DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Summer, 1977, Tanglewood

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Summer, 1977, Tanglewood * <m&L?. &E* \&*. >*+ **' m % > $%s Jp£&w 2mi HP « * . Ji'l m » i I SMIRNOFF®VODKA.80&100 PROOF. DISTI LLED FROM GRAIN. STE. PIERRE SMIRNOFF FLS. (DIVISION OF HEUBLEIN. INCORPORATED ) HARTFORD. CONNECTICUT Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety- Sixth Season 1976-1977 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks, President Philip K. Allen, Vice President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Treasurer Vernon R. Alden Nelson J. Darling, Jr. Albert L. Nickerson Allen G. Barry Archie C. Epps III Mrs. James H. Perkins Dr. Leo L. Beranek E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Richard P. Chapman George Kidder David Rockefeller Jr. Dr. George Clowes Edward G. Murray Mrs. George Lee Sargent Abram T. Collier John Hoyt Stookey Trustees Emeriti Henry A. Laughlin Harold D. Hodgkinson John T. Noonan Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Joseph M. Hobbs Walter Hill Dinah Daniels Director of Development Director of Business Affairs Director of Promotion Richard C. White Anita R. Kurland Niklaus Wyss Assistant to the Manager Administrator of Youth Activities Advisor for the Music Director Donald W. Mackenzie James F. Kiley Operations Manager, Symphony Hall Operations Manager, Tanglewood Michael Steinberg Director of Publications Programs copyright ® 1977 Boston Symphony Orchestra Inc. Contents: page page Tanglewood 4 Programs 11-45 Seiji Ozawa 7 Berkshire Music Center 47 Map 8 Friends 49, 50 Information 9 The Board of Overseers of the Boston Symphony Orchestra Inc. Dr. Leo L. Beranek Chairman Mrs. Norman L. Cahners Weston P. Figgins Mrs. Arthur I. Strang Vice Chairman Vice Chairman Secretary Charles F. Adams Mrs. Thomas Gardinei David G. Mugar Mrs. Frank G. Allen Mrs. James Garivaltis Dr. Barbara W. Newell Mrs. Richard Bennink Mrs. Robert Gibb Stephen Paine David W. Bernstein Jordan Golding Harry Remis David Bird Mrs. John L. Grandin Mrs. Peter van S. Rice Gerhard Bleicken Mrs. .R. Douglas Hall, III Mrs. Samuel L. Rosenberry Frederick Brandi Mrs. Howard E. Hansen Mrs. Jerome Rosenfeld Curtis Buttenheim Bruce Harriman Mrs. George Rowland Mrs. Henry B. Cabot Mrs. Richard D. Hill Mrs. A. Lloyd Russell Mrs. Mary. Louise Cabot Mrs. Amory Houghton, Jr Mrs. William Ryan Levin H. Campbell, III Richard S. Humphrey, Jr. Francis P. Sears, Jr. Johns H. Congdon Mrs. Jim Lee Hunt William A. Selke Arthur P. Contas Mrs. Louis I. Kane Gene Shalit Robert Cushman Leonard Kaplan Samuel L. Slosberg Michael J. Daly Benjamin Lacy Richard A. Smith Mrs. C. Russell Eddy Mrs. James F. Lawrence Mrs. Edward S. Stimpson Paul Fromm Roderick MacDougall Mrs. Richard H. Thompson Carlton P. Fuller John S. McLennan D. Thomas Trigg Mrs. Thomas J. Galligan, Jr. Colman M. Mockler, Jr. Roger Woodworth Mrs. Elting E. Morison Richard P. Morse Boston University langlewood Institute Norman DelloJoio, Executive Director Summer Instrumental and Vocal Programs for the outstanding high school/ college-age musician. Private study with master artists including members of the faculty of the Boston University School of Music and the Boston Symphony Orchestra. Chamber music, orchestral and vocal performances atTanglewood. For information: Boston University Tanglewood Institute, 855 Commonwealth Avenue, Boston, Massachusetts 02215. A program offered by the Boston University School for the Arts in association with the Berkshire Music Center/Boston Symphony Orchestra. Twelfth Season The Berkshires are a perfect place ... for people, If you have the opportunity to move a business, for families and for businesses. The kind of place or influence a business relocation, consider the where an unsurpassed quality of life is available. Berkshires. At