Walt Whitman - Poems
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Howells and the Limits of Literary History Claudia Stokes Trinity University, [email protected]
Trinity University Digital Commons @ Trinity English Faculty Research English Department Spring 2008 In Defense of Genius: Howells and the Limits of Literary History Claudia Stokes Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/eng_faculty Part of the English Language and Literature Commons Repository Citation Stokes, C. (2008). In defense of genius: Howells and the limits of literary history. American Literary Realism, 40(3), 189-203. doi: 10.1353/alr.2008.0025 This Article is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in English Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. CLAUDIA STOKES In Defense of Genius: Howells and the Limits of Literary History In early 1886, William Dean Howells fell into an ugly public debate with the poet and critic Edmund Clarence Stedman. Carried out in the pages of Harper’s Monthly and the New Princeton Review, this dispute started as a disagreement about the origins of literary craftsmanship but quickly esca- lated into a heated epistemological squabble about the limits of historical knowledge. It began in March of that year, when Howells gave a mixed review to Stedman’s Poets of America (1885), a history of American poetry. Though Howells conceded the importance of Stedman’s contribution to the emerging discipline of American literary history, he openly mocked a few of Stedman’s claims: his prediction of an American poetry revival and his staunch belief in genius, a category of achievement Stedman used with great liberality. -
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203 N. Amity Street
http://knowingpoe.thinkport.org/ 203 N. Amity Street Content Overview In this interactive. students will take a virtual tour of the Edgar Allan Poe House and Museum located at 29 Amity Street, Baltimore. This outline includes all text on the tour. The activity also includes images. A special thanks to the Edgar Allan Poe House and Museum for authorizing this interactive tour. You might consider taking your class on a field trip to the “Poe House”. For more information: http://www.eapoe.org/balt/poehse.htm Intro Poe’s House at 203 N. Amity Street. Click on any of the highlighted rooms of the house (shown at left) to bring up a floorplan of the room. Then click on highlights in the room views shown below to see details. You may also see a larger version of any image by clicking on it at right. The Garret The About the According to most authorities, Poe lived in the garret, or attic, of the Garret Garret house on Amity Street. We don’t have any direct evidence of what kind of furniture Poe had in his room. However, scholars of the Edgar Allan Poe Society of Baltimore have recreated what the room probably looked like from records of other homes at the time. Though all the Poe house furniture has been long lost, the items in the room date to the 1830’s and are typical examples of what a poor family could have afforded. Roll over parts of the floor plan below to explore Poe’s bedroom at 3 Amity Street. -
Whitman's Urban Kaleidoscope
Comunicação & Cultura, n.º 9, 2010, pp. 111-122 Whitman’s urban kaleidoscope Lara Duarte * Walt Whitman lived in the New York area for more than half his life, so it is perhaps not surprising that he should have declared his intention to chant urban life at the very outset of Leaves of Grass. “This is the City and I am one of its Citizens,” 1 he proclaims in the first untitled poem of the 1855 edition, later to become known as “Song of Myself,” thus laying the foundation stone of his reputation as the first American poet to celebrate the city. Most of the Poet’s life was spent in urban environments. In addition to the forty-two years he lived in and around New York, a further ten were spent in Washington D.C., where he moved in 1862, before settling in Camden, New Jersey, for the last twenty years of his life. Little wonder then that cityscapes and vignettes of urban scenes feature prominently in Whitman’s poetry and prose. In “City of Orgies” (PP 279), written in 1860, the Poet, who looked to the city as the future of American democracy, boasts “City whom that I have lived and sung in your midst will one day make you illustrious” and in the eleven lines of the poem “Broadway,” penned towards the end of his life (1888), he portrays the heady excitement of the rushed comings and goings of “hurrying human tides” and “endless sliding, mincing, shuffling feet,” which he considers to be “like the parti-colored world itself” (PP 624). -
