Opening Schedule 2020
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DC Valuation Table (2018-19)
VALUATION TABLE URBAN WAGHA TOWN Residential 2018-19 Commercial 2018-19 # AREA Constructed Constructed Open Plot Open Plot property per property per Per Marla Per Marla sqft sqft ATTOKI AWAN, Bismillah , Al Raheem 1 Garden , Al Ahmed Garden etc (All 275,000 880 375,000 1,430 Residential) BAGHBANPURA (ALL TOWN / 2 375,000 880 700,000 1,430 SOCITIES) BAGRIAN SYEDAN (ALL TOWN / 3 250,000 880 500,000 1,430 SOCITIES) CHAK RAMPURA (Garision Garden, 4 275,000 880 400,000 1,430 Rehmat Town etc) (All Residential) CHAK DHEERA (ALL TOWN / 5 400,000 880 1,000,000 1,430 SOCIETIES) DAROGHAWALA CHOWK TO RING 6 500,000 880 750,000 1,430 ROAD MEHMOOD BOOTI 7 DAVI PURA (ALL TOWN / SOCITIES) 275,000 880 350,000 1,430 FATEH JANG SINGH WALA (ALL TOWN 8 400,000 880 1,000,000 1,430 / SOCITIES) GOBIND PURA (ALL TOWNS / 9 400,000 880 1,000,000 1,430 SOCIEITIES) HANDU, Al Raheem, Masha Allah, 10 Gulshen Dawood,Al Ahmed Garden (ALL 250,000 880 350,000 1,430 TOWN / SOCITIES) JALLO, Al Hafeez, IBL Homes, Palm 11 250,000 880 500,000 1,430 Villas, Aziz Garden etc KHEERA, Aziz Garden, Canal Forts, Al 12 Hafeez Garden, Palm Villas (ALL TOWN 250,000 880 500,000 1,430 / SOCITIES) KOT DUNI CHAND Al Karim Garden, 13 Malik Nazir G Garden, Ghous Garden 250,000 880 400,000 1,430 (ALL TOWN / SOCITIES) KOTLI GHASI Hanif Park, Garision Garden, Gulshen e Haider, Moeez Town & 14 250,000 880 500,000 1,430 New Bilal Gung H Scheme (ALL TOWN / SOCITIES) LAKHODAIR, Al Wadood Garden (ALL 15 225,000 880 500,000 1,430 TOWN / SOCITIES) LAKHODAIR, Ring Road Par (ALL TOWN 16 75,000 880 200,000 -
Assessment of the History and Cultural Inclusion of Public Art in Pakistan
Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 18 February 2018 doi:10.20944/preprints201802.0117.v1 Article Assessment of the History and Cultural Inclusion of Public Art in Pakistan Syed Asifullah Shah1,*, Ashfaq Ahmad Shah 2 and Li Xianfeng 1, 1 Department of Ornamental Horticulture and Landscape Architecture College of Horticulture, China Agricultural University, Beijing, 100193, P.R. China [email protected] [email protected] 2 College of Humanities and Development studies, China Agricultural University, Beijing, 100193, P.R. China [email protected] * Correspondence: [email protected]; [email protected] Abstract The significance of arts incorporated with culture inclusion makes the arts a matter of pressing interest. The arts are vital elements of a healthy society that benefits the nations even in difficult social and economic times. Based on the previous studies this research was conducted for the first time in Pakistan to explore the historical background of public art correlated with cultural and religious ethics. Though, Pakistan has a rich cultural history yet the role of modern public art is new and often used unintentionally. Our findings of different surveys conducted in Pakistan including oldest cities such as Lahore, Peshawar and newly developed, the capital city, Islamabad concluded that Public art has a rich cultural and historical background and the local community are enthusiastically connected to it. Different community groups prefer different types of public art in their surroundings depends on the city’s profile, cultural background, and religious mindset of the local community. Overall, the sculptures and depiction of animated beings are not considering right and debatable among the Pakistani societies. -
Second Lahore Biennale: Between the Sun and the Moon Curated by Hoor Al Qasimi Features 20+ New Commissions and Work by More Than 70 International Artists