Berkshire County Development data to that In the Berkshires the average commute is 10 Commission, we have compiled prove minutes. Golf courses, tennis clubs, ski resorts, the Berkshires add up for business reasons. Come see theatres, lakes, and fine restaurants are at your us or write on your letterhead for more information. doorstep. We provide excellent schools — both public Or, if you know of a business contemplating and private — and the Berkshires are the perfect place relocation, let us know. We welcome your business. to raise a family It's no accident that titans of industry have lived and worked in the Berkshires. Our labor force still believes in a day's work for a day's pay. And the the Berkshires Berkshires offer a readily available pool of labor. Our schools offer vocational programs and governmental Alan C. Marden training dollars are available. Most important, we want businesses to locate in Berkshire County Development Commission the Berkshires. That's why our banks have launched 205 West Street a program of financial assistance to attract new Pittsfield, Massachusetts 01201 industry and the County funds a full-time organization to assist you. Phone: (413) 499-4474 Tanglewood In August, 1934, a group of music- loving summer residents of the U Berk- shires organized a series of three Definitely not outdoor concerts at Interlaken, to be given by members of the New York to be missed... Philharmonic under the direction of "Herbert Kupferberg's Tanglewood Henry Hadley. The venture was so is bursting with information that successful that the promoters incor- even some of us who worked there . porated the Berkshire Symphonic had missed It catches the spirit Festival and repeated the experiment and truth of that beautiful place." during the next — Francis Robinson, summer. N.Y. Metropolitan Opera The Festival committee then invited "Reads as excitingly as a who- Serge Koussevitzky and the Boston done-it!" —Julius Rudel, Symphony Orchestra to take part in the New York City Opera following year's concerts. The Orches- "Unquestionably the definitive tra's Trustees accepted and on August Tanglewood history to date." 13, 1936, the Boston Symphony gave — Christian Science Monitor. its first concert in the Berkshires (at TANGLEWOOD Holmwood, a former Vanderbilt estate, later the Center at Foxhollow). The series, again consisting of three concerts, was given under a large tent, and a total of nearly 15,000 people attended. In the winter of 1936, Mrs. Gorham Brooks and Miss Mary Aspinwall by m Tappan offered Tanglewood, the Tap- Herbert pan family estate, with its buildings and Kupferberg 210 acres of lawns and meadows, as a 8x10. 280 pages. gift to Koussevitzky and the Orchestra. Over 150 photos. The offer was gratefully accepted, and paperback. Index. $9.95 on August 12, 1937, the Festival's McGRAW-HILL BOOK COMPANY largest crowd thus far assembled under a tent for the first Tanglewood concert, a program of music by Wagner. As Koussevitzky began The Ride of the Valkyries, a storm erupted, overpowering the music and causing the concert to be HANCOCK SHAKER interrupted three times before the first VILLAGE half could be completed. The second half of the program had to be changed, because of water damage to some of the Original 18th Century instruments, and when the concert Village Restored ended, Miss Gertrude Robinson Smith, one of the Festival's founders, came to Open daily 9:30-5:00 the stage and told the audience that the Adults $3 Children $1 storm had demonstrated the need for a permanent structure. Annual Kitchen Festival A hundred thousand dollars, she said, Week of August 1st would be needed for this purpose, and Route 20 Five miles West the response to her plea was so generous of Pittsfield, Mass. that within a short time the amount was fully subscribed. Plans for the