^ */ MISS S. ^''^ i 1 < (^' ,^ J J" ri J' I g^i^ J will she give her bles. sing? I'm m I- ^ * r I r r r f c u'(Y/ she give her bles. sing? 1 1 1 - I 1 1 i =^ m 9 f *i f PP ^f \ 11^1 111. .> ^ s ^-. ^ ^ j' J I J' I J J' J J J J now a sen . ti . men . tal thing, And hear, with pride and joy, ^The ^ i m ^H U l j ri^ 1' = -*! ^ , r-i i=T ^ — 19458 Chappell & C« 167 ^''1. i J J J J I J' ^ J i J r I news which you two dar . lings bring, That each has found a J J J' J- J\J-- j- ^ ^ T r r- *i 1 *i 1 r r-^—-f ^^W s i|j J I I r ^ ^ j_j r c r r Ej r"r M p r cer.tain.ly! 'Tis ev' - ry school -girls mis . sion; And tell your pa . rents fv J \ ^ L____ ._N s ^^^^^^^ i 4 * -th- J J i t^ « 19458 ChappeU 4 C. j 168 Tempo prinio "' I ^ r""' I ^>, r 1 X - / I « I > I L 1 i i'^iii"' sf P! JANE ANNIE. J E A ^ I g ^ ^ r r r r You're now a somp . what ^ i i i i 1 />P Wf- ^ c r t t c r t F g F g '^ 1 f J' jn I J 1 |, J ] r- O j ^ ^ soft old boy, What . e'er the con . se . quences, Be f'' j i i~-4- Id -j J. j^ >^ * ^ ^ m ^^ F E F r m 19458 ChappeU 4 C9 169 yuurs the pri . vi _ lege and joy pay i V ! =lSi i— i ' i i i—^-i wms-jj r I. # ^ J V=l"i. J Ji J J ^ W^ BAB. J J' ^r J J I r T. I r We're kneel . ing, some . what soft old boy, Re JANE ANNIE. SEES J J^ J J J' J i - prn - ses. We're kneel . ing, some . what soft old boy, Re TOM. i r I r ^ r ^ We're kneel . ing, some . what soft old boy. Re JACK. f 9W^ r I r_Jr ^^ We're kneel - ing, some . what soft old boy, Re s^ *=»#^m ^ JN I poco cresc: m '' F g P=N^f=4=^-4=^-^-^^ 19458 Chappell & CO i 170 That he'll pay their ex . pen . ses? V -l j. ^*/ f # 1^ pp ^m^ ^= ^ 1 1 jt 1 PROCTOR. P ^m I ^ I i ^ I'm fe ^ *) t ^ r?= » */ ^ -^ V'A ^ ^==^ J^ ^ ^^ -^|'' i - J J ; ^-; I J J J I J J ^ now a ve - ry soft old boy, E . lope . ments are my i J ;"/ J-^-J u u jTi— r T^ ^ ^ J. J - 19458 171 J^ J' l J J r^'J I ^ r ^ r r Li-f-h-f some -times said that gold's a curse, And love the on . ly can dy;. But, JS $ «!*—•« m ^^ ^ ^^^ II I'l U I p^ Vivace. 19458 Chappell Though love is ho . ney, they've tak . en the mo _ ne}', And TOM with TENORS. JACK with BASSES, ff Though love is ho . ney, they've tak . en the mo . ney, And I' ^ ^ J I ' I i s \ I Ch \, I he doth sym . pa . thize; With this strange thing, his r i ! F f f r V, ' he doth sym - pa . thize; With this strange thing, his ##^F# il ^ f -P ^ I- 19458 Chappell .;; tr c r r^4^r , ^ ^ ^^ r f f r. love is ho . ney, they've tak . en the mo . ney, And he doth sym .pa - M LLr m ^1 ^^1 it If- ig- it ^^^1 " j f n tJ^^d, 'f f r r I » T etc 't U I u [ i [ [ this strange thing, his col . lege will ring, With a hyp hyp hyp 19458 ChappeU & C9 hyp no . tize hyp - no - tize , With a hyp hyp hyp hyp . cZj i UUU!^ U! i m ^) ^ )*^ I j ^>gjp l^^^^l^ jj }\}^ ^^ t^ ^ ^ ^ u USA ^ ^1I 19458 ChappeU 4 C9 175 N? 22. FINALE. Vivace. ^ MILLY I ^ i 1^^ i r r r ^ The mor . al of this > •> i : (j!^''n}'f ^ ^E ^ ^ r^E ^ ^ 1^ Piano. f I; - I ft f I O:l i -I =^ ^ ^ \\ ^F r i ^r=^ is sto . ry is- You must . n't do this, you must . n't do this; Or GIRLS. J ^ -/ ^^ I J r r^ i^e r ^c M You must . n't do this, you ^must . n't do this; r^ ^ j^ •> i 1 ^ 'y S r ^ T :^ MISS S. ^^ ^ cmir r'l^'J'^^ to ex-press it still more pat— You must.n't do that, you must. n't do that) You've ^'^ •' * ' I ^ ni ^ r^ r'l^ m r r T You must -n't do that, you must -n't do that! 19458. Chappell 4 C9 learned it now with . out a hitch — LANCERS. -? ^ 9= m i^—i^—K- i We must - n"t do what, we m n-f,^. .TTi ^r=^ ' 'nv yif l I f f f f ri^ 'LJ^ uL*^ f r 3^St '1^^ r r ^ I r N Well you have learned it, have you not? PRESS-MEN. (^•:^'' ^ -y i 1 i ^ —>—p^ must - n't do which? We ^m r k ^ ! ^fc^ jr jji^jj ai l uI^uLf 19458. ChappeH * C9 ^ 177 *? T I I \ r C C-?C'?'y|p'77p'7'y ^F=^ *)'il i | p must.nt do which we must.nt do what, what, what? •7 •/ 'LLJUJ 7 1 ^ S iisW ^ S ^ «/ » —»?