For Immediate Release 6 January 2020 Second Lahore Biennale: between the sun and the moon Curated by Hoor Al Qasimi Features 20+ New Commissions and Work by More Than 70 International Artists Installed Across Cultural and Heritage Sites Throughout Lahore, Pakistan, from 26 January to 29 February 2020 Lahore, Pakistan—6 January 2020—The Lahore Biennale Foundation today revealed a list of over 70 participating artists for the second edition of the Lahore Biennale (LB02), running from 26 January through 29 February 2020. Curated by Hoor Al Qasimi, Director of the Sharjah Art Foundation in Sharjah, United Arab Emirates, LB02: between the sun and the moon brings a plethora of artistic projects to cultural and heritage sites throughout the city of Lahore including more than 20 new commissions by artists from across the region and around the world, including Alia Farid, Diana Al-Hadid, Hassan Hajjaj, Haroon Mirza, Hajra Waheed and Simone Fattal, among many others. Other participating artists include Anwar Saeed, Rasheed Araeen and the late Madiha Aijaz. With a focus on the Global South, where ongoing social disaffection is being aggravated by climate change, LB02 responds to the cultural and ecological history of Lahore and aims to awaken awareness of humanity’s daunting contemporary predicament. Works presented in LB02 will explore human entanglement with the environment while revisiting traditional understandings of the self and their cosmological underpinnings. Inspiration for this thematic focus is drawn from intellectual and cultural exchange between South and West Asia. “For centuries, inhabitants of these regions oriented themselves with reference to the sun, the moon, and the constellations. -
List of Approved Clinical Trial Sites Under the Bio-Study Rules 2017
Government of Pakistan Ministry of National Health Services, Regulations & Coordination DRUG REGULATORY AUTHORITY OF PAKISTAN TF Complex, Sector G-9/4, Islamabad ****** “SAY NO TO CORRUPTION” Updated till: 09th April 2021. LIST OF APPROVED CLINICAL TRIAL SITES UNDER THE BIO-STUDY RULES 2017. S.No License Clinical Trial CTS Address Approved Study Approved Status Remarks Date of . Number Site for Drug. in C.S.C. Expiration Clinical of licence. Trial 01. CTS- M/s Holy Family Gynae Unit-I & II, Holy Women-II Tranexamic 4th CSC Approved. License issued. 17th July 0001 Hospital, Family Hospital, Said Pur Clinical Acid Meeting. 18th July 2019. 2019. Rawalpindi Road. Rawalpindi Studies. Held on 17th July 2019. 02. CTS- M/s Ghouri Plot C-76, Sector 31/5, End-TB, Multi Drug 4th CSC Approved. License issued. 09th October 0002 Clinic, The Indus Opposite Darussalam MDR TB Meeting. 10th October 2019. Hospital, Karachi Society, Korangi Crossing, Clinical Held on 17th 2019. Karachi-75190, Pakistan. Trial July 2019. 03. CTS- Aga Khan Stadium Road, P.O. Box Not Multiple 4th CSC Approved. License issued. 09th October 0003 University 3500, Karachi 74800, Specific Clinical Meeting. 10th October 2022. Hospital, Clinical Pakistan. Trials Held on 17th 2019. Trial Unit (CTU), July 2019. Karachi 04. CTS- Shaukat Khanum 7-A, Khayaban-e-Firdousi, Not Multiple 4th CSC Approved. License issued. 20th 0004 Memorial Cancer Block R3 M.A Johar Town, Specific Clinical Meeting. 21st November November Hospital & Lahore. Trials Held on 17th 2019. 2019. Research Center, July 2019. Lahore. Page 1 of 10 05. CTS- Department of Near Chandni Chowk, Women-II Tranexamic 4th CSC Approved. -
SADEQUAIN Born 1930, Amroha, India Died 1987, Karachi
SADEQUAIN Born 1930, Amroha, India Died 1987, Karachi, Pakistan B.A. in Art History and Geography, Agra University (1948) Syed Sadequain Ahmed Naqvi was one of the first Pakistani artists to gain international recognition, embarking on his notable career with an award from the Biennale de Paris in 1961. The artist was born in Amroha, India, descending from a family of Qur’an scribes and is recognized as the foremost calligrapher and painter of Pakistan, responsible for the renaissance of Islamic calligraphy in the country since the late 1960s and bringing the art form into the mainstream. In the late 1940s, Sadequain joined the Progressive Writers and Artists Movement and through his career, produced works of thematic content reflected by his commitment to social justice, and the progressive ideals of his peers of writers and poets. On the eve of Partition, Sadequain painted anti-British, nationalistic slogans in Dehli and such politically charged works gained the artist a wider, responsive audience both abroad and in Pakistan among the 1960s intelligentsia. Sadequain's unique visual vocabulary stemmed from the complex merging of Eastern (calligraphy) and Western (figurative) traditions in art, alongside Hindu and Muslim ideology. Sweeps of a calligraphic brush are echoed in the artist's flamboyant approach to painting figures but his forms and themes are mostly biographical. Contortions to figurative style arose from his observation of wild, defiant cacti growing against the odds in the deserts of Gadani (Karachi) which left an indelible impression on the artist and his work. Colors used are simplistic, yet provide strong structural elements through Sadequain's contrast of etched strokes. -
