Samuel Beckett's Waiting for Godot - Libguides at University of Southern California
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The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works Theresa A. Incampo Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Dramatic Literature, Criticism and Theory Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation Incampo, Theresa A., "The Evocation of the Physical, Metaphysical, and Sonic Landscapes in Samuel Beckett's Short Dramatic Works". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/209 The Evocation of the Physical, Metaphysical and Sonic Landscapes within the Short Dramatic Works of Samuel Beckett Submitted by Theresa A. Incampo May 4, 2012 Trinity College Department of Theater and Dance Hartford, CT 2 Table of Contents Acknowledgements 5 I: History Time, Space and Sound in Beckett’s short dramatic works 7 A historical analysis of the playwright’s theatrical spaces including the concept of temporality, which is central to the subsequent elements within the physical, metaphysical and sonic landscapes. These landscapes are constructed from physical space, object, light, and sound, so as to create a finite representation of an expansive, infinite world as it is perceived by Beckett’s characters.. II: Theory Phenomenology and the conscious experience of existence 59 The choice to focus on the philosophy of phenomenology centers on the notion that these short dramatic works present the theatrical landscape as the conscious character perceives it to be. The perceptual experience is explained by Maurice Merleau-Ponty as the relationship between the body and the world and the way as to which the self-limited interior space of the mind interacts with the limitless exterior space that surrounds it. -
FRANK Mccusker
FRANK McCUSKER NolanMuldoonAgency HEIGHT 6’ 0” HAIR Brown EYES Blue NATIONALITY Northern Irish TRAINING None FILM & TELEVISION Production Part Director Company The Fall Garret Brink Jakob Verbruggen BBC The First Wave Tom (L) David Frayne Tilted Pictures Titanic: Blood & Steel Charles Stokes Ciaran Donnelly DAP, Italy 1916: Seachtar Anaithnid Major McBride (L) Daithi Keane Abu Media The Tudors Risley Various Showtime Hunger The Governor Steve McQueen Film 4 Bitter Sweet Ivan Declan Eames Element Small Engine Repair John Madden Niall Heery Subotica Bad Girls Miller Julian Holmes ITV Murder Prevention Fergus Fallon Julian Simpson World Films The Blackwater Lightship Harry John Erman Hallmark Proof Noel Ciaran Donnelly RTÉ Pulling Moves Blonde Patrick P Elliot/B Kirk BBC Any Time Now Mr. Bennett D Recks/J Woods RTÉ As the Beast Sleeps Jack Harry Bradbeer BBC Rebel Heart Padraic Pearse John Strickland BBC The Affair of the Necklace Abel Duphot Charles Shyer Alcon Day One Mr. Hanton Ian Fitzgibbon Grand Pictures David Copperfield Uriah Heap Peter Medak Hallmark Agnes Browne Tom O’Toole Angelica Hueston Hell’s Kitchen The Ambassador DS Lynch Matthew Evans BBC Out of Hours Doctor Doug McKinnon BBC Getting Hurt Dr. Mike Gibson Ben Bolt BBC 2 Bloodlines: Legacy of a Lord Greville Howard Brian Grant Vine International Circle of Friends Young Priest Pat O’Connor Good Girls Productions NolanMuldoonAgency / +353 1 288 1537 / www.nolanmuldoonagency.com The Railway Station Man Jack Cuffe Michael Whyte BBC THEATRE Play Part Director Venue/Company Richard -
BAM Announces the Complete Cast of Beckett's Endgame, Featuring John Turturro and Directed by Andrei Belgrader Running April
