Adult Fiction Adult Fiction

Total Page:16

File Type:pdf, Size:1020Kb

Adult Fiction Adult Fiction A book by a A book by a famous famous non-author non-author Adult Fiction Adult Fiction • Mycroft Holmes • Mycroft Holmes by Kareem Abdul-Jabbar by Kareem Abdul-Jabbar • A Vision of Fire by Gillian Anderson • A Vision of Fire by Gillian Anderson • I Am Not a Cop by Richard Belzer • I Am Not a Cop by Richard Belzer • 2030 by Albert Brooks • 2030 by Albert Brooks • Where is Joe Merchant? by Jimmy Buffett • Where is Joe Merchant? by Jimmy Buffett • Dance with the Devil by Kirk Douglas • Dance with the Devil by Kirk Douglas • Holy Cow by David Duchovny • Holy Cow by David Duchovny • Between the Bridge and the River • Between the Bridge and the River by Craig Ferguson by Craig Ferguson • Surrender the Pink by Carrie Fisher • Surrender the Pink by Carrie Fisher • Palo Alto by James Franco • Palo Alto by James Franco • Revenge by Stephen Fry • Revenge by Stephen Fry • Someday, Someday, Maybe • Someday, Someday, Maybe by Lauren Graham by Lauren Graham • Wake of the Perdido Star • Wake of the Perdido Star by Gene Hackman by Gene Hackman • Uncommon Type by Tom Hanks (SS) • Uncommon Type by Tom Hanks (SS) • Rules for a Knight by Ethan Hawke • Rules for a Knight by Ethan Hawke • The Road to Mars by Eric Idle • The Road to Mars by Eric Idle • Douglas Adams’ Starship Titanic • Douglas Adams’ Starship Titanic by Terry Jones by Terry Jones • The Gun Seller by Hugh Laurie • The Gun Seller by Hugh Laurie • House of Destiny by Janet Leigh • House of Destiny by Janet Leigh • The Pleasure of My Company • The Pleasure of My Company by Steve Martin by Steve Martin • A Tale Out of Luck by Willie Nelson • A Tale Out of Luck by Willie Nelson • Saturn’s Child by Nichelle Nichols • Saturn’s Child by Nichelle Nichols • Go Slowly, Come Back Quickly • Go Slowly, Come Back Quickly by David Niven by David Niven • The Justice Riders by Chuck Norris • The Justice Riders by Chuck Norris • Bob Honey Who Just Do Stuff by Sean Penn • Bob Honey Who Just Do Stuff by Sean Penn • Montaro Caine by Sidney Poitier • Montaro Caine by Sidney Poitier • NNNNN by Carl Reiner • NNNNN by Carl Reiner • Murder at the Academy Awards • Murder at the Academy Awards by Joan Rivers by Joan Rivers • Zero-G by William Shatner • Zero-G by William Shatner • Red Hats by Damon Wayans • Red Hats by Damon Wayans • Gray by Pete Wentz • Gray by Pete Wentz • Something to Remember You By • Something to Remember You By by Gene Wilder by Gene Wilder A book by a A book by a famous famous non-author non-author Nonfiction Nonfiction • I’m Not Really Here by Tim Allen • I’m Not Really Here by Tim Allen • Modern Romance by Aziz Ansari • Modern Romance by Aziz Ansari • There and Back Again by Sean Astin • There and Back Again by Sean Astin • Recovery: Freedom from our Addictions • Recovery: Freedom from our Addictions by Russell Brand by Russell Brand • The Dude and the Zen Master • The Dude and the Zen Master by Jeff Bridges by Jeff Bridges • The Melancholy Death of Oyster Boy & • The Melancholy Death of Oyster Boy & Other Stories by Tim Burton Other Stories by Tim Burton • Better Than New by Nicole Curtis • Better Than New by Nicole Curtis • As You Wish by Cary Elwes • As You Wish by Cary Elwes • Wishful Drinking by Carrie Fisher • Wishful Drinking by Carrie Fisher • Dad is Fat by Jim Gaffigan • Dad is Fat by Jim Gaffigan • I Don’t Know What You Know Me From • I Don’t Know What You Know Me From by Judy Greer by Judy Greer • Burnt Toast and Other Philosophies of Life • Burnt Toast and Other Philosophies of Life by Teri Hatcher by Teri Hatcher • Long Way Down by Ewan McGregor • Long Way Down by Ewan McGregor • The Greatest Love Story Ever Told • The Greatest Love Story Ever Told by Megan Mullally & Nick Offerman by Megan Mullally & Nick Offerman • Born a Crime by Trevor Noah • Born a Crime by Trevor Noah • Zombie Spaceship Wasteland • Zombie Spaceship Wasteland by Patton Oswalt by Patton