Pakistan) 4–9 October 2000
Report on Mission to Evaluate the State of Conservation of the World Heritage Site of the SHALAMAR GARDENS Lahore (Pakistan) 4–9 October 2000 ROBERT DE JONG (President, ICOMOS International Committee on Historic Gardens and Landscapes) 49-51 rue de la Fédération - F-75015 Paris - France - Tel + 33 1 45 67 67 70 - Fax + 33 1 45 66 06 22 Report on Mission to Evaluate the State of Conservation of the World Heritage Site of the SHALAMAR GARDENS, Lahore (Pakistan) 1 BACKGROUND TO THE MISSION The mission concerned World Heritage Site (No. 171-172) – the Fort and Shalamar Gardens of Lahore (Pakistan) The reason for the mission was the information received by the UNESCO World Heritage Centre from the national authorities of Pakistan that the Department of Archaeology was proposing to "restore the demolished hydraulic works of Shalamar Gardens," and that the authorities "had expressed their intention to nominate two sites (ie the Fort and Shalamar Gardens of Lahore and Taxila) to the List of World Heritage in Danger" (Letter from the Director, UNESCO World Heritage Centre, to H.E. Mr Shararyar M. Khan, Extraordinary and Plenipotentiary Ambassador of Pakistan to France Permanent Delegation of Pakistan to UNESCO, 2 August 2000, WHC/74/400/ PKS/00/JT/425). The Centre and ICOMOS had also already considered sending a mission "to elaborate a comprehensive management plan for both the Fort and Shalamar Gardens of Lahore site and the Taxila site". During its 24th Session in Paris on 26 June–1 July 2000, the Bureau of the World Heritage Committee decided to request the World Heritage Centre and ICOMOS "to organise a reactive monitoring mission to the Fort and Shalamar Gardens." The Bureau, while "expressing its appreciation for the information received from the Pakistan authorities concerning its intentions to undertake corrective measures .. -
Samina Iqbal Art History Department Virginia Commonwealth University Richmond, Virginia
Samina Iqbal Art History Department Virginia Commonwealth University Richmond, Virginia AIPS Short Term Fellowship Report Grant Period: August 3rd – October 3rd, 2014 Location: Lahore and Islamabad The AIPS short-term fellowship grant enabled me to travel to Pakistan for two months this summer and conduct my dissertation research, which focuses on the Modern Art of Pakistan. More specifically, my research examines the modern trends in Pakistani art beginning in 1947 and the pivotal role of the five founding artists of Lahore Art Circle (LAC) in constructing modernist sensibilities and secular trends in Pakistani art from 1950-1957. LAC, founded in 1952 included artists: Ahmed Pervaiz (1926-1979), Ali Imam (1924-2002), Anwar Jalal Shemza (1928 -1985), Moyene Najmi (1926-1997), and Sheikh Safdar (1924-1983). Since my focus is on the first decade of Pakistani modern art after its independence, it is incredibly difficult to locate any archival material on this era especially in the field of Fine Arts. Locating the actual works of LAC artists, which are mostly in private collections, is the challenging task that I set for myself for the two-month research in Pakistan. I arrived in Lahore, intending to look at a few libraries for archival material and a few museums for actual works of arts. However, this research trip turned out to be extremely productive in finding and locating much more than I anticipated. I divided my research into three parts: a. I conducted a number of semiformal and informal interviews with art critics, friends and immediate family members of LAC artists. This included renowned writers such as Intizar Husain, Kishwar Naheed, Salima Hashmi, Nazish Attaullah, Quddus Mirza, Attiya Najmi, Shahnaz Imam, Anwar Saeed, Dr. -
At Quaid's Service
