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Desde Las Orillas Del Sena Tomo XXIV Serie “Cartas a Ofelia”

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Desde Las Orillas Del Sena Tomo XXIV Serie “Cartas a Ofelia” Desde las orillas del Sena Desde las orillas del Sena Tomo XXIV Serie “Cartas a Ofelia” Félix José Hernández 1 Desde las orillas del Sena A Delsa y Fifo 2 Desde las orillas del Sena Miguel de Cervantes Saavedra "La Libertad, Sancho, es uno de los más preciosos dones que a los hombres dieron los cielos; con ella no pueden igualarse los tesoros que encierra la tierra ni el mar encubre; por la libertad así como por la honra se puede y debe aventurar la vida, y, por el contrario, el cautiverio es el mayor mal que puede venir a los hombres". Miguel de Cervantes Saavedra. 3 Desde las orillas del Sena Mis Memorias de Exilio París, 18 de abril de 2019. Queridos amigos: El origen de Cartas a Ofelia está en las narraciones surgidas inicialmente a partir de las cartas que escribía cada semana a mi madre, Ofelia Valdés Ríos, contándole mis experiencias del exilio parisino. En ellas cuento lo que veo y siento: filmes, obras de teatro, museos, exposiciones, los libros que leo, las relaciones con los galos, la sociedad francesa, la política, Cuba vista desde aquí, los viajes por 76 países a lo largo de estos 38 años, mis éxitos y mis fracasos, mis nostalgias y mi amor por la Libertad, las relaciones con personalidades del exilio, 4 Desde las orillas del Sena mi trabajo en el Instituto y en la Universidad como profesor de Civilización Latinoamericana, las relaciones con colegas, alumnos y estudiantes, etc., en resumen, es la experiencia vivida por una familia cubana en todos estos años.Además aparecen los testimonios de numerosas personas que han logrado conquistar la Libertad. En realidad son mis Memorias de Exilio. He contado numerosas anécdotas sobre mi infancia en mi querido pueblo natal de Camajuaní (1949-1959), así como de mi adolescencia y juventud habaneras (1959- 1981). Un gran abrazo a todos desde La Ciudad Luz, Félix José Hernández. 5 Desde las orillas del Sena Octavio Paz “Mis palabras irritarán a muchos; no importa, el pensamiento independiente es casi siempre impopular”. Octavio Paz 6 Desde las orillas del Sena Nuove Acquisizioni 2016-2018. Galleria dell’Accademia di Firenze Lorenzo Bartolini (Savignano di Prato 1777 - Firenze 1850). Ritratto di Giovanni Battista Niccolini 1827. Marmo bianco su base di marmo verde. Galleria dell'Accademia di Firenze, donazione dell’Associazione Amici della Galleria dell’Accademia di Firenze. Firenze, 10 gennaio 2018. Il ricco programma della Galleria dell’Accademia di Firenze del 2019 si inaugura con una piccola ma importante esposizione che ha come fil rouge la tutela del patrimonio culturale. 7 Desde las orillas del Sena Ideata e curata dal direttore della Galleria Cecile Hollber la mostra Nuove Acquisizioni 2016-2018 sarà visibile dal 22 gennaio al 5 maggio 2019 e presenterà alcuni capolavori che, in maniere diverse, sono giunti ad arricchire le collezioni permanenti, grazie all’impegno e alla dedizione di diversi Enti sapientemente coordinati dalla Direzione del Museo. La provenienza delle opere ha seguito iter diversificati: alcune sono state acquistate sul mercato antiquario, altre sono pervenute grazie a generose donazioni, altre da confische in seguito all’esportazione illecita ad opera del Nucleo Patrimonio dei Carabinieri, altre, infine, sono giunte in Galleria dai depositi della Certosa di Firenze. Le tavole acquisite nel 2017 con i fondi ordinari della Galleria dell’Accademia sono due raffinati sportelli provenienti da un tabernacolo disperso di Mariotto di Nardo. I pannelli frammentati sono stati comprati da due diversi proprietari e ricomposti dopo l’acquisto. Il tabernacolo, impreziosito da raffinate decorazioni in pastiglia dorata che racchiudono le figure dei santi, è sicuramente frutto di una committenza prestigiosa ed è stato eseguito da Mariotto di Nardo intorno al 1420. I pannelli che in origine erano certamente di dimensioni maggiori, includevano molto probabilmente altre due coppie di santi, purtroppo perdute o fino ad oggi non ritrovate. I quattro frammenti oggi ricomposti si trovavano, alla fine dell’Ottocento, esposti in sale diverse 8 Desde las orillas del Sena della raccolta Corsini, nell’omonimo palazzo fiorentino in riva all’Arno. Ben quattro opere sono giunte nel 2016 al Museo da un deposito situato presso la Certosa di Firenze. Si tratta di una Incoronazione della Vergine e angeli di Mariotto di Nardo; di una SS. Trinità del Maestro del 1419; di una Madonna col Bambino in trono fra angeli del Maestro del 1416 e di una Madonna col Bambino e santi di Bicci di Lorenzo. A causa di una cattiva condizione di conservazione, l’Incoronazione di Mariotto di Nardo e la SS. Trinità del Maestro del 1419, sono stati recuperati nei loro valori pittorici da un accurato lavoro di restauro. Due strepitose opere come I due santi di Niccolò di Pietro Gerini, in origine scomparto destro di un trittico disperso, e la Madonna dell’Umiltà del raro