Pedagogy, Otherwise: the Reader
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Marlboro College
Potash Hill Marlboro College | Spring 2020 POTASH HILL ABOUT MARLBORO COLLEGE Published twice every year, Marlboro College provides independent thinkers with exceptional Potash Hill shares highlights of what Marlboro College community opportunities to broaden their intellectual horizons, benefit from members, in both undergraduate a small and close-knit learning community, establish a strong and graduate programs, are doing, foundation for personal and career fulfillment, and make a positive creating, and thinking. The publication difference in the world. At our campus in the town of Marlboro, is named after the hill in Marlboro, Vermont, where the college was Vermont, students engage in deep exploration of their interests— founded in 1946. “Potash,” or potassium and discover new avenues for using their skills to improve their carbonate, was a locally important lives and benefit others—in an atmosphere that emphasizes industry in the 18th and 19th centuries, critical and creative thinking, independence, an egalitarian spirit, obtained by leaching wood ash and evaporating the result in large iron and community. pots. Students and faculty at Marlboro no longer make potash, but they are very industrious in their own way, as this publication amply demonstrates. Photo by Emily Weatherill ’21 EDITOR: Philip Johansson ALUMNI DIRECTOR: Maia Segura ’91 CLEAR WRITING STAFF PHOTOGRAPHERS: To Burn Through Where You Are Not Yet BY SOPHIE CABOT BLACK ‘80 Emily Weatherill ’21 and Clement Goodman ’22 Those who take on risk are not those Click above the dial, the deal STAFF WRITER: Sativa Leonard ’23 Who bear it. The sign said to profit Downriver is how you will get paid, DESIGN: Falyn Arakelian Potash Hill welcomes letters to the As they do, trade around the one Later, further. -
Coaching Experience
c o a c h i n g for kingdom and campus results version 2.1 table of contents 1.01 Marks of an effective coach 2.01 How to get the most out of your coaching experience 3.01 Table: T2 Executive Coaching Process 4.01 The GROW Model 5.01 Coaching analysis: learning from the gap 5.04 Table: The multiple roles of a supervisor 6.01 What an effective coaching session looks like 7.01 General coaching questions 8.01 Questioning tips for coaches 9.01 Listening tips for coaches 10.01 Feedback tips for coaches 11.01 Caring and confronting 12.01 The 4-stage launch process 13.01 Books and websites for coaches Worksheet s W.01 Coaching calendar and activities (copyable page) W.02 Building rapport with your planter W.03 First coaching session W.08 First coaching visit agenda (copyable page) W.09 Coaching Log (revised 06/09) W.10 Visit report (copyable page) W.11 Symptoms of imbalance/ Ways to increase energy m arks of an effective coach Great coaches know their sport. When Vince Lombardi took on his job with the perpetually-losing Green Bay Packers in 1958, he already had 25 years of football—not badminton—experience. As a chapter planter coach, you are here because you also have experience in your “sport” (i.e., campus evangelism/outreach) and a good understanding of the strategy and goals of InterVarsity’s chapter planting initiative. With that as a given, here are eight marks that are foundational to being a good coach to your planter. -
Gotham Books Avery Dutton
Goth A m Books Gotham Books DUTTON Members of Penguin Group (usa) 375 Hudson Street, New York, NY 10014 | penguin.com Avery Avery | Dutton Dutton WI nter 2011 Winter 2011 photo: thenakedsnail/gettyphoto: images 9783001165152 W i nt e r 2 0 1 1 gotham books His Father’s Son Tom Callahan ..................................................................................2 The Art of Marriage Catherine Blyth ...............................................................................3 I Beat the Odds Michael Oher with Don Yaeger ............................................ 4–5 Life, on the Line Grant Achatz and Nick Kokonas .......................................... 6–7 Tapped Out Matthew Polly ............................................................................ 