At Quaid’s Service: A Journey Towards Discovery Jinnah Rafi Foundation LAHORE At Quaid’s Service: A Journey Towards Discovery Syed Razi Wasti Jinnah Rafi Foundation LAHORE PUBLICATION NO.2 JINNAH RAFI FOUNDATION EMPIRE CENTRE, GULBERG II LAHORE. FIRST EDITION: 1996 PRINTED BY A.W.PRINTERS LAHORE Jinnah Rafi Foundation was set up in 1989, commemorating Rafi Butt - a young follow- er of Quaid - whose son is its Chairman. The foundation is committed to upholding the aspirations of Quaid-i-Azam, Mohammad Ali Jinnah. All its resources are devoted to encouraging scholarly research on topics relating to Pakistan’s political, social and economic interests, which were so close to Rafi Butt’s heart. ISBN 969-8246-01-0 “Read no history: nothing but biography, For that is life without theo- ry.” - Benjamin Disraeli CONTENTS FOREWORD - AKBAR S. AHMAD 1 INTRODUCTION 5 1. MUSLIMS IN SOUTH ASIA _ PARTICULARLY IN THE PUNJAB TILL 1947 9 2. LAHORE IN 1930s AND 1940s - RAFI BUTT FROM MODEST BEGINNINGS TO BIG INDUSTRIALIST 22 3. QUAID-I-AZAM AND RAFI BUTT 65 4. RAFI BUTT - THE MAN HE WAS. 80 EPILOGUE 111 APPENDICES 1. Correspondence between Quaid-i-Azam and Rafi Butt. 120 2. Main Ihsan Ilahi’s letter dated 27 June 1938. 152 3. Report of the All India Muslim League Planning Committee. 154 4. Documents pertaining to Central Exchange Bank Ltd. 162 5. Advertisement by Saeed Sehgal. 174 6. Prospectus of the West Punjab Steel Corporation Ltd. 175 7. Report of Rafi Butt’s election to the Lahore Municipal Corporation. 175 8. Documents about Punjab Muslim Chamber of Commerce and ad- dress presented to Quaid-i-Azam Mohammad Ali Jinnah, Presented All India Muslim League. -
December 2013 405 Al Baraka Bank (Pakistan) Ltd
Appendix IV Scheduled Banks’ Islamic Banking Branches in Pakistan As on 31st December 2013 Al Baraka Bank -Lakhani Centre, I.I.Chundrigar Road Vehari -Nishat Lane No.4, Phase-VI, D.H.A. (Pakistan) Ltd. (108) -Phase-II, D.H.A. -Provincial Trade Centre, Gulshan-e-Iqbal, Askari Bank Ltd. (38) Main University Road Abbottabad -S.I.T.E. Area, Abbottabad Arifwala Chillas Attock Khanewal Faisalabad Badin Gujranwala Bahawalnagar Lahore (16) Hyderabad Bahawalpur -Bank Square Market, Model Town Islamabad Burewala -Block Y, Phase-III, L.C.C.H.S Taxila D.G.Khan -M.M. Alam Road, Gulberg-III, D.I.Khan -Main Boulevard, Allama Iqbal Town Gujrat (2) Daska -Mcleod Road -Opposite UBL, Bhimber Road Fateh Jang -Phase-II, Commercial Area, D.H.A. -Near Municipal Model School, Circular Gojra -Race Course Road, Shadman, Road Jehlum -Block R-1, Johar Town Karachi (8) Kasur -Cavalry Ground -Abdullah Haroon Road Khanpur -Circular Road -Qazi Usman Road, near Lal Masjid Kotri -Civic Centre, Barkat Market, New -Block-L, North Nazimabad Minngora Garden Town -Estate Avenue, S.I.T.E. Okara -Faisal Town -Jami Commercial, Phase-VII Sheikhupura -Hali Road, Gulberg-II -Mehran Hights, KDA Scheme-V -Kabeer Street, Urdu Bazar -CP & Barar Cooperative Housing Faisalabad (2) -Phase-III, D.H.A. Society, Dhoraji -Chiniot Bazar, near Clock Tower -Shadman Colony 1, -KDA Scheme No. 24, Gulshan-e-Iqbal -Faisal Lane, Civil Line Larkana Kohat Jhang Mansehra Lahore (7) Mardan -Faisal Town, Peco Road Gujranwala (2) Mirpur (AK) -M.A. Johar Town, -Anwar Industrial Complex, G.T Road Mirpurkhas -Block Y, Phase-III, D.H.A. -
Volume 3, 2021 University of Toronto, Graduate Union of Students of Art History
INTAGLIO Volume 3, 2021 University of Toronto, Graduate Union of Students of Art History Beloved Mosque: The Wazir Khan Masjid of Lahore Sanniah Jabeen The Wazir Khan mosque is located in the Walled City of Lahore, along the southern side of Lahore's Shahi Guzargah, or “Royal Road.” This was the traditional route traversed by Mughal nobles and their guests on their way to royal residences at the Lahore Fort. The mosque is situated approximately 260 meters west of the Delhi Gate, where the mosque's Shahi Hammam (Royal Bath) is also located. The mosque faces both a town square, known as Wazir Khan Chowk, and the Chitta (White) Gate. A trip through the Delhi Gate to the Wazir Khan Chowk is an explosion of the senses. If one searches for images of the Delhi Gate Lahore, most incorrectly show the Gate as a wide-open entrance through which vehicles and people can easily pass. If one