Henry Wadsworth Longfellow At
on fellow ous L g ulletinH e Volume No. A Newsletter of the Friends of the Longfellow House and the National Park Service December pecial nniversary ssue House SelectedB As Part of Underground Railroad Network to Freedom S Henry WadsworthA LongfellowI he Longfellow National Historic Site apply for grants dedicated to Underground Turns 200 Thas been awarded status as a research Railroad preservation and research. ebruary , , marks the th facility with the Na- This new national Fanniversary of the birth of America’s tional Park Service’s Network also seeks first renowned poet, Henry Wadsworth Underground Railroad to foster communi- Longfellow. Throughout the coming year, Network to Freedom cation between re- Longfellow NHS, Harvard University, (NTF) program. This searchers and inter- Mount Auburn Cemetery, and the Maine program serves to coor- ested parties, and to Historical Society will collaborate on dinate preservation and help develop state- exhibits and events to observe the occa- education efforts na- wide organizations sion. (See related articles on page .) tionwide and link a for preserving and On February the Longfellow House multitude of historic sites, museums, and researching Underground Railroad sites. and Mount Auburn Cemetery will hold interpretive programs connected to various Robert Fudge, the Chief of Interpreta- their annual birthday celebration, for the facets of the Underground Railroad. tion and Education for the Northeast first time with the theme of Henry Long- This honor will allow the LNHS to dis- Region of the NPS, announced the selec- fellow’s connections to abolitionism. Both play the Network sign with its logo, receive tion of the Longfellow NHS for the Un- historic places will announce their new technical assistance, and participate in pro- derground Railroad Network to Freedom status as part of the NTF. -
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Brickhouse TRAVIS ALLISON Covers (by Genre) KC & the Sunshine Band Boogie Shoes That’s the Way I Like It Motown/Oldies/Beach/Soul Ben E. King Earth, Wind & Fire Stand By Me September Sing a Song Jackie Wilson (Your Love is Lifting Me) Higher and Higher Sam and Dave Soul Man Chairmen of the Board Hold On I’m Comin’ Give Me Just a Little More Time The Temptations Sam Cooke Ain’t Too Proud to Beg Another Saturday Night My Girl What a Wonderful World (This Could Be) Just My Imagination Twistin’ the Night Away Cupid James Brown Bring It On Home To Me I Feel Good King Harvest Stevie Wonder Dancing in the Moonlight Signed, Sealed, Delivered Superstition Righteous Brothers Boogie on Reggae Woman You’ve Lost that Lovin’ Feeling I Wish Isn’t She Lovely Blue Swede / BJ Thomas You Are the Sunshine of My Life Hooked on a Feeling Jackson 5 The Platters I Want You Back With This Ring I’ll Be There Mungo Jerry Isley Brothers In the Summertime Shout Music Explosion The Foundations Little Bit of Soul Build Me Up Buttercup The Tymes Sister Sledge Ms. Grace We Are Family Bill Withers Commodores Lean On Me Easy Just the Two of Us Use Me Ain’t No Sunshine Elvis Presley Suspicious Minds Looking Glass Blue Suede Shoes Brandy (You’re a Fine Girl) That’s Alright Mama Hound Dog Wilson Pickett Jailhouse Rock Mustang Sally I Can’t Help Falling in Love In the Midnight Hour Burning Love Land of 1000 Dances Be Bop a Lula Lloyd Price Smokey Robinson Stagger Lee I Second That Emotion The Tracks of my Tears Sly & The Family Stone If You Want Me to Stay The Drifters Under -
