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Dark Hope : Working for Peace in Israel and Palestine
dark hope Working for Peace in Israel and Palestine DAVID SHULMAN Dark Hope Dark Hope Working for Peace in Israel and Palestine david shulman The University of Chicago Press Chicago and London david shulman The University of Chicago Press, Chicago 60637 is the Renee´ Lang The University of Chicago Press, Ltd., London Professor of Humanistic C 2007 by The University of Chicago Studies in the Department All rights reserved. Published 2007 of Comparative Religion at Printed in the United States of America the Hebrew University of 16 15 14 13 12 11 10 09 08 07 1 2 3 4 5 Jerusalem. He is the author isbn-13: 978-0-226-75574-8 (cloth) or coauthor of many isbn-10: 0-226-75574-6 (cloth) books, including The Hungry God: Hindu Tales of Library of Congress Cataloging-in-Publication Data Filicide and Devotion, also Shulman, David. published by the Press. Dark Hope: working for peace in Israel and Palestine / Originally published as David Shulman. Taayush:ë Journal d’un p. cm. combat pour la paix, Israel¨ “Originally published as Taëayush: Journal d’un combat Palestine 2002–2005, pour la paix, Israel¨ Palestine 2002–2005”—CIP datasheet. C Editions du Seuil, 2006, isbn-13: 978-0-226-75574-8 (cloth: alk. paper) Collection La Librairie du isbn-10: 0-226-75574-6 (cloth: alk. paper) XXIe siecle,` sous la 1. Arab-Israeli conflict—1993—Peace. 2. Peace direction de Maurice movements—Israel. 3.Taëayush (Organization)— Olender. Political activity. 4. Palestinian Arabs—Government policy—Israel. I. Title. ds119.76.s783 2007 956.9405 4—dc22 2006035630 ∞ The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ansi z39.48-1992. -
Lyrics Words and Music by Edward Eliscu, Billy Rose and Vincent Youmans
Great Day Lyrics Words and Music by Edward Eliscu, Billy Rose and Vincent Youmans When you’re down and out Lift up your head and shout “There’s gonna be a great day!” Angels in the sky promise that by and by there’s gonna be a great day! Gabriel will warn you, Some early morn you will hear his horn. Rooty, tootin’. It’s not far away, Lift up your head and say, ”There’s gonna be a great day, great day!” When you’re down and out, Lift up your head and shout, “There’s gonna be a great day!” Angels in the sky Promise that by and by There’s gonna be a great day! Gabriel will warn you, Some early morn you will hear his horn. Rooty, tootin’. It’s not far away, Lift up your head and say, ”There’s gonna be a great day, great day!” When you’re down and out, Lift up your head and shout, “There’s gonna be a great day!” Angels in the sky say that by and by There’s gonna be a great day. Gabriel will warn you, Some early morn you will hear his horn. Rooty, tootin’, rooty tootin’, rooty tootin’, rooty tootin’. It’s not very far away, Lift your head and say, ”There’s gonna be a great day!” ”There’s gonna be a great day!” © 1929 WB Music Corp., Chappell & Co. (admin. by © Warner Chappell Music) / LSQ Music Company (admin. by Songwriters Guild of America). All rights reserved. Used by permission. Love Is Like a River Lyrics Words and Music by Suzanne Jennings and Jeff Silvey His love is like a river, runnin’ and a rollin’, Flowin’ from the lazy streams. -
Artificial Authority: Our Relationship to Music and Genre Labeling By
Artificial Authority: Our Relationship to Music and Genre Labeling by Jake Sabetta A thesis submitted in partial fulfillment of the requirements for the degree, Bachelor of Arts (Music) The Colorado College 5/15/2017 Approved by ___________________________________ Date_____________________ Ryan Banagale ___________________________________ Date_____________________ Victoria Levine Sabetta 1 For my senior capstone-project I elected to compose and record a full-length album. During the process of writing and recording what I would label as “rock music” I began to feel weighted down by certain expectations and external factors. I felt as though by making a “rock” album I was letting down different people and forces in my life. Mentors and family members who had introduced me to genres such as jazz and soul, friends who taught me to love heavy metal, and finally I felt as though I let down my own music department as I had not composed much classical music during my time at Colorado College. This line of questioning led me to wonder where such expectations originate. I began to examine the role that expectations and external influences play in our relationships with music as well as what gives those external influences the perceived “authority” to do so. I believe authority in musical choice is derived, in part, from the way in which we categorize music. Objectively assigning a label to something such as music, which is subjective in nature, gives rise to a series of value judgments and expectations. I have come to define the judgments and expectations placed on music as “artificial authority.” In his book Studying Popular Music, Richard Middleton writes that a society's organization of taste is a function of the force field through which the power relations of that society are expressed in cultural practice. -
Prisoner Express Poetry Anthol