— ^f-^ JT^IJ/u^f =^F=^ A.V;? OF OrF.BA. 19458 Chappell 4 C9 THE YEOMEN OF THE GUARD; OR, THE MERRYMAN AND HIS MAID. BY W. 8. GILBERT & ARTHUR SULLIVAN. S. D. Vocal Score net 5 Do. bound net 7 6 Pianoforte Solo (arranged by J. H. WADSWORTH) net 3 Libretto net 1 O VOCAL MUSIC. " When Maiden Loves." Sung by Miss Jessie Bond 4 "Were I thy Bride." Sung by Miss Jessie Bond 4 " Is Life a Boon ? " Sung by Mr. Courtice Pounds 4 " Free from his Fetters." Sung by Me. Courtice Pounds 4 ' I have a Song to sing, O." Sung by Miss Ulmar & Mr. Grossmith ... 4 PIANOFORTE ARRANGEMENTS. Charles Godfrey's (Junr.) Selection, as played by all the Military Bands 4 Kuhe's Fantasia 4 Bo3rton Smith's Fantasia 4 Smallwood's Fantasia 4 DANCE MUSIC BY BUCALOSSI. Lancers. Solo oi Duet ... 4 Quadrille. Solo or Duet 4 Waltz. Solo or Duet 4 VIOLIN AND PIANOFORTE. Farmer's Fantasia 5 LONDON: CHAPPELL & CO,, 50, NEW BOND STREET, W. : PIRATES OF PENZANCE Comit ISpera. Words by W. S. GILBERT. Music by ARTHUR SULLIVAN. ,,_ The followdng are now ready s. d. VOCAL SCORE « ... 5s. nett, Cloth nett 7 6 PIANOFORTE SOLO ...... nett 3 LIBRETTO ...... nett 1 All the following Post Free for Hsif-prlce. DANCE MUSIC BY CHARLES D'ALBERT. Pirates of Penzance Waltz ...... Solo or Duet 4 Pirates of Penzance Lancers ...... Da Do. 4 Pirates of Penzance Quadrille ...... Do. Do. 4 Pirates of Penzance Qalop ...... Do. Do. 4 Pirates of Penzance Polka ...... 4 Orchestra, 8/- Septett, 1/- nett .». =, o VOCAL MUSIC. The Pohcemans Song ...... »...... 4 I am a Pirate King...... 4 O The Modem M^or-Qeneral ...... 4 Poor Wand'ring One (Mabel's Song) ...... 4 Ah I leave me not to pine alone. Duet ...... 4 PIANOFORTE ARRANGEMENTS. BOYTON SMITKS Fantasias 1 and 2 4 BOYTON SMITH'S Fantasia as a Dnet 5 KXJHE'S Fantasia ...... 4 SMALLWOOD'S Policeman's Song; Chorns of Pirates; and Poor Wand'rin^ One ...... Each 3 HILLER'S wand Selection for Pianoforte...... 4 Orchestral Parts to Ditto ... ^ ...... nett 3 4 Octuor ...... nett 2 8 FRED GODFRETS Grand Selection for Pianoforte. (As played by all the Military Bands) ...... 4 VIOLIN AND PIANOFORTE. HENBT FARMER'S Fantasia 5 VIOLIN. All the Favourite Airs arranged for the Violin ... ». nett 1 6 FLUTE. All the Favourite Airs arranged for the Flute ...... nett 1 6 CORNET. All the Favourite Airs arranged for the Comet ...... nett 1 6 CHAPPELL & CO.. 50, NEW BOND STREET, POPULAR SONGS By ARTHUR SULLIVAN. B. S. You sleep (" Serenade "), in C and D flat 4 " „ „ (Italian words) E tu nol sai (Sung in The Profligate") 4 If doughty deeds 4 A weary lot is thine, fair maid 4 The maiden's story 4 Arabian love song (in G minor and A minor) 4 I heard the nightingale (in F and A flat) 4 Thou'rt passing hence . 4 Thou art weary (D minor and E minor) 4 The distant shore (in E flat, F, and G) 4 Sweethearts (in A flat and B flat) 4 Tender and true (in E flat and F) 4 Ever (in B flat, C, D flat, and E flat) . 4 The Lady of the Lake .. 4 jFor other Songs see Operas, &€., by this Composer. i;cinlron: CHAPPELL & CO., 50, NEW^ BOND ST., W.