Music Shed were drawn up by the eminent architect Eliel Saarinen, and, as modi- fied by Josef Franz of Stockbridge, who also directed construction, it was com- pleted on June lt>, 1938, a month ahead of schedule. Seven weeks later, Serge Koussevitzky led the inaugural concert, which included a performance of Beet- hoven's Ninth Symphony. By 1941, the Theatre-Concert Hall, the Chamber Music Hall and several small studios — all part of the Berkshire Music Center, which had begun operations the pre- ceding year — were finished, and the Festival had so expanded its activities and its reputation for excellence that it attracted nearly 100,000 visitors. Today Tanglewood annually draws close to a quarter of a million visitors; in addition to the twenty-four regular concerts of the Boston Symphony, there are weekly "Prelude" concerts and open IMIilC rehearsals, the annual Festival of FM SO. 3 mHz Contemporary Music, and almost daily We bring you fine music concerts by the gifted young musicians of the Berkshire Music Center. Arthur AND dozens of interesting Fiedler and the Boston Pops perform events — live and without each summer, and the Festival also commercials. Sit in with us includes a series of concerts by popular at the National Press Club, artists. The season offers not only a where the next day's head- vast quantity of music also a but vast lines are often made. Enjoy range of musical forms and styles, all "All Things Considered," a of it presented with a regard for artistic fascinating magazine of news excellence that makes the Festival and issues. (Nothing else like it unique. Tanglewood and the Berkshire Music Center, projects with which in broadcasting !) Savor some Koussevitzky was involved until his of the most satisfying thea- death, have become a fitting shrine to tre productions ever aired. his memory, a living embodiment of Revel in delightful, intelligent the vital, humanistic tradition that was conversation. his legacy. Listen . and if you like what you hear, write for our free monthly program directory. WAMC Albany Medical College Albany, New York 12208 National Public Radio for eastern New York npr and western New England mmmmmmn The Shed under construction in 193 8 Why do I work seven days a week? That's all there are.
Load more

Recommended publications
  • Return of Organization Exempt from Income
    r Return of Organization Exempt From Income Tax Form 990 527, or 4947(a)(1) of the Internal Revenue Code (except black lung Under section 501(c), LOOL benefit trust or private foundation) Department or me Ti2asury Internal Revenue Service 1 The organization may have to use a copy of this return to satisfy state reporting requirements A For the 2002 calendar year, or tax year period beginning APR 1 2002 and i MAR 31, 2003 B Check if Please C Name of organization D Employer identification number use IRS nddmss label or [::]change print or HE TRUSTEES OF RESERVATIONS 04-2105780 ~changa s~ Number and street (or P.0 box if mad is not delivered to street address) Room/suite E Telephone number =Initial return sPecisc572 ESSEX STREET 978 921-1944 Final = City or town, state or country, and ZIP +4 F Pccoun6npmethad 0 Cash [K] Accrual return Other =Amended~'d~° [BEVERLY , MA 01915 licatio" ~ o S ~~ . El Section 501(c)(3) organizations and 4947(a)(1) nonexempt charitable trusts H and I are not applicable to section 527 organizations. :'dl°° must attach a completed Schedule A (Form 990 or 990-EZ) . H(a) Is this a group retain for affiliates ~ Yes OX No G web site: OWW " THETRUSTEES . ORG H(b) It 'Yes,' enter number of affiliates 10, J Organization type (cnakonly one) " OX 501(c) ( 3 ) 1 (Insert no) = 4947(a)(1) or = 52 H(c) Are all affiliates inciuded9 N/A 0 Yes 0 No (If -NO,- attach a list ) K Check here " 0 if the organization's gross receipts are normally not more than $25,000 .