8–9 His Father’s Son Earl and Tiger Woods Tom Callahan A revealing and intimate biography of the man who influenced Tiger Woods the most—his father, Earl Woods From the time he entered the public consciousness as a two- year-old golf prodigy on The Mike Douglas Show, Eldrick “Tiger” Woods has often been viewed less as a human being and more as a ball-striking machine—and his carefully guarded image and emotionless persona seemed to guarantee that it would remain that way. Even after his recent bombshell adultery scandal, the public still knows very little about the man behind the golf clubs and multimillion-dollar endorsement deals. But one thing is certain: Earl Woods, Tiger’s beloved and now deceased father, NOVeMBer 2010 knew him better and influenced his life more than anyone. So, in Sports/Biography this case, to know the father is to know the son. 978-1-592-40597-8 In His Father’s Son, Tom Callahan offers a full-blown biography of $27.00 ($33.50 CAN.) Earl Dennison Woods, the Vietnam War veteran who raised the golf 304 pages phenomenon, and in turn, a full-blown biography of Tiger Woods. -
Stories and Storytelling - Added Value in Cultural Tourism
Stories and storytelling - added value in cultural tourism Introduction It is in the nature of tourism to integrate the natural, cultural and human environment, and in addition to acknowledging traditional elements, tourism needs to promote identity, culture and interests of local communities – this ought to be in the very spotlight of tourism related strategy. Tourism should rely on various possibilities of local economy, and it should be integrated into local economy structure so that various options in tourism should contribute to the quality of people's lives, and in regards to socio-cultural identity it ought to have a positive effect. Proper treatment of identity and tradition surely strengthen the ability to cope with the challenges of world economic growth and globalisation. In any case, being what you are means being part of others at the same time. We enrich others by what we bring with us from our homes. (Vlahović 2006:310) Therefore it is a necessity to develop the sense of culture as a foundation of common identity and recognisability to the outer world, and as a meeting place of differences. Subsequently, it is precisely the creative imagination as a creative code of traditional heritage through intertwinement and space of flow, which can be achieved solely in a positive surrounding, that presents the added value in tourism. Only in a happy environment can we create sustainable tourism with the help of creative energy which will set in motion our personal aspirations, spread inspiration and awake awareness with the strength of imagination. Change is possible only if it springs from individual consciousness – „We need a new way to be happy” (Laszlo, 2009.). -
Making Conversation: Fiction, Philosophy and the Social Medium
Making Conversation: Fiction, Philosophy and the Social Medium By Erin Elizabeth Greer A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Elizabeth Abel, Chair Professor Anne-Lise François Professor Kent Puckett Professor Michael Lucey Spring 2018 Making Conversation: Fiction, Philosophy, and the Social Medium © 2018 By Erin Elizabeth Greer Abstract Making Conversation: Fiction, Philosophy, and the Social Medium by Erin Elizabeth Greer Doctor of Philosophy in English University of California, Berkeley Professor Elizabeth Abel, Chair Making Conversation: Fiction, Philosophy, and the Social Medium originates in the hazy self-awareness of the contemporary networked world, in which activities such as donating to political campaigns, posting on social media, and contributing to online scholarly reviews are frequently characterized as modes of participating in an ethereal and endless digital “conversation.” At the same time, works like Sherry Turkle’s recent Reclaiming Conversation express fears that the digital “conversation” is corroding our abilities to converse in person, thereby threatening our “capacity for empathy, friendship, and intimacy.” Moreover, recent political developments––the US’s 2016 election, the British “Brexit” referendum, and the increasing prominence of digitally organized hate groups––have stimulated fears that online “conversation” in its current form undermines democracy by precluding the development of a central public “conversation” based on agreed-upon facts, openness, and civility. Contemporary concerns about conversation in the digital age in fact extend a long philosophical tradition in which “conversation” has been made to index lofty aspirations for both public and intimate life. -
