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The Art of Lotus Moon, a Japanese Buddhist Nun in 19Th-Century Kyoto

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The Art of Lotus Moon, a Japanese Buddhist Nun in 19Th-Century Kyoto Art Appreciation Lecture Series 2017 Site Specific: The power of place The art of Lotus Moon, a Japanese Buddhist nun in nineteenth-century Kyoto Melanie Eastburn 1-2 March 2017 Lecture summary: Otagaki Rengetsu was a Japanese Buddhist nun, poet, calligrapher, painter and potter who lived in Kyoto at a time of dramatic social and political change. She was born in 1791 and died in 1875 so saw the relatively isolationist Edo period come to a close and experienced the rise of the Meiji period, which began in 1868. Rengetsu’s art is intimately linked with her life in and around Japan’s old capital of Kyoto. In this lecture her life is discussed through four aspects of her work – poetry, ceramics for tea and sake, calligraphy and painting, and collaboration with other artists. Slide list: 1. Morimoto Kiyoko, Portrait of Rengetsu, 20th century, hanging scroll, ink on paper; woodblock print (detail). Private collection 2. Panoramic map of Kyoto, 1883, from an almanac published by Fuugetsu Shouzaemon, Kyoto, available through University of Texas Libraries 3. Kitagawa Utamaro, Komurasaki of the house of Miuraya and Shirai Gonpachi, from a series depicting pairs of ill-fated lovers, c. 1800, colour woodblock print. National Gallery of Victoria, Felton Bequest 1909 4. Otagaki Rengetsu, Gathering up many karanazuna plants, 1866, hanging scroll (kakemono), ink on paper; calligraphy, painting. Private collection, Zurich 5. Watanabe Nangaku, Portraits of six poetesses, late 18th-early 19th century, hanging scroll (kakemono); ink, colours and gold on silk. Art Gallery NSW, purchased 1980 6. Otagaki Rengetsu, The evening is fragrant, 1850s-60s, hanging scroll (kakemono), ink on paper; calligraphy. Art Gallery of NSW, purchased 1994 7. Otagaki Rengetsu, Letter to Mr Kumagai or Kumatani, 19th century, hanging scroll (kakemono), ink on paper; calligraphy. Private collection, Basel 8. Tomioka Tessai, Posthumous portrait of Rengetsu, ink and colour on paper; painting, Jinkoin collection, Kyoto 9. Chionin, Kyoto. Photo: Melanie Eastburn 10. Chionin hermitage, Kyoto. Photo: Melanie Eastburn 11. Otagaki Rengetsu and/or Kuroda Koryo, Let us consider our aging, 1850s, teapot (kyusu), stoneware; incised calligraphy. National Gallery of Australia, purchased 2005 12. Rengetsu as portrayed in the 2008 Jidai Matsuri. Photo: unknown 13. Let us consider our aging, National Gallery of Australia, purchased 2005 (repeat) 14. Probably Kuroda Koryo, Let us consider our aging, 1870, teapot (kyusu), glazed stoneware; calligraphy, painting. Private collection, Kyoto 15. Probably Isso or Kuroda Koryo (Rengetsu II), This being New Year’s Day, 19th century, teabowl (chawan), glazed stoneware: calligraphy, painting. Art Gallery of NSW, Roger Pietri Fund 2005 16. Otagaki Rengetsu, I would snap off a maple branch; Withered they remain; Mt Miwa accepts; At my home; This is no common thing; Mirror mountain; In this world no thoughts; Getting closer, 1830-75, tea set for sencha, glazed stoneware; calligraphy, painting. Private collection, Basel 17. Otagaki Rengetsu, Scooped up and brought here to this pot, 1850s-60s, hanging scroll (kakemono), ink on paper; calligraphy, painting. John Stevens collection 18. Japan, Women drinking tea, 1880s, hand-coloured albumen silver photograph 19. Japan, Informal tea party, 1880s, hand-coloured albumen silver photograph, National Gallery of Victoria, 2004.555 20. Otagaki Rengetsu and/or Kuroda Koryo, This gentleman grows and grows, 1830-75, tea set for