    [Show full text]
  • The Marriage of Figaro
    UNIVERSITY MUSICAL SOCIETY Charles A. Sink, President Lester McCoy, Conductor Gail W. Rector, Executive Director First Concert 1957-1958 Complete Series 3216 Twelfth Annual Extra Concert Series THE NBC OPERA COMPANY m THE MARRIAGE OF FIGARO MOZART SUNDAY EVENING, OCTOBER 6, 1957, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN THE CAST Count Almaviva WALTER CASSEL Countess Almaviva MARGUERITE WILLAUER Susanna, the Countess' maid JUDITH RASKIN Figaro, the Count's valet . MAC MORGAN Cherubino, the Count's page REGINA SARFATY Marcellina, an aged dame . RUTH KOBART Basilio, a music master LUIGI VELUCCI Don Curzio, a judge FRED CUSHMAN Bartolo, a doctor . EMILE RENAN Antonio, a gardener-Susanna's uncle EUGENE GREEN Barbarina, his daughter . BERTE GOAPERE Crier . RICHARD KRAUSE Country men and women, court attendants, hunters, and servants. (Cast subject to change) Conductor and Stage Director: PETER HERMAN ADLER Baldwin piano courtesy 0/ Maddy Music Company, Ann Arbor. A R S LON G A V I T A BREVIS THE MARRIAGE OF FIGARO By WOLFGANG AMADEUS MOZART Libretto by DAPONTE Based on a comedy by BEAUMARCHAIS English version: EDWARD EAGER Producer: SAMUEL CHOTZINOFF Music and Artistic Director: PETER HERMAN ADLER General Manager: CHANDLER COWLES Costumes: ALVIN COLT The action takes place in the castle and grounds of the Count and Countess Almaviva, near Seville. ACT I Count Almaviva, grown faithless to his Rosina after some years of marriage, has cast a roving eye upon her maid, Susanna, the bride-to-be of his valet, Figaro; while the Count's page, young Cherubino, has fallen in love, if you please, with the Countess herself.
    [Show full text]
  • Song List 2012
    SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat.
    [Show full text]
  • 75Thary 1935 - 2010
    ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State.
    [Show full text]
  • NAUMKEAG Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form
    NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 NAUMKEAG Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Naumkeag Other Name/Site Number: N/A 2. LOCATION Street & Number: 5 Prospect Hill Road Not for publication: City/Town: Stockbridge Vicinity: State: MA County: Berkshire Code: 003 Zip Code: 01262 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): ___ Public-Local: District: _X_ Public-State: ___ Site: ___ Public-Federal: ___ Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 10 buildings 11 sites 2 structures objects 23 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 NAUMKEAG Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ____ meets ____ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ____ meets ____ does not meet the National Register criteria.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1976
    I M' n, v ~# ^ »>'* •«*^ ^T* > ^'^.._, KlLBu**%m*lJcML^teff-'il Btf^^flB IS^.'^I For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin Charles Kavaloski, French horn Karol Berger ' Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz Bernard Kadinoff, viola David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin ' Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman 'Leslie Martin, string bass ' Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello * Thomas Ganger Malloy Miller Leslie Parnas, cello ' Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence " Alfred Schneider, violin music education * Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola
    [Show full text]
  • As a Benefit of Your New England Air Museum Membership, You Are
    As a benefit of your New England Air Museum membership, you are entitled to the following privileges at participating North American Reciprocal Museum Association institutions: Free/member admission during regular museum hours; Member discounts at museum shop; Member discounts on concert/lecture tickets. Simply present your New England Air Museum membership card validated with NARM identification to receive your benefits. Guests are not included unless they present a current membership card validated with accepted NARM identification. Some museums restrict benefits. It is always advisable to contact the institution prior to your visit to avoid any confusion. Visit https://narmassociation.org/wp- content/uploads/2019/09/NARM_FALL_2019.pdf for a full list of participating NARM institutions. NARM Members Fall 2019: Connecticut: Massachusetts: America's First Law School Acton, Discovery Museum Connecticut Historical Society Addison Gallery of American Art Connecticut River Museum Arlington Historical Society Museum & Jason Davison Art Center at Wesleyan University Russell House Harriet Beecher Stowe Center Berkshire Botanical Garden Ireland’s Great Hunger Museum Berkshire Museum Litchfield History Museum Beverly Historical Society Lyman Allyn Art Museum Cahoon Museum of American Art Mattatuck Museum Cape Ann Museum New Britain Museum of American Art Cape Cod Museum of Art New Britain Youth Museum and Nature Chesterwood Center Clark Art Institute Noah Webster House & West Hartford Worcester Art Museum* Historical Society Concord Museum* The Aldrich Contemporary Art Museum Cyrus Dallin Art Museum The Mark Twain House & Museum Danforth Art Museum at Framingham State The Wadsworth Atheneum Museum of Art University The William Benton Museum of Art at the Davis Museum at Wellesley College University of Connecticut Duxbury Rural & Historical Society Yale Peabody Museum of Natural History Edward M.