Stuy Hall to Begin Multi-Million Renovation Ohio Wesleyan Honors Memory of Alice Klund Levy, ‘32, Who Endowed $1 Million to University in Estate Gift
A TRUE COLLEGE NEWSPAPER TranscripTHE T SINCE 1867 Thursday, Oct. 29, 2009 Volume 148, No. 7 Stuy Hall to begin multi-million renovation Ohio Wesleyan honors memory of Alice Klund Levy, ‘32, who endowed $1 million to university in estate gift Phillips Hall vandalized By Michael DiBiasio Editor-in-Chief Graffiti was found inside and outside Phillips Hall Monday morning by an Ohio Wesleyan house- keeper with no sign of Photos provided courtesy of.... forced entry to the building, Left: Stuyvesant Hall shortly after it opened in 1931. Note the according to Public Safety. statue above the still-working white fountain. Public Safety Sergeant Above: Alice Klund Levy, pictured in this field hockey team photo in Christopher Mickens said the front row second from left, left a $1 million donation after her he is unsure whether the death in 2008, to be used for Stuy’s renovation. This will account markings found on chalk- for a considerable chunk of the planned restoration. boards, whiteboards, refrigerators and doors in By Mary Slebodnik have to use the money for a majored in politics and gov- ing her president of Mortar days and date nights because Phillips have any specific Transcript Reporter predetermined project or spe- ernment and French. She Board. normal heels echoed too loud- meaning. cific department. That deci- played field hockey along- According the 1932 edi- ly in the hallways. “Generally, such sym- A late alumna’s $1 million sion was left up to administra- side Helen Crider, whom the tion of “Le Bijou,” the cam- On Oct. 3-4, the board of bols represent the name of gift to the university might tors. -
Compilado Por José Pereira Da Silva AARSLEFF, Hans. the History Of
DICIONÁRIO DE LINGUÍSTICA E GRAMÁTICA, compilado por José Pereira da Silva AARSLEFF, Hans. The History of Linguistics and Professor Chomsky. Language, vol. 46, n. 3, p. 570-585, 1970. ABASTADO, Claude. Introduction au Surréalisme. Paris: Bordas, 1971. ABASTADO, Claude. Le Surréalisme. Paris: Hachette, 1975. ABAURRE (GNERRE), Maria Bernardete Marques. Alguns casos de formação de plural no português. Cadernos de Estudos Linguísticos, Campinas: Unicamp, v. 5, p. 127-156, 1983. Disponível em: <http://revistas.iel.unicamp.br/index.php/cel/article/view/3527/3956> ABDULAZIZ-MKILIFI, Mohamed H. Triglossia and Swahili-English Bilingualism in Tanzania. In: ___. Advences in the Study of Societal Mul- tilingualism. Haia: Mouton, 1978, p. 129-149. ABDULLA, Adnan K. Catharsis in Literature. Bloomington: Indiana University, 1985. ABEILLÉ, Anne. Grammaires génératives et grammaires d’unification. Languages, vol. 30, n. 129, 1998. ABEILLÉ, Anne. Les nouvelles syntaxes. Paris: Armand Colin, 1993. ABEL, Lionel (Ed.). Moderns on Tragety. Greenwich, Connecticut: Fawxett, 1967. ABERCOMBRIE, David. Elements of General Phonetics. Edinburgh University, 1967. ABERCOMBRIE, David. Paralanguage. In: LAVER, John; HUTCHE- SON, Sandy. (Eds.). Communication in Face to Face Interaction. Har- mondsworth: Penguin Books, 1972, p. 64-70. ABERCOMBRIE, David. Wat is a letter? In: ___. Lingua, Amsterdã, 1949, p. 54-63. Disponível em: https://www.cs.indiana.edu/~port/HDphonol/Abercrombie.what.is.letter. 1949.pdf ABRAMS, Meyer Howard "Mike". El espejo y la lámpara. Teoría Ro- mánica y tradición clásica acerca del Hecho literario. Trad.: Gregorio Aráoz. Buenos Aires: Nova, 1972. ABREU, Antonio Suárez. Curso de redação. 11. ed. São Paulo: Ática, 2002. 6870 José Pereira da Silva ACADEMIA BRASILEIRA DE LETRAS. -