BAM announces the complete cast of Beckett’s Endgame, featuring John Turturro and directed by Andrei Belgrader running April 25–May 18 Max Casella, Elaine Stritch, and Alvin Epstein to join cast BAM 2008 Spring Season is sponsored by Bloomberg Endgame Written by Samuel Beckett Directed by Andrei Belgrader Produced by BAM BAM Harvey Theater (651 Fulton St.) April 25 & 26 at 7:30 Apr 29—May 3, May 6—10, May 13—17 at 7:30pm (note: Apr 30 is the press opening) May 3, 10 & 17 at 2pm April 27, May 4, 11 & 18 at 3pm Tickets: $25, 45, 65, 75 BAM.org or 718.636.4100 Brooklyn, NY/March 11, 2008—BAM announces the complete cast of its upcoming production of Samuel Beckett’s Endgame. Joining John Turturro (Hamm) will be acclaimed TV, stage, and screen actor Max Casella (“The Sopranos,” The Lion King) as Clov. Veteran classical actor Alvin Epstein (Waiting for Godot, The Three Penny Opera, Tuesdays with Morrie) will play Nagg and the legendary Broadway actress Elaine Stritch will play Nell. The one-act play, originally published in 1957, is considered to be one of Beckett’s most important works. Endgame will be directed by Andrei Belgrader (American Repertory Theatre’s Ubu Rock, Yale Repertory Theatre’s Scapin). Twenty-four performances of Endgame will take place in the BAM Harvey Theater (651 Fulton St.) from April 25 through May 18 (press opening: April 30). Tickets, priced at $25, 45, 65, 75, can be purchased by calling BAM Ticket Services at 718.636.4100 or by visiting BAM.org. -
Waiting for Godot and Rosencrantz and Guildenstern Are Dead Axel KRUSI;
SYDNEY STUDIES Tragicomedy and Tragic Burlesque: Waiting for Godot and Rosencrantz and Guildenstern are Dead AxEL KRUSI; When Rosencrantz and Guildenstern are Dead appeared at the .Old Vic theatre' in 1967, there was some suspicion that lack of literary value was one reason for the play's success. These doubts are repeated in the revised 1969 edition of John Russell Taylor's standard survey of recent British drama. The view in The Angry Theatre is that Stoppard lacks individuality, and that Rosencrantz and Guildenstern are Dead is a pale imitation of the theatre of the absurd, wrillen in "brisk, informal prose", and with a vision of character and life which seems "a very small mouse to emerge from such an imposing mountain".l In contrast, Jumpers was received with considerable critical approval. Jumpers and Osborne's A Sense of Detachment and Storey's Life Class might seem to be evidence that in the past few years the new British drama has reached maturity as a tradition of dramatic forms aitd dramatic conventions which exist as a pattern of meaningful relationships between plays and audiences in particular theatres.2 Jumpers includes a group of philosophical acrobats, and in style and meaning seems to be an improved version of Stoppard's trans· lation of Beckett's theatre of the absurd into the terms of the conversation about the death of tragedy between the Player and Rosencrantz: Player Why, we grow rusty and you catch us at the very point of decadence-by this time tomorrow we might have forgotten every thing we ever knew. -
The Work of Poverty
THE WORK OF POVERTY • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • The Work of Poverty SAMUEL BECKEtt’S VAGABONDS AND THE THEATER OF CRISIS Lance Duerfahrd THE OHIO STATE UNIVERSITY PRESS • COLUMBUS Copyright © 2013 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Duerfahrd, Lance Alfred, 1967– The work of poverty : Samuel Beckett's vagabonds and the theater of crisis / Lance Duerfahrd. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1237-0 (cloth : alk. paper) ISBN-10: 0-8142-1237-9 (cloth : alk. paper) ISBN-13: 978-0-8142-9339-3 (cd-rom) ISBN-10: 0-8142-9339-5 (cd-rom) 1. Beckett, Samuel, 1906–1989. En attendant Godot. English—Criticism and interpreta- tion. 2. Beckett, Samuel, 1906–1989—Influence. I. Title. PQ2603.E378Z618 2013 842'.914—dc23 2013022653 Cover design by Jennifery Shoffey-Forsythe Text design by Juliet Williams Type set in Palatino Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Contents • • • • • • • • • • • List of Illustrations vi Acknowledgments vii INTRODUCTION Begging Context 1 CHAPTER 1 Godot behind Bars 12 CHAPTER 2 Waiting for Godot in Sarajevo and New Orleans 63 CHAPTER 3 La Pensée Vagabonde: Vagabond Thought 112 CHAPTER 4 Textual Indigence: The Reader in an Aesthetics of Poverty 143 AFTERWORD Staging Godot in -