    [Show full text]
  • Greater Boston's Season of “Social Trust”
    EXPLORATIONS Greater Boston’s Season of “Social Trust” Getting away and outside safely this summer by nell porter brown Clockwise from top: Broadmoor and Ipswich River sanctuaries (Mass Audubon); Naumkeag Estate (Trustees); Gorman Chairback Lodge & Cabins (Appalachian Mountain Club); and Crane Beach (Trustees) the pandemic—until they became overrun. n late May, Harvard T.H. Chan School rules. “Importantly, the burden is not just “We had a lot of visitors using sites as recre- of Public Health assistant professor Jo- on parks and park rangers, but it’s also on ation areas,” reports Gail Yeo, vice president seph Allen put it bluntly: “This is going people. And to get through this, it’s going for wildlife sanctuaries and programs. People I to be a very different summer.” to take a great deal of social trust,” Allen brought dogs, even where they are prohibited. Even as many parks and preserves that repeatedly emphasized during a press brief- Parked cars spilled out of lots, illegally jam- closed in the early days of the COVID-19 ing after the release of Massachusetts gover- ming public roads. Landscapes outside the pandemic began reopening this spring, nor Charlie Baker’s cautious, multi-phased designated trails were being trampled—or visitor access came with strict protocols reopening plan. “We should view going to used as rest rooms. “People were just really designed not only to prevent viral spread- parks and other activities that are starting to exploring in a way that was kind of excit- ing, but also to protect natural areas from reopen as a privilege,” Allen added, “which ing,” says Yeo, “but completely out of control.” damage caused by overcrowding.
    [Show full text]
  • NAUMKEAG Restoration of the Pyramid Stairs the Trustees of Reservations Stockbridge, Massachusetts Project Data Date: 2006-2007
    NAUMKEAG Project Description: Restoration of the Pyramid Stairs Naumkeag, designed by McKim, Mead & White, was the summer The Trustees of Reservations home and Country Place Era estate of Joseph Choate and his Stockbridge, Massachusetts family. The estate, built on a hillside in the Berkshire Mountains, consists of 45-acres and several distinct garden rooms. In 1926, Project Data Fletcher Steele began his 32-year working relationship with Date: 2006-2007 daughter Mabel Choate and the entire property was improved One flight of bluestone stairs physically and aesthetically. Context: Berkshire Mountains in western Mass. In 1959, The Trustees of Reservations (TTOR) acquired Construction Date: 2007 Naumkeag, which is a National Historic Landmark (listed in 2007) and an outstanding example of a historic designed landscape. Since 1959, major portions of the house and pieces of the designed landscape have been restored. In 2006, TTOR decided to restore a set of bluestone stairs that Fletcher Steele designed to connect the Afternoon Garden with the South Lawn and the brick walkway with water rill that leads to the famous Blue Stairs. The Pyramid Stairs have bluestone risers and turf treads. Originally built in the early 1930s, the stairs slowly moved downhill and several stones were broken and leaning and the turf was in poor condition, resulting in a potentially dangerous and aesthetically unpleasing situation. Elmore Design Collaborative (EDC) was hired to assess the Existing conditions, Aug. 30, 2006 existing conditions and prepare construction drawings and technical specifications for the restoration work. Steele’s original drawings and period photographs were used to guide the restoration.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 129, 2009-2010
