Newsletter 128 May 2018
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FRANCIS SKIDMORE (1816-1896), a POSTSCRIPT. Tribute to City Metal
Occasional Papers, no. 23. 1 FRANCIS SKIDMORE (1816-1896), A POSTSCRIPT. The very best life of Francis Alfred Skidmore will continue to be the one by Linda Moffatt in her book on the Black Country Skidmores.2 Two recent articles are of some interest. The first, by Antony Hopker, a columnist for the Coventry Evening Telegraph, appeared on 8 February 2000 where it was noticed by Mrs Moffatt. The second is posted on a website belonging to The Herbert. My first acquaintanceship with Francis happened at Bath Abbey church where a part of my Westerleigh Skidmores were buried.3 The late John Hunt had arranged a get together of all the members of the family which he knew to be interested in family history at the Abbey church. The Skidmore chandeliers there had recently been restored and converted from gas to electricity. A rather chilly group included descendants from the 17th century families from Rickmansworth, Huntsham, Chalfont St. Peter, Westerleigh, Holme Lacy, and perhaps another place or two that I have forgotten. Ordinarily we probably would have adjourned to a pub, but Hazel Skidmore (wife of Peter Hastings Emmott Skidmore) and her daughter had put together a very nice luncheon at their home at St. Catherine’s Close in Bathwick Hill. It would be nice to have a large coffee table book of Skidmore’s work, but this is unlikely as the decorative religious arts (and the Anglican faith itself) simply do not command the interest they once did. (WS) Tribute to city metal master. By ANTONY HOPKER A VICTORIAN master craftsman will be remembered in Coventry next week when a plaque is unveiled on the site of his former factory. -
British Art Studies April 2017 British Art Studies Issue 5, Published 17 April 2017
British Art Studies April 2017 British Art Studies Issue 5, published 17 April 2017 Cover image: Francis Alexander Skidmore and Sir George Gilbert Scott, Hereford Screen (detail), 1862, painted wrought and cast iron, brass, copper, timber, mosaics, and hardstones. Collection of the Victoria & Albert Museum, London, Given by Herbert Art Gallery and Museum, Coventry (M.251:1 to 316-1984).. Digital image courtesy of Justin Underhill PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents “A triumph of art” or “blatant vulgarity”: The Reception of Scott and Skidmore’s Screens, Alicia Robinson “A triumph of art” or “blatant vulgarity”: The Reception of Scott and Skidmore’s Screens Alicia Robinson Abstract This essay provides a broad narrative of how the screens designed by architect and designer George Gilbert Scott and made by metalworker Francis Skidmore for the cathedrals of Hereford, Lichfield, and Salisbury, have been regarded since they were produced. -
Download 20123607
Place Directorate UNCLASSIFIED Martin Yardley Executive Director Business Support Floor 12, Civic Centre 4 Much Park Street Coventry CV1 2PY www.coventry.gov.uk Our reference FOI 20123607 Please contact Bernie Robinson [email protected] 2 February 2015 Dear Freedom of Information Act 2000 (FOIA) Thank you for requesting information about the Councils assets. The Council received your request on 7 January 2015 and has considered it under the above legislation. You have requested the following information: 1. A copy of the Local Authority’s asset registers for buildings and land. 2. What is the total number of art owned by the Local Authority and the estimated total value and the number of works currently on display. Question 1 Response The information you requested is being withheld as it falls under the exemption in Section 22 of the FOIA which relates to information intended for future publication. The Council intends to publish this information by 5th February 2015 and it is deemed on this occasion that the public interest in disclosure is outweighed by the public interest in withholding the requested information until that time. The requested information can be viewed after the 5th February by going to: www.coventry.gov.uk Question 2 Response Please find attached documents detailing the Art work owned by the Council. The information you have requested in connection with the total number and value of works 2 February 2015 of arts and the number of works currently on display has been withheld from disclosure. The exemption engaged is Section 12 of the FOIA. -
