Meiermovies TV/Web Feature Films, Shorts and Series
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Black Vaseline and Other Poems by Shane Allison
Black Vaseline And other poems shane allison 1 Black Vaseline and other poems shane allison Buffalo, NY USA 2 Copyright © 2004 This e-book is from BlazeVOX [books]. All work in this edition under copyright. All rights revert to author upon publication. All rights reserved. [email protected] | www.blazevox.org 3 Tom Cruise Never Sucked My Cock (A Fantasy) That's not the way it went down. I performed oral sex on him in the bathroom on the set of my movie "The Cockpit Club". We met through a mutual friend I performed oral sex on Tom Cruise And getting him off was a mission impossible. We met at a party Rebecca Demornay was throwing. He was standing in her living room drinking white champagne. Getting him off was a mission impossible As his cock flossed my teeth. He looked good as shit standing in Rebecca's living room, lips sipping champagne. He noticed me smiling at him over Cuba Gooding Jr's shoulder. His cock flossed my teeth And I didn't care about the whereabouts of Nicole. He saw me smiling at him as I was talking to Cuba Gooding Jr. Who is actually taller in person. I think Nicole was in the other room Talking to Julianne Moore Who is also very tall in person. He's nothing like the characters he play in his movies. Nicole was out on the deck talking to Julianne Moore I think. Tom smelled sweeter than a cosmetics counter in his Armani suit And he's nothing like the characters he play in his movies. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Carol Raskin
Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia -
The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
View 202001.Pdf
ON THE SCREEN Premieres Wednesday, January 8 10.10 PM juga adik lelakinya. Di lain sisi, Dex Parios juga berjuang dari rasa traumatis yang ia dapat setelah bertugas sebagai marinir di Afghanistan. Saat itu Premieres, Tuesday ketika ia sedang bertugas sebagai intelijen militer, Dex Parios mengalami ledakan yang membuatnya January 21, 8 PM terluka, dan harus kehilangan orang yang ia cintai. Sementara ia meninggalkan pekerjaannya, ia Sebuah serial televisi Amerika yang pun memutuskan untuk bekerja serabutan demi bertemakan drama kriminal. Dibintangi menghidupi dirinya dan juga adiknya. Hingga oleh Cobie Smulders, Jake Johnson dan pada saatnya, Dex Parios bekerja sebagai Michael Ealy. penyelidik swasta dimana ia bertugas untuk menyelidiki masalah yang tidak bisa dicampuri Teks: Klement Galuh A oleh kepolisian. Dalam perjuangannya tersebut, ia pun mendapat dukungan dari seorang detektif ada serial ini bercerita tentang Dex Parios, bernama Miles Hoffman dan juga Gray McConnel seorang veteran militer cerdas, yang hidup yang mempekerjakan saudara lelaki Dex Parios di P dan berjuang untuk menghidupi dirinya dan bar miliknya. (LMN/MHG/LMN/FIO) 4 Acara “Sacred Sites”, kita diajak untuk mengunjungi tempat-tempat bersejarah yang masih menjadi rahasia dan misteri bagi umat manusia. Kita akan diajak untuk menemukan jawaban-jawaban tersebut melalui acara ini. Teks: Klement Galuh A pakah benar legenda raja Arthur nyata adanya? Pertanyaan tersebut akan dikupas menggunakan A terobosan ilmiah dan penelitian arkeologis untuk membawa kita kepada perspektif baru ke beberapa lokasi religi yang luar biasa, namun juga misterius. Dalam setiap episodenya, acara ini akan berfokus pada satu situs dan mengeksplorasi situs tersebut. Dimulai dari orang-orang yang membangunnya, hingga menjawab pertanyaan mendasar dari orang-orang yang melihat bangunan tersebut. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends
The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends Sidneyeve Matrix Jeunesse: Young People, Texts, Cultures, Volume 6, Issue 1, Summer 2014, pp. 119-138 (Article) Published by The Centre for Research in Young People's Texts and Cultures, University of Winnipeg DOI: https://doi.org/10.1353/jeu.2014.0002 For additional information about this article https://muse.jhu.edu/article/553418 Access provided at 9 Jul 2019 13:25 GMT from University of Pittsburgh The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends —Sidneyeve Matrix Introduction first time Netflix had released an entire season of an original program simultaneously and caused a Entertainment is fast becoming an all-you-can-eat nationwide video-on-demand stampede. When House buffet. Call it the Netflix effect. of Cards and Orange Is the New Black premiered in –Raju Mudhar, Toronto Star 2013, huge percentages of Netflix subscribers watched back-to-back episodes, devouring a season of content Whatever our televisual drug of choice—Battlestar in just days. Although these three shows belong to Galactica, The Wire, Homeland—we’ve all put different genres—one a sitcom and the others adult- off errands and bedtime to watch just one more, a themed melodramas—what they share is an enormous thrilling, draining, dream -influencing immersion popularity among the millennial cohort that makes up experience that has become the standard way to the majority of the subscriber base of Netflix. When consume certain TV programs. all episodes of a season -
Why the Inimitable Sarah Paulson Is the Future Of