Oswalt • Nerd Do Well by Simon Pegg • Nerd Do Well by Simon Pegg • Year of Yes by Shonda Rhimes • Year of Yes by Shonda Rhimes • The Bassoon King by Rainn Wilson • The Bassoon King by Rainn Wilson Young Adult Young Adult • Modelland by Tyra Banks • Modelland by Tyra Banks • Girling Up by Mayim Bialik (NF) • Girling Up by Mayim Bialik (NF) • The Fame Game by Lauren Conrad • The Fame Game by Lauren Conrad • Stranger Than Fanfiction by Chris Colfer • Stranger Than Fanfiction by Chris Colfer • Elixir by Hilary Duff • Elixir by Hilary Duff • Just Fly Away by Andrew McCarthy • Just Fly Away by Andrew McCarthy • Hot X: Algebra Exposed • Hot X: Algebra Exposed by Danica McKellar (NF) by Danica McKellar (NF) • Otherworld by Jason Segel • Otherworld by Jason Segel • Autumn Falls by Bella Thorne • Autumn Falls by Bella Thorne .
Recommended publications
  • Now We Are All Sons of Bitches
    Now We Are All Sons of Bitches MICHAEL BONTATIBUS “Wake up, Mr. Freeman. Wake up and smell the ashes,” the enigmat- ic G-Man murmurs as he leers into the camera, finishing an eerie opening monologue—and so begins Half-Life 2, Valve Corporation’s flagship game. The last time we saw Gordon Freeman, the protagonist, the same rigid and mysterious (though more poorly animated, since the prequel was released six years earlier) G-Man was handing him a job offer after witnessing the former scientist transform into a warrior, bent on escaping from the besieged Black Mesa Research Facility alive. Now, suddenly, Freeman finds himself on a train. No context.1 Is it a prison train? The three other individuals on it wear uniforms like those the inmates wore in Cool Hand Luke. The train soon stops at its destination, and we realize that it is a prison train, in a way—Freeman has arrived at the Orwellian “City 17,” where the ironically named Civil Protection abuses and oppresses, where antagonist Dr. Breen preaches poet- ic propaganda from large monitors hung high above the town. In the years since scientists at the facility accidentally opened a gateway between dimen- sions and allowed a bevy of grotesque creatures to spill into our universe, Earth has been taken over by the Combine, an alien multiplanetary empire. Breen is merely Earth’s administrator—and we realize that the ashes the G- Man spoke of were the ashes of the prelapsarian world. It’s classic dystopia, complete with a Resistance, of which Freeman soon finds himself the “mes- sianic” leader (HL2).
    [Show full text]
  • Senior Women's Performances of Sexuality
    “DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Major Subject: Performance Studies “Dusty Muffins”: Senior Women’s Performances of Sexuality Copyright 2012 Evleen Michelle Nasir “DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Kirsten Pullen Committee Members, Judith Hamera Harry Berger Alfred Bendixen Head of Department, Judith Hamera August 2012 Major Subject: Performance Studies iii ABSTRACT “Dusty Muffins”: Senior Women’s Performance of Sexuality. (August 2012) Evleen Michelle Nasir, B.A., Texas A&M University Chair of Advisory Committee: Dr. Kirsten Pullen There is a discursive formation of incapability that surrounds senior women’s sexuality. Senior women are incapable of reproduction, mastering their bodies, or arousing sexual desire in themselves or others. The senior actresses’ I explore in the case studies below insert their performances of self and their everyday lives into the large and complicated discourse of sex, producing a counter-narrative to sexually inactive senior women. Their performances actively embody their sexuality outside the frame of a character. This thesis examines how senior actresses’ performances of sexuality extend a discourse of sexuality imposed on older woman by mass media. These women are the public face of senior women’s sexual agency.
    [Show full text]
  • Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
    Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode.
