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PARANORMAL ACTIVITY 3 - Delivers More Terrifying Suspense and Shocks with an Unrated Version on Blu-Ray™/DVD Combo Pack
Record-Setting* Prequel to the Phenomenally Popular Film Series - PARANORMAL ACTIVITY 3 - Delivers More Terrifying Suspense and Shocks With an Unrated Version on Blu-ray™/DVD Combo Pack Debuting January 24, 2012, Blu-ray/DVD Combo Includes Extended Scenes and Chilling Lost Tapes In A First, All Three Films Will be Available for Digital Download in a Seamless, Chronological Experience Prior to the Blu-ray/DVD Debut "A new level of terror."—Brad Miska, BloodyDisgusting.com HOLLYWOOD, Calif., Dec. 20, 2011 /PRNewswire/ -- The record-breaking franchise that has terrified audiences around the world returns with the scariest story yet as PARANORMAL ACTIVITY 3 debuts on January 24, 2012 from Paramount Home Entertainment in a Blu-ray/DVD combo pack with UltraViolet™ and a Digital Copy.PARANORMAL ACTIVITY 3 will also be available On Demand. "Terrifying" (Time) with "heart-pounding scares" (BloodyDisgusting.com), PARANORMAL ACTIVITY 3 takes audiences back to where it all began with the masterminds behind the first two films returning to craft a hauntingly chilling follow up. Directed by Henry Joost and Ariel Schulman, the filmmakers who created the unsettling sensation Catfish, PARANORMAL ACTIVITY 3 achieved the biggest theatrical debut for a horror film ever, ultimately earning more than $200 million worldwide. (Photo: http://photos.prnewswire.com/prnh/20111220/LA25840) Arriving on January 24th, the PARANORMAL ACTIVITY 3 Blu-ray/DVD combo pack includes both the theatrical version of the film and an unrated version with footage not seen in theaters, as well as Lost Tapes that reveal more footage not seen in the film. In addition, all Blu-ray and DVD releases available for purchase will be enabled with UltraViolet, a new way to collect, access and enjoy movies. -
International Production Notes
INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan. -
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema. -
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era. Edited by Murray Leeder. Bloomsbury Academic, 2015 (307 pages). Anton Karl Kozlovic Murray Leeder’s exciting new book sits comfortably alongside The Haunted Screen: Ghosts in Literature & Film (Kovacs), Ghost Images: Cinema of the Afterlife (Ruffles), Dark Places: The Haunted House in Film (Curtis), Popular Ghosts: The Haunted Spaces of Everyday Culture (Blanco and Peeren), The Spectralities Reader: Ghost and Haunting in Contemporary Cultural Theory (Blanco and Peeren), The Ghostly and the Ghosted in Literature and Film: Spectral Identities (Kröger and Anderson), and The Spectral Metaphor: Living Ghosts and the Agency of Invisibility (Peeren) amongst others. Within his Introduction Leeder claims that “[g]hosts have been with cinema since its first days” (4), that “cinematic double exposures, [were] the first conventional strategy for displaying ghosts on screen” (5), and that “[c]inema does not need to depict ghosts to be ghostly and haunted” (3). However, despite the above-listed texts and his own reference list (9–10), Leeder somewhat surprisingly goes on to claim that “this volume marks the first collection of essays specifically about cinematic ghosts” (9), and that the “principal focus here is on films featuring ‘non-figurative ghosts’—that is, ghosts supposed, at least diegetically, to be ‘real’— in contrast to ‘figurative ghosts’” (10). In what follows, his collection of fifteen essays is divided across three main parts chronologically examining the phenomenon. Part One of the book is devoted to the ghosts of precinema and silent cinema. In Chapter One, “Phantom Images and Modern Manifestations: Spirit Photography, Magic Theater, Trick Films, and Photography’s Uncanny”, Tom Gunning links “Freud’s uncanny, the hope to use modern technology to overcoming [sic] death or contact the afterlife, and the technologies and practices that led to cinema” (10). -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
7.1 the Post-Cinematic in PARANORMAL ACTIVITY and PARANORMAL ACTIVITY 2
7.1 The Post-Cinematic in PARANORMAL ACTIVITY and PARANORMAL ACTIVITY 2 BY THERESE GRISHAM, JULIA LEYDA, NICHOLAS ROMBES, AND STEVEN SHAVIRO Therese Grisham: I want to start at the most theoretical level, to find out where you position your thought with regard to the two films we are discussing, Paranormal Activity (Oren Peli, 2007) and Paranormal Activity 2 (Tod Williams, 2010). It would be helpful if you gave a brief definition of the “post-cinematic,” or an equivalent term you work with, and include some introductory remarks about these movies as post-cinematic. Nick Rombes: Great to be here, and thanks for this opening question, Therese. My thinking about post-cinema has certainly been influenced by Steven’s writing, especially in his Film- Philosophy essay, “Post-Cinematic Affect: On