Greetings! David Cross J. Cameron My name is Naomi! You‟ve Joe O‟Neal Tim Hampton all already heard from me this summer Don Collins William Chaplar but I just wanted to let you know how Jesus Fonseca Robert V. Fryer much of a pleasure it has been to William Chaplar John Lee Bodessa spend my summer reading your Chris Lockridge Chad Lawson poetry! I am currently a Cornell Robert Hambrick William Chaplair student, and back in May I was Paul Washburn Lysander White clueless on what I would spend my A Story That Should Be Told.4-8 Tim Hampton summer doing. However, I am so glad Tim Hampton Billy Lively I literally stumbled upon the Prisoner Jackey R. Sollars Ansen Stowers Express program. This program Robert Hambrick Santos Peña introduced me to a community of Eric Bederson Lucio Urenda people whose voices are silenced, William Miles Frank Johnson III whose humanity is often forgotten, James E. Meier Robert Deninno and who are in essence forgotten: Jackey R. Sollars Huero Williams prisoners. This program allowed me Eric Benderson Entrapment……………17-19 to hear your voices, to see your Eric Remerowski Vincent Garcia humanity. In particular, working with Ryan Collier Ray Charles Gary the poetry program renewed my love Ted Eason Tom Stone and respect for the art of poetry. It is Leslie Amison Dwayne Waterman extremely powerful to see men and Rickey Pearson Santos Pena women sharing their innermost C.F. Christian Shaun Morales thoughts and emotions, candidly and Frank Johnson III Eric Martinez without care for formality or Ben Winter Buster Swafford correctness. -
Eastman Notes July 2006
Summer 2010 FOr ALUMNI, PARENTS, AND FrIeNDS OF THe eASTmAN SCHOOL OF MUSIC FrOm THe DeAN A musical model In December of this year, we will witness the completion of George Eastman’s original dream when we open our new addition. What many once knew as the Swan Street parking lot was a small triangular parcel of land—the last piece of real estate George needed to complete his school and theater, at least as he had originally imagined it back in 1922. But the price the owner demanded was in George’s mind too high, and so the theater project went ahead without that property. In the ensuing years, the University of Rochester purchased the lot, and we are now completing the second phase of our Eastman Theatre Renovation and Expansion Project. Although “bricks and mortar” have occupied our time, energy, and resources NOTES as of late, we are equally committed to intensifying the Volume 28, Number 2 signal Eastman sends to the nation and the world. We re- Summer 2010 turned to New York City: our Eastman Virtuosi performed at Merkin Concert Hall, and the Ying Quartet performed Editor at the Morgan Library. We continued our participation in David raymond the Kennedy Center’s Conservatory Project, as well as in Contributing writers a John Adams residency in the nation’s capital (see p. 28). Clive Gillinson Douglas Lowry We are a leader in our expanding deployment of Internet2 ramon ricker technology to enhance our “virtual partnerships” around Helene Snihur the world. Our students learn from distinguished art- Contributing photographers ists and scholars from places as far away as Oslo, and we Kurt Brownell share our perspectives with those audiences, all in real- Adam Fenster time master class exchanges. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
Mouvements-Sociaux-2017
Mouvements sociaux Quand le sujet devient acteur Geoffrey Pleyers et Brieg Capitaine (dir.) DOI : 10.4000/books.editionsmsh.9891 Éditeur : Éditions de la Maison des sciences de l’homme Lieu d'édition : Paris Année d'édition : 2016 Date de mise en ligne : 31 mai 2017 Collection : 54 ISBN électronique : 9782735122868 http://books.openedition.org Édition imprimée Date de publication : 16 juin 2016 ISBN : 9782735121007 Nombre de pages : 288 Référence électronique PLEYERS, Geoffrey (dir.) ; CAPITAINE, Brieg (dir.). Mouvements sociaux : Quand le sujet devient acteur. Nouvelle édition [en ligne]. Paris : Éditions de la Maison des sciences de l’homme, 2016 (généré le 03 mai 2019). Disponible sur Internet : <http://books.openedition.org/editionsmsh/9891>. ISBN : 9782735122868. DOI : 10.4000/books.editionsmsh.9891. © Éditions de la Maison des sciences de l’homme, 2016 Conditions d’utilisation : http://www.openedition.org/6540 sous la direction de Geoffrey Pleyers & Brieg Capitaine Mouvements sociaux Quand le sujet devient acteur 54 Postface de Michel Wieviorka Mouvements sociaux sous la direction de Geoffrey Pleyers et Brieg Capitaine Mouvements sociaux Quand le sujet devient acteur Postface de Michel Wieviorka Éditions de la Maison des sciences de l’homme Collection dirigée par Michel Wieviorka Parus : Ce que la religion fait aux gens, d’Anne Gotman Communication et pouvoir, de Manuel Castells Semé sans compter, de Nicolas Ellison Musicologie et occupation, de Sara Iglesias L’humanisation de la nature, d’André Stanguennec Laïcité, laïcités. Reconigurations -
Read an Excerpt
Excerpt Terms & Conditions This excerpt is available to assist you in the play selection process. You may view, print and download any of our excerpts for perusal purposes. Excerpts are not intended for performance, classroom or other academic use. In any of these cases you will need to purchase playbooks via our website or by phone, fax or mail. A short excerpt is not always indicative of the entire work, and we strongly suggest reading the whole play before planning a production or ordering a cast quantity of scripts. Family Plays THE HAPPY SCARECROW Drama by I.E. Clark © Family Plays THE HAPPY SCARECROW “Thank you for The Happy Scarecrow. Never have I directed a play quite like it. The cast loved it. At District Festival we received the superior rating and everybody raved and asked, ‘Where did you get that play?’” (Marion, Va.) “My small Sunday school class has agreed to put on The Happy Scarecrow for our family night ... I have used your play a couple of times in the past and still think it is fun to do.” (Jo Smith, Faith United Methodist Church, Austin, Texas) Drama. By I.E. Clark. Cast: 6m., 5w. A mean witch dares a frilly little fairy to prove there’s such a thing as happiness. So the fairy brings a scarecrow to life and promises to make him a real man if he can find happiness. It’s a strange search, sometimes comical, sometimes sad. The scarecrow meets a variety of characters, each providing an insight into human relations as well as excellent roles for your actors and actresses. -