Grant Wood Little Dogs NEWSLETTER
Grant Wood Little Dogs Grant Wood Elementary 1423 Hillside Drive NEWSLETTER Bettendorf, IA 52722 John Cain, Principal NOVEMBER 2018 Educational ex- #GWBUILT4KINDNESS cellence is the foundation of the Bettendorf Com- munity School District. Working in partnership with the family and community, we will instill and nurture in all students the knowledge, skills, creativity, and confidence to pursue their dreams and to succeed in a glob- al society. December 7—Gifts of Goodness Drop Off December 20—Winter Sing December 21—Holiday Parties Early Release 2:20 (Preschool 12:00) December 22-January 2—Winter Break Every Wednesday Early Release at 2:30 pm Student of the Month Optimist Award November November EC1—Carson Schaefer EC1—Makari Williams EC2—Luna Krell EC2—Issac Hernandez K1 - Jacob Burgos K1—Ella Brenot K2—Lucas Buntemeyer K2—Spencer Harnung K3-Evelynn Buxton K3— Landon Torres 1A—Nora LeHew 1A—AJ Lopez 1B—Topher Cavazos 1B—Emmanuel Aragon 1C— Anastasia Roberts 1C— Rawley Martin 2A—Thatcher Crawford 2A—Vito Russo 2B—Taylor Engels 2B—Emily Brozovic 2C—Annalynn Adams 2C—Brooklyn Logsdon 3A—Grace Gullickson 3A—Haley Duke 3B—Megan Weinberger 3B—Brennen McNeely 3C—Addison Waddick 3C—Ivy-Marie Holland 4A—Tyler Nielsen 4A—Audrey Misiag 4B—Nora Shelton 4B—Brady Luze 5B—Drew Gullickson 5B—Brooklyn Scholbrock 5C—Andrew Elliott 5C—Kaitlin Zimmerman P A G E 4 Principal’s Connection August EC1— 2B Sariya Graves EC2 Estella Leibold 2C K1 Kate Rausenberger Winter Weather 3A Ethan Newton-Butt Many K2of our students have been well prepared for 3Bthe colderKara Rausenberger weather these K3past few weeks. -
Colonel John A. Joyce Author of a Checkered Life. Peculiar Poems
EDGAR ALLAN POE ! FROM TH E LAST DAGUERREOTYPE KEN TA ) . ” OLO OH JOY C N EL J N A . CE “ “ uthor of A Checkered Life Peculiar Poem s A . “ ! “ ! “ Z igzag. Jewel s of Memory. Com p lete ! Poems. Oliver G old smith. and Many Popu lar Songs. — Speak nothing of the living or the dead but TRUTH l j oyce. NNYSON NEELY F. TE NEW Y ORK LONDON CONTE S NT . HAP E C T R I . e B i rth an d Li neag . CHAP ER T II . Precocity an d Early School D ay s CHAP TE R III . Col lege Days and Wan deri ngs AP CH TER I V. e t oi n Ex eri ence and B reak h Al l W s P t p , wi t an AP CH TER V. — Driftin g About B al tim or e Li terary S u c cess AP CH TER VI . CHAP TER VI I . “ ”— Writing for Literary Messenger Remor se an d CHAPTER VI II . — — Marriage Magazine Writings M igration to New o n . e e e e e e e e e o o o o Q Q Q O Q Q - q qqi C ontents. I . CHAPTER X m ar: — Life in Phi l adelphi a Cri ti ci sm s of Authors CHAPTER X. — H ome at Spring Garden Family F elicity “ ’ ” Graham s M agazi n e E CHAP T R XI . — Remo val to New York Work on the D ail y Mi r ror —E rrati c N ature AP E CH T R XII . -
Request List 619 Songs 01012021
PAT OWENS 3 Doors Down Bill Withers Brothers Osbourne (cont.) Counting Crows Dierks Bentley (cont.) Elvis Presley (cont.) Garth Brooks (cont.) Hank Williams, Jr. Be Like That Ain't No Sunshine Stay A Little Longer Accidentally In Love I Hold On Can't Help Falling In Love Standing Outside the Fire A Country Boy Can Survive Here Without You Big Yellow Taxi Sideways Jailhouse Rock That Summer Family Tradition Kryptonite Billy Currington Bruce Springsteen Long December What Was I Thinking Little Sister To Make You Feel My Love Good Directions Glory Days Mr. Jones Suspicious Minds Two Of A Kind Harry Chapin 4 Non Blondes Must Be Doin' Somethin' Right Rain King Dion That's All Right (Mama) Two Pina Coladas Cat's In The Cradle What's Up (What’s Going On) People Are Crazy Bryan Adams Round Here Runaround Sue Unanswered Prayers Pretty Good At Drinking Beer Heaven Eric Church Hinder 7 Mary 3 Summer of '69 Craig Morgan Dishwalla Drink In My Hand Gary Allan Lips Of An Angel Cumbersome Billy Idol Redneck Yacht Club Counting Blue Cars Jack Daniels Best I Ever Had Rebel Yell Buckcherry That's What I Love About Sundays Round Here Buzz Right Where I Need To Be Hootie and the Blowfish Aaron Lewis Crazy Bitch This Ole Boy The Divinyls Springsteen Smoke Rings In The Dark Hold My Hand Country Boy Billy Joel I Touch Myself Talladega Watching Airplanes Let Her Cry Only The Good Die Young Buffalo Springfield Creed Only Wanna Be With You AC/DC Piano Man For What It's Worth My Sacrifice Dixie Chicks Eric Clapton George Jones Time Shook Me All Night Still Rock And -