he won an Emmy, SAG Award and Golden Globe for her bravura performance as Marcia Clark in last year’s FX miniseries, The People v. O.J. Simpson: American Crime Story, but it took Sarah Paulson almost another year to confirm what the TV industry really thinks about her acting chops. Earlier this year, her longtime collaborator and O.J. executive producer Ryan Murphy offered the actress the lead in Ratched, an origin story he is executive producing that focuses on Nurse Ratched, the Siconic, sadistic nurse from the 1975 film One Flew Over the Cuckoo’s Nest. Murphy shopped the project around to networks, offering a package for the first time that included his frequent muse Paulson attached as star and producer. “That was very exciting and also very scary, because I thought, oh God, what if they take this out, and people are like, ‘No thanks, we’re good. We don’t need a Sarah Paulson show,’” says Paulson. “Thankfully, it all worked out very well.” In the wake of last year’s most acclaimed TV performance, everyone—TV networks and movie studios alike—wants to be in business with Paulson. Ratched sparked a high-stakes bidding war, with Netflix ultimately fending off suitors like Hulu and Apple (which is developing an original TV series strategy) for the project last month, giving the drama a hefty Why the inimitable two-season commitment. And that is only one of three high- profile TV series that Paulson will film over the next year. In Sarah Paulson is the 2018, she’ll begin production on Katrina, the third installment in Murphy’s American Crime Story anthology series for FX, and continue on the other Murphy FX anthology hit that future of TV. -
Madonna's Music Videos Defined the MTV Era And
Strike a Pose Madonna’s music videos defined the MTV era and changed pop culture forever. Here are the stories behind the 20 greatest SOUND AND VISION Madonna in the “Vogue” video, 1990 00 72 | MADONNA | COLLECTORS EDITION COLLECTORS EDITION | MADONNA | 00 Ray of Light 1998 A bold embrace of electronica that got Madonna her due at the VMAs “it’s probably, to this day, No. 1 the longest shoot ever for a 2 music video,” remembers direc- tor Jonas Åkerlund, who traveled to New York, Los Angeles and Las Vegas to get “Ray of Light” ’s fast-forward cut- and-paste look. The clip had a simi- Express lar feel to the 1982 art-house favorite Koyaanisqatsi (which Åkerlund had never seen) and a frantic energy that fit the song’s embrace of “electronica.” “We had this diagram that I had in Yourself my pocket for the whole production,” 1989 Åkerlund recalls. “Let’s say you shoot Taking total control of the one frame every 10 seconds or so. Then artistic process, Madonna you have to do that for 30 minutes to worked with director David get like five seconds. Every shot was Fincher to make a sci-fi classic just, like, such a big deal.” The hard work paid off: Although she made near- ly 70 music videos during her career, “Ray of Light” is the only one to win he first of an MTV Video Music Award for Video The VMA- Madonna’s col- of the Year. Says Åkerlund, “I didn’t winning “Ray laborations with of Light” video really think about winning the VMAs. -
Tonight’S Documentary About John’S Late Father, Arthur Rubinstein, Airing in PBS’ "American Masters” Series
TV SPOTS Remembering Rubinstein For some children, getting to know their father — if it happens at all — comes through honest conversation. For actor John Rubinstein, it came through watching his late father play the piano, which he says provided "an absolutely pure knowledge of a person’s soul.” It’s one of the many insights in tonight’s documentary about John’s late father, Arthur Rubinstein, airing in PBS’ "American Masters” series. Much of "Rubinstein Remembers” (WNET / 13 at 9; WLIW121 Friday at 9) spins off a visit made by the Rubinstein family earlier this year to Lodz, Poland, which was Arthur’s birthplace. With the aid of John’s narration, old photos and film clips take viewers through Arthur’s early years as John Rubinstein a musical prodigy, his Paris playboy days where his buddies were Picasso and Cocteau, his points of despair, and his years of world preeminence. There’s also footage of Arthur talking in new and old clips, and illustrating his remarks on the keyboard. Next month, "American Masters” will repeat the three "Unknown Chaplin” programs, an acclaimed analysis of Charlie Chaplin’s career that included previously unseen footage of the silent-film comedian. The shows hagin Aug. 3. Other August programs will spotligm George Gershwin and Maurice SanAtk Tonight 9:00 PM ® CD AMERICAN MASTERS. “Ru binstein Remembered: A 100th Anniversary Tri bute." Classical pianist Arthur Rubinstein (photo right) is given a loving tribute by his son, actor and musician John Rubinstein (photo). Filmed in part in Lodz, Poland, Rubinstein’s birthplace. Also shown on ® Friday at 9 pm (60 min.). -
Mrts 4450/5660.001: It's Not Tv, It's Hbo!
MRTS 4450/5660.001: IT’S NOT TV, IT’S HBO! University of North Texas Fall 2020 Professor: Jennifer Porst Email: [email protected] Class: T 2:30-5:20P Office Hours: By appointment Course Description: Since its debut in the early 1970s, HBO has been a powerhouse in American television and film. They regularly dominate the nominations for Emmy and Golden Globe awards, and their success has profoundly affected the television and film industries and the content they produce. Through an examination of the birth and development of HBO, we will see what a closer analysis of the channel can tell us about television, Hollywood, and American culture over the last four decades. We will also look to the future to see what HBO might become in the increasingly global and digital television landscape. Student Learning Goals: This course will provide students with an opportunity to: • Understand the industrial conditions that led to the birth and success of HBO • Gain insight into the contemporary challenges and opportunities faced by the media industries • Develop critical thinking skills through focused analysis of readings and HBO content • Communicate clearly and confidently in class discussion and presentations Required Texts: 1. Edgerton, Gary R. and Jeffrey P. Jones, Eds. The Essential HBO Reader. Lexington, KY: The University Press of Kentucky, 2008. Available as an e-book via the UNT Library website. 2. Subscription to HBO Go/Now 3. Additional required readings and screenings will be available for free through the class website. 4. Students will need to register for use of the Packback Questions site, which should cost between $10- 15 for the semester. -
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film.