By Paul Giovanni Directed by Matt Torney
PITTSBURGH IRISH & CLASSICAL THEATRE by Paul Giovanni directed by Matt Torney December 4-21, 2013 The Charity Randall Theatre 40 1 Give the gift of theatre this holiday season! INTRODUCING Beautiful gift packages start at $96 ...something this way comes 2014 Season Blithe Spirit - May 1-17 Noel Coward Waiting for Godot - June 4-21 oAkLand’s Most uNiQue dInIng dEsTinAtIon Samuel Beckett theporChatscHenley.coM Woman and Scarecrow - July 10-August 2 Marina Carr Observe the Sons of Ulster Marching Towards the Somme - September 4-20 Frank McGuinness Macbeth - October 8-25 William Shakespeare Great Expectations - December 3-20 Charles Dickens, adapted by Hugh Leonard AllA p hotoghotohothootogto raphyraphaphaphyphyphhyy bybyLy L auraauaurau a PetriPPePetrPetetrie r llalla.la.lala. www.mwwwwwwww.mwwmw.m misslpisssslpsslsslpphohotohotogootoogograrapraphyraphaphyphyh .com.c.cococomco ThePorchAtSchenley.com 239 PICT Board of Directors Pittsburgh Irish & Classical Theatre Eugene O’Sullivan, President presents Kevin R. Gieder, Vice-President Erin Shannon-Auel, Secretary V. Sue Molina, Treasurer The Crucifer of Blood Alan Baum Joseph Karas by Paul Giovanni Cynthia Berger Justin Krauss Directed by Matt Torney Michael Burns Richard Miller Barbara Carlin Charles Moellenberg David Whalen* Sherlock Holmes Steve Cuden Fabian O’Connor Justin R. G. Holcomb* Dr. John Watson Dina Fulmer Richard E. Rauh Gayle Pazerski Irene St. Claire Gail Gerono Chuck Reynolds Daryll Heysham* Inspector Lestrade, Durga Dass Ken Bolden* Major Alistair Ross Advisory Board Members Jonathan Visser* Captain Neville St. Claire D.L. “Larry” Brophy, E. Bruce Hill, Paul Homick, Malcolm Madera* Jonathan Small Robert Levin, Kristen Olson, PhD., Alberta Sbragia, Michael Fuller* Wali Dad, Hopkins, Mordecai Smith John Sotirakis, Wanda Wilson Luke Halferty Birdy Johnson, Leper Honorary Board Members Scenic Designer Lighting Designer Costume Designer U.S. -
“The Human Condition” in Samuel Beckett's Waiting for Godot Michiko
“The Human Condition” in Samuel Beckett’s Waiting for Godot Michiko Tsushima, University of Tsukuba, Japan The Asian Conference on Arts & Humanities 2020 Official Conference Proceedings Abstract In his essay about two painters, the van Velde brothers, Samuel Beckett presents a view that both men share a profound interest in “the human condition,” which precedes their interest in painting. This view relates to Beckett’s own conception of art. He himself was interested in “the human condition” in his creation of art. Beckett experienced the devastation of the Second World War. Through his work (e.g., Waiting for Godot, Endgame, and Happy Days), he explored the condition of those who survive in the world in its extremity. This paper sheds light on “the human condition” revealed in the act of waiting in Waiting for Godot, a French play written in 1949. The play depicts the human condition as the condition of being “tied to Godot.” This condition implies the human finitude—the tormenting in-between condition—being short of the world and that of never being able to escape from the here and now. At the same time, this condition of being “tied to Godot” indicates one last ounce of belief in the world. By disclosing this invisible “tie,” Waiting for Godot evokes “the link between man and the world” (Deleuze) in the audience’s mind. Keywords: Samuel Beckett, The Human Condition, Waiting iafor The International Academic Forum www.iafor.org Introduction In his essay about two brother-painters, Bram and Geer van Velde, “La peinture des van Velde ou le Monde et le Pantalon” (1945), Samuel Beckett presents a view that both men share a profound interest in “the human condition,” which precedes their interest in painting. -
Waiting for Godot Samuel Beckett