sencha, glazed stoneware; incised calligraphy. Private collection, Switzerland 21. Otagaki Rengetsu and Isso (potter’s seal), Night storm, 1830-75, teabowl (chawan), glazed stoneware; painted calligraphy. Private collection, St Louis 22. Otagaki Rengetsu and Isso (potter’s seal), Let us consider our aging, 1830-75, teabowl (chawan), glazed stoneware; incised calligraphy. Private collection, Bangkok 23. Otagaki Rengetsu, Scooping up chrysanthemum dew, 1873, box for sake flasks, wood; calligraphy. The spring wind; Fluttering merrily, 1873, sake flasks (tokkuri), glazed stoneware; incised calligraphy. Private collection 24. Otagaki Rengetsu and/or Kuroda Koryo, Though I often get news and When I look at the white chrysanthemums, 19th century, sake cups (guinomi), glazed stoneware; incised calligraphy. Private collection, Basel 25. Otagaki Rengetsu and/or Kuroda Koryo, Let us speak to the flowers and Oh Mt Shiga, 19th century, sake cups (guinomi), glazed stoneware; incised calligraphy. Collection RH, Toronto, Canada 26. Otagaki Rengetsu, Fluttering merrily, 1840s-50s, hanging scroll (kakemono), ink on paper; calligraphy, painting (detail). Private collection, Switzerland 27. Otagaki Rengetsu, Fluttering merrily, 1870, sake flask (tokkuri), glazed stoneware; incised calligraphy, painting. Museum DKM, Germany 28. Possibly Otagaki Rengetsu and Tomioka Tessai, In a mountain village, 1830-75, incense container (kogo) in the form of a badger (tanuki), glazed stoneware; incised calligraphy. Private collection, New York For access to all past lecture notes visit: https://www.artgallery.nsw.gov.au/members/current-members/member-events/site-specific/ 29. Photograph of Tomioka Tessai. National Diet Library, Japan, 721.7-Ko91-2 30. Otagaki Rengetsu and Tomioka Tessai, In the fields, in the mountains, 1868, hanging scroll (kakemono), ink on silk; calligraphy, painting. Private collection, Kyoto 31. Otagaki Rengetsu, In the fields, in the mountains, 1868, poem sheet (tanzaku), ink on paper; calligraphy, painting. Private collection, Brussels 32. Otagaki Rengetsu and Mori Kansai, Oh Mt Shiga, 1869, hanging scroll (kakemono), ink and colour on paper; calligraphy, painting. Private collection, Kyoto 33. Jinkoin, Kyoto. Photo: Melanie Eastburn 34. Tsukioka Yoshitoshi, Moon of the Southern Sea, from ‘One hundred aspects of the moon’, 1888, colour woodblock print. Art Gallery of NSW, Yasuko Myer Bequest Fund 2012 35. Otagaki Rengetsu, Parinirvana of the Buddha, c 1870, ink on paper; painting. Jinkoin collection, Kyoto 36. Otagaki Rengetsu and Wada Gozan/Gesshin, The goddess Amaterasu’s divine light, 1868, hanging scroll (kakemono), ink on paper; calligraphy, painting. Museum DKM, Germany 37. The wedded rocks of Ise Bay, Japan. Photo: unknown 38. Otagaki Rengetsu and Wada Gozan, The goddess Amaterasu’s divine light (detail) 39. Tearoom, Jinkoin, Kyoto. Photo: Melanie Eastburn 40. Saihoji, near Jinkoin. Photo: Melanie Eastburn 41. Rengetsu’s memorial stone at Saihoji, near Jinkoin. Photo: Melanie Eastburn Reference: Melanie Eastburn, Lucie Folan and Robyn Maxwell (eds), Black robe, white mist: art of the Japanese Buddhist nun Rengetsu, Canberra: National Gallery of Australia, 2007 Patricia Fister, Japanese women artists 1600-1900, Lawrence, Kansas: Spencer Museum of Art, University of Kansas, 1988 Patrica J Graham, Tea of the sages: the art of Sencha, Honolulu: University of Hawai’i Press, 1998 John Stevens, Lotus Moon: the poetry of the Buddhist nun Rengetsu, New York: White Pine Press, 1994/2005 Tokuda Koen, Otagaki Rengetsu, Tokyo: Kodansha, 1982 Poem translations by Sayumi Takahashi, John Stevens, Chiaki Ajioka, Kumiko Brown, Meher McArthur and Patricia Fister. .
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