    [Show full text]
  • Syndication's Sitcoms: Engaging Young Adults
    Syndication’s Sitcoms: Engaging Young Adults An E-Score Analysis of Awareness and Affinity Among Adults 18-34 March 2007 BEHAVIORAL EMOTIONAL “Engagement happens inside the consumer” Joseph Plummer, Ph.D. Chief Research Officer The ARF Young Adults Have An Emotional Bond With The Stars Of Syndication’s Sitcoms • Personalities connect with their audience • Sitcoms evoke a wide range of emotions • Positive emotions make for positive associations 3 SNTA Partnered With E-Score To Measure Viewers’ Emotional Bonds • 3,000+ celebrity database • 1,100 respondents per celebrity • 46 personality attributes • Conducted weekly • Fielded in 2006 and 2007 • Key engagement attributes • Awareness • Affinity • This Report: A18-34 segment, stars of syndicated sitcoms 4 Syndication’s Off-Network Stars: Beloved Household Names Awareness Personality Index Jennifer A niston 390 Courtney Cox-Arquette 344 Sarah Jessica Parker 339 Lisa Kudrow 311 Ashton Kutcher 297 Debra Messing 294 Bernie Mac 287 Matt LeBlanc 266 Ray Romano 262 Damon Wayans 260 Matthew Perry 255 Dav id Schwimme r 239 Ke ls ey Gr amme r 229 Jim Belushi 223 Wilmer Valderrama 205 Kim Cattrall 197 Megan Mullally 183 Doris Roberts 178 Brad Garrett 175 Peter Boyle 174 Zach Braff 161 Source: E-Poll Market Research E-Score Analysis, 2006, 2007. Eric McCormack 160 Index of Average Female/Male Performer: Awareness, A18-34 Courtney Thorne-Smith 157 Mila Kunis 156 5 Patricia Heaton 153 Measures of Viewer Affinity • Identify with • Trustworthy • Stylish 6 Young Adult Viewers: Identify With Syndication’s Sitcom Stars Ident ify Personality Index Zach Braff 242 Danny Masterson 227 Topher Grace 205 Debra Messing 184 Bernie Mac 174 Matthew Perry 169 Courtney Cox-Arquette 163 Jane Kaczmarek 163 Jim Belushi 161 Peter Boyle 158 Matt LeBlanc 156 Tisha Campbell-Martin 150 Megan Mullally 149 Jennifer Aniston 145 Brad Garrett 140 Ray Romano 137 Laura Prepon 136 Patricia Heaton 131 Source: E-Poll Market Research E-Score Analysis, 2006, 2007.
    [Show full text]
  • 30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
    30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network.
    [Show full text]
  • January 2020
    Abington Senior High School, Abington, PA, 19001 January 2020 Decade in Review! With the decade coming to a close a few weeks ago, the editorial staff decided that we should fl ashback to the ideas and moments that shaped the decade. As we adjust to life in the new “roaring twenties,” here is a breakdown of the most prominent events of each year from the past decade. 2010: On January 12, an earthquake registering a magnitude 7.0 on the Richter scale struck Haiti, causing about 250,000 deaths and 300,000 injuries. On March 23, the Aff ordable Care Act is signed into law by Barack Obama. Commonly referred to as “Obamacare,” it was considered one of the most extensive health care reform acts since Medicare, which was passed in 1965. On April 20, a Deepwater Horizon drilling rig exploded over the Gulf of Mexico. Killing eleven people, it is considered one of the worst oil spills in history and the largest in US waters. On July 25, Wikileaks, an organization that allows people to anonymously leak classifi ed information, released more than 90,000 documents related to the Afghanistan War. It is oft en referred to as the largest leak of classifi ed information since the Pentagon Papers during the Vietnam War. Th e New Orleans Saints won their fi rst Super Bowl since Hurricane Katrina, LeBron James made his way to Miami, Kobe Bryant won his fi nal title, and Butler went on a Cinderella run to the NCAA Championship. Th e year fi ttingly set the tone for a decade of player empowerment and underdog victories.
    [Show full text]
  • The Tricky Part
    Don’t Miss The Tricky Part at Mondavi by Chris Narloch f you are a fan of meaty, moving theater, you won’t want to miss the highly acclaimed, OBIE Award-winning play The ITricky Part, coming to the Mondavi Center this June, courtesy of the UC Davis Department of Theatre and Dance. A true story of sexuality, spirituality and the mystery of human experience, The Tricky Part is one of the most heralded one-man plays in recent memory. Between the ages of 12 and 15, Martin Moran had a sexual relationship with an older man. Many years later, Moran found and confronted his abuser. Moran, a New York-based actor and author, has transformed his story into a riveting, often funny and always surprising journey through the complexities of Catholicism, desire and human trespass. The New York premiere of ‘The Tricky Part’ received a 2004 Obie Award and two Drama Desk nominations including Outstanding Play. The New York Times hailed the work as “a translucent memoir of a play … shattering.” Martin Moran was awarded a 2013 Lucille Lortel Award for Outstanding Off-Broadway Solo Show for All the Rage. His Broadway and off-Broadway credits include: Spamalot, Cabaret, Titanic, Bells Are Ringing, and How To Succeed in Business…. Film and television credits include The Newsroom, The Big C, and Law & Order. See Martin Moran in his acclaimed production of The Tricky Part this June 1-3 at 7 p.m. in the Vanderhoef Studio Theatre at the Robert and Margrit Mondavi Center for the Performing Arts. Tickets are $20 for adults and $10 for students and may be purchased through MondaviArts.org, by phone at 530-754-2787 or at the door.