Waiting for Godot Samuel Beckett • . Samuel Beckett's Waiting for Godot was first performed on 5 January 1953 at the Théâtre de Babylone in Paris, absurd /əbˈsəːd/ Learn to pronounce adjective 1. wildly unreasonable, illogical, or inappropriate. "the allegations are patently absurd" Definition of absurd : The state or condition in which human beings exist in an irrational and meaningless universe and in which human life has no ultimate meaning. Absurd Drama: Etymology[edit] Critic Martin Esslin coined the term in his 1960 essay "The Theatre of the Absurd".[2] He grouped these plays around the broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay The Myth of Sisyphus.[3] The Absurd in these plays takes the form of man's reaction to a world apparently without meaning, or man as a puppet controlled or menaced by invisible outside forces. This style of writing was first popularized by the Eugène Ionesco play The Bald Soprano (1950). Although the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the "well-made play". In his book Absurd Drama (1965), Esslin wrote: The Theatre of the Absurd attacks the comfortable certainties of religious or political orthodoxy. It aims to shock its audience out of complacency, to bring it face to face with the harsh facts of the human situation as these writers see it. -
The World According to Samuel Beckett
...The World According to Samuel Beckett ... Samuel Beckett was a poet, critic, novelist, short fction writer, critic, translator, and dramatist who wrote both in French and English. Classes will focus on his dramatic work via three full length and four short plays. Plays will be considered in reverse chronological order. Beckett’s short plays (Catastrophe, Not I, Footfalls, Play) will be shown in their entirety during classes 1, 2, and 3. Since only excerpts from Happy Days, Endgame, and Waiting for Godot, can be shown (in classes 4, 5, and 6) students are encouraged to read those plays beforehand. The Complete Dramatic Works of Samuel Beckett is available both in paperback and on Kindle and full performances of his long plays are available on YouTube. Also recommended: James Knowlson’s biography of Samuel Beckett, Samuel Beckett: 1906 -1989 Damned to Fame, Bloomsbury, 2014 (available in paperback and on Kindle). Class 1: Introduction to Beckett’s life, works, aesthetics and the nature of his revolutionary drama. Since all of the plays viewed in class were converted from stage to flm the differences between the two genres will be noted and opposing views by flm director Anthony Minghella and reviewer Tom McGurk considered. Class will view Catastrophe, a six minute flm version of Beckett’s play. Directed by David Mamet with Harold Pinter and John Gielgud in leading roles, this brief but complex work is perfect for introducing Beckett’s stage, characters, and dramatic strategy. Catastrophe was written in 1982 in support of Czech dissident Vaclav Havel and political versus universal applications will be considered. -
Filmography V6.Indd
a filmography Foreword by The Irish Film Institute For over 60 years, the Irish Film Institute has been dedicated to the promotion of film culture in Ireland and therefore is proud to present this filmography of Samuel Beckett’s work. Beckett remains one of Ireland’s most important and influential artists and Samuel Beckett – A Filmography provides a snapshot of the worldwide reach and enduring nature of his creativity. As part of the Beckett centenary celebrations held in April 2006, the Irish Film Institute organised a diverse programme of films relating to the work of Beckett, including a tour of the line-up to cinemas around the country. Prior to this, the Irish Film Institute provided the unique opportunity to view all 19 films in the ‘Beckett on Film’ series by screening the entire selection in February 2001. This filmography provides the perfect accompaniment to these previous programmes and it illustrates that Beckett’s work will