The Perfume of the Abyss
The perfume of the abyss (further poems from Series Magritte) Mark Young moria — chicago — 2019 The perfume of the abyss by Mark Young Copyright © 2018 by Mark Young All rights reserved. cover design by harry k stammer ISBN: 0-9786440-8-5 All the poems included here have appeared as posts on mark young's Series Magritte, sometimes in slightly different versions. "La Part du Feu" has also appeared in The Ekphrastic Review. "The Evening Gown" has also appeared in the Australian Poetry Anthology, Vol. 6, 2018. "The Life of Insects" has also appeared in The End of The World Project. Contents Le Beau Tenebreux 5 Modern 6 La Fin du Monde 7 Bather 8 Portrait d'Éluard 9 The Art of Conversation IV 10 The Endearing Truth 11 Heartstring 12 La Page Blanche 13 The Life of Insects 14 Une panique au moyen âge 15 Reflections of Time 16 The Evening Gown 17 Le Sourire du Diable 18 Landscape 19 A Poster Project for the Affiliated Unions 20 of Belgian Textile Workers Prince Charming 21 The Beneficial Promise 22 L'okapi 23 A Taste of The Invisible 24 The Postcard 25 Les objets d'art de René Magritte 26 La robe de l'aventure 28 The Domain of Arnheim 29 The Village of the Mind 30 Force of Habit 31 The Finery of the Storm 32 The Revealing of the Present 33 Memory 34 Le Palais des Souvenirs 35 Popular Panorama 36 La Part du Feu 37 The Discovery of Fire 38 Wreckage of the Shadow 39 cont'd The Connivance 40 Total: 0 41 [Untitled] 42 The Art of Living 43 The Silvered Chasm 44 The Song of the Sirens 45 (Untitled Collage, c. -
TÍTERES EN PUERTO RICO, UNA PERPETUA Y ACOMPASADA EVOLUCIÓN Indice SEPTIEMBRE - DICIEMBRE / 2018
la hoja del titiritero / SEPTIEMBRE - DICIEMBRE / 2018 1 BOLETÍN ELECTRÓNICO DE LA COMISIÓN UNIMA 3 AMÉRICAS TERCERA ÉPOCA SEPTIEMBRE - DICIEMBRE03 / 2018 TÍTERES EN PUERTO RICO, UNA PERPETUA Y ACOMPASADA EVOLUCIÓN indIce SEPTIEMBRE - DICIEMBRE / 2018 ENCABEZADO DE BUENA FUENTE: 03 · Pinceladas puertorriqueñas Influencias de otros lares en la isla Dr. Manuel Antonio Morán 25 · Kamishibai-Puerto Rico Tere Marichal l boletín electrónico La Hoja LETRA CAPITAL del Titiritero, de la Comisión 04 · Las voces titiriteras de Suramérica Personalidades y agrupaciones del Unima 3 Américas, sale teatro de figuras en Puerto Rico con frecuencia cuatrienal, EN GRAN FORMATO · El Mundo de los Muñecos: con cierre los días 15 de · Breve panorama del teatro de títeres 28 40 años de alegría Eabril, agosto y diciembre. Las 07 en Puerto Rico 30 · Un titiritero llamado Mario Donate normas editoriales, teniendo en Dr. Manuel Antonio Morán cuenta el formato de boletín, son De festivales y publicaciones titiriteras de una hoja para las noticias e CUADRO DE TEXTOS en Puerto Rico informaciones, dos hojas para las entrevistas y tres hojas para los · Las huellas de la tempestad en el · Sobre la mesa. Una asignación (Acerca 11 31 artículos de fondo, investigaciones Corazón de Papel de Agua, Sol y Sereno del fenómeno de títeres para adultos en o reseñas críticas. De ser posible Cristina Vives Rodríguez Puerto Rico). Deborah Hunt acompañar los materiales con · Y No Había Luz antes 33 · La Titeretada: un festival independiente 14 imágenes. y después de María 34 · Otros festivales titiriteros · Papel Machete: el teatro de títeres y la · Algunas publicaciones de títeres en 16 Director lucha popular en Puerto Rico Puerto Rico Dr. -
Mathematics for Computer Science | Honors Database App
WRITING ON THE WALL | DRAWING FOR FASHION 1 | DRAWING FOR FASHION 2 | PHOTO & DIGITAL PROCESSES 1 | PHOTO & DIGITAL PROCESSES 2 | HONORS PHOTO & DIGITAL PROCESSES 3 | STUDIO 1: 2D ART | STUDIO 2: 2D ART | HONORS STUDIO 3: 2D ART | AP STUDIO ART 2D DESIGN | STUDIO 1: 3D ART | STUDIO 2: 3D ART | HONORS STUDIO 3: 3D ART | HONORS ART PORTFOLIO DEVELOPMENT & STUDIO PRACTICES | AP STUDIO ART 3D DESIGN | AP STUDIO ART DRAWING | AP ART HISTORY | SEMINAR: AP ART HISTORY | DEPARTMENT AIDE—ART | UNIFIED VISUAL ARTS & LEADERSHIP | CONSUMER INSIGHTS | CONSCIOUS CAPITALISM (ETHICS) | ACING THE INTERNSHIP | HONORS ACCOUNTING 2 | HONORS ACCOUNTING 