Angry, for the Way I Have Treated Myself
Meet Sam Literary Magazine Staff Members & Editorial/Advertising Policy Anabel Hjellen Editor-in-Chief Suben Hwang Associate Editors-in-Chief Natasha Britt Entertainment Editor Juan Gomez Chyanne Chambers Yaneli Cortes Paul Cummings Jada Jackson Shahed-Fatim Aisheh Staff Writers Kyle LoJacono Advisor Contents By Suben Hwang ........................................................................................................................................... 4 By Juan Gomez .............................................................................................................................................. 8 By Shahed-Fatim Aisheh ............................................................................................................................. 12 By Anabel Hjellen-Diaz ................................................................................................................................ 16 By Chyanne Chambers ................................................................................................................................ 22 By Jada Jackson ........................................................................................................................................... 29 By Paul Cummings ....................................................................................................................................... 38 By Natasha Britt .......................................................................................................................................... 48 By -
Friday Worship Services
WEST VIRGINIA CONFERENCE WORSHIP BOOK 2017 Annual Conference Session The Lord added daily to the community those who were being saved. (Acts 2:47) June 8-11, 2017 West Virginia Wesleyan College Sandra Steiner Ball, Residing Bishop Memorial Service Friday, June 9, 2017 ❖ 11:00 am † signifies that all are invited to stand as are able Acts 2:44-45 - All the believers were united and shared everything. They would sell pieces of property and possessions and distribute the proceeds to everyone who needed them. BELLS CALLING US TO WORSHIP GATHERING MUSIC "If You Will Only Let God Guide You" by Matt Limbaugh †GREETING Praise be to the God and Father of our Lord Jesus Christ, whose great mercy gave us new birth into a living hope by the resurrection of Jesus Christ from the dead! The inheritance to which we are born is one that nothing can destroy or spoil or wither. †LIGHTING OF THE PASCHAL CANDLE (responsive) By your cross, you destroyed the curse of the tree. By your burial, you slayed the dominion of death. By your rising, you enlightened the human race. O benefactor, Christ our God, glory to you. †OPENING PRAYER (unison) God of compassion and hope, we remember those saints who have finished their race and received their reward. As we worship you, rekindle within us the hope of the resurrection and the promise of eternal life. We know Christ’s presence abides with us in life and in death. Help us to live in constant awareness of that presence. Bless us with your Spirit, as we offer you our praise. -
Edition XXVII April 2009
The Scarab Eyes by Elisha Gallegos Edition XXVII April 2009 The Scarab The annual OCU anthology of prose, poetry, and artwork Edition XXVII Copyright © The Scarab 2009 All rights reserved 2 Editorial Staff Poetry Editor Sheridan Harris Fiction Editor Joe Caputo Non-Fiction Editor Najah Hylton Artwork Jenna Shatto Sponsor Dr. Terry Phelps The Scarab is published annually by the Oklahoma City University chapter of Sigma Tau Delta, the International English Honor Society. Opinions and beliefs expressed herein do not necessarily reflect those of the university, the chapter, or the editors. Submissions are accepted from students, faculty, staff, and alumni. Address all corre- spondence to The Scarab c/o Dr. Terry Phelps, 2501 N. Blackwelder, Oklahoma City, OK 73106, or e-mail [email protected] The Scarab is not responsible for returning submitted work. All submissions are subject to editing. 3 Table of Contents Poetry When I‘m Sitting in Class by Zoe Miles………………………………………7 Supernova by Nicole Fancher…………………………………………………8 A Dream I Had When I Was Six Years Old by Nicole Fancher……………….9 Fairies and Dreams by Najah Hylton…………………………………………10 There Are Gaps Between the Stars by Angela Dockrey ……………………..11 First Kiss Kelsey Nagel……………………………………………………….12 The Ocean‘s Gift by Brittney May……………………………………………13 Promises by Andrew Tolly……………………………………………………14 Dark Woman Amrish Sengupta……………………………………………….16 Synapse by Stacey Lloyd……………………………………………………..17 Love, Be Not Stored by Jonathan Richey…………………………………….17 First Readings – Impressions by Regan Markley…………………………….18