continue to be adapted for film and television worldwide for years to come. Photograph by Richard Avedon Samuel Beckett – A Filmography was made possible though the kind support of the Department of Arts, Sport and Tourism and the Beckett Centenary Council and Festival Committee. Mark Mulqueen Director, The Irish Film Institute An Introduction Compiling a filmography of Beckett’s work is both a challenging and daunting prospect. It was important, from the outset, to set some parameters for this filmography. Therefore, to this end, I decided to focus on the key area of direct adaptations of Beckett’s work filmed for cinema or television. -
David Eden Productions Ltd
DAVID EDEN PRODUCTIONS LTD. FOR IMMEDIATE RELEASE CONTACT: Scott Watson; 917.676.7421 or [email protected] Gate Theatre Dublin Returns to the US with Celebrated Production of Samuel Beckett’s Endgame and Innovative Interpretation of the Nobel Laureate’s Enigmatic Novel, Watt Exclusive Four-Week Tour Begins October 27 with Engagements in Ann Arbor, Chapel Hill, Philadelphia and Berkeley Company’s American Visit a Major Highlight of Year-Long Stateside Celebration of Irish Culture (21 OCTOBER 2011) NEW YORK, NY – David Eden Productions has announced full details of the upcoming US tour of the Gate Theatre Dublin’s productions of ENDGAME and WATT, by Samuel Beckett. Performances commence on Thursday, October 27 in Ann Arbor, Michigan, presented by the University Musical Society (UMS), with subsequent engagements following at Carolina Performing Arts, University of North Carolina, Chapel Hill, North Carolina; Annenberg Center for the Performing Arts, University of Pennsylvania, Philadelphia, Pennsylvania; and Cal Performances, University of California, Berkeley, California. The tour assembles a company of veteran actors, known internationally for their work with the Gate in landmark productions of the works of Samuel Beckett’s dramatic canon, as well as for their acclaimed performances in classical and contemporary plays on the Irish stage, and for film and television. The complete cast for ENDGAME features Owen Roe (Hamm), Des Keogh (Nagg), Rosaleen Linehan (Nell), and Barry McGovern (Clov). Mr. McGovern also appears in the virtuosic solo performance, WATT, based on texts selected from Beckett’s novel. Barry McGovern (Clov, Endgame; Watt) has a long association with the work of Samuel Beckett. -
Godot-Program-Finalweb.Pdf
NEVER UNDERESTIMATE THE POWER OF A GREAT PERFORMANCE. UPMC is proud to support the PICT Theatre. Affiliated with the University of Pittsburgh School of Medicine, UPMC is ranked among the nation’s best hospitals by U.S. News & World Report. SYS411939_gh_upmc_pict_theatre_ad_color.indd 1 4/16/14 12:41 PM PICT Classic Theatre presents Waiting for Godot by Samuel Beckett Directed by Aoife Spillane-Hinks Ken Bolden* James FitzGerald* Martin Giles* Alan Stanford* Shay Freund Elliot Pullen Scenic/Co-Costume Designer Co-Lighting Designers Production Manager Alan Stanford Cindy Limauro George DeShetler, Jr. Co-Costume Designer Christopher Popowich Stage Manager Lindsay Tejan Props Master Cory F. Goddard* Technical Director Johnmichael Bohach Assistant Stage Manager Jesse Van Swol Master Electrician Connor Bahr Scenic Charge Artist Keith A. Traux Master Carpenter Jennifer Kirkpatrick Assistant Master Electrician Samuel Karas Regina Tvaruzek Dramaturg Tyler Crumrine Waiting for Godot is presented by special arrangement with SAMUEL FRENCH, INC. PICT Classic Theatre has received permission from Edward Beckett to use the version (script) of Waiting for Godot as edited by Samuel Beckett for the Schiller production and used by the Gate Theatre (Dublin) and in the Beckett on Film series. *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. CAST Estragon .............................................................. Martin Giles* Vladimir .............................................................