Grace Jones, Boarding Gate, and Southland Tales” and his book, Post-Cinematic Affect. Particularly right-on, I think, is Steven’s phrase about how the expressive nature of post-cinematic media gives rise to “a kind of ambient, free-floating sensibility that permeates our society today” (Post-Cinematic 2). My own still- in-progress mapping of post-cinema would begin with this phenomenon: the totalitarian immersion of our everyday lives in the slipstream of the digital, cinematic imaginary, as captured so well in the Paranormal films which, at their most fundamental level, tackle the question of how to navigate the private spaces of this new media landscape. I’d turn here to a concept used by some psychiatrists—limbic resonance—to describe how human beings seemingly “tune into” each other via neural attunement and mirror neurons. -
Cineworld.Pdf
Cineworld Unlimited Survey * 1. What is your gender? Female Male * 2. What Region do you live in? Scotland North East North West East Midlands West Midlands Wales East Anglia South East South West Ireland * 3. How many times have you been to the cinema in the past three months? 03 times 45 times 68 times 9+ times * 4. What Genre of films have you seen most in the last three months? Drama Romance Comedy Thriller SciFi Non English Language Animated Musical Family * 5. Who did you go to the cinema with most over the last three months? Partner/Husband or Wife Friends Children Date By yourself * 6. Who do you think is the sexiest actress of all time? Angeline Jolie Scarlett Johansson Natalie Portman Marilyn Monroe Grace Kelly Cameron Diaz Emma Stone Brigitte Bardot Halle Berry Julia Roberts * 7. Who to you think it the sexiest actress from the upcoming films this summer? Cary Mulligan The Great Gatsby Amy Adams Man of Steel Tao Okamoto The Wolverine Kristen Bell Stuck In Love Vera Farmiga The Conjuring * 8. Which of these superhero characters would you most like to date in real life? Tobey Maguire Spiderman Christian Bale Batman Robert Downey Jnr Iron Man Henry Cavil Superman Chris Evans Captain America Nicholas Cage Big Daddy (Kick Ass) Chris Hemsworth Thor Mark Ruffalo The Hulk Hugh Jackman Wolverine * 9. If you could play the part of a superheroes' love interest which character would you choose? Lois Lane Superman Pepper Pots Iron Man Jane Foster Thor Rachel Dawes Batman Mary Jane Spiderman Betty Ross the Hulk Penny Carter Captain America * 10. -
Paranormal Activity 1 Br Rip 1080P Movies Torrents
Paranormal Activity 1 Br Rip 1080p Movies Torrents Paranormal Activity 1 Br Rip 1080p Movies Torrents 1 / 3 2 / 3 [kat.cr]paranormal.activity.the.ghost.dimension.2015.alternate.unrated.720p.brrip.x264.aac.etrg (1).torrent. (15k). Jeu Franco,. Jan 10, 2016, 9:11 PM. v.1.. Paranormal Activity 1 Mp4 ->>->>->> http://shurll.com/dwqrx ... paranormal activity full movie ... BrRip..5.1. ... Torrents..for. ... Paranormal-Activity-2.2010.1080p.. [2010]DvDrip[MKV] torrent or any other torrent from the Video Movies. ... Download Paranormal Activity 2 Tokyo Night-BRrip 720p torrent or any other ... Video HD The Pirate Bay Seeders: 3; Leechers: 0; Comments: 1 Also a.. Ashley Palmer in Paranormal Activity (2007) Katie Featherston and Micah Sloat in ... 1. There is a scene in the Theatrical Cut not present in the Director's Cut that takes ... Katie awakes shortly after midnight on the final night, gets out of bed and stares at ... Well, Oren Peli's little indie film is everything a scary movie should be.. BluRay.720p.x2 torrent or any other torrent from the Video HD - Movies. ... Â Come and download paranormal activity brrip is safe 1 absolutely for free. ... Paranormal Activity The Marked Ones (2014) 720p BRRiP H264 5 1CH-BLiTZCRiEG.. Download Paranormal.Activity.2.2010.UNRATED.BRRip.XviD.MP3-XVID Torrent - RARBG. ... Torrent: Paranormal. ... Category: Movies/XVID.. bb4f9be48f Download YIFY Movies Directed by William Brent Bell via YIFY Torrent ... Download Inside Out (2015) 1080p BrRip x264 - YIFY torrent ... Results 1 - 8 30 Nights of Paranormal Activity with the Devil Inside the Girl.. Paranormal Activity (2007) 720p BrRip x264 - 550MB - YIFY 551 MB Paranormal Activity (2007) 720p BrRip x264 - 550MB - YIFY 551 MB Paranormal Activity ... -
A Critical Look at the Film Futures