Maestro della Cappella Bracciolini, sono state assegnate alla Galleria dopo il brillante recupero da parte del Reparto Operativo dei Carabinieri del Nucleo Tutela Patrimonio Culturale di Roma. Il bellissimo piccolo busto del drammaturgo Giovan Battista Niccolini (1782-1861) di Lorenzo Bartolini era esposto all’ultima edizione della Biennale Internazionale dell’Antiquariato di Firenze, è stato generosamente acquistato e donato al Museo dall’Associazione Amici della Galleria dell’Accademia di Firenze. La scultura non era ancora presente nello studio del maestro in un 9 Desde las orillas del Sena elenco redatto al momento della morte dell’artista mentre un ritratto del letterato fu presentata pochi anni dopo a Firenze, dagli eredi dell’artista pratese, all’Esposizione Italiana agraria, industriale ed artistica del 1861. Ricomparsa qualche anno fa nel mercato antiquario, grazie a questa donazione, la scultura in marmo e il modello in gesso, già custodito nella gipsoteca, saranno riuniti nel Museo. Una piccola grande mostra - afferma il direttore Cecilie Hollberg - che ci riempie d’orgoglio poiché ci da la possibilità di presentare al pubblico veri e propri capolavori che sono stati recuperati, restaurati e salvati da una sicura dispersione grazie alla dedizione di molte persone che lavorano, come noi della Galleria dell’Accademia di Firenze, per la salvaguardia del patrimonio culturale e artistico. Nuove Acquisizioni 2016-2018. 22 gennaio - 5 maggio 2019. Galleria dell’Accademia di Firenze.Via Ricasoli 58-60. 50122 Firenze. Ufficio Stampa - Firenze Musei. Salvatore La Spina. Palazzo Pitti, Piazza Pitti, 1 – 50125 Firenze. Pubblicato da Félix José Hernández. 10 Desde las orillas del Sena Editado en Francia el Tomo XXIII de “Desde las Orillas del Sena”. N° 43 de la Serie Cartas a Ofelia La Venus de Milo, Musée du Louvre, París. París, 10 de enero de 2019. Querida Ofelia: Acaba de ser editado en Francia mi libro de crónicas N° 43 de la Serie “Cartas a Ofelia” con el título de “Desde las orillas del Sena” (Tomo XXIII). Contiene 81 crónicas escritas en español, francés e italiano en 521 páginas. 11 Desde las orillas del Sena Puedes encontrar todas esas crónicas y los 43 libros en mi sitio web www.cartasaofelia.com cuyo webmaster es el ingeniero don Leonel Mena Valdés. Gracias al historiador cubano don Ferrán Núñez, director de El Diario de la Marina, se pueden leer todas las crónicas en su página web https://www.facebook.com/diariolamarina/ y también descargar gratuitamente en Google Drive cuarenta y tres libros que reúnen todas las crónicas que he escrito desde mayo de 1981 hasta diciembre de 2018 en español, francés e italiano en la siguiente dirección: https://drive.google.com/drive/folders/0B2JGTV0Z- vJ5fkwyck1hbENQT2pDWC1ZLUFqZTBqVjZNQUR4 aGJWblllT09kYmpWeUhlSGc Todos los libros se pueden encontrar también en el sitio web de Bibliocuba, gracias a su director don Miguel Ángel García Puñales, historiador y sociólogo cubano, presidente de la ONGD Ceninfec (Centro de Información y Documentación de Estudios Cubanos): https://bibliocuba.net/ediciones-bibliocuba/cronicas- coleccionables-libros-cartas-a-ofelia/ Desde Miami las ha publicado don Roberto A. Solera director de Cuba en el Mundo, en www.cubaenelmundo.com 12 Desde las orillas del Sena Desde las orillas del Sena. Tomo XXII. Número 43 de la Serie “Cartas a Ofelia” Depósito Legal, enero de 2019. © Versión PDF para la web y edición en papel; diseño, maquetación, montaje y foto de la portada: Félix José Hernández Valdés. Editado en París, enero de 2019. Foto de la portada: La Venus de Milo, Musée du Louvre. Un gran abrazo desde la espléndida Ciudad Luz, Félix José Hernández. 13 Desde las orillas del Sena Llegada a Santos del Costa Favolosa, continuación a São Paulo y regreso a París Hotel Bourbon, São Paulo, Brasil. París, 11 de diciembre de 2019. Querida Ofelia: Hoy te contaré el final de nuestro bello viaje de 22 días desde París hasta São Paulo. El lunes 10 de diciembre de 2018, el puerto de Santos fue la última escala de nuestro crucero. Llegamos con +22°c. Durante la noche habíamos cruzado el Trópico de Capricornio. Nuestro último día a bordo había sido extraordinario: El “Mercadillo de Navidad” con hasta -70% de rebajas sobre numerosos artículos (gafas, relojes, perfumes, 14 Desde las orillas del Sena carteras, joyas, etc.); “Il Salotto del Tè” donde probamos distintos tipos de té acompañados de canapés variados, repostería, etc. La noche a bordo fue muy festiva con el espectáculo “Ice & Fire” en Il Teatro Herminia y la “Fiesta de despedida” en el Atrio dei Diamanti. Todo comparable a las grandes festividades que tuvieron lugar el lunes 3 de diciembre al cruzar la Línea del Ecuador, con una gran fiesta para recibir al dios Neptuno, el cual le dio la Llave de los Mares al capitán y a continuación el espectáculo “Enchanted Castle” seguido de un extraordinario “Rock & Roll Party.” Después de abandonar el camarote fuimos a despedirnos del maître Salvatore Gallea en Il Ristorante Duca d’Orléans durante el desayuno.
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