3 | BUSINESS LAW | PRINCIPLES OF BUSINESS MANAGEMENT & ENTREPRENEURSHIP | CAREER CONNECTIONS | CAREER TRANSITIONS | PROFESSIONAL CAREER EXPERIENCE | HONORS MARKETING 1 | HONORS MARKETING 2 | HONORS ENTREPRENEURSHIP | HONORS BUSINESS ADMINISTRATION SERVICES | INTRODUCTION TO MICROSOFT® OFFICE | HONORS BUSINESS MANAGEMENT | BUSINESS AND PERSONAL FINANCE | MICROSOFT® OFFICE APPLICATIONS (XLS/DBF) | MICROSOFT® OFFICE APPLICATIONS (DOC/PPT) | DEPARTMENT AIDE—BUSINESS | SENSORS & MICROCONTROLLERS | DATA MINING I | PYTHON I | SCRATCH | CYBERSECURITY: LINUX | INTRO TO WEB DEVELOPMENT | DISCRETE MATHEMATICS FOR COMPUTER SCIENCE | HONORS DATABASE APP. DEVELOPMENT (PL/SQL) | HONORS COMPUTER SCIENCE PROGRAMMING—JAVA | FOUNDATIONS OF COMPUTER SCIENCE | AP COMPUTER SCIENCE PRINCIPLES | AP COMPUTER SCIENCE A | C++ WITH GAMING | WEB PAGE DESIGN | ADVANCED WEB PAGE DESIGN 1 | HONORS ADVANCED WEB PAGE DESIGN 2 | CHILD DEVELOPMENT -
S and Y Spieler
SANDYSPIELER 2014 DISTINGUISHED ARTIST She changes form. She moves in between things and in between states, from liquid to solid to vapor: raindrop, snowflake, cloud. She orients. She refreshes. She transforms and sculpts everyone she encounters. She is a landmark and a route to follow. She quenches our thirst. We will not live without the lessons in which she continually involves us any more than we could live without water. TABLE OF CONTENTS INTRODUCTION SHE MOVES LIKE WATER: When a MinnPost interviewer asked Sandy Spieler why she had chosen puppets as her medium, Sandy replied that “ DIVINING SANDY SPIELER HAVE NO PUPPETS COLLEEN SHEEHY 3 LIFE OF THEIR OWN, AND YET, WHEN YOU PICK THEM UP, A BREATH COMES INTO THEM. And then, when you lay them down, the breath goes THEATER OF HOPE out. It’s the ritual of life: We’re brought to our birth, then we move in our DAVID O’FALLON 18 life, then we lie down to the earth again.” For Sandy, such transformation is the very essence of art, and the transformation IN THE HEART OF THE CITY in which she specializes extends far beyond any single performance. She and her HARVEY M. WINJE 21 colleagues and her neighbors transform ideas into spectacle. They transform everyday materials like cardboard, sticks, fabric, and paper into figures that come to life. And through their art, Sandy and her collaborators at In the Heart of the Beast Puppet BIGGER THAN OURSELVES and Mask Theatre (HOBT) have helped transform their city and our region. Their PAM COSTAIN 25 work—which invites people in by traveling to where they live, learn, play, and work— combines arresting visuals, movement, and music to inspire us to be the caretakers of our communities and the earth. -
Criminal Conversation and Complicity in Sarah Fielding's Ophelia Nancy Paul
Document generated on 09/28/2021 3:28 a.m. Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies Travaux choisis de la Société canadienne d'étude du dix-huitième siècle Is Sex Necessary? Criminal Conversation and Complicity in Sarah Fielding's Ophelia Nancy Paul Freedom and Boundaries Émancipation et frontières Volume 16, 1997 URI: https://id.erudit.org/iderudit/1012444ar DOI: https://doi.org/10.7202/1012444ar See table of contents Publisher(s) Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle ISSN 1209-3696 (print) 1927-8284 (digital) Explore this journal Cite this article Paul, N. (1997). Is Sex Necessary? Criminal Conversation and Complicity in Sarah Fielding's Ophelia. Lumen, 16, 113–129. https://doi.org/10.7202/1012444ar All Rights Reserved © Canadian Society for Eighteenth-Century Studies / Société This document is protected by copyright law. Use of the services of Érudit canadienne d'étude du dix-huitième siècle, 1997 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 9. Is Sex Necessary? Criminal Conversation and Complicity in Sarah Fielding's Ophelia In 1776 James Fordyce wrote of the civilizing influence of the conversa• tion of ladies: 'Men will be found much the more courteous and amiable, as well as entertaining and accomplished, for their constant intercourse with a sex whom they are taught from the beginning to treat with attention and respect ' (Georgia 29).