BACK TO THE FUTURE[S]: A CRITICAL♦ LOOK AT THE FILM FUTURES BAN INTRODUCTION.................................................................................180 I. THE HISTORY OF FILM FUTURES: FROM INCEPTION TO ARMAGEDDON .....................................................................182 II. BACKGROUND AND DEFINITIONS......................................189 A. A Brief History of Futures Trading ................................189 B. Commodity Futures Trading, Generally.........................189 C. Film Futures, Specifically................................................191 D. Who Would Invest in Film Futures?...............................193 III. IRON [B]AN – WHY CONGRESS BANNED FILM FUTURES TRADING ...........................................................195 A. “Motion Picture Box Office Receipts are not a ‘Commodity’” .................................................................196 B. “Speculators will ‘Game’ the Futures Exchange”...........198 C. “Film Futures Trading is Just Legalized Gambling”.......201 D. “Film Futures Resemble the Risky Financial Instruments that Caused the Financial Crisis” .............202 IV. TO KILL A MOCKINGBIRD–WHY FILM FUTURES TRADING WOULD HELP, NOT HARM, THE MOTION PICTURE INDUSTRY...........................................................204 A. The CFTC’s Authority and the Significance of its Authorization of Film Futures Trading ........................204 1. The CFTC’s Authority...............................................204 2. The Failure of Congress’s Ban on the Trading of Onion -
The Impact of Social Media on a Movie's Financial Performance
Undergraduate Economic Review Volume 9 Issue 1 Article 10 2012 Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Joshua J. Kaplan State University of New York at Geneseo, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/uer Part of the Economics Commons, and the Film and Media Studies Commons Recommended Citation Kaplan, Joshua J. (2012) "Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance," Undergraduate Economic Review: Vol. 9 : Iss. 1 , Article 10. Available at: https://digitalcommons.iwu.edu/uer/vol9/iss1/10 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Turning Followers into Dollars: The Impact of Social Media on a Movie’s Financial Performance Abstract This paper examines the impact of social media, specifically witterT , on the domestic gross box office revenue of 207 films released in the United States between 2009 and 2011. -
Found-Footage Horror and the Frame's Undoing
Found-Footage Horror and the Frame’s Undoing by CECILIA SAYAD Abstract: This article fi nds in the found-footage horror cycle an alternative way of under- standing the relationship between horror fi lms and reality, which is usually discussed in terms of allegory. I propose the investigation of framing, considered both fi guratively (framing the fi lm as documentary) and stylistically (the framing in handheld cameras and in static long takes), as a device that playfully destabilizes the separation between the fi lm and the surrounding world. The article’s main case study is the Paranormal Activity franchise, but examples are drawn from a variety of fi lms. urprised by her boyfriend’s excitement about the strange phenomena registered with his HDV camera, Katie (Katie Featherston), the protagonist of Paranormal Activity (Oren Peli, 2007), asks, “Are you not scared?” “It’s a little bizarre,” he replies. “But we’re having it documented, it’s going to be fi ne, OK?” S This reassuring statement implies that the fi lm image may normalize the events that make up the fabric of Paranormal Activity. It is as if by recording the slamming doors, fl oating sheets, and passing shadows that take place while they sleep, Micah and Katie could tame the demon that follows the female lead wherever she goes. Indeed, the fi lm repeatedly shows us the two characters trying to make sense of the images they capture, watching them on a computer screen and using technology that translates the recorded sounds they cannot hear into waves they can visualize. -
Cuisine the Witches to Champagne
3530173 FREE VOLUME 15 NUMBER 43 FOR BREAKING NEWS, MORE STORIES AND PHOTOS VISIT: WWW.WALTONSUN.COM THE WEEK OF OCTOBER 27, 2012 3530160353353016353553 0 After last year’s event, George A celebration of our Barnes of Smiling Fish Café treated high-caliber cuisine the witches to champagne. They, Compiled by The Walton Sun “Located directly on in turn, treated East 30A between Rose- Children’s South Walton is blessed mary and Alys Beach, Witch Way Volunteer Health with plenty of unique res- Bentley’s and Maddog’s Network with taurants. With all the op- offers an enormous and di- a more than tions available to locals and verse menu that is retro old school dining. Thick juicy $1,000 visitors, The Sun has asked some of our Restaurant steaks, Maine and Florida donation. Week partners what sets lobsters, stone crabs, quar- them apart and makes their ter-pound shrimp, fresh cuisine supreme. fish prepared multiple DEBORAH ••• ways, flaming duck, stuffed WHEELER | Shades Bar and Grill quail and chicken Rocham- The Sun 10952 E County Hwy. 30A, beau are a few examples. Panama City Beach Bentley’s fine dining is coupled with a ten-item 850-231-9410 children’s menu and all the www.shades30a.com snow crab you can eat any “A staple on 30A for 18 day, any time. Maddog’s years, Shades is the lo- Oyster and Martini Bar cals’, tourists’ and family- features great happy-hour friendly place that every- specials and $5 martinis.” one flocks to — whether it — Owner Kandy Malocsay be for a casual meal with ••• the family or a place to Basmati’s have amazing food.