    BOSTON SYM PHONY ORCHESTRA ,v IB 2009-2010 SEASON WEEK 24 James Levine Music Director | Bernard Haitink : Conductor Emeritus Seiji Ozawa i Music Director Laureate W&Imm&f/; MmmsmBBBm Silk twill scarves. Boston 320 Boylston Street (617) 482-8707 Hermes.com HERMES PARIS & VERMES, L/FEAS A*^ Table of Contents | Week 24 15 BSO NEWS 23 ON DISPLAY IN SYMPHONY HALL 25 BSO MUSIC DIRECTOR JAMES LEVINE 28 THE BOSTON SYMPHONY ORCHESTRA 31 THIS WEEK'S PROGRAM Notes on the Program 33 Richard Strauss 41 Mozart Violin Concerto No. 5 51 Mozart Symphony No. 35, "Haffner' 57 To Read and Hear More... Guest Artists 61 Bernard Haitink 63 Leonidas Kavakos 66 SPONSORS AND DONORS 80 FUTURE PROGRAMS 82 SYMPHONY HALL EXIT PLAN 83 SYMPHONY HALL INFORMATION THIS WEEK S PRE-CONCERT TALKS ARE GIVEN BY ELIZABETH SEITZ OF THE BOSTON CONSERVATORY, program copyright ©2010 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org WHAT DO YOU PACK FOR A TRIP TO THE AFTERLIFE? fccfeucO I c < K C <$ << ict <><5Q & n?fe 1 I Iff til 1 DIG DEEPER AT •* - THE SECRETS OF TOMB 10A '». EGYPT 2000 BC MUSEUM OF FINE ARTS, BOSTON NOW THROUGH JUNE 27, 2010 ^V'&p BOSTON WWW.MFA.ORG «S£ ** o \V The exhibition is supported by Major funding is provided by Additional support >>!• . .INSTITUTE of for the exhibition is The Calderwood Charitable Foundation. ••••Iv MuseunriandLibr Bankof America provided by •*.•••; SERVIC *&• Above: Front side panel of outer coffin of Djehutynakht (detail), Egyptian, Middle Kingdom, late Dynasty n-early Dynasty 12, 2010-1961 BC.
    [Show full text]
  • John La Montaine Collection
    JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature .
    [Show full text]
  • Abstract Why Song?
    114 Yearbook of Population Research in Finland 35 (1998-1999), pp. 114-132 W ho do W e think W e are - the Finnishness in Finnish-A m erican songs JUHA NIEM ELÄ, M. A. Researcher Institute o f Migration Turku, Finland Abstract From the last part o f the 19th century, Finnish immigrants in North America were in­ volved in a variety of cultural activities. Among the many interests the immigrants had were music and songs, which were a natural part of their existence. My intention here is to give a brief overview of this area of tradition which is less known in every way. I will provide an idea o f the Finnish-American identity described in the songs o f Finns in America between the years 1900 and 1930. Sometimes only written by hand, published in a small booklet or printed by a Finnish-American organization as a songbook, or sung on major- label records, in these songs there can still be found traces of the individual mind and group voice o f these immigrants. The identity itself has a double meaning and is very well suited as a focus when discussing these songs. As we all know, one meaning of identity is sameness and another is distinctiveness, where the latter seems to refer to individual identity and the former has to do with a sense of commonality between several persons who constitute a group.' The song texts in question often more or less follow these given identity patterns. I am simply trying to find an answer to the following question: What was the identity that an individual Finn or Finns as a group wanted to manifest to other ethnic groups during the “golden years“ o f Finnish-American culture in the United States.
    [Show full text]