    [Show full text]
  • Storefront for Art and Architecture, in Collaboration with the New York Comedy Festival, Presents: Jonah Freeman and Justin Lowe
    CONTACT: Jinny Khanduja, Director of Strategic Development [email protected] or 212.431.5795 STOREFRONT FOR ART AND ARCHITECTURE, IN COLLABORATION WITH THE NEW YORK COMEDY FESTIVAL, PRESENTS: JONAH FREEMAN AND JUSTIN LOWE PARANOIA MAN IN A RAT FINK ROOM NOVEMBER 2, 2016 - FEBRUARY 18, 2017 NEW YORK, NY - Storefront for Art and Architecture, in collaboration with the New York ​ Comedy Festival (NYCF), has commissioned Jonah Freeman and Justin Lowe to create Paranoia Man in a Rat Fink Room at Storefront's gallery space. The exhibition opened on ​ November 8, 2016, with special preview performances from November 2 - 6, 2016 during the NYCF. Paranoia Man in a Rat Fink Room continues after the festival with events and ​ ​ discussions brought together by Storefront through February 18, 2017. The exhibition follows a tradition of spatial experimentation at Storefront where the boundaries between architecture, art, and the subject are dissolved into one continuous environment. The installation is a historical pastiche of urban and architectural experiences linked through a mise-en-scène comprised of three architectural environments - a Canal Street style kiosk filled with the leftover DVDs and VHSs from Jungle Video (a now defunct media superstore in Los Angeles); a comedy club partially inspired by the original Rat Fink Room (the world's first dedicated stand-up comedy club, which opened in 1963); and a bathroom that has been converted into surveillance headquarters that will keep audio/video recordings of the last days of Storefront. ABOUT PARANOIA MAN IN A RAT FINK ROOM Storefront for Art and Architecture is closing its doors for good*.
    [Show full text]
  • 68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
    EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • The Personal Branding of Lucille Ball Honors Thesis
    BLAZING THE TRAILS: THE PERSONAL BRANDING OF LUCILLE BALL HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Sarah L. Straka San Marcos, Texas December, 2016 BLAZING THE TRAILS: THE PERSONAL BRANDING OF LUCILLE BALL by Sarah L. Straka Thesis Supervisor: ________________________________ Dr. Raymond Fisk, Ph.D. Department of Marketing Approved: _________________________________ Heather C. Galloway, Ph.D. Dean, Honors College TABLE OF CONTENTS ABSTRACT……………………………………………….…………..…………………iv CHAPTER I. INTRODUCTION…………………………………………………….….…….1 II. CHILDHOOD………………………………………………………….……...1 III. REBEL………………………………………………………………….….…4 IV. LEADER……………………………………………………...……….....….14 V. ICON……………………………………………………………...………..…17 VI. CONCLUSION……………………………………….............................….18 REFERENCES……………………………………………………………………..........20 CHRONOLOGICAL TIME LINE OF LUCILLE BALL…………………...…..........…21 iii ABSTRACT The extraordinary Lucille Ball was the most loved and iconic television comedian of her time. She was an American icon and the first lady of television during the 1950s. Not only did Lucille Ball provide laughter to millions of people, but Lucille Ball gave women a voice and America heard what she had to say. She showed women they can be accepted, and be in a position both on television and in the working world where they can be strong and independent. She was a leader and set an example for women and showed society that women have a voice to be heard and will be successful, when given the opportunity. Lucille Ball managed her career and created her personal brand by beating all obstacles that were laid in front of her and test boundaries, which lead her to become an entrepreneurial success. Lucille Ball blazed the trails for many women, on and off stage.
    [Show full text]
  • Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
    BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre.
    [Show full text]