British Art Studies April 2017 British Art Studies Issue 5, Published 17 April 2017
British Art Studies April 2017 British Art Studies Issue 5, published 17 April 2017 Cover image: Francis Alexander Skidmore and Sir George Gilbert Scott, Hereford Screen (detail), 1862, painted wrought and cast iron, brass, copper, timber, mosaics, and hardstones. Collection of the Victoria & Albert Museum, London, Given by Herbert Art Gallery and Museum, Coventry (M.251:1 to 316-1984).. Digital image courtesy of Justin Underhill PDF generated on 25 October 2019 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents Liturgy and Music in Hereford Cathedral in the Time of Queen Victoria and Beyond, Tessa Murdoch Liturgy and Music in Hereford Cathedral in the Time of Queen Victoria and Beyond Tessa Murdoch Abstract The Victorian Gothic Revival and its focus on liturgical neo-medievalism inspired the 1860s restoration of the medieval Hereford Cathedral. -
British Art Studies April 2017 British Art Studies Issue 5, Published 17 April 2017
British Art Studies April 2017 British Art Studies Issue 5, published 17 April 2017 Cover image: Francis Alexander Skidmore and Sir George Gilbert Scott, Hereford Screen (detail), 1862, painted wrought and cast iron, brass, copper, timber, mosaics, and hardstones. Collection of the Victoria & Albert Museum, London, Given by Herbert Art Gallery and Museum, Coventry (M.251:1 to 316-1984).. Digital image courtesy of Justin Underhill PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents Collaborations Between Scott and Skidmore, Alicia Robinson Collaborations Between Scott and Skidmore Alicia Robinson Abstract This essay examines the collaboration between architect and designer George Gilbert Scott and metalworker Francis Skidmore. -
Ecclesiology Today No. 47 & 48 – July 2013
ET 47 & 48 Front Cover 6/7/14 09:30 Page 1 ECCLESIOLOGY TODAY Ecclesiology Today . Issues 47 & 48 . July 2013 ET 47/48 First 6 pages (4) 8/4/14 15:52 Page 1 ECCLESIOLOGY TODAY ET 47/48 First 6 pages (4) 8/4/14 15:52 Page 2 ET 47/48 First 6 pages (4) 8/4/14 15:52 Page 3 ECCLESIOLOGY TODAY Ecclesiology Today . Issues 47 & 48 . July 2013 ET 47/48 First 6 pages (4) 8/4/14 15:52 Page 4 © Copyright the authors 2014.All rights reserved. ISSN: 1460-4213 Published 2014 by the Ecclesiological Society c/o The Society of Antiquaries of London Burlington House Piccadilly London WIV 0HS The Ecclesiological Society is a registered charity. Charity No. 210501. www.ecclsoc.org The views expressed in this publication are those of the authors, and do not necessarily represent those of the Ecclesiological Society or its officers. ET 47/48 First 6 pages (4) 8/4/14 15:52 Page 5 Ecclesiology Today C ontents Journal of the Ecclesiological Society Chairman’s letter 2 The Hereford Screen by Ingrid Brown 3 VIEWPOINT:The creation of liturgical space at Ely Cathedral in 2013: possibilities A lecture given in Ely on 28 April 2013 by Jane Kennedy 45 VIEWPOINT: Problems affecting church monuments: a personal perspective by Sally Badham 75 Ledgerstones and the Ledgerstone Survey of England and Wales by Julian W S Litten 105 ‘An age of destruction’?: Anglican church closure past and present by Linda Monckton 121 OBITUARY: Terry Friedman (1940–2013) 133 Book Reviews 137 Issues 47 & 48 for December 2012 & July 2013 published April 2014 ET 47/48 First 6 pages (4) 8/4/14 15:52 Page 6 Chairman’s letter Dear Fellow Member You will immediately see that this is a bumper volume of Ecclesiology Today.