Margaret Fuller: an Exhibition University Libraries--University of South Carolina
University of South Carolina Scholar Commons Irvin Department of Rare Books & Special Rare Books & Special Collections Publications Collections 10-1973 Margaret Fuller: An Exhibition University Libraries--University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/rbsc_pubs Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Margaret Fuller: An Exhibition, Novemberber 1973". http://scholarcommons.sc.edu/rbsc_pubs/42/ This Catalog is brought to you by the Irvin Department of Rare Books & Special Collections at Scholar Commons. It has been accepted for inclusion in Rare Books & Special Collections Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. MARGARET FULLER: AN EXHIBITION FROM THE COLLECTION OF JOEL MYERSON DEPARTMENT OF ENGLISH UNIVERSITY OF SOUTH CAROLINA BIBLIOGRAPHICAL SERIES No.8 1973 UNIVERSITY' OF SOUTH CAROLINA Department of English Bibliographical Series G. ROSS ROY, GENERAL EDITOR No.1 G. Ross Roy. ROBERT BURNS. 1966 No. -2 WILLIAM S. KABLE. ROBERT BRIDGES. 1967 No.3 GOORGE M. REEVES. GUSTAVE FLAUBERT: POESIES DE jEUNESSE INEDITES. 1968 No.4 JOHN R. WELSH. JOHN ESTEN COOKE'S AUTOBIOGRAPHICAL MEMO. 1969 No.5 JOSEPH KATZ. A FRANK NORRIS COLLECTION. 1970 No.6 MATTHEW j. BRUCCOLI. STEPHEN CRANE 1871.1971. 1971 No.7 RODGER L. TARR. A BIBLIOGRAPHY OF ENGLISH LANGUAGE ARTICLES ON THOMAS CARLYLE: 1900·1965. 1972 MARGARET FULLER: AN EXHIBITION FROM THE COLLECTION OF JOEL MYERSON Held at the McKissick Library of the University of South Carolina 1·30 November 1973 DEPARTMENT OF ENGLISH UNlVEUITY OF SoUTH CAROLINA BIBLIOGRAPHICAL SEtUES No. -
The Republican Court: Or, American Society in the Days of Washington
THE REPUBLICAN COURT OR AMERICAN SOCIETY IN THE DAYS OF WASHINGTON. BY RUFUS WILMOT GRISWOLD. D9RAVED FROM ORI9INAL PICTURES BY WOOLASTON, COPLEY. 9AINSBOROU9B, STUART, TRUMBULL, PINK, MALBONB, AND OTHER CONTEMPORARY PAINTERS. / NEW YORK: D. APPLETON· AND COMPANY, 346 AND 348 BROADWAY. LONDON: 18 LITTLE BRITAIN. ILDCCC.LV. Entered, according to Act of Congress, in the year 18114, by D. APPLETON'" COMPANY, In the Clerk's Office of the District Court of the United States for the Southern District of New York. .... ~. ... ". .. .. .: ... -... ::.- ... ... ..• p : :-:: .• .. • . ........... .. .. .. ':. ...... -.-: ..... ; .. :. ! . .. ..... ! .: CONTENTS • ... PAO.. PEACE THE CONVENTION 37 THE YEAR OF SUSPENSE . 77 THE TRIUMPHAL PROGRESS. 113 THE INAUGGRATION . • 137 NEW YORK METROPOLITAN. 147 THE EASTERN TOUR . • 183 THE SEASON OF EIGHTY-NINE AND NINETY. 203 REMOVAL OF THE GOVERNMENT . • 231 SOCIETY IN PHILADELPHIA. 253 THE SOUTHERN TOUR • 273 DISCONTENT AND SEDITION 285 LIFE IN THE CAPITAL .309 THE CONCLUSION 357 APPENDIX .371 THE CONVENTION. I. AND now it becomes necessary to ask, What was the political condition of the colonies when the struggle for independence at last was over ~ In the language of Washington, success had but afforded the United States "tho opportunity of becoming a respect ahle natiun." Feeble indeed had been the chain which had bound them together as united states during the conflict; its strongest links were an innate hatred of tyranny, and the external pressure which forced them to coalesce. Not the least marvellous feature in the story of the Revolution, is its ultimate triumph under a sys tem so weak and inadequate as that furnished by the old articles of confederation. In other hands than those of Washington as commander, and Morris as financier, it may well be doubted whe ther the hour of triumph would then have come. -
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