actually walks through the Delhi Gate, it is absolute chaos. Cars have to be parked many blocks away and visitors have to push through busy cart vendors, donkeys, hens, the occasional cow, as well as young men carrying twice their body weight in fruit, shoes, eatables, and clothing items. The Walled City of Lahore is the only place in the city where human driven carts still exist, as many streets are almost too narrow to allow motor vehicles or even donkey carts. The call for the prayer bellows periodically from the minarets of the Wazir Khan mosque and an increasing cacophony of human chatter, rickshaws, and motorbikes fills the air. -
Prof. Dr. Shahida Manzoor
PROF. DR. SHAHIDA MANZOOR Principal, University College of Art & Design, University of the Punjab, Allama Iqbal Campus, Lahore, Pakistan Phone: Office: 042-99212729-30, Cell: 0333-6507103 E-mail: [email protected] [email protected] EDUCATION Ph. D. in Fine Arts (2003) Ohio University, USA. Topic of Ph.D. Thesis: Chaos Theory and Robert Wilson: A Critical Analysis of Wilson's Visual Arts and Theatrical Performances.. M.F.A. in Painting (Gold Medalist) 1987, University of the Punjab, Lahore, Pakistan. TEACHING/ADMINISTRATIVE EXPERIENCE Four years teaching experience at Ohio University, U.S.A 1997-2001. Taught Humanity courses to undergraduate students i.e. Painting, Sculpture, Architecture, Theater and Music. Twenty-nine years teaching experience teaching graduate and post- graduate classes at the University of the Punjab from 28.11.1989 - to date. teaching mainly painting, Western art, Modern art, Post- modern/contemporary and History of Islamic Architecture, Fourteen Years post Ph. D Experience. Teaching, Theories, History of Art, Aesthetics, Research Methodologies to Art History and Studio Practice doctoral Students. Coordinator, Research Centre of UCAD w.e.f. 1.6.2006 to 30.8.2010. Principal, University College of Art & Design, Punjab University, Lahore w.e.f. 8.8.2014 Warden/ Superintendent, Fatima Jinnah Hall, Girls Hostel #1, Punjab University, Lahore w.e.f. 2006- to date. HONORS First Pakistani woman to earn Ph.D. degree in Fine Arts from USA (see video attached). Appointed as a Student Judge, in the Athens County Court, Athens, Ohio-USA Selection as a Faculty Member of College of Fine Arts, Ohio University (2001). -
Department of Tourism & Northern Studies MAKING LAHORE A
Department of Tourism & Northern Studies MAKING LAHORE A BETTER HERITAGE TOURIST DESTINATION Muhammad Arshad Master thesis in Tourism- November 2015 Abstract In recent past, tourism has become one of the leading industries of the world. Whereas, heritage tourism is one of the fastest growing sectors in tourism industry. The tourist attractions especially heritage attractions play an important role in heritage destination development. Lahore is the cultural hub of Pakistan and home of great Mughal heritage. It is an important heritage tourist destination in Pakistan, because of the quantity and quality of heritage attractions. Despite having a great heritage tourism potential in Lahore the tourism industry has never flourished as it should be, because of various challenges. This Master thesis is aimed to identify the potential heritage attractions of Lahore for marketing of destination. Furthermore, the challenges being faced by heritage tourism in Lahore and on the basis of empirical data and theoretical discussion to suggest some measures to cope with these challenges to make Lahore a better heritage tourist destination. To accomplish the objectives of this thesis, various theoretical perspectives regarding tourist destination development are discussed in this thesis including, destination marketing and distribution, pricing of destination, terrorism effects on destination, image and authenticity of destination. The empirical data is collected and analyze on the basis of these theories. Finally the suggestions are made to make Lahore a better heritage tourist destination. Key words: Heritage tourism, tourist attractions, tourist destination, destination marketing, destination image, terrorism, authenticity, Lahore. 2 | Page Acknowledgement Working with